{"product_id":"cinestill-800t-120","title":"CineStill 800T","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eCineStill 800T is a high-speed colour film made for the kind of light that usually has you wondering whether you should put the camera away.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at EI 800 and balanced for tungsten light, it's particularly at home after dark, under streetlights, neon signs and artificial indoor lighting. In 120 format, you get that familiar CineStill night-time character with the extra detail and depth of a medium format negative.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eWith the original remjet layer removed, bright points of light can produce the red halation that has become one of 800T's most recognisable characteristics. It's not a subtle, neutral film in every situation, and that's part of the appeal.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFor night streets, live music, portraits after dark or simply seeing what your medium format camera can do when the sun goes down, 800T gives you plenty to work with.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMedium format photography\u003c\/li\u003e\n\u003cli\u003eNight photography\u003c\/li\u003e\n\u003cli\u003eLow-light photography\u003c\/li\u003e\n\u003cli\u003eNeon and city lights\u003c\/li\u003e\n\u003cli\u003eAvailable-light portraits\u003c\/li\u003e\n\u003cli\u003eIndoor photography\u003c\/li\u003e\n\u003cli\u003eStreet photography after dark\u003c\/li\u003e\n\u003cli\u003eLive music and events\u003c\/li\u003e\n\u003cli\u003eArtificial lighting\u003c\/li\u003e\n\u003cli\u003ePhotographers looking for distinctive halation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003estrong low-light performance, cinematic colour and distinctive red halation around bright highlights\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe film is balanced for \u003cstrong\u003e3200K tungsten light\u003c\/strong\u003e, so it feels particularly natural under warmer artificial lighting. In daylight, CineStill recommends an \u003cstrong\u003e85B warming filter\u003c\/strong\u003e for more neutral colour, although shooting without one can be used creatively for a cooler look.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThere's also plenty of exposure flexibility. CineStill states that 800T can be rated from \u003cstrong\u003eEI 200 to EI 1000 without push processing\u003c\/strong\u003e, and can be pushed as far as \u003cstrong\u003eEI 3200\u003c\/strong\u003e when more speed is needed.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eCineStill removes the motion-picture remjet backing before the film is packaged, allowing 800T to be processed using standard C-41 chemistry at a regular compatible film lab.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt can also be processed using motion-picture-style Cs2 \/ ECN-2 chemistry if desired, but \u003cstrong\u003eC-41 is the straightforward standard option\u003c\/strong\u003e for most customers.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e \u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701184446518,"sku":"3906170","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/120Cinestill800T-1.png?v=1790052984","url":"https:\/\/www.sydneysuper8.com.au\/products\/cinestill-800t-120","provider":"SS8","version":"1.0","type":"link"}