{"title":"Super8\/Cinema Stock","description":null,"products":[{"product_id":"ektachrome-100d-super-8","title":"Kodak EKTACHROME 100D Super 8","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak EKTACHROME 100D is Super 8 with a difference. Instead of producing a colour negative, it creates a positive colour image directly on the film.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at EI 100 and balanced for daylight, it's made for bright conditions where its fine grain, sharp detail and rich colour can really shine. Landscapes, travel, outdoor portraits and sunny-day filmmaking are all right at home here.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eBecause it's reversal film, the developed strip is the finished positive image. Hold it up to the light and you're looking directly at the colours you captured, rather than the orange negative you get from Kodak's VISION3 stocks.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach cartridge contains \u003cstrong\u003e50 feet \/ 15 metres of film\u003c\/strong\u003e, giving you around three minutes of footage depending on your shooting frame rate.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eSuper 8 filmmaking\u003c\/li\u003e\n\u003cli\u003eDaylight shooting\u003c\/li\u003e\n\u003cli\u003eTravel films\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eOutdoor portraits\u003c\/li\u003e\n\u003cli\u003eMusic videos\u003c\/li\u003e\n\u003cli\u003eShort films\u003c\/li\u003e\n\u003cli\u003eProjection\u003c\/li\u003e\n\u003cli\u003eArchival film projects\u003c\/li\u003e\n\u003cli\u003eFilmmakers who want a positive image on the original film\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003efine grain, crisp detail, rich colour and more contrast than a colour negative stock\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe biggest difference is that EKTACHROME is \u003cstrong\u003ereversal film\u003c\/strong\u003e. After processing, the film itself contains a positive colour image that can be viewed directly or projected with compatible equipment.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThat also means exposure needs a little more care. Colour reversal film has less exposure latitude than Kodak's VISION3 negative stocks, so getting your exposure right in-camera matters more.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eKodak rates EKTACHROME 100D at \u003cstrong\u003eEI 100 under 5500K daylight\u003c\/strong\u003e. Under 3200K tungsten lighting, Kodak specifies an \u003cstrong\u003e80A filter and EI 25\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eE-6 colour reversal processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis is an important distinction from the VISION3 Super 8 films we've just done.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003e50D, 200T and 500T:\u003c\/strong\u003e ECN-2 colour negative processing\u003cbr\u003e\u003cstrong\u003eEKTACHROME 100D:\u003c\/strong\u003e E-6 colour reversal processing\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eKodak specifies \u003cstrong\u003eProcess E-6\u003c\/strong\u003e for EKTACHROME 100D 7294.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eOnce developed, the original film contains the finished positive image. It can be scanned to a digital file for editing and sharing, but unlike negative film, scanning isn't required simply to see a positive image.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701185757238,"sku":"7346179","price":130.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Super8Ektachrome100D1.png?v=1790058748"},{"product_id":"super-8-200t","title":"Kodak VISION3 200T Super 8","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak VISION3 200T is a versatile Super 8 colour film that sits neatly between the bright-daylight 50D and faster low-light 500T.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at EI 200 and balanced for tungsten light, it's particularly useful for interiors, controlled lighting and situations where the light can change throughout the day. Kodak designed it to give you the flexibility of a 200-speed film while keeping grain closer to what you'd expect from a slower stock.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThere's plenty of latitude in the highlights and good detail through the shadows, making it a forgiving choice when you're working quickly or moving between different lighting conditions.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach cartridge contains \u003cstrong\u003e50 feet \/ 15 metres of film\u003c\/strong\u003e, giving you around three minutes of footage depending on your shooting frame rate.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eSuper 8 filmmaking\u003c\/li\u003e\n\u003cli\u003eIndoor shooting\u003c\/li\u003e\n\u003cli\u003eControlled lighting\u003c\/li\u003e\n\u003cli\u003eAvailable light\u003c\/li\u003e\n\u003cli\u003eMixed lighting conditions\u003c\/li\u003e\n\u003cli\u003eTravel films\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eMusic videos\u003c\/li\u003e\n\u003cli\u003eShort films\u003c\/li\u003e\n\u003cli\u003eDocumentary work\u003c\/li\u003e\n\u003cli\u003eFilmmakers wanting a versatile middle-speed stock\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003efine grain, good shadow detail, plenty of highlight latitude and a balanced cinematic look\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eVISION3 200T is balanced for \u003cstrong\u003e3200K tungsten light\u003c\/strong\u003e and rated at \u003cstrong\u003eEI 200\u003c\/strong\u003e under tungsten illumination. Kodak recommends an \u003cstrong\u003e85 filter and EI 125\u003c\/strong\u003e when shooting under 5500K daylight if you want to maintain the intended colour balance. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's a useful middle ground in Kodak's VISION3 Super 8 range. You get more speed than 50D without moving all the way to 500T, making 200T particularly versatile when conditions aren't completely predictable.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eECN-2 motion picture processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eKodak specifies \u003cstrong\u003eECN-2\u003c\/strong\u003e processing for VISION3 200T Super 8 film. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eOnce processed, the film will normally also need to be scanned to a digital file for viewing, editing and sharing.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701204107318,"sku":"1198999","price":80.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Super8200T1.png?v=1790057949"},{"product_id":"super-8-500t","title":"Kodak VISION3 500T Super 8","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak VISION3 500T is the fastest colour film in Kodak's Super 8 VISION3 range, made for shooting when there isn't much light to work with.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at EI 500 and balanced for tungsten light, it's particularly at home indoors, after dark and anywhere you're working with available or artificial light. The extra speed makes it easier to keep filming as the light drops, while VISION3 technology helps retain detail through the shadows and highlights.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e500T also has plenty of character in Super 8. Expect more visible grain than 50D or 200T, but that's part of what makes it such a good match for night streets, live music, interiors and atmospheric filmmaking.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach cartridge contains \u003cstrong\u003e50 feet \/ 15 metres of film\u003c\/strong\u003e, giving you around three minutes of footage depending on your shooting frame rate. Kodak confirms its Super 8 cartridges contain 50 feet of professional motion picture film. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eSuper 8 filmmaking\u003c\/li\u003e\n\u003cli\u003eLow-light shooting\u003c\/li\u003e\n\u003cli\u003eNight photography and filmmaking\u003c\/li\u003e\n\u003cli\u003eInteriors\u003c\/li\u003e\n\u003cli\u003eAvailable light\u003c\/li\u003e\n\u003cli\u003eStreet scenes after dark\u003c\/li\u003e\n\u003cli\u003eLive music\u003c\/li\u003e\n\u003cli\u003eEvents\u003c\/li\u003e\n\u003cli\u003eMusic videos\u003c\/li\u003e\n\u003cli\u003eShort films\u003c\/li\u003e\n\u003cli\u003eAtmospheric and cinematic projects\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003estrong low-light performance, visible Super 8 texture, good shadow detail and plenty of highlight latitude\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e500T is Kodak's fastest current VISION3 Super 8 stock. Kodak specifically rates its suitability highest for \u003cstrong\u003elimited tungsten light\u003c\/strong\u003e, while also recommending it for interiors and well-lit studio environments. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's balanced for \u003cstrong\u003e3200K tungsten light at EI 500\u003c\/strong\u003e. For colour-corrected shooting under 5500K daylight, Kodak specifies an \u003cstrong\u003e85 filter and EI 320\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eCompared with 50D and 200T, you'll see more grain, particularly in the small Super 8 frame, but you gain substantially more flexibility when light levels drop.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eECN-2 motion picture processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eVISION3 500T is designed for Kodak's \u003cstrong\u003eECN-2 process\u003c\/strong\u003e and retains its remjet backing. It should therefore be sent to a lab equipped for motion picture film processing. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eOnce developed, Super 8 colour negative film will normally also be scanned to a digital file for viewing, editing and sharing.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701204205622,"sku":"654598C","price":80.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Super8500T1.png?v=1790058365"},{"product_id":"super-8-50d","title":"Kodak VISION3 50D","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak VISION3 50D is the Super 8 film to reach for when you've got plenty of light and want to squeeze as much detail as possible out of the format.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at EI 50 and balanced for daylight, it's made for sunny days, travel, landscapes, outdoor portraits and anything else you're filming in good natural light. Its exceptionally fine grain helps keep Super 8 footage clean and detailed, while Kodak's VISION3 technology gives you plenty of latitude in highlights and shadows.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach cartridge contains \u003cstrong\u003e50 feet \/ 15 metres of film\u003c\/strong\u003e, giving you roughly three minutes of footage depending on your camera's frame rate.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eLoad the cartridge, shoot it, then send it for ECN-2 processing and scanning. It's proper motion-picture film in one of the easiest analogue movie formats to use.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eSuper 8 filmmaking\u003c\/li\u003e\n\u003cli\u003eBright daylight\u003c\/li\u003e\n\u003cli\u003eTravel films\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eOutdoor portraits\u003c\/li\u003e\n\u003cli\u003eWeddings and events\u003c\/li\u003e\n\u003cli\u003eMusic videos\u003c\/li\u003e\n\u003cli\u003eShort films\u003c\/li\u003e\n\u003cli\u003eCommercial and creative projects\u003c\/li\u003e\n\u003cli\u003eAnyone wanting fine grain from Super 8\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003efine grain, strong detail, natural colour and plenty of latitude\u003c\/strong\u003e, particularly when you're shooting in bright daylight.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e50D is the slowest of Kodak's current VISION3 Super 8 stocks. The lower speed means it needs considerably more light than 200T or 500T, but in return you get exceptionally fine grain and excellent image quality.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eKodak rates it at \u003cstrong\u003eEI 50 under 5500K daylight\u003c\/strong\u003e. Under tungsten lighting with an 80A conversion filter, the effective rating is \u003cstrong\u003eEI 12\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eA standard 50-foot Super 8 cartridge provides approximately \u003cstrong\u003e3 minutes 20 seconds at 18 fps\u003c\/strong\u003e, or around \u003cstrong\u003e2 minutes 30 seconds at 24 fps\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eECN-2 motion picture processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eKodak VISION3 50D is a professional colour negative motion-picture film and should be processed using \u003cstrong\u003eECN-2 chemistry\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eUnlike C-41 still film, VISION3 retains its \u003cstrong\u003eremjet backing\u003c\/strong\u003e, so it should go to a lab equipped to process motion-picture film.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFor Super 8, processing is only part of the workflow. You'll normally also need the developed film \u003cstrong\u003escanned\u003c\/strong\u003e to a digital file if you want to edit, share or view the footage digitally.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701204303926,"sku":"827677W","price":80.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Super850D1.png?v=1790057457"}],"url":"https:\/\/www.sydneysuper8.com.au\/collections\/super8-cinema-stock.oembed","provider":"SS8","version":"1.0","type":"link"}