{"product_id":"cinestill-50d-120","title":"CineStill 50Daylight","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eCineStill 50Daylight is a slow, exceptionally fine-grain colour film made for bright light and maximum detail.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at EI 50 and balanced for daylight, it's right at home on sunny days, with landscapes, portraits and anywhere you want to make the most of a medium format negative. The slower speed also makes it easier to shoot at wider apertures in bright conditions without reaching for heavy ND filters.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e50D started life with motion-picture DNA, but CineStill prepares it specifically for still photography and standard C-41 processing. With the remjet layer removed, bright highlights can produce the distinctive halation associated with CineStill films.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIn 120, the combination of a larger negative, extremely fine grain and high resolution makes 50D particularly good when detail matters. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMedium format photography\u003c\/li\u003e\n\u003cli\u003eBright daylight\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eArchitecture\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eFashion and editorial work\u003c\/li\u003e\n\u003cli\u003eShooting wide apertures in bright conditions\u003c\/li\u003e\n\u003cli\u003eHigh-resolution scanning\u003c\/li\u003e\n\u003cli\u003ePhotographers wanting very fine grain\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003every fine grain, high resolution, strong detail and rich colour\u003c\/strong\u003e, with the possibility of CineStill's characteristic halation around bright highlights.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eCineStill recommends a base rating of \u003cstrong\u003eEI 50\u003c\/strong\u003e, but the film can be rated anywhere between \u003cstrong\u003eEI 12 and EI 100 without push processing\u003c\/strong\u003e. Changing the exposure affects colour, contrast, highlight rendering and shadow detail, with lower EI ratings tending towards warmer results and stronger highlight halation. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eBecause this is a slow film, you'll get the easiest handheld shooting in bright conditions. In lower light, expect to work with slower shutter speeds or a tripod.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eCineStill 50D has its remjet backing removed before sale, allowing it to be safely processed by a photo lab using standard C-41 chemistry. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt can alternatively be processed using motion-picture-style chemistry such as CineStill Cs2\/ECN-2, which produces a lower-contrast negative, but \u003cstrong\u003eC-41 is the standard option for most photographers and labs\u003c\/strong\u003e.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701184249910,"sku":"6027600","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/120Cinestill50D-2.png?v=1790052623","url":"https:\/\/www.sydneysuper8.com.au\/products\/cinestill-50d-120","provider":"SS8","version":"1.0","type":"link"}