{"title":"Sale eligible products","description":null,"products":[{"product_id":"110-sunkissed-3pk-regular","title":"Lomography LomoChrome Color ’92 Sun-kissed 110 (3 Pack)","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eLomoChrome Color ’92 Sun-kissed\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e brings a warm, nostalgic feel to the tiny world of 110 photography.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis ISO 400 colour negative film leans into \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003egolden tones, warm reds and a beautifully sun-soaked colour palette\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, giving everyday scenes a distinctive analogue character straight out of the camera.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe ISO 400 speed makes it versatile enough for days out, travel, street photography and plenty of everyday shooting. And because it's 110, you get all of that character in one of photography's smallest and most fun film formats.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt's a great match for anyone who wants their 110 camera to produce something a little less predictable than a traditional colour film. Think summer afternoons, warm skin tones, saturated colour and plenty of personality.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThis pack contains three rolls of LomoChrome Color ’92 Sun-kissed 110 film, with 24 exposures per roll.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBest for\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eSunny days, travel, street photography, parties, holidays, everyday snapshots and anyone wanting to give their 110 photography a warmer, more distinctive colour palette.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eWhat to expect\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eExpect \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ewarm colours, golden highlights, rich reds and a nostalgic, slightly experimental look\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eColor ’92 Sun-kissed isn't really about perfectly neutral colour. Its character is part of the appeal, giving your photographs a warm analogue feel that works especially nicely with bright daylight and colourful scenes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt ISO 400, you've also got enough flexibility to keep a 110 camera loaded across changing conditions rather than saving it exclusively for bright sunshine.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eDeveloping\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eProcess: C-41\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLomoChrome Color ’92 Sun-kissed uses standard \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eC-41 colour negative processing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJust make sure your chosen lab accepts \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e110 film\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, as not every C-41 lab handles the smaller format.\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701179793462,"sku":"D255213","price":50.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/110LomochromeColor92-400-24exp1.png?v=1790571800"},{"product_id":"36exp-kodak-gold-200-3pk-regular","title":"Kodak Gold 200 3-Pack, 36 Exposure","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eKodak Gold 200 is an easy-going 35mm colour film with warm, saturated colour, fine grain and good sharpness. This 3-pack gives you three rolls to keep shooting without having to restock after every 36 exposures.\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRated at ISO 200, Gold 200 is particularly well suited to natural daylight and electronic flash. It has enough speed for everyday photography while retaining the fine grain and sharpness that make it a reliable general-purpose colour film.\u003c\/p\u003e\n\u003cp\u003eIt's a particularly good fit for holidays, weekends, people, travel, beaches and general outdoor photography. Kodak describes it as an everyday colour film with saturated colour, fine grain and high image sharpness. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eEveryday photography, travel, holidays, portraits, family photos, beaches, outdoor photography and bright daylight.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e3 rolls of 36 exposure 35mm film, giving you 108 exposures in total.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGold 200 has a warm, colourful look with fine grain and good sharpness. It is happiest in daylight, but can also be used with electronic flash. Kodak gives it a broad exposure latitude, from around two stops underexposure to three stops overexposure, which gives you some flexibility when lighting isn't perfect. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAt \u003cstrong\u003e$50 for three rolls\u003c\/strong\u003e, this also works out to around \u003cstrong\u003e$16.67 per roll!\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eC-41 colour negative processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGold 200 should be processed using the standard C-41 process. Kodak specifies KODAK FLEXICOLOR chemistry for processing. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701180055606,"sku":"1596105","price":70.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/3-PackKodakGold20036-exposure1_79d62832-6353-4f99-ac6e-108fed364b13.png?v=1790043966"},{"product_id":"36exp-kodak-ultramax-400-3pk-regular","title":"Kodak UltraMax 400, 36 Exposure 3-Pack","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak UltraMax 400 is a versatile everyday colour film, and this 3-pack gives you three 36-exposure rolls with 108 shots in total.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts ISO 400 speed gives you plenty of flexibility across changing conditions, from bright daylight and overcast afternoons to indoor photography with flash. It produces vivid colour, fine grain and good sharpness, while the extra speed makes it easier to photograph moving subjects or keep shooting as the light starts to drop.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eUltraMax is an easy film to keep loaded for travel, street photography, family photos, weekends away or simply carrying a camera around every day.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eWith three full 36-exposure rolls in the box, this pack is a handy option if you shoot regularly, have a trip coming up or just want a few spare rolls ready to go.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEveryday photography\u003c\/li\u003e\n\u003cli\u003eTravel and holidays\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eFamily photos\u003c\/li\u003e\n\u003cli\u003ePortraits and people\u003c\/li\u003e\n\u003cli\u003eMoving subjects\u003c\/li\u003e\n\u003cli\u003eOvercast conditions\u003c\/li\u003e\n\u003cli\u003eIndoor photography with flash\u003c\/li\u003e\n\u003cli\u003eWeekends away\u003c\/li\u003e\n\u003cli\u003eKeeping spare rolls in your camera bag\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003evivid colour, fine grain and good sharpness\u003c\/strong\u003e, with the flexibility of ISO 400.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eUltraMax 400 is designed to work across a broad range of everyday conditions. The higher speed gives you more room to work when the light drops, extends your flash range and makes faster shutter speeds easier when photographing moving subjects. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach roll contains \u003cstrong\u003e36 exposures\u003c\/strong\u003e, giving you \u003cstrong\u003e108 exposures across the full three-pack\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eKodak UltraMax 400 uses standard C-41 colour negative processing. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701180088374,"sku":"7716718","price":70.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/3-PackKodakUltramax40036-exposure1.png?v=1790044577"},{"product_id":"4x5-portra-400-regular","title":"Kodak Professional Portra 400 - 4x5","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak Professional Portra 400 brings one of Kodak's most versatile colour films to the 4×5 large format world.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at ISO 400, it gives large format photographers more flexibility than slower sheet films, particularly when you're working on location or dealing with changing light. Portra's natural colour, smooth skin tones and wide exposure latitude make it particularly well suited to portraits, fashion, landscapes and environmental work.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIn 4×5, you get all of that with the detail and depth of a large sheet-film negative. The fine grain and high sharpness give you plenty to work with when making large prints or high-resolution scans.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach box contains \u003cstrong\u003e10 individual 4×5 sheets\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e4×5 large format photography\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eFashion and editorial photography\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eEnvironmental portraits\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eOutdoor photography\u003c\/li\u003e\n\u003cli\u003eLocation work\u003c\/li\u003e\n\u003cli\u003eHigh-resolution scanning\u003c\/li\u003e\n\u003cli\u003eLarge prints\u003c\/li\u003e\n\u003cli\u003ePhotographers working in changing light\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003enatural colour, smooth skin tones, fine grain and plenty of exposure flexibility\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003ePortra 400 is particularly known for its treatment of skin tones, which is one reason it remains a common choice for portrait and fashion photography. Kodak also positions it for nature, travel and outdoor photography where lighting conditions may be harder to control. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt ISO 400, it also gives you useful extra speed for large format photography, where smaller apertures and slower lenses can quickly lead to long exposures.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe 4×5 version uses a \u003cstrong\u003e0.19mm ESTAR thick base\u003c\/strong\u003e and must be loaded and unloaded from film holders in \u003cstrong\u003etotal darkness\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eKodak specifies standard \u003cstrong\u003eProcess C-41\u003c\/strong\u003e chemistry for Portra 400, including the 4×5 sheet-film version. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701180448822,"sku":"Y941780","price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/KodakPortra400-4.5in-3.png?v=1790054817"},{"product_id":"angenieux-paris-25-0-95-type-m1-regular","title":"P. Angénieux Paris 25mm, Type M1","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe \u003cstrong\u003eP. Angénieux Paris 25mm f\/0.95 Type M1\u003c\/strong\u003e is a seriously fast French-made 16mm cine prime from one of cinema's most important lens manufacturers.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIntroduced in \u003cstrong\u003e1953\u003c\/strong\u003e, the Type M1 was designed as a 25mm standard lens for 16mm motion-picture cameras. Its defining feature is the remarkable \u003cstrong\u003ef\/0.95 maximum aperture\u003c\/strong\u003e, which made it an exceptionally fast lens for its era and particularly useful when working with limited available light. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe 25mm focal length gives a useful general-purpose perspective on 16mm film, while the f\/0.95 aperture opens up considerably more low-light flexibility and depth-of-field control than slower cine lenses.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's fully manual, with helical focusing down to approximately \u003cstrong\u003e0.45m \/ 18 inches\u003c\/strong\u003e, and uses the standard \u003cstrong\u003eC-Mount\u003c\/strong\u003e found across a wide range of vintage 16mm cine cameras. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eBeyond its practical use, the Type M1 has become a particularly interesting piece of Angénieux history. Its combination of extreme speed, compact C-Mount design and early-1950s French cine engineering gives it genuine collector appeal as well as plenty of character for filmmakers who still want to shoot vintage glass.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e16mm filmmaking\u003c\/li\u003e\n\u003cli\u003eC-Mount cine cameras\u003c\/li\u003e\n\u003cli\u003eAvailable-light filmmaking\u003c\/li\u003e\n\u003cli\u003eLow-light shooting\u003c\/li\u003e\n\u003cli\u003eGeneral-purpose 16mm work\u003c\/li\u003e\n\u003cli\u003eDocumentary filmmaking\u003c\/li\u003e\n\u003cli\u003ePeople and portraits\u003c\/li\u003e\n\u003cli\u003eExperimental filmmaking\u003c\/li\u003e\n\u003cli\u003eVintage cine setups\u003c\/li\u003e\n\u003cli\u003eAngénieux collectors\u003c\/li\u003e\n\u003cli\u003eVintage cinema lens collections\u003c\/li\u003e\n\u003cli\u003eAdaptation to compatible digital cameras\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThe standout feature here is undoubtedly the \u003cstrong\u003ef\/0.95 maximum aperture\u003c\/strong\u003e. This is an exceptionally fast lens, particularly considering Angénieux introduced the Type M1 in the early 1950s. Angénieux's own historical account describes the lens as having broken the era's “speed barrier” when it appeared in 1953. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt \u003cstrong\u003e25mm on 16mm film\u003c\/strong\u003e, it sits around the standard\/general-purpose part of the system rather than behaving like a particularly wide or long lens.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe lens uses \u003cstrong\u003eC-Mount\u003c\/strong\u003e, making it mechanically compatible with appropriate C-Mount cine cameras. It can also be adapted to some modern mirrorless systems, although coverage varies considerably depending on sensor size. This was designed around a much smaller 16mm image area, so full sensor coverage shouldn't be assumed. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThere is also some interesting history behind this model. The Type M1 was developed for 16mm cine use, including Bell \u0026amp; Howell's Filmo system. Historical Angénieux material confirms that the company supplied C-Mount 16mm lenses for the Bell \u0026amp; Howell Filmo 70 series.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701181300790,"sku":"616405W","price":1000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/P.ANGENIEUX-M1-0.95-1.png?v=1790129739"},{"product_id":"angenieux-paris-50-1-5-type-85-regular","title":"P.Angénieux Paris 50mm, Type S5","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe \u003cstrong\u003eP. Angénieux Paris 50mm f\/1.5 Type S5\u003c\/strong\u003e is an incredibly rare vintage French prime with a classic 50mm focal length and a bright f\/1.5 maximum aperture.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt 50mm, it offers a natural standard perspective, while the fast f\/1.5 aperture gives plenty of flexibility in available light and allows for more control over depth of field. It's the kind of vintage glass that makes sense both as a lens to shoot with and as an interesting piece for an Angénieux or vintage camera collection.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis example features a distinctive silver\/chrome finish with fully manual focus and aperture control. Its engraved focusing scale is marked in both metres and feet, with a minimum marked focusing distance of approximately 0.75m \/ 2.5ft, while the aperture scale runs from f\/1.5 through to f\/22.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eAngénieux collectors\u003c\/li\u003e\n\u003cli\u003eVintage lens collectors\u003c\/li\u003e\n\u003cli\u003eManual-focus photography\u003c\/li\u003e\n\u003cli\u003ePortraiture\u003c\/li\u003e\n\u003cli\u003eAvailable-light photography\u003c\/li\u003e\n\u003cli\u003eLower-light shooting\u003c\/li\u003e\n\u003cli\u003eCreative photography\u003c\/li\u003e\n\u003cli\u003eVintage optical rendering\u003c\/li\u003e\n\u003cli\u003ePeriod camera collections\u003c\/li\u003e\n\u003cli\u003eAdaptation to compatible modern cameras, once the mount is confirmed\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThe \u003cstrong\u003e50mm focal length\u003c\/strong\u003e gives a familiar, natural perspective, making it useful for everything from portraits and people to general photography.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts \u003cstrong\u003ef\/1.5 maximum aperture\u003c\/strong\u003e is particularly fast for a vintage standard prime. Beyond the extra light-gathering ability, shooting towards the wider end of the aperture range gives greater control over subject separation and depth of field.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701181399094,"sku":"7132358","price":6000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/P.ANGENIEUX-typeS5-1.5-1.png?v=1790128442"},{"product_id":"billingham-bag-regular","title":"Vintage Billingham Cross Shoulder bag","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eThis Vintage Billingham camera bag is a compact, understated camera bag designed to carry a small-to-medium camera kit without looking like a traditional camera bag. Made in England from three-layer waterproof fabric with real leather detailing, it combines practical protection with a timeless, low-profile design, however we would say it is \u003cmeta charset=\"UTF-8\"\u003e\u003cspan class=\"rQesXe MPyX\"\u003ehighly weather-resistant rather not fully submersible\u003c\/span\u003e.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe bag itself has padded inserts that can be configured with the included dividers to suit your camera and lenses, or removed completely when you want to use it as a more traditional messenger bag. It can comfortably carry a small-to-medium SLR\/DSLR or mirrorless camera with a lens attached, plus one or two additional lenses or a flash.\u003c\/p\u003e\n\u003cp\u003eOne front pocket provides space for film, batteries, cables and other smaller essentials.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBest for:\u003c\/strong\u003e Photographers carrying a compact camera kit, everyday shooting, travel, street photography and anyone looking for a camera bag that doesn't immediately look like a camera bag.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat to expect:\u003c\/strong\u003e A flexible, protective camera bag with removable padded inserts, adjustable dividers, weather-resistant construction and plenty of room for a compact camera kit and everyday essentials.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47805831217206,"sku":"756157S","price":250.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/BillinghamCameraBagwithinserts-1.png?v=1789955066"},{"product_id":"bolex-kern-switar-10mm-1-6-h16-rx-regular","title":"Kern-Paillard Switar 10mm, H16 RX, W\/Focus Lever","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe Kern-Paillard Switar 10mm f\/1.6 H16 RX is a fast, wide-angle \u003cstrong\u003e16mm cine prime\u003c\/strong\u003e designed specifically for Bolex H16 Reflex cameras and comes with preview\/focus lever.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt 10mm, it gives a genuinely wide field of view on 16mm film, making it useful for interiors, establishing shots, landscapes and handheld filmmaking where you want plenty in the frame. The \u003cstrong\u003ef\/1.6 maximum aperture\u003c\/strong\u003e also makes it relatively fast for such a compact vintage cine lens.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eBut the important part of the name is \u003cstrong\u003eRX\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eBolex H16 Reflex cameras use a prism in the optical path to divert part of the incoming light to the viewfinder. That prism affects optical performance, particularly with shorter focal lengths and wider apertures. Kern-Paillard's RX lenses were specifically corrected to account for that prism. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eSo while the lens uses a standard \u003cstrong\u003eC-Mount thread\u003c\/strong\u003e, it's much more specifically a purpose-built lens for the Bolex H16 Reflex system than simply a generic C-Mount 10mm.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's a proper piece of Swiss-made Bolex cine glass, compact, fast and very much designed for shooting motion picture film.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eBolex H16 Reflex cameras\u003c\/li\u003e\n\u003cli\u003e16mm filmmaking\u003c\/li\u003e\n\u003cli\u003eWide establishing shots\u003c\/li\u003e\n\u003cli\u003eInteriors\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eHandheld 16mm work\u003c\/li\u003e\n\u003cli\u003eLow-light filmmaking\u003c\/li\u003e\n\u003cli\u003eVintage cine lens collectors\u003c\/li\u003e\n\u003cli\u003eExperimental filmmaking\u003c\/li\u003e\n\u003cli\u003eAdaptation to compatible digital cinema systems\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eOn standard 16mm, \u003cstrong\u003e10mm is a wide-angle focal length\u003c\/strong\u003e, giving considerably more space around your subject than the more normal 25mm lenses commonly associated with Bolex H16 kits. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe f\/1.6 maximum aperture makes it useful when available light is limited, while manual focus and aperture give you the direct mechanical control expected from a vintage cine prime.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe \u003cstrong\u003eC-Mount uses a 1-inch diameter, 32-thread-per-inch mounting thread with a standard 17.52mm flange focal distance\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe RX designation matters most when using it as intended on an H16 Reflex. Bolex's own documentation states that H16 RX lenses are specially corrected to compensate for the camera's reflex prism, particularly when using shorter focal lengths and wider apertures.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt can also be adapted to some modern mirrorless and digital cinema cameras, although compatibility, sensor coverage and resulting image characteristics depend on the camera and adapter being used.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe focus does lock slightly and can be easily fixed with an approved solvent and re-lubrication.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701181628470,"sku":"742871T","price":900.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/KernSwiss-1.6-10mmH16RX-forbolex-1.png?v=1790087124"},{"product_id":"bolex-kern-switar-25mm-1-5-ar-c-mount-regular","title":"Kern-Paillard Switar 25mm AR","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe Kern-Paillard Switar 25mm f\/1.5 AR is a classic Swiss-made \u003cstrong\u003e16mm cine prime\u003c\/strong\u003e designed for Bolex and other compatible C-Mount motion picture cameras.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe \u003cstrong\u003e25mm focal length gives a natural, general-purpose perspective on 16mm film\u003c\/strong\u003e, making it a useful everyday lens for people, documentary work, street scenes and general filmmaking. It's a versatile middle ground between the wider 10mm and 16mm lenses and longer telephoto options such as the 75mm Yvar.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts standout feature is the \u003cstrong\u003efast f\/1.5 maximum aperture\u003c\/strong\u003e. That gives you considerably more flexibility in lower light and allows greater control over depth of field than slower cine lenses.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe \u003cstrong\u003eAR designation refers to anti-reflection treatment\u003c\/strong\u003e, helping control flare and maintain contrast, particularly in more challenging or contrasty lighting. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eLike the other Kern lenses, it's fully manual and built around the compact C-Mount system that helped make Bolex H16 cameras so versatile.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eBolex H16 cameras\u003c\/li\u003e\n\u003cli\u003e16mm filmmaking\u003c\/li\u003e\n\u003cli\u003eEveryday cine shooting\u003c\/li\u003e\n\u003cli\u003eDocumentary work\u003c\/li\u003e\n\u003cli\u003ePeople and portraits\u003c\/li\u003e\n\u003cli\u003eAvailable-light shooting\u003c\/li\u003e\n\u003cli\u003eLower-light situations\u003c\/li\u003e\n\u003cli\u003eExperimental filmmaking\u003c\/li\u003e\n\u003cli\u003eVintage cine lens collections\u003c\/li\u003e\n\u003cli\u003eAdaptation to compatible digital cameras\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eAt \u003cstrong\u003e25mm on standard 16mm film\u003c\/strong\u003e, this sits around the normal\/general-purpose end of the system rather than being a particularly wide or telephoto lens. That makes it one of the more versatile focal lengths for a Bolex kit.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe \u003cstrong\u003ef\/1.5 maximum aperture\u003c\/strong\u003e is also relatively fast, making this Switar particularly useful when available light is limited. Current specialist listings identify the combination of the 25mm focal length, f\/1.5 aperture and AR coating as key characteristics of this model. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt can also be adapted to compatible modern mirrorless cameras. However, because this was designed as cine glass for a smaller image area, \u003cstrong\u003esensor coverage should be checked for the particular camera being used\u003c\/strong\u003e.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701181726774,"sku":"S336483","price":350.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Kernpaillard-1.5-25mm-1.png?v=1790125624"},{"product_id":"bolex-kern-swittar-10-1-6-h16-rx-c-mount-regular","title":"Kern-Paillard Switar 10mm, H16 RX","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe Kern-Paillard Switar 10mm f\/1.6 H16 RX is a fast, ultra-wide \u003cstrong\u003e16mm cine prime designed specifically for Bolex H16 Reflex cameras\u003c\/strong\u003e.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt 10mm, it gives a genuinely wide field of view on standard 16mm film, making it particularly useful when you want to capture plenty of the scene. Think interiors, architecture, landscapes, establishing shots and handheld filmmaking where getting physically further away isn't always an option.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe \u003cstrong\u003ef\/1.6 maximum aperture\u003c\/strong\u003e also makes this a relatively fast wide-angle lens, giving you more flexibility when available light starts to drop.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe \u003cstrong\u003eH16 RX designation is important\u003c\/strong\u003e. Bolex H16 Reflex cameras place a prism in the optical path to direct part of the image to the viewfinder. RX lenses were optically corrected to account for this system, particularly with shorter focal lengths and wider apertures. \u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eSo while it uses the familiar \u003cstrong\u003eC-Mount\u003c\/strong\u003e, this isn't simply a generic C-Mount 10mm lens. It's a purpose-built piece of Kern glass for the Bolex H16 Reflex system.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eBolex H16 Reflex cameras\u003c\/li\u003e\n\u003cli\u003e16mm filmmaking\u003c\/li\u003e\n\u003cli\u003eWide establishing shots\u003c\/li\u003e\n\u003cli\u003eInteriors\u003c\/li\u003e\n\u003cli\u003eArchitecture\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eHandheld filmmaking\u003c\/li\u003e\n\u003cli\u003eAvailable-light shooting\u003c\/li\u003e\n\u003cli\u003eExperimental film\u003c\/li\u003e\n\u003cli\u003eVintage Bolex setups\u003c\/li\u003e\n\u003cli\u003eKern and Bolex collectors\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eOn standard 16mm film, \u003cstrong\u003e10mm is a very wide focal length\u003c\/strong\u003e. It gives substantially more room around the subject than the 16mm Yvar and a much wider perspective than a standard 25mm cine lens.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts fast \u003cstrong\u003ef\/1.6 aperture\u003c\/strong\u003e makes it particularly versatile for a vintage ultra-wide cine lens.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe combination of \u003cstrong\u003e10mm + f\/1.6 + RX correction\u003c\/strong\u003e is also important. Short, fast lenses are where the optical effects of the Bolex reflex prism become particularly relevant, which is why Kern produced dedicated RX-corrected lenses for the H16 Reflex system.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt can be adapted to some modern digital cameras using the appropriate C-Mount adapter, although this lens was designed around the 16mm image area, so \u003cstrong\u003esensor coverage needs to be checked for the camera being used\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eOnly one of two lenses comes with the original lens cap.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701181792310,"sku":"1482156","price":850.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Kernpaillard-H16RX-10mm-1.6-2.png?v=1790127380"},{"product_id":"bolex-kern-yvar-75-2-8-regular","title":"Kern-Paillard Yvar 75mm","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe Kern-Paillard Yvar 75mm f\/2.8 is a classic Swiss-made \u003cstrong\u003etelephoto cine prime\u003c\/strong\u003e designed for Bolex H16 and other compatible 16mm C-Mount cameras.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eOn 16mm film, 75mm gives you a distinctly tight telephoto view, making it well suited to portraits, close details, distant subjects and shots where you want to isolate your subject from the surrounding scene.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's a fully manual lens, with manual focus and aperture control, and features Kern's distinctive \u003cstrong\u003eVisifocus depth-of-field scale\u003c\/strong\u003e. As the aperture changes, the Visifocus system gives the operator a quick visual indication of the available depth of field. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe lens was introduced in \u003cstrong\u003e1950, \u003c\/strong\u003eBolex noted that it could remain on an H16 turret alongside shorter focal-length lenses without obstructing their field of view. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e16mm filmmaking\u003c\/li\u003e\n\u003cli\u003eBolex H16 cameras\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eClose details\u003c\/li\u003e\n\u003cli\u003eDistant subjects\u003c\/li\u003e\n\u003cli\u003eCompressed compositions\u003c\/li\u003e\n\u003cli\u003eDocumentary filmmaking\u003c\/li\u003e\n\u003cli\u003eExperimental filmmaking\u003c\/li\u003e\n\u003cli\u003eVintage cine setups\u003c\/li\u003e\n\u003cli\u003eKern and Bolex collectors\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eThe 75mm is a telephoto Lens.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eHistorical specifications give it a minimum focusing distance of around \u003cstrong\u003e5ft \/ 1.5m\u003c\/strong\u003e, with an aperture range from \u003cstrong\u003ef\/2.8 to f\/22\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt uses a standard \u003cstrong\u003eC-Mount\u003c\/strong\u003e. This is also an important distinction from shorter RX-specific Bolex lenses. Historical Bolex technical information explains that standard 16mm C-Mount lenses properly focus on both reflex and non-reflex H16 bodies, while RX optical correction becomes particularly important with certain shorter focal lengths because of the reflex prism.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701181890614,"sku":"2433403","price":450.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Kernpaillard-75mm-2.8-1.png?v=1790124939"},{"product_id":"bolex-c-mount-switar-25-1-4-h16-rx-regular","title":"Kern-Paillard Switar 25mm, H16 RX","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe Kern-Paillard Switar 25mm f\/1.4 H16 RX is a fast Swiss-made \u003cstrong\u003e16mm cine prime designed specifically for Bolex H16 Reflex cameras\u003c\/strong\u003e.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe 25mm focal length provides a natural, general-purpose field of view on 16mm film, making it a versatile choice for people, documentary work, street scenes and everyday filmmaking. Its fast \u003cstrong\u003ef\/1.4 maximum aperture\u003c\/strong\u003e also makes it particularly useful when available light is limited.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eWhat separates this version from a standard C-Mount Switar is the \u003cstrong\u003eH16 RX designation\u003c\/strong\u003e. The optical system was designed to compensate for the Bolex H16 Reflex camera's beam-splitting prism, making it purpose-built for the reflex system. Period Bolex material specifically lists the \u003cstrong\u003e25mm f\/1.4 Switar RX\u003c\/strong\u003e as its standard RX lens. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe lens uses a \u003cstrong\u003eC-Mount\u003c\/strong\u003e, with manual focus and aperture control. The lens - 25mm f\/1.4 H16 RX has a focusing range from approximately 1.5ft to infinity and an aperture range of f\/1.4 to f\/22. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eBolex H16 Reflex cameras\u003c\/li\u003e\n\u003cli\u003e16mm filmmaking\u003c\/li\u003e\n\u003cli\u003eGeneral-purpose cine shooting\u003c\/li\u003e\n\u003cli\u003eDocumentary work\u003c\/li\u003e\n\u003cli\u003ePeople and portraits\u003c\/li\u003e\n\u003cli\u003eAvailable-light shooting\u003c\/li\u003e\n\u003cli\u003eLower-light filmmaking\u003c\/li\u003e\n\u003cli\u003eVintage cine setups\u003c\/li\u003e\n\u003cli\u003eExperimental filmmaking\u003c\/li\u003e\n\u003cli\u003eBolex and Kern collectors\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eOn standard 16mm film, \u003cstrong\u003e25mm is considered a standard focal length\u003c\/strong\u003e, giving a much more natural perspective than the wider 10mm and 16mm lenses we've just covered. Bolex's own period catalogue places the Switar 25mm f\/1.4 RX in its \u003cstrong\u003estandard lens\u003c\/strong\u003e category. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts \u003cstrong\u003ef\/1.4 maximum aperture\u003c\/strong\u003e is fast for vintage 16mm glass, giving you more flexibility in lower light and greater control over depth of field.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis is also one where the \u003cstrong\u003eRX designation really matters\u003c\/strong\u003e. This model was specifically designed around the optical requirements of the Bolex H16 Reflex system.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701182087222,"sku":"6174777","price":600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/KernpaillardH16RX-1.4-25mm-1.png?v=1790126119"},{"product_id":"bolex-c-mount-yvar-16-2-8-regular","title":"Kern-Paillard Yvar 16mm","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe Kern-Paillard Yvar 16mm f\/2.8 is a compact Swiss-made cine prime designed for 16mm filmmaking and Bolex H16 cameras.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts \u003cstrong\u003e16mm focal length gives a moderately wide field of view on standard 16mm film\u003c\/strong\u003e, making it a useful lens for everyday filmmaking, interiors, landscapes and wider environmental shots. The f\/2.8 aperture keeps the lens small and straightforward, while manual focus and aperture give you direct control over the image. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt uses the standard \u003cstrong\u003eC-Mount\u003c\/strong\u003e, making it compatible with appropriate Bolex and other 16mm C-Mount cameras. Vintage C-Mount lenses like this can also be adapted to some modern digital cameras, although sensor coverage needs to be considered.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eThis Yvar is a normal C-Mount lens\u003c\/strong\u003e. That's an important distinction when choosing glass for different Bolex H16 bodies. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e16mm filmmaking\u003c\/li\u003e\n\u003cli\u003eBolex H16 cameras\u003c\/li\u003e\n\u003cli\u003eWider environmental shots\u003c\/li\u003e\n\u003cli\u003eInteriors\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eDocumentary filmmaking\u003c\/li\u003e\n\u003cli\u003eExperimental filmmaking\u003c\/li\u003e\n\u003cli\u003eVintage cine setups\u003c\/li\u003e\n\u003cli\u003eC-Mount digital adaptation\u003c\/li\u003e\n\u003cli\u003eBolex and Kern collectors\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eOn standard 16mm film, the 16mm focal length provides a \u003cstrong\u003emoderately wide perspective\u003c\/strong\u003e, rather than the much wider view of something like the 10mm Switar or the more natural perspective of a 25mm lens. Bolex's historical lens information specifically describes the 16mm Yvar as moderately wide angle. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe lens is fully manual, with manual focus and aperture adjustment. Contemporary examples identify a minimum focusing distance of approximately \u003cstrong\u003e0.3m\u003c\/strong\u003e, while historical specifications put it at roughly \u003cstrong\u003e1 foot\u003c\/strong\u003e, effectively the same distance. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt also uses Kern's \u003cstrong\u003eVisifocus depth-of-field scale\u003c\/strong\u003e, designed to give the operator a quick visual indication of the usable depth of field at different focus distances and apertures. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701182119990,"sku":"648747Q","price":150.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Kernpaillard-2.8-16mm-2.png?v=1790124478"},{"product_id":"bronica-etrsi-rapid-focus-lever-e-regular","title":"Bronica ETRSI Rapid Focusing Lever E","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eThe Zenza Bronica Rapid Focusing Lever E is a small but clever accessory for the Bronica ETRSi system.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt clips over the focusing ring of compatible Zenzanon lenses, giving you a larger lever to work with when focusing. The idea is simple: make manual focusing quicker and smoother, particularly when you're working quickly or following a moving subject.\u003c\/p\u003e\n\u003cp\u003eBronica designed the BE2650 for a range of ETRSi lenses, including the 40mm, 50mm, 75mm, 100mm, 105mm, 150mm, 200mm and 250mm Zenzanon lenses.\u003c\/p\u003e\n\u003cp\u003eA nice piece of original Bronica kit for anyone building out an ETRS\/ETRSi setup, and a particularly useful accessory if you prefer a more tactile way of focusing.\u003c\/p\u003e\n\u003cp\u003eThis is a vintage item, so please use the supplied photographs to assess its condition and check what is included before purchasing.\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eBronica ETRS \/ ETRSi owners, medium format film photography, manual focusing and photographers using compatible Zenzanon lenses.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003eA genuine Bronica Rapid Focusing Lever E designed to sit over the focusing ring of compatible Zenzanon lenses. No batteries or electronics are involved.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701182283830,"sku":"745467H","price":30.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Bronica-RapidFocusLeverE-2.png?v=1789991312"},{"product_id":"bronica-sq-220-film-back-boxed-regular","title":"Bronica SQ 220 Film Back","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eThe Bronica SQ 220 Film Back is the dedicated film back for shooting \u003cstrong\u003e220 roll film\u003c\/strong\u003e with the Zenza Bronica SQ system.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLike the other interchangeable backs in the SQ system, it has a removable film holder, built-in film winding mechanism, dark slide and ASA\/ISO film-speed dial. The exposure counter runs to \u003cstrong\u003e24 frames\u003c\/strong\u003e when loaded with 220 film.\u003c\/p\u003e\n\u003cp\u003eThis particular back is supplied in its \u003cstrong\u003eoriginal box\u003c\/strong\u003e and is listed as never used, making it a nice option for anyone putting together an SQ system or looking to keep an original accessory with their Bronica kit.\u003c\/p\u003e\n\u003cp\u003ePlease note that \u003cstrong\u003e220 film is no longer commonly produced\u003c\/strong\u003e, so this is primarily an accessory for photographers who already have 220 stock or want to complete an original Bronica setup. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eZenza Bronica SQ owners, medium format film photographers, collectors and anyone looking to complete an original Bronica SQ setup.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003eAn original Bronica SQ 220 film back supplied in its original box. Designed exclusively for 220 roll film and capable of 24 exposures per roll.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701182349366,"sku":"494398F","price":60.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/BronicaFilmBackSQ220-4.png?v=1789991541"},{"product_id":"bronica-zenzanon-mc-150-3-5-regular","title":"Bronica Zenzanon MC 150mm","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe \u003cstrong\u003eBronica Zenzanon MC 150mm f\/3.5\u003c\/strong\u003e is a \u003cstrong\u003emedium-format \u003c\/strong\u003etelephoto prime made for Bronica's ETR 6×4.5 camera system.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eOn 645 format, 150mm gives a short-to-medium telephoto perspective that's particularly well suited to \u003cstrong\u003eportraits, studio work and tighter compositions\u003c\/strong\u003e. It gives you more working distance than a standard lens while keeping the distinctly medium-format look that makes the Bronica ETR system such a good portrait setup.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eLike other lenses in the ETR system, the 150mm incorporates a \u003cstrong\u003eleaf shutter inside the lens\u003c\/strong\u003e rather than relying on a focal-plane shutter in the camera body. This allows flash synchronisation across the available shutter-speed range when used with the appropriate Bronica body and flash setup.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe \u003cstrong\u003eMC designation refers to Bronica's multi-coating\u003c\/strong\u003e, while focusing and aperture selection are fully manual.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMedium-format portraits\u003c\/li\u003e\n\u003cli\u003eStudio photography\u003c\/li\u003e\n\u003cli\u003eFashion\u003c\/li\u003e\n\u003cli\u003eHead-and-shoulders portraits\u003c\/li\u003e\n\u003cli\u003e6×4.5 film photography\u003c\/li\u003e\n\u003cli\u003eBronica ETR system users\u003c\/li\u003e\n\u003cli\u003eFlash photography\u003c\/li\u003e\n\u003cli\u003eControlled portrait work\u003c\/li\u003e\n\u003cli\u003eCollectors building a Bronica system\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThe \u003cstrong\u003e150mm focal length on 6×4.5 medium format\u003c\/strong\u003e gives you a classic telephoto perspective that's especially useful for portraits. It provides more subject distance and tighter framing than the standard lenses normally used with the ETR system.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts \u003cstrong\u003ef\/3.5 maximum aperture\u003c\/strong\u003e also gives you useful control over depth of field, particularly at portrait distances.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis isn't an autofocus lens. Focusing, aperture selection and the rest of the shooting process are manual, making it very much part of the traditional medium-format experience.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eBecause the shutter is built into the lens, its operation is also important to the overall condition of the lens, not just the optics and focusing mechanism.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThis lens is designed for the \u003cstrong\u003eBronica ETR 6×4.5 film system\u003c\/strong\u003e, so developing depends on the film loaded into the camera.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eWith colour negative film, this will commonly mean C-41 processing. Black and white and slide films require their respective processes.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe lens can also be adapted for some digital setups, in which case no film developing is required.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701182447670,"sku":"3848914","price":180.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Bronica-150mm-3.5-seiko-2.png?v=1790158052"},{"product_id":"bronica-zenzanon-mc-200-4-5-regular","title":"Bronica Zenzanon MC 200mm","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe \u003cstrong\u003eBronica Zenzanon MC 200mm f\/4.5\u003c\/strong\u003e is a classic medium-format telephoto prime made for Bronica's modular ETR 6×4.5 camera system. The ETR system launched in 1976 and became a complete professional medium-format system with interchangeable lenses, backs, finders and accessories. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eOn 6×4.5 format, the 200mm gives a field of view roughly comparable to a \u003cstrong\u003e120mm lens on 35mm format\u003c\/strong\u003e, making it a natural choice for portraits, studio work and more distant subjects. Later Bronica documentation lists the same 120mm-equivalent field of view for its 200mm ETR-system lens. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe shutter is built into the lens. This leaf-shutter design makes the system particularly useful for flash photography, with flash synchronisation available at shutter speeds up to 1\/500 sec. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's a slower and more deliberate way to shoot than a modern autofocus telephoto, but that's exactly where the appeal lies. Manual focus, medium-format film and a longer focal length make this a lens for considered portraits and carefully composed images.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMedium-format film photography\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eStudio work\u003c\/li\u003e\n\u003cli\u003eFashion\u003c\/li\u003e\n\u003cli\u003eHeadshots and tighter portraits\u003c\/li\u003e\n\u003cli\u003eDistant subjects\u003c\/li\u003e\n\u003cli\u003eFlash photography\u003c\/li\u003e\n\u003cli\u003eBronica ETR system users\u003c\/li\u003e\n\u003cli\u003eCollectors building a Bronica 645 kit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThe \u003cstrong\u003e200mm focal length\u003c\/strong\u003e is firmly telephoto on 6×4.5, with an approximately \u003cstrong\u003e120mm-equivalent\u003c\/strong\u003e field of view compared with 35mm format. That makes it particularly useful when you want tighter framing and more distance between the camera and subject. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts maximum aperture is \u003cstrong\u003ef\/4.5\u003c\/strong\u003e, with a minimum aperture of \u003cstrong\u003ef\/32\u003c\/strong\u003e, while minimum focusing distance is around \u003cstrong\u003e2 metres\u003c\/strong\u003e. The MC version uses a 62mm filter thread and weighs approximately 700g. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFocusing is completely manual. There is no image stabilisation, so at 200mm you'll want to pay attention to shutter speed or use a tripod when the light starts dropping.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThis lens was designed for the \u003cstrong\u003eBronica ETR 6×4.5 film system\u003c\/strong\u003e, so developing depends on the film loaded into the camera.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eColour negative film will commonly use C-41 processing, while black and white and slide films require their respective processes.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe lens can also be adapted to some digital camera systems. When used digitally, no film developing is required.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701182513206,"sku":"9189834","price":300.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Bronica200mm-4.5-seiko-2.png?v=1790158870"},{"product_id":"bronica-zenzanon-mc-250-5-6-regular","title":"Bronica Zenzanon MC 250mm","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe \u003cstrong\u003eBronica Zenzanon MC 250mm f\/5.6\u003c\/strong\u003e is a long telephoto prime made for Bronica's ETR 6×4.5 medium-format system.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eOn 645 format, its 250mm focal length gives a field of view roughly comparable to a \u003cstrong\u003e150mm lens on 35mm\u003c\/strong\u003e, making it a useful choice for tighter portraits, distant subjects, landscapes and studio work where you want plenty of working distance. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe MC version uses Bronica's multi-coated optics and incorporates the ETR system's leaf shutter into the lens. That gives the system one of its most useful features for studio photography: flash synchronisation across the shutter-speed range, up to 1\/500 sec. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis is a substantial manual-focus lens at around 820g, and its longer focal length rewards a considered shooting style. For portraits, it offers strong subject isolation and compressed perspective without moving away from the distinctive look and larger negative of 6×4.5 film.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMedium-format portraits\u003c\/li\u003e\n\u003cli\u003eStudio photography\u003c\/li\u003e\n\u003cli\u003eFashion\u003c\/li\u003e\n\u003cli\u003eDistant subjects\u003c\/li\u003e\n\u003cli\u003eLandscape details\u003c\/li\u003e\n\u003cli\u003e6×4.5 film photography\u003c\/li\u003e\n\u003cli\u003eFlash photography\u003c\/li\u003e\n\u003cli\u003eBronica ETR system users\u003c\/li\u003e\n\u003cli\u003eCollectors building a Bronica kit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThe \u003cstrong\u003e250mm focal length\u003c\/strong\u003e is firmly in telephoto territory on 6×4.5, giving an approximately \u003cstrong\u003e150mm-equivalent\u003c\/strong\u003e field of view compared with 35mm format. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eWith a maximum aperture of \u003cstrong\u003ef\/5.6\u003c\/strong\u003e, this isn't a particularly fast lens. In lower light, a tripod or other support can be useful, especially given the longer focal length and lack of image stabilisation.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe original MC version focuses to approximately \u003cstrong\u003e3.5 metres\u003c\/strong\u003e, uses a \u003cstrong\u003e62mm filter thread\u003c\/strong\u003e and weighs around \u003cstrong\u003e820g\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThere were different 250mm versions produced for the ETR system, including a later optical version and the subsequent Zenzanon-E and PE lenses. The specifications here are for the original \u003cstrong\u003eZenzanon MC 250mm f\/5.6\u003c\/strong\u003e recorded in the SS8 inventory. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThis lens is designed for the \u003cstrong\u003eBronica ETR 6×4.5 film system\u003c\/strong\u003e, so developing depends on the film loaded into the camera.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eColour negative film will commonly use C-41 processing, while black and white and slide films require their respective processes.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe lens can also be \u003cstrong\u003eadapted\u003c\/strong\u003e to some digital camera systems. When used digitally, no film developing is required.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701182611510,"sku":"H950600","price":180.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Bronica250mm-5.6-seiko-1.png?v=1790159441"},{"product_id":"canon-ef-28-80mm-f-3-5-5-6-regular","title":"Canon EF 28-80mm","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe \u003cstrong\u003eCanon EF 28-80mm f\/3.5-5.6\u003c\/strong\u003e is a compact everyday zoom covering a useful range from wide-angle through to short telephoto.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eOriginally designed for Canon's EOS system, the 28-80mm range makes sense as a single general-purpose lens. At 28mm you've got enough width for travel, groups, landscapes and everyday scenes, while the 80mm end gives you a little more reach for portraits and details.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eBecause it's a \u003cstrong\u003eCanon EF lens\u003c\/strong\u003e, it covers the full 35mm frame and works natively with compatible Canon EOS film cameras as well as \u003cstrong\u003eCanon EF-mount\u003c\/strong\u003e digital SLRs. On an\u003cstrong\u003e APS-C\u003c\/strong\u003e Canon DSLR, the smaller sensor crops the field of view to roughly the equivalent of \u003cstrong\u003e45-128mm\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's straightforward, relatively compact and covers the focal lengths most people use day to day, making it a practical option for someone putting together an affordable Canon EOS setup.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEveryday photography\u003c\/li\u003e\n\u003cli\u003eCanon EOS film cameras\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eFamily photography\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eGeneral walkaround photography\u003c\/li\u003e\n\u003cli\u003eBeginners building a Canon EOS kit\u003c\/li\u003e\n\u003cli\u003eCanon EF-mount DSLRs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThe \u003cstrong\u003e28-80mm range\u003c\/strong\u003e moves from a useful wide-angle view at 28mm through the standard range and into short telephoto at 80mm.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts maximum aperture changes as you zoom, starting at \u003cstrong\u003ef\/3.5 at the wide end and reaching f\/5.6 at the telephoto end\u003c\/strong\u003e. It's designed more as an everyday daylight zoom than a fast low-light lens.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThere's \u003cstrong\u003eno optical image stabilisation\u003c\/strong\u003e, so stabilisation depends on the camera setup being used.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eOne thing we need to check on the physical lens is the exact version. Canon revised the EF 28-80mm several times during the 1990s. For example, Canon's original 1991 USM model weighs 330g and focuses to 0.5m, while the later III USM weighs 205g and focuses to 0.38m.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701182677046,"sku":"874009Z","price":130.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Canon-EF28to80mm-3.5to5.6-3.png?v=1790142525"},{"product_id":"canon-lens-fd-85mm-1-1-2-s-s-c-aspherical-regular","title":"Canon FD 85mm, S.S.C. Aspherical","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe \u003cstrong\u003eCanon FD 85mm f\/1.2 S.S.C. Aspherical\u003c\/strong\u003e is an exceptionally fast manual-focus portrait lens from Canon's original FD system, introduced in 1976.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts combination of an \u003cstrong\u003e85mm focal length and f\/1.2 maximum aperture\u003c\/strong\u003e gives you extremely shallow depth of field and strong separation between subject and background. It's a lens built for considered portrait photography, particularly when you want to work with available light or make selective focus a central part of the image.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe important word here is \u003cstrong\u003eAspherical\u003c\/strong\u003e. Canon developed this lens with an aspherical optical system to control aberrations at its unusually large f\/1.2 aperture. Canon also incorporated a floating optical mechanism to maintain performance as the lens focuses closer. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt was a significant lens for Canon. When introduced in January 1976, Canon states that it was the brightest 85mm SLR lens available at the time. It predates the later \u003cstrong\u003eNew FD 85mm f\/1.2L\u003c\/strong\u003e, making this S.S.C. Aspherical version a particularly interesting piece of Canon's fast-lens history. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003ePortrait photography\u003c\/li\u003e\n\u003cli\u003eAvailable-light photography\u003c\/li\u003e\n\u003cli\u003eLow-light shooting\u003c\/li\u003e\n\u003cli\u003eShallow depth of field\u003c\/li\u003e\n\u003cli\u003e35mm Canon FD cameras\u003c\/li\u003e\n\u003cli\u003eCanon F-1, A-1 and AE-1 system users\u003c\/li\u003e\n\u003cli\u003eAdapted mirrorless photography\u003c\/li\u003e\n\u003cli\u003eCollectors\u003c\/li\u003e\n\u003cli\u003ePhotographers looking for distinctive vintage glass\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eAt \u003cstrong\u003ef\/1.2\u003c\/strong\u003e, depth of field can be extremely shallow. Accurate manual focusing matters, particularly when working close to a portrait subject.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eStop the lens down and you have a conventional short telephoto, but wide open is where this lens becomes particularly interesting. Canon designed its aspherical optical system specifically to better control aberrations at the maximum aperture. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis original S.S.C. version has \u003cstrong\u003enine aperture blades, a 1m minimum focusing distance and weighs approximately 756g\u003c\/strong\u003e. It is physically and historically distinct from the later New FD 85mm f\/1.2L, which uses eight blades, focuses to 0.9m and weighs less. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's also a substantial lens for its size. At around \u003cstrong\u003e756g\u003c\/strong\u003e, expect something that feels solid rather than lightweight.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThis lens was designed for \u003cstrong\u003eCanon FD-mount 35mm film SLR cameras\u003c\/strong\u003e, so developing depends on the film loaded into the camera.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eColour negative film will commonly use C-41 processing, while black and white and slide films require their respective processes.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eCanon FD lenses can also be \u003cstrong\u003eadapted\u003c\/strong\u003e to suitable digital mirrorless systems. When used digitally, no film developing is required.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Used","offer_id":48268626427958,"sku":"620322T","price":3000.0,"currency_code":"AUD","in_stock":true},{"title":"Mint","offer_id":48268626460726,"sku":"B397550","price":4000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Canon-85mm-1.2-2.png?v=1790159814"},{"product_id":"canon-ef-50-2-5-compact-macro-regular","title":"Canon EF 50mm, Compact Macro","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe \u003cstrong\u003eCanon EF 50mm f\/2.5 Compact Macro\u003c\/strong\u003e is a small, versatile macro prime that works just as comfortably for everyday photography as it does for getting close to the details.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts \u003cstrong\u003e50mm focal length\u003c\/strong\u003e gives a natural perspective on full-frame and 35mm Canon EOS cameras, while the close-focusing design takes you down to \u003cstrong\u003e0.23 metres with 0.5× magnification\u003c\/strong\u003e. That's half life-size, or 1:2 reproduction, making it useful for film cameras, small objects, product photography, documents, flowers and everyday details.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eUnlike a dedicated long macro lens, the 50mm focal length keeps this one useful when you're not shooting close-ups. It's essentially a normal prime and a compact macro in the same lens.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt also has a particularly long compatibility history. Introduced in \u003cstrong\u003e1987\u003c\/strong\u003e, this is a native Canon EF lens, meaning it was designed for the EOS system from the beginning and can be used with compatible \u003cstrong\u003eEOS 35mm film SLRs and Canon EF-mount DSLRs\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eClose-up photography\u003c\/li\u003e\n\u003cli\u003eFilm and camera details\u003c\/li\u003e\n\u003cli\u003eProduct photography\u003c\/li\u003e\n\u003cli\u003eCopy work\u003c\/li\u003e\n\u003cli\u003eFlowers and small objects\u003c\/li\u003e\n\u003cli\u003eEveryday photography\u003c\/li\u003e\n\u003cli\u003e35mm Canon EOS film cameras\u003c\/li\u003e\n\u003cli\u003eCanon EF-mount DSLRs\u003c\/li\u003e\n\u003cli\u003ePhotographers wanting one lens for normal and close-up shooting\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThe important thing to understand with the \u003cstrong\u003eCompact Macro\u003c\/strong\u003e is that it reaches \u003cstrong\u003e0.5× magnification natively\u003c\/strong\u003e, rather than the 1.0× or 1:1 reproduction offered by many dedicated macro lenses.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt its closest focusing distance of \u003cstrong\u003e0.23m\u003c\/strong\u003e, a subject can be reproduced at half its actual size on the film frame or sensor. That's plenty for many product, detail and close-up photographs.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAutofocus is available, but this is an older EF autofocus design rather than one of Canon's later USM or STM lenses. Manual focusing is also available and is particularly useful when working at close distances.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThis lens is natively compatible with both \u003cstrong\u003eCanon EOS 35mm film cameras and compatible Canon EF-mount digital SLRs\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eWhen used with a film EOS body, developing depends on the film loaded into the camera. Colour negative film will commonly use C-41, while black and white and slide films require their respective processes.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eWhen used on a digital Canon EF-mount camera, no film developing is required.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701183430710,"sku":"4636996","price":280.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/CanonEF50mm-2.5-CompactMacro-3.png?v=1790160499"},{"product_id":"canon-ef-75-300-4-5-6-iii-regular","title":"Canon EF 75-300mm, III","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe \u003cstrong\u003eCanon EF 75-300mm f\/4-5.6 III\u003c\/strong\u003e is an affordable telephoto zoom for Canon EOS cameras, giving you plenty of reach without the size, weight or price of Canon's larger professional telephoto lenses.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts \u003cstrong\u003e75-300mm zoom range\u003c\/strong\u003e takes you from medium telephoto through to a much tighter 300mm view, making it useful for wildlife, outdoor sport, events, portraits and anything you can't simply walk closer to.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt approximately \u003cstrong\u003e480g\u003c\/strong\u003e, it's relatively lightweight for the amount of reach it offers. Canon originally developed this third-generation version as a compact, lightweight telephoto zoom covering 75mm through 300mm. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eBecause it's a Canon EF lens, it also spans two generations of EOS photography. It can be used natively on compatible \u003cstrong\u003eCanon EOS 35mm film SLRs and Canon EF-mount digital SLRs\u003c\/strong\u003e, making it a useful option if you shoot across both formats.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWildlife\u003c\/li\u003e\n\u003cli\u003eOutdoor sports\u003c\/li\u003e\n\u003cli\u003eEvents\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eDistant subjects\u003c\/li\u003e\n\u003cli\u003eBeginner telephoto photography\u003c\/li\u003e\n\u003cli\u003eCanon EOS 35mm film cameras\u003c\/li\u003e\n\u003cli\u003eCanon EF-mount DSLRs\u003c\/li\u003e\n\u003cli\u003ePhotographers wanting affordable extra reach\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eAt \u003cstrong\u003e75mm\u003c\/strong\u003e, the lens works well for portraits and general telephoto shooting. Zooming out to \u003cstrong\u003e300mm\u003c\/strong\u003e gives you substantially more reach for distant subjects, wildlife and outdoor sport.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe trade-off is the variable \u003cstrong\u003ef\/4-5.6 maximum aperture\u003c\/strong\u003e. As you zoom towards 300mm, the maximum aperture becomes f\/5.6, so good available light or a faster shutter speed becomes increasingly useful.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThere is \u003cstrong\u003eno image stabilisation\u003c\/strong\u003e, so steady technique matters at the longer end of the zoom range.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAutofocus on this specific \u003cstrong\u003eIII version uses a conventional DC motor\u003c\/strong\u003e. Don't confuse it with the visually similar \u003cstrong\u003eEF 75-300mm f\/4-5.6 III USM\u003c\/strong\u003e, which uses Canon's Micro USM autofocus motor. Canon confirms that while the optical system is shared, the autofocus drive differs between the two versions. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThis lens is natively compatible with both \u003cstrong\u003eCanon EOS 35mm film cameras and compatible Canon EF-mount digital SLRs\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eWhen used with a film EOS body, developing depends on the film loaded into the camera. Colour negative film will commonly use C-41 processing, while black and white and slide films require their respective processes.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eWhen used on a digital EF-mount camera, no film developing is required.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701183496246,"sku":"4782368","price":150.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/CanonEF75-300mm-4to5.6-2.png?v=1790161140"},{"product_id":"canon-zoom-lens-ef-70-200mm-2-8l-is-usm-regular","title":"Canon EF 70-200mm, IS USM","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe \u003cstrong\u003eCanon EF 70-200mm f\/2.8L IS USM\u003c\/strong\u003e is a professional telephoto zoom made for Canon's EF system, covering everything from portraits and events through to sport and more distant subjects.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe big difference compared with a typical consumer telephoto zoom is the \u003cstrong\u003econstant f\/2.8 maximum aperture\u003c\/strong\u003e. You can shoot at f\/2.8 at 70mm, 200mm and everywhere in between, giving you more flexibility in lower light and greater control over background separation.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis original IS version was introduced in \u003cstrong\u003e2001\u003c\/strong\u003e and combines Canon's ring-type USM autofocus with optical Image Stabilisation rated at approximately three stops. It also supports full-time manual focusing, allowing manual adjustment without first switching out of autofocus mode. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAnd importantly, \u003cstrong\u003ethis isn't a digital-only lens\u003c\/strong\u003e. The Canon EF mount was used across Canon EOS film and digital SLR systems, so this lens \u003cstrong\u003ecan be \u003c\/strong\u003eused with compatible \u003cstrong\u003eCanon EOS 35mm film cameras as well as Canon EF-mount digital DSLRs\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis is a substantial lens at around \u003cstrong\u003e1.59kg\u003c\/strong\u003e, but that's part of the trade-off for combining a 70-200mm range with a constant f\/2.8 aperture and stabilisation.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003ePortrait photography\u003c\/li\u003e\n\u003cli\u003eSports\u003c\/li\u003e\n\u003cli\u003eEvents\u003c\/li\u003e\n\u003cli\u003eWeddings\u003c\/li\u003e\n\u003cli\u003eLive music\u003c\/li\u003e\n\u003cli\u003eDocumentary photography\u003c\/li\u003e\n\u003cli\u003eTelephoto landscapes\u003c\/li\u003e\n\u003cli\u003eCanon EOS film photography\u003c\/li\u003e\n\u003cli\u003eCanon DSLR photography\u003c\/li\u003e\n\u003cli\u003eWorking photographers who need a fast telephoto zoom\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eAt \u003cstrong\u003e70mm\u003c\/strong\u003e, the lens works well for portraits, events and tighter compositions. Move towards \u003cstrong\u003e200mm\u003c\/strong\u003e and you get considerably more reach and stronger perspective compression.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe \u003cstrong\u003ef\/2.8 aperture remains available throughout the entire zoom range\u003c\/strong\u003e, rather than getting smaller as you zoom in.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eCanon's Image Stabiliser provides approximately \u003cstrong\u003ethree stops of shake compensation\u003c\/strong\u003e, while the ring-type USM system provides autofocus with full-time manual override. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's worth knowing that this is the \u003cstrong\u003eoriginal IS version\u003c\/strong\u003e, not the later \u003cstrong\u003eEF 70-200mm f\/2.8L IS II USM\u003c\/strong\u003e or \u003cstrong\u003eIS III USM\u003c\/strong\u003e. The original focuses down to 1.4m and weighs approximately 1,590g. The II version arrived in 2010 with a 1.2m minimum focusing distance, revised optics and approximately four-stop stabilisation.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701183725622,"sku":"L023513","price":850.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Canon-70to200mm-2.8-4.png?v=1790142958"},{"product_id":"charmera-key-ring-cam-regular","title":"Kodak Charmera Keychain - Blind Box","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe Kodak Charmera is a tiny digital camera that actually works, packed into something small enough to hang from your keys.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eInspired by Kodak's retro camera designs, each Charmera comes in a \u003cstrong\u003eblind box with one of seven possible designs\u003c\/strong\u003e, so you won't know which one you've got until you open it.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe camera itself keeps things deliberately simple. It shoots \u003cstrong\u003e1.6MP lo-fi digital photos\u003c\/strong\u003e, records video and includes four frames and seven built-in filters for playing around with the look of your images. There's even a tiny screen on the back for framing shots and checking what you've captured. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's not trying to replace your phone or a proper compact camera. That's really the point. It's small, slightly unpredictable and easy to keep with you, making it a fun little camera for everyday snapshots, nights out and anything you wouldn't normally bother carrying a camera for.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLo-fi digital photography\u003c\/li\u003e\n\u003cli\u003eEveryday snapshots\u003c\/li\u003e\n\u003cli\u003eNights out\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eGifts\u003c\/li\u003e\n\u003cli\u003eKodak fans\u003c\/li\u003e\n\u003cli\u003eCamera collectors\u003c\/li\u003e\n\u003cli\u003eBlind box collectors\u003c\/li\u003e\n\u003cli\u003eAnyone who wants a camera they can genuinely keep on their keys\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003esmall, low-resolution digital photos with plenty of character\u003c\/strong\u003e, rather than technically perfect images.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe Charmera captures \u003cstrong\u003e1440 × 1080 JPEGs from a 1.6MP sensor\u003c\/strong\u003e, so the lo-fi look isn't a filter pretending to be an old digital camera. It's coming from a genuinely tiny digital camera. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThere are \u003cstrong\u003eseven filters\u003c\/strong\u003e, including black and white, warm and cool tones and several pixel-style colour filters, plus four frames. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThere's also a collectible element. Each camera comes sealed as a \u003cstrong\u003eblind box\u003c\/strong\u003e, with one of seven designs selected at random. The standard set consists of six designs, with a secret edition appearing at a reported rate of \u003cstrong\u003e1 in 48\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eNo developing required.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003ePhotos are saved as JPEG files and video as AVI files to a microSD card.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe camera supports \u003cstrong\u003e1GB to 128GB microSD cards\u003c\/strong\u003e, which are sold separately. Files can be transferred using the USB-C connection.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701183954998,"sku":"9465738","price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/ab846bfd-c4a0-47cb-b411-638f71e96cfd.png?v=1790059575"},{"product_id":"cinestill-400d-120-regular","title":"CineStill 400D, Individual Roll","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCineStill 400D\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is a versatile ISO 400 colour negative film made for photographers who want one roll that can handle a little bit of everything.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDaylight balanced with a soft colour palette, natural saturation and warm skin tones, it's particularly at home with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eportraits, street photography, travel, landscapes and everyday shooting\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Its wide exposure latitude also gives you plenty of room when the light changes during the day. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlthough rated at ISO 400, CineStill says 400D can be exposed from \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eEI 200 to 800 without changing normal processing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, or pushed by up to three stops when you need more speed. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e120 medium-format version\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, giving you the larger negative area of 120 film combined with the flexibility of a 400-speed colour stock.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThis listing is for one individual roll of CineStill 400D in 120 format.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBest for\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003ePortraits, street photography, travel, weddings, landscapes, lifestyle photography and everyday medium-format shooting.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eWhat to expect\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eExpect a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003esofter colour palette, natural saturation and warm skin tones\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, rather than an aggressively saturated look. CineStill designed 400D with a wide dynamic range and considerable exposure flexibility, making it useful when you're moving between different lighting conditions.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOne characteristic worth knowing about is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ehalation around bright, in-focus overexposed highlights\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, which can become part of the film's look.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eDeveloping\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eProcess: C-41\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e400D was specifically designed for standard \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eC-41 processing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, so it can be developed by a normal colour film lab or processed at home using compatible C-41 chemistry.\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701184053302,"sku":"3227302","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/1205-PackCinestill400D-1.png?v=1790565957"},{"product_id":"cinestill-50d-120","title":"CineStill 50Daylight","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eCineStill 50Daylight is a slow, exceptionally fine-grain colour film made for bright light and maximum detail.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at EI 50 and balanced for daylight, it's right at home on sunny days, with landscapes, portraits and anywhere you want to make the most of a medium format negative. The slower speed also makes it easier to shoot at wider apertures in bright conditions without reaching for heavy ND filters.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e50D started life with motion-picture DNA, but CineStill prepares it specifically for still photography and standard C-41 processing. With the remjet layer removed, bright highlights can produce the distinctive halation associated with CineStill films.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIn 120, the combination of a larger negative, extremely fine grain and high resolution makes 50D particularly good when detail matters. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMedium format photography\u003c\/li\u003e\n\u003cli\u003eBright daylight\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eArchitecture\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eFashion and editorial work\u003c\/li\u003e\n\u003cli\u003eShooting wide apertures in bright conditions\u003c\/li\u003e\n\u003cli\u003eHigh-resolution scanning\u003c\/li\u003e\n\u003cli\u003ePhotographers wanting very fine grain\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003every fine grain, high resolution, strong detail and rich colour\u003c\/strong\u003e, with the possibility of CineStill's characteristic halation around bright highlights.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eCineStill recommends a base rating of \u003cstrong\u003eEI 50\u003c\/strong\u003e, but the film can be rated anywhere between \u003cstrong\u003eEI 12 and EI 100 without push processing\u003c\/strong\u003e. Changing the exposure affects colour, contrast, highlight rendering and shadow detail, with lower EI ratings tending towards warmer results and stronger highlight halation. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eBecause this is a slow film, you'll get the easiest handheld shooting in bright conditions. In lower light, expect to work with slower shutter speeds or a tripod.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eCineStill 50D has its remjet backing removed before sale, allowing it to be safely processed by a photo lab using standard C-41 chemistry. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt can alternatively be processed using motion-picture-style chemistry such as CineStill Cs2\/ECN-2, which produces a lower-contrast negative, but \u003cstrong\u003eC-41 is the standard option for most photographers and labs\u003c\/strong\u003e.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701184249910,"sku":"6027600","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/120Cinestill50D-2.png?v=1790052623"},{"product_id":"cinestill-800t","title":"CineStill 800T","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eCineStill 800T is a high-speed 35mm colour negative film made for low light, artificial light and shooting after dark.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at EI 800 and balanced for 3200K tungsten light, it is particularly at home around city lights, neon signs, interiors and night scenes. Its higher speed gives you more flexibility when the light starts to disappear, while still producing plenty of detail.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eOne of the things that makes 800T instantly recognisable is the red halation that can appear around bright lights and highlights. Street lights, headlights, signs and other strong points of light can develop a soft red glow, giving the film its distinctive character.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt can be shot at EI 800 for normal use or pushed when you need extra speed, with CineStill supporting push processing up to EI 3200.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe film is prepared for standard C-41 colour processing, making it easy to develop through most colour film labs. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eNight photography\u003c\/li\u003e\n\u003cli\u003eLow-light shooting\u003c\/li\u003e\n\u003cli\u003eNeon signs and city lights\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eIndoor photography\u003c\/li\u003e\n\u003cli\u003eTungsten and artificial lighting\u003c\/li\u003e\n\u003cli\u003eConcerts and events\u003c\/li\u003e\n\u003cli\u003eAvailable-light portraits\u003c\/li\u003e\n\u003cli\u003ePhotographers looking for distinctive halation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect a very different look from a standard daylight-balanced colour film.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eUnder tungsten and warm artificial lighting, 800T gives a more naturally balanced result than daylight film. Bright point light sources can produce its characteristic red halation, particularly against darker backgrounds. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIn daylight, the film will produce a cooler colour response. CineStill recommends an \u003cstrong\u003e85 filter\u003c\/strong\u003e, or rating the film around \u003cstrong\u003eEI 400 to 500\u003c\/strong\u003e, when shooting in daylight if you want a more neutral result. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts wide exposure range also gives you room to experiment. CineStill lists EI 200 to 1000 for normal processing and up to EI 3200 with push processing. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing recommended.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e800T is made for standard C-41 processing and can be processed by normal colour film labs. CineStill also provides push-processing recommendations when shooting at higher exposure indexes.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFor normal C-41 processing:\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eEI 200 to 1000:\u003c\/strong\u003e No push\u003cbr\u003e\u003cstrong\u003eEI 800 to 2000:\u003c\/strong\u003e 1 stop push\u003cbr\u003e\u003cstrong\u003eEI 1250 to 3200:\u003c\/strong\u003e 2 stop push\u003cbr\u003e\u003cstrong\u003eEI 1600 to 3200:\u003c\/strong\u003e 3 stop push for increased contrast \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701184348214,"sku":"814396N","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Cinestill800T-Colour-36exp1.png?v=1790040114"},{"product_id":"cinestill-800t-120","title":"CineStill 800T (120)","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eCineStill 800T is a high-speed colour film made for the kind of light that usually has you wondering whether you should put the camera away.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at EI 800 and balanced for tungsten light, it's particularly at home after dark, under streetlights, neon signs and artificial indoor lighting. In 120 format, you get that familiar CineStill night-time character with the extra detail and depth of a medium format negative.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eWith the original remjet layer removed, bright points of light can produce the red halation that has become one of 800T's most recognisable characteristics. It's not a subtle, neutral film in every situation, and that's part of the appeal.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFor night streets, live music, portraits after dark or simply seeing what your medium format camera can do when the sun goes down, 800T gives you plenty to work with.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMedium format photography\u003c\/li\u003e\n\u003cli\u003eNight photography\u003c\/li\u003e\n\u003cli\u003eLow-light photography\u003c\/li\u003e\n\u003cli\u003eNeon and city lights\u003c\/li\u003e\n\u003cli\u003eAvailable-light portraits\u003c\/li\u003e\n\u003cli\u003eIndoor photography\u003c\/li\u003e\n\u003cli\u003eStreet photography after dark\u003c\/li\u003e\n\u003cli\u003eLive music and events\u003c\/li\u003e\n\u003cli\u003eArtificial lighting\u003c\/li\u003e\n\u003cli\u003ePhotographers looking for distinctive halation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003estrong low-light performance, cinematic colour and distinctive red halation around bright highlights\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe film is balanced for \u003cstrong\u003e3200K tungsten light\u003c\/strong\u003e, so it feels particularly natural under warmer artificial lighting. In daylight, CineStill recommends an \u003cstrong\u003e85B warming filter\u003c\/strong\u003e for more neutral colour, although shooting without one can be used creatively for a cooler look.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThere's also plenty of exposure flexibility. CineStill states that 800T can be rated from \u003cstrong\u003eEI 200 to EI 1000 without push processing\u003c\/strong\u003e, and can be pushed as far as \u003cstrong\u003eEI 3200\u003c\/strong\u003e when more speed is needed.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eCineStill removes the motion-picture remjet backing before the film is packaged, allowing 800T to be processed using standard C-41 chemistry at a regular compatible film lab.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt can also be processed using motion-picture-style Cs2 \/ ECN-2 chemistry if desired, but \u003cstrong\u003eC-41 is the straightforward standard option\u003c\/strong\u003e for most customers.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e \u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701184446518,"sku":"3906170","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/120Cinestill800T-1.png?v=1790052984"},{"product_id":"cinsestill-50d","title":"CineStill 50D","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eCineStill 50D is a daylight-balanced 35mm colour negative film with very fine grain, high detail and a distinctive look.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRated at EI 50 and balanced for 5500K daylight, it is best suited to bright conditions where you can take advantage of its fine grain and high resolution. It works particularly well for portraits, landscapes, travel, street photography and other daylight shooting.\u003c\/p\u003e\n\u003cp\u003eOne of its defining characteristics is halation around bright point light sources. Lights and highlights can develop a soft red glow, giving images a little more character, particularly in backlit scenes and around artificial lights.\u003c\/p\u003e\n\u003cp\u003eCineStill prepares the film for standard C-41 colour processing, so it can be processed through most colour film labs. It can also be processed using ECN-2 chemistry.\u003c\/p\u003e\n\u003ch2\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eBright daylight\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eBacklit subjects\u003c\/li\u003e\n\u003cli\u003eHigh-detail photography\u003c\/li\u003e\n\u003cli\u003eShooting where fine grain is important\u003c\/li\u003e\n\u003cli\u003ePhotographers who like distinctive halation around bright lights\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat to expect\u003c\/h2\u003e\n\u003cp\u003e50D is a \u003cstrong\u003eslow EI 50 film\u003c\/strong\u003e, so it is better suited to good light than darker conditions.\u003c\/p\u003e\n\u003cp\u003eExpect very fine grain, strong detail and a daylight-balanced colour response. The film also has its characteristic halation, which can appear as a soft red glow around bright point light sources.\u003c\/p\u003e\n\u003cp\u003eIt is a good option if you want something cleaner and more detailed than a typical ISO 400 film, while still having a recognisable CineStill character.\u003c\/p\u003e\n\u003ch2\u003eDeveloping\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eC-41 colour processing recommended.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCineStill 50D is prepared for C-41 processing and can also be processed using ECN-2 chemistry.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDeveloping\/scanning:\u003c\/strong\u003e Add developing and scanning below before checkout.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701184512054,"sku":"S404962","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Cinestill50D-Colour-36exp1.png?v=1790038352"},{"product_id":"delta-100-120-film-regular","title":"Ilford Delta 100","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford Delta 100 Professional is a fine-grain black and white film made for medium format photography where detail really matters.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at ISO 100, it works best when you have plenty of light or a little more control over your exposure. The slower speed keeps grain exceptionally fine, with high sharpness and plenty of detail from the larger 120 negative.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's particularly well suited to portraits, landscapes, architecture, studio work and fine art photography, where you can take your time and make the most of its clean, detailed look.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIf you're shooting medium format for the extra detail and tonal range that a larger negative gives you, Delta 100 is a natural fit.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMedium format photography\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eArchitecture\u003c\/li\u003e\n\u003cli\u003eStudio photography\u003c\/li\u003e\n\u003cli\u003eFine art photography\u003c\/li\u003e\n\u003cli\u003eDetailed subjects\u003c\/li\u003e\n\u003cli\u003eBright daylight\u003c\/li\u003e\n\u003cli\u003eControlled lighting\u003c\/li\u003e\n\u003cli\u003eHigh-quality scans and enlargements\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003eexceptionally fine grain, high sharpness and plenty of detail\u003c\/strong\u003e, with a clean and refined black and white look.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eISO 100 means Delta 100 needs more light than films like Delta 400 or HP5 Plus, but the trade-off is finer grain and greater emphasis on detail.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIlford recommends \u003cstrong\u003eEI 100 for the best overall image quality\u003c\/strong\u003e, although good results can be achieved between EI 50 and EI 200.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIn 120 format, the larger negative makes the most of those characteristics, particularly when you're scanning at high resolution or making larger prints.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eStandard black and white processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eDelta 100 can be developed in a wide range of standard black and white developers. Ilford provides development data for \u003cstrong\u003eILFOTEC DD-X, ID-11, MICROPHEN, PERCEPTOL and ILFOSOL 3\u003c\/strong\u003e, among others.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701184905270,"sku":"651654Z","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/ilforddleta100-1.png?v=1790050385"},{"product_id":"delta-100-35mm-regular","title":"Ilford Delta 100 Professional","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford Delta 100 Professional is a fine-grain ISO 100 black-and-white film made for photographers who want plenty of detail, sharpness and smooth tonal reproduction.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt is a slower film, which makes it particularly \u003cstrong\u003ewell suited to\u003c\/strong\u003e \u003cstrong\u003edaylight photography,\u003c\/strong\u003e portraits, landscapes, architecture and more considered shooting. Ilford rates it at ISO 100 and describes it as an ideal film for pictorial and fine-art photography, with good results possible across an exposure index of EI 50 to EI 200.\u003c\/p\u003e\n\u003cp\u003eThe fine grain and high level of detail make it a good choice when you want clean, highly resolved negatives without moving into an ultra-slow film. Each 35mm cassette contains 36 exposures and is DX coded for use in compatible 35mm cameras. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eDaylight photography, portraits, landscapes, architecture, street photography, fine-art work and anyone looking for fine-grain black-and-white negatives.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003eA 36-exposure roll of ISO 100 black-and-white negative film. Expect fine grain, strong sharpness and plenty of detail, particularly when shooting in good light.\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003eBlack and white negative film. Process using a standard black and white negative film developer.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701185003574,"sku":"1523787","price":28.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/DSC00299_B8B2A9_2048.png?v=1789993372"},{"product_id":"delta-400-120-film-regular","title":"Ilford Delta 400 Professional","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford Delta 400 Professional is a versatile black and white film that combines ISO 400 speed with fine grain and plenty of detail.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIn 120 format, it's a great all-round choice for medium format photography. There's enough speed to work comfortably in changing light and handheld situations, while the larger negative makes the most of Delta 400's sharpness and relatively fine grain.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt works particularly well for portraits, street photography, documentary work and everyday shooting, especially when you want more flexibility than a slower ISO 100 film without giving up too much detail.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt can also be pushed when the light starts to disappear, making Delta 400 a useful film to keep in the bag when you're not quite sure what the day will bring.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMedium format photography\u003c\/li\u003e\n\u003cli\u003eEveryday shooting\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eDocumentary photography\u003c\/li\u003e\n\u003cli\u003eAvailable-light photography\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eChanging light\u003c\/li\u003e\n\u003cli\u003eHandheld shooting\u003c\/li\u003e\n\u003cli\u003ePhotographers wanting speed without overly heavy grain\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003efine grain for an ISO 400 film, high sharpness and plenty of detail\u003c\/strong\u003e, with more flexibility in changing light than Delta 100.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt its standard \u003cstrong\u003eISO 400\u003c\/strong\u003e rating, it's an easy film to use across a broad range of situations. Ilford also states that good image quality can be achieved from \u003cstrong\u003eEI 200 through to EI 3200\u003c\/strong\u003e, with extended development required at the higher exposure indexes. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThat makes it a particularly useful middle ground in the Delta range: faster and more flexible than Delta 100, without the pronounced high-speed character of Delta 3200.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eStandard black and white processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eDelta 400 can be developed in a wide range of black and white developers. For higher exposure indexes, Ilford specifically lists \u003cstrong\u003eILFOTEC DD-X, ILFOTEC HC, MICROPHEN and ILFOTEC RT RAPID\u003c\/strong\u003e for extended development.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701185101878,"sku":"401413A","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/IlfordDelta400-B_W-120mm-1.png?v=1790050733"},{"product_id":"delta-400-35mm-regular","title":"Ilford Delta 400","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford Delta 400 Professional is a fast ISO 400 black and white film that gives you a bit more flexibility when the light starts to drop.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt combines a relatively high film speed with fine grain and good sharpness, making it a versatile choice for everyday photography, street photography, portraits and available-light shooting. It also works well when you want to keep shutter speeds up without moving all the way to a very high-speed film.\u003c\/p\u003e\n\u003cp\u003eDelta 400 is rated at ISO 400, but Ilford gives it a useful exposure range from EI 200 through to EI 3200 when processed appropriately. That makes it a particularly flexible option if you're shooting in changing light or want to deliberately push the film for a different look. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEach 35mm cassette contains 36 exposures and is DX coded for use in compatible 35mm cameras. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eStreet photography, available-light photography, portraits, everyday shooting, action, documentary work and black-and-white photography in changing light.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003eA 36-exposure roll of ISO 400 black-and-white negative film with fine grain and strong detail. A good choice when you want more speed than Delta 100 while still keeping a relatively clean, detailed negative.\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003eBlack-and-white negative film. Process using a standard black-and-white negative film developer.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701185200182,"sku":"901416N","price":28.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/DSC00304_B8B2A9_2048.png?v=1789994013"},{"product_id":"ektacolor-800-35mm-single-regular","title":"Kodak Ektacolor Pro 800","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak Ektacolor Pro 800 is a fast 35mm colour negative film made for low light, changing conditions and situations where you need a little more speed.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts ISO 800 rating makes it particularly useful for indoor photography, evening light, events, street photography and moving subjects. Despite the higher speed, it maintains fine grain, good sharpness and smooth tonal reproduction.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eColour is natural and balanced rather than heavily saturated, with particularly good reproduction of skin tones. That makes it a strong choice for portraits and people, but its combination of speed and wide exposure latitude also makes it useful for travel, sport and general photography.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach roll gives you 36 exposures and develops using standard C-41 colour processing. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLow-light photography\u003c\/li\u003e\n\u003cli\u003eIndoor photography\u003c\/li\u003e\n\u003cli\u003eEvening and night shooting\u003c\/li\u003e\n\u003cli\u003ePortraits and people\u003c\/li\u003e\n\u003cli\u003eWeddings and events\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eMoving subjects\u003c\/li\u003e\n\u003cli\u003eChanging light conditions\u003c\/li\u003e\n\u003cli\u003ePhotographers wanting extra speed without giving up natural colour\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003enatural colour, smooth tones and fine grain for an ISO 800 film\u003c\/strong\u003e, with enough speed to keep shooting when slower colour films start to struggle.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe daylight balance makes it versatile across a wide range of situations rather than limiting it to artificial or tungsten light. Its ISO 800 speed also gives you more freedom to use faster shutter speeds when photographing people or moving subjects.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eKodak specifically highlights its wide exposure latitude, natural skin tones and balanced colour, making this a flexible high-speed option rather than a film built around a heavy or exaggerated colour look. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEktacolor Pro 800 uses standard C-41 chemistry, so it can be developed by labs offering regular colour negative processing.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701185855542,"sku":"729464S","price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/KodakEktacolorPro800-36exp_35FRONT.png?v=1790041841"},{"product_id":"ektacolor-pro-400-regular","title":"Kodak Ektacolor Pro 400, 36 Exp","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eKodak Ektacolor Pro 400\u003c\/strong\u003e is a professional ISO 400 colour negative film built for versatility. You get the flexibility of a 400-speed film with fine grain, strong detail and natural-looking colour, making it an easy roll to keep loaded when you don't know exactly what the day will bring.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts wide exposure latitude makes it forgiving to shoot, while the colour and skin-tone reproduction make it particularly at home with people. Kodak positions it for everything from lifestyle and portraits through to travel, sport and street photography. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis is a \u003cstrong\u003e36-exposure 35mm roll\u003c\/strong\u003e, daylight balanced and processed using standard C-41 chemistry. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eEveryday shooting, portraits, travel, street photography, lifestyle work and photographers who want one versatile colour film for changing light.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003enatural colour, flattering skin tones, fine grain and plenty of flexibility from the ISO 400 speed\u003c\/strong\u003e. It has enough speed for less-than-perfect light while still giving you the detail and grain structure expected from a professional colour negative film. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe wide exposure latitude also makes it approachable if you're newer to shooting film, while still giving experienced shooters plenty to work with when scanning or printing.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eProcess: C-41\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEktacolor Pro 400 uses the standard C-41 colour negative process, so it can be developed anywhere that processes conventional colour negative film. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701185953846,"sku":"E199535","price":35.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/496a59a2-a32a-4376-ae18-ce8d5dc72abc.png?v=1790219153"},{"product_id":"ektacolor-pro-400-120-regular","title":"Kodak Ektacolor Pro 400, Individual Roll","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eKodak Ektacolor Pro 400\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is a versatile professional colour negative film that combines the flexibility of ISO 400 with fine grain, strong detail and natural-looking colour.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 120 format, it's an easy film to reach for when you want the detail and character of medium format without being locked into perfect light. The ISO 400 speed gives you useful flexibility as conditions change, while its natural colour and skin-tone reproduction make it particularly well suited to portraits, lifestyle photography and everyday shooting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts wide exposure latitude also makes it approachable if you're newer to medium format, while giving experienced photographers plenty of flexibility when scanning or printing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThis listing is for one individual roll of Kodak Ektacolor Pro 400 in 120 format.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBest for\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003ePortraits, lifestyle photography, travel, street photography and general medium-format shooting. A versatile choice when you want one colour film that can handle a range of lighting conditions.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eWhat to expect\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eExpect \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enatural colour, fine grain, good detail and plenty of exposure flexibility\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt ISO 400, Ektacolor Pro 400 gives you more room to work as the light changes than slower colour films, while retaining the detail and tonal quality you'd expect from professional colour negative film.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eDeveloping\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eProcess: C-41\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEktacolor Pro 400 uses standard C-41 colour negative processing.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701186019382,"sku":"130127R","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/1205-PackKodakPro400-2.png?v=1790565176"},{"product_id":"fuji-neopan-acros-100ii-regular","title":"Fuji Neopan Acros 100 II","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eFuji Neopan Acros 100 II is a \u003cstrong\u003e35mm ISO 100 black-and-white negative film\u003c\/strong\u003e known for fine grain, strong sharpness and smooth, detailed tonal reproduction.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt is a good all-round black-and-white film for everyday shooting, but really comes into its own when you want a cleaner, more detailed negative. Fujifilm designed Acros II with improved reciprocity characteristics too, making it particularly well suited to longer exposures such as night scenes, architecture and astrophotography.\u003c\/p\u003e\n\u003cp\u003eAt ISO 100, it sits comfortably in the slower end of the film range, making it a natural choice for \u003cstrong\u003edaylight photography \u003c\/strong\u003ewhen you want to take advantage of its fine grain and tonal range. Each 35mm roll provides \u003cstrong\u003e36 exposures\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eBlack \u0026amp; white photography, portraits, landscapes, architecture, street photography, detailed work and long exposures.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003eA 35mm roll of ISO 100 black-and-white negative film with 36 exposures. Fine grain and strong sharpness, with particularly good characteristics for longer exposures.\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eBlack \u0026amp; white negative film.\u003c\/strong\u003e Process using a standard black \u0026amp; white negative film developer.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701187690550,"sku":"421054D","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/35mm_Acros_100II_25_FRONT_B8B2A9_2048.png?v=1789992760"},{"product_id":"fuji-quicksnap-disposable","title":"Fujifilm QuickSnap Flash 400","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe Fujifilm QuickSnap keeps film photography about as simple as it gets.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's already loaded with \u003cstrong\u003e27 shots of ISO 400 colour film\u003c\/strong\u003e, with a fixed-focus 32mm lens and built-in flash. There's nothing to load, no settings to figure out and no batteries to charge. Wind it on, look through the viewfinder and take the photo.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eISO 400 makes it flexible enough for everyday shooting, from sunny days and holidays to parties and nights out. When the light drops, switch on the flash and keep your subject within roughly three metres.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eOnce you've finished all 27 shots, bring the whole camera back for developing and scanning.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFirst-time film shooters\u003c\/li\u003e\n\u003cli\u003eParties\u003c\/li\u003e\n\u003cli\u003eWeddings\u003c\/li\u003e\n\u003cli\u003eHolidays\u003c\/li\u003e\n\u003cli\u003eFestivals\u003c\/li\u003e\n\u003cli\u003eNights out\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eEvents\u003c\/li\u003e\n\u003cli\u003eLeaving on tables for guests\u003c\/li\u003e\n\u003cli\u003eAnyone who wants film without buying a camera\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003esimple, candid 35mm photos with the unmistakable character of a disposable camera\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThere's no autofocus or exposure control to think about. The lens is fixed at \u003cstrong\u003e32mm f\/10\u003c\/strong\u003e, the shutter fires at \u003cstrong\u003e1\/140 sec\u003c\/strong\u003e, and focus runs from approximately \u003cstrong\u003e1 metre to infinity\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFor the best results, Fujifilm recommends using the flash indoors, at night, in shade, in cloudy conditions and when your subject is backlit. The flash works most effectively with subjects around \u003cstrong\u003e1 to 3 metres away\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eStandard C-41 colour film processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eOnce you've taken all 27 photos, the entire QuickSnap is handed over to the lab. The 35mm colour negative film inside is removed and processed using standard \u003cstrong\u003eC-41 chemistry\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFor the \u003cstrong\u003eCamera Only\u003c\/strong\u003e option, you're purchasing the QuickSnap itself.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701187821622,"sku":"140792W","price":27.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/fuji-quicksnap-27exp-1.png?v=1790075879"},{"product_id":"fujifilm-200","title":"Fujifilm 200","description":"\u003ch2 dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eProduct Description\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eFujifilm 200 is an easy-going 35mm colour negative film made for everyday photography.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eWith an ISO 200 speed, it works particularly well outdoors in daylight and gives you a good balance between fine grain and enough flexibility for changing conditions. Colours are vivid without being difficult to work with, with natural-looking skin tones and good sharpness across the frame.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts wide exposure latitude also makes it a forgiving choice if you're newer to shooting film. Load it for holidays, weekends, portraits, street photography or simply keeping a camera with you for whatever happens.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach roll gives you 36 exposures and develops using the standard C-41 colour process. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEveryday photography\u003c\/li\u003e\n\u003cli\u003eTravel and holidays\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003ePortraits and people\u003c\/li\u003e\n\u003cli\u003eFamily photos\u003c\/li\u003e\n\u003cli\u003eOutdoor photography\u003c\/li\u003e\n\u003cli\u003eSunny and overcast daylight\u003c\/li\u003e\n\u003cli\u003eIndoor photography with flash\u003c\/li\u003e\n\u003cli\u003eBeginners getting into 35mm film\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003ebalanced, vivid colour, fine grain and good sharpness\u003c\/strong\u003e without the film feeling overly specialised.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eISO 200 sits nicely between slower ISO 100 films and faster ISO 400 options. There is enough speed for a wide range of daytime situations while still keeping the grain relatively fine.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFujifilm also gives the film wide exposure latitude, making it more forgiving when your exposure isn't absolutely perfect. Its natural skin-tone reproduction makes it particularly useful for people, holidays and general everyday photography. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis is a standard colour negative film and can be developed by labs offering normal C-41 processing.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701187919926,"sku":"V375065","price":18.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/35mm_Fuji_200_18_FRONT_B8B2A9_2048_corrected.png?v=1790040680"},{"product_id":"fujifilm-400","title":"Fujifilm 400","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eFujifilm 400 is a versatile 35mm colour negative film made for everyday shooting and changing light.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts ISO 400 speed gives you more flexibility than slower films, making it a good option for everything from sunny days and overcast afternoons to indoor photography with flash. It produces vibrant, natural colour with good sharpness, fine grain and pleasing skin tones.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe extra speed also makes Fujifilm 400 handy for street photography, travel, family photos and moving subjects where you might need a faster shutter speed.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's an easy film to keep loaded in your camera when you don't know exactly what the day will bring, with enough exposure latitude to make it a forgiving choice for newer film photographers as well as experienced shooters. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEveryday photography\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eTravel and holidays\u003c\/li\u003e\n\u003cli\u003ePortraits and people\u003c\/li\u003e\n\u003cli\u003eFamily photos\u003c\/li\u003e\n\u003cli\u003eMoving subjects\u003c\/li\u003e\n\u003cli\u003eOvercast conditions\u003c\/li\u003e\n\u003cli\u003eIndoor photography with flash\u003c\/li\u003e\n\u003cli\u003eBeginners looking for a versatile first film\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003evibrant, natural colour, fine grain and good sharpness\u003c\/strong\u003e from a film designed to work across a broad range of everyday situations.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eISO 400 gives you more flexibility when the light drops than Fujifilm 200, making it easier to use later in the day, under cloud cover or when photographing moving subjects.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFujifilm also gives the film wide exposure latitude and emphasises its natural reproduction of skin tones, making it a particularly useful all-rounder when you want to load a camera and simply get out and shoot. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFujifilm 400 uses the standard C-41 colour negative process, so it can be developed by labs offering regular colour film processing.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701188018230,"sku":"158525R","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Fuji400-36exp-_25FRONT.jpgfront.png?v=1790041021"},{"product_id":"gossen-mastersix-regular","title":"Gossen Mastersix","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe Gossen Mastersix is a professional exposure meter from the early 1980s, built for photographers who want more control over exposure than a camera's built-in meter can offer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIt can measure both incident and reflected light, as well as continuous and flash light. The Mastersix also works with a range of interchangeable Gossen accessories, including spot and selective metering attachments, making it a particularly flexible meter for studio, large-format and more considered photographic work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe digital display shows the measured exposure values clearly, while the straightforward physical controls make it a very hands-on piece of photographic equipment.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eThis is a vintage item so please check the photographs carefully for its condition and what is included before purchasing.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eBest for:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Film photographers, studio work, large-format photography, photographers who prefer using a separate light meter and collectors of classic Gossen equipment.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eWhat to expect:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e A vintage professional Gossen exposure meter with a digital display and support for the wider Mastersix accessory system. The exact condition, battery status and included accessories for this individual unit should be confirmed before purchase.\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701188542518,"sku":"J488265","price":170.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Gossen-Mastersix-2.png?v=1789961572"},{"product_id":"harman-switch-azure-125-regular","title":"Harman Switch Azure 125","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eHarman Switch Azure 125 is a colour film designed to make familiar scenes look anything but familiar.\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRather than reproducing colours normally, Switch Azure deliberately changes how colours are recorded. Harman describes the effect as switching the colour channels, so blues can appear orange, reds can move towards purple and blue, and yellow tones can become vivid azure. Skin tones can also shift dramatically. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe result depends heavily on what's in front of the camera, the available light and how the film is scanned. That means there isn't one fixed \"Azure look\". A blue sky, a red car, green foliage or a sunset can all behave differently, which is part of the fun.\u003c\/p\u003e\n\u003cp\u003eHarman recommends shooting at \u003cstrong\u003eISO 125\u003c\/strong\u003e, generally outdoors and metering for the mid-tones. A little exposure bracketing is worth considering when you're getting to know the film, particularly in brighter or more difficult lighting. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis is not the film to reach for when you want accurate, natural colour. It's for experimenting, playing with colour and seeing what happens.\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eCreative photography, street photography, travel, landscapes, fashion, unusual portraits, architecture and projects where you want unpredictable colour.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e36 exposures at ISO 125.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eExpect \u003cstrong\u003estrong and sometimes surprising colour shifts\u003c\/strong\u003e rather than natural colour reproduction. Blues, reds, yellows and skin tones can all be transformed, and the final result can change depending on the scanner used. Harman specifically notes that different scanning equipment and methods can produce noticeably different results. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIf you're shooting it for the first time, don't be afraid to bracket a few important frames. The unpredictable nature is part of what makes this film interesting.\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eC-41 colour negative processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSwitch Azure is designed to be processed using standard C-41 chemistry, so it can go through a normal colour negative processing workflow. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eScanning is where things get particularly interesting. Harman provides guidance for adjusting scanner settings, and different scanners can produce noticeably different colour results from the same negative.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701188706358,"sku":"2128510","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/35mm_Azure_25_FRONT_B8B2A9_2048.png?v=1790037831"},{"product_id":"hasselblad-v-120-4-makro-planar-regular","title":"Hasselblad Carl Zeiss Makro-Planar T* 120mm","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe Hasselblad Carl Zeiss Makro-Planar T 120mm f\/4* is a specialist close-focus prime for the Hasselblad V System, designed for photographers who want high image quality across product, studio, close-up and general photography.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eUnlike a conventional macro lens designed solely around maximum magnification, the 120mm Makro-Planar is particularly useful across \u003cstrong\u003eclose and medium working distances\u003c\/strong\u003e. That makes it a natural choice for product photography, still life, artwork, detail work and studio portraits.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts 120mm focal length also gives you more working distance than a standard lens, while the longer perspective works beautifully for tighter compositions and portraiture. On Hasselblad's square 6×6 format, it sits between the normal 80mm and classic 150mm portrait lens.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe \u003cstrong\u003eT\u003c\/strong\u003e* designation identifies Zeiss's multi-layer anti-reflection coating, while the V System design incorporates a leaf shutter into the lens.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eProduct photography\u003c\/li\u003e\n\u003cli\u003eClose-up photography\u003c\/li\u003e\n\u003cli\u003eStill life\u003c\/li\u003e\n\u003cli\u003eArtwork and reproduction work\u003c\/li\u003e\n\u003cli\u003eStudio photography\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003e6×6 medium-format photography\u003c\/li\u003e\n\u003cli\u003eHasselblad V System users\u003c\/li\u003e\n\u003cli\u003eCollectors\u003c\/li\u003e\n\u003cli\u003ePhotographers wanting a high-quality close-focus Zeiss prime\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThe 120mm Makro-Planar is better thought of as a \u003cstrong\u003eclose-focus specialist\u003c\/strong\u003e than a modern 1:1 macro lens.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eOn its own, it reaches approximately \u003cstrong\u003e1:4.5 reproduction\u003c\/strong\u003e, so it won't fill the frame with tiny subjects in the same way as a modern 1:1 macro. Hasselblad extension tubes and bellows can be used when greater magnification is required.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts strength is versatility across close and medium distances. For film scanning-sized objects, product work, still life, details and portraits, you get the characteristic control and slower, deliberate working style of the Hasselblad V System.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe built-in leaf shutter also makes the lens particularly useful in the studio, where Hasselblad's V System allows flash synchronisation at all shutter speeds available on the lens.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThis lens was designed for the \u003cstrong\u003eHasselblad V System\u003c\/strong\u003e, primarily using 120 medium-format film.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eDeveloping depends on the film loaded into the camera. Colour negative film will commonly use C-41 processing, while black and white and slide films require their respective processes.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe lens can also be \u003cstrong\u003eadapted\u003c\/strong\u003e or used with compatible digital backs and digital camera systems. That doesn't change its classification here, which remains \u003cstrong\u003eFilm\u003c\/strong\u003e because the Hasselblad V System is its native photographic system.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701189001270,"sku":"594514R","price":1000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Hasselblad-120mm-4-prime-Vseris-2.png?v=1790162533"},{"product_id":"hasselblad-v-150-4-sonnar-t-regular","title":"Hasselblad Carl Zeiss Sonnar T* 150mm","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe Hasselblad Carl Zeiss Sonnar T 150mm f\/4* is one of the classic portrait lenses of the Hasselblad V System, pairing a flattering telephoto perspective with the large 6×6 medium-format frame.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe 150mm focal length gives you comfortable working distance and a tighter field of view than the standard 80mm, making it particularly well suited to \u003cstrong\u003eportraits, studio work, events and detail photography\u003c\/strong\u003e. For head-and-shoulders portraits, it lets you step back from your subject while keeping the composition tight and natural.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts optical design is beautifully simple, using just \u003cstrong\u003efive elements in three groups\u003c\/strong\u003e. The T* designation identifies Zeiss's multi-layer anti-reflection coating, designed to help maintain contrast and control reflections. The lens also incorporates the leaf shutter that's central to the Hasselblad V System. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003ePortrait photography\u003c\/li\u003e\n\u003cli\u003eHead-and-shoulders portraits\u003c\/li\u003e\n\u003cli\u003eStudio photography\u003c\/li\u003e\n\u003cli\u003e6×6 medium-format photography\u003c\/li\u003e\n\u003cli\u003eEvents and stage photography\u003c\/li\u003e\n\u003cli\u003eFashion\u003c\/li\u003e\n\u003cli\u003eDetail photography\u003c\/li\u003e\n\u003cli\u003eHasselblad V System users\u003c\/li\u003e\n\u003cli\u003eCollectors\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThe 150mm Sonnar gives you a noticeably tighter perspective than the standard Hasselblad 80mm. It's long enough to create comfortable subject separation and flattering portrait framing without becoming an especially large or extreme telephoto.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eMinimum focusing distance is \u003cstrong\u003e1.4 metres\u003c\/strong\u003e, so this isn't intended as a close-focus or macro lens. For closer detail work, the 120mm Makro-Planar is the more specialised option. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThis lens was designed for the \u003cstrong\u003eHasselblad V System\u003c\/strong\u003e, primarily using 120 medium-format film.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eDeveloping depends on the film loaded into the camera. Colour negative film will commonly use C-41 processing, while black and white and slide films require their respective processes.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eHasselblad V lenses can also be used with \u003cstrong\u003ecompatible\u003c\/strong\u003e digital backs or adapted to other digital systems. For our compatibility classification, however, this remains \u003cstrong\u003eFilm\u003c\/strong\u003e, reflecting its native photographic system.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701189099574,"sku":"963522Q","price":650.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Hasselblad150mm-4-prime-Vseris-1.png?v=1790163884"},{"product_id":"hasselblad-v-60-3-5-distagon-t-regular","title":"Hasselblad Carl Zeiss Distagon T* 60mm","description":"\u003cp dir=\"auto\"\u003eThe Hasselblad Carl Zeiss Distagon T 60mm f\/3.5* is a wide-angle prime for the \u003cstrong\u003eHasselblad V System\u003c\/strong\u003e, sitting between the classic 80mm standard lens and the more pronounced perspective of wider Hasselblad lenses.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eOn the square 6×6 format, 60mm gives you a noticeably wider view without pushing things into an exaggerated ultra-wide look. That makes it an especially versatile option for \u003cstrong\u003elandscapes, interiors, architecture, travel and environmental portraits\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eZeiss described the 60mm as an almost universal lens, specifically positioning it as a faster, higher-performing successor to the earlier 60mm f\/4 Distagon. Its optical design uses \u003cstrong\u003eseven elements in seven groups\u003c\/strong\u003e and focuses as close as 0.6 metres. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe \u003cstrong\u003eT\u003c\/strong\u003e* designation identifies Zeiss's multi-layer anti-reflection coating, while the Hasselblad V design combines manual focusing with an in-lens leaf shutter.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e6×6 medium-format photography\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eArchitecture\u003c\/li\u003e\n\u003cli\u003eInteriors\u003c\/li\u003e\n\u003cli\u003eEnvironmental portraits\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eStreet and documentary work\u003c\/li\u003e\n\u003cli\u003eHasselblad V System photographers\u003c\/li\u003e\n\u003cli\u003eCollectors\u003c\/li\u003e\n\u003cli\u003ePhotographers wanting something wider than the standard 80mm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThe 60mm Distagon is wide on the Hasselblad 6×6 format, but not dramatically so. Its \u003cstrong\u003e66° diagonal angle of view\u003c\/strong\u003e gives you more room than an 80mm standard lens while retaining a relatively natural perspective. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt focuses down to \u003cstrong\u003e0.6m\u003c\/strong\u003e, which also makes it useful when you want to move closer and introduce a little more perspective into the frame.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis is a fully manual-focus lens. The leaf shutter is built into the lens, an important part of the Hasselblad V System and particularly useful when working with flash.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eOne point I'd keep conservative until we see the physical lens more closely is its \u003cstrong\u003eexact barrel generation\u003c\/strong\u003e. The 60mm f\/3.5 Distagon T* existed in C, CF, CB and CFi forms, all sharing the same basic seven-element\/seven-group optical design but differing in shutter, controls, filter fitting and barrel design. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThis lens was designed primarily for \u003cstrong\u003eHasselblad V System medium-format film cameras\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eDeveloping therefore depends on the 120 film loaded into the camera. Colour negative film will commonly use C-41 processing, while black and white and slide films require their respective processes.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eHasselblad V lenses can also be used with compatible digital backs and adapted digital systems. When used digitally, no film developing is required.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701189197878,"sku":"C581924","price":1000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Hasselblad-60mm-3.5-prime-Vseris-3.png?v=1790161917"},{"product_id":"instax-mini-20-sheets","title":"Fujifilm Instax Mini Instant Film 20","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eFujifilm Instax Mini film gives you small, credit-card-sized instant photos that develop right in front of you.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis 20-sheet twin pack contains two 10-shot cartridges, giving you 20 photos in total. Each print has the familiar white Instax border with a glossy colour image inside.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at ISO 800, it's designed to work across a broad range of everyday situations, from daylight and parties to portraits and nights out with flash.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEasy to load, easy to shoot and made for all Instax Mini cameras and compatible printers. Keep a pack handy and you're ready for another 20 shots. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEveryday instant photography\u003c\/li\u003e\n\u003cli\u003eParties and events\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eFamily photos\u003c\/li\u003e\n\u003cli\u003eNights out\u003c\/li\u003e\n\u003cli\u003eScrapbooks and photo albums\u003c\/li\u003e\n\u003cli\u003eGiving prints to friends\u003c\/li\u003e\n\u003cli\u003eInstax Mini cameras\u003c\/li\u003e\n\u003cli\u003eInstax Mini printers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003ebright colour, natural-looking skin tones and the classic white-border Instax Mini look\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach finished print is approximately credit-card sized at \u003cstrong\u003e54 × 86mm\u003c\/strong\u003e, with the actual image measuring \u003cstrong\u003e46 × 62mm\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe film is rated at \u003cstrong\u003eISO 800\u003c\/strong\u003e, giving compatible Instax Mini cameras plenty of flexibility for everyday shooting. Fujifilm specifies a working temperature range of approximately \u003cstrong\u003e5°C to 40°C\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eNo lab processing required.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eInstax Mini is self-developing instant film. Once the camera ejects the photograph, the image develops automatically.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eDevelopment time varies with temperature and conditions. Fujifilm's current Instax Mini camera specifications quote approximately \u003cstrong\u003e90 seconds\u003c\/strong\u003e under normal conditions.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701189296182,"sku":"84524","price":30.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/FujifilmInstaxmini-2Pack-2.png?v=1790055350"},{"product_id":"instax-wide-10-sheets","title":"Fujifilm Instax Wide Instant Film (10 Sheets)","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eFujifilm Instax Wide film gives you bigger instant photos with plenty of room for people, places and everything else you want to fit in the frame.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach cartridge gives you 10 wide-format colour photos with the familiar white Instax border. At \u003cstrong\u003e86 × 108mm\u003c\/strong\u003e, the finished prints are noticeably larger than Instax Mini, making Wide a great choice for group shots, landscapes, events and photos where you want to see a little more.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at ISO 800, it's designed to handle a broad range of everyday shooting conditions, with vibrant colour and natural-looking skin tones.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eLoad a cartridge into a compatible Instax Wide camera, take the shot and watch the image develop in front of you. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEveryday instant photography\u003c\/li\u003e\n\u003cli\u003eGroup photos\u003c\/li\u003e\n\u003cli\u003eParties and events\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eFamily photos\u003c\/li\u003e\n\u003cli\u003eWider compositions\u003c\/li\u003e\n\u003cli\u003eInstax Wide cameras\u003c\/li\u003e\n\u003cli\u003eCompatible Instax Wide printers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003ebright colour, natural-looking skin tones and a much larger image than Instax Mini\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach print measures \u003cstrong\u003e86 × 108mm\u003c\/strong\u003e, with an actual image area of \u003cstrong\u003e62 × 99mm\u003c\/strong\u003e. That wider frame gives you more room for groups, landscapes and scenes where the surroundings are part of the photograph. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe film is rated at \u003cstrong\u003eISO 800\u003c\/strong\u003e and works in temperatures from approximately \u003cstrong\u003e5°C to 40°C\u003c\/strong\u003e, making it flexible enough for most everyday shooting situations.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eNo box - price reflected.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eNo lab processing required.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eInstax Wide is self-developing instant film. The photograph is automatically ejected from the camera or printer and develops on its own.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFujifilm currently quotes approximately \u003cstrong\u003e90 seconds\u003c\/strong\u003e for image development, although temperature and conditions can affect development time.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701189394486,"sku":"84525","price":24.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Unknown-37.png?v=1791938829"},{"product_id":"ilford-delta-3200-regular","title":"Ilford Delta 3200 Professional","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford Delta 3200 Professional is a high-speed black and white film made for shooting when there isn't much light around.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt is particularly useful for available-light photography, night scenes, concerts, street photography and fast-moving subjects where you need to keep your shutter speed up. Ilford recommends metering it at EI 3200, with good results possible across a broad range of exposure settings depending on how the film is developed. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDespite the name, Delta 3200 has an actual ISO speed rating of 1000 in daylight. The 3200 figure refers to the recommended exposure index and development approach, which is why it behaves more like a high-speed working film than a conventional ISO 3200 film. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor 35mm shooters, it comes as a DX-coded 36-exposure cassette and is designed to be pushed into situations where slower films simply aren't practical.\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eLow-light photography, night photography, concerts, street photography, documentary work, available-light portraits and fast action.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003eA 36-exposure roll of high-speed black-and-white negative film. Delta 3200 is designed to give you more freedom when shooting in difficult light, with recommended exposure indexes from EI 1600 to EI 6400.\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003eBlack-and-white negative film. Delta 3200 is designed for extended development, particularly when exposed at EI 3200 and above.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701189525558,"sku":"9629149","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/DSC00302_B8B2A9_2048.png?v=1789994487"},{"product_id":"ilford-delta-3200-120-regular","title":"Ilford Delta 3200 Professional","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford Delta 3200 Professional is a high-speed black and white film made for medium format photography when the light is working against you.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eDesigned to be shot at EI 3200, it gives you the speed to work indoors, after dark and in available light without immediately reaching for a flash. It's particularly useful for night photography, live music, events, portraits and documentary work where keeping the atmosphere of the existing light matters.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIn 120 format, the larger negative gives Delta 3200 plenty of room to show off its character. Expect visible grain and strong atmosphere, but with more detail and smoother tonal transitions than you might expect from such a fast film.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIf you want to take a medium format camera out after dark, this is the Delta film built for it.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMedium format photography\u003c\/li\u003e\n\u003cli\u003eLow-light photography\u003c\/li\u003e\n\u003cli\u003eNight photography\u003c\/li\u003e\n\u003cli\u003eAvailable-light portraits\u003c\/li\u003e\n\u003cli\u003eConcerts and live music\u003c\/li\u003e\n\u003cli\u003eIndoor photography\u003c\/li\u003e\n\u003cli\u003eStreet photography after dark\u003c\/li\u003e\n\u003cli\u003eWeddings and events\u003c\/li\u003e\n\u003cli\u003eDocumentary photography\u003c\/li\u003e\n\u003cli\u003ePhotographers who like grain and atmosphere\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003evisible grain, plenty of character and considerably more low-light flexibility\u003c\/strong\u003e than a conventional ISO 100 or 400 medium format film.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eDespite the Delta 3200 name, the film's measured ISO speed is \u003cstrong\u003eISO 1000\u003c\/strong\u003e. Ilford designed it to be exposed at higher exposure indexes, with \u003cstrong\u003eEI 3200 being the recommended starting point\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIlford particularly recommends shooting between \u003cstrong\u003eEI 1600 and EI 6400\u003c\/strong\u003e, although good results can be achieved from EI 400 through to EI 6400. It can even be exposed as high as EI 25,000 with appropriate testing and development. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe 120 format also gives you a substantially larger negative than 35mm, so Delta 3200's grain takes on a different character in medium format while still giving you the speed needed for difficult lighting.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eStandard black and white processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIlford particularly recommends \u003cstrong\u003eILFOTEC DD-X, MICROPHEN and ID-11\u003c\/strong\u003e for Delta 3200 Professional. Development time should be matched to the exposure index used.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701189656630,"sku":"2996944","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/120IlfordDelta3200B_W-1.png?v=1790049718"},{"product_id":"ilford-fp4-regular","title":"Ilford FP4 Plus 125","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford FP4 Plus 125 is a classic medium speed black and white film known for its exceptionally fine grain, strong detail and smooth tonal reproduction.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAt ISO 125, it sits in a useful middle ground for everyday shooting. It works particularly well in daylight and controlled indoor conditions, giving you plenty of detail without needing the higher speeds of films such as HP5 or Delta 3200.\u003c\/p\u003e\n\u003cp\u003eIt is also a very forgiving film. Ilford recommends metering it at EI 125, but good image quality can be achieved between EI 50 and EI 200. Ilford also notes that FP4 Plus can produce usable results when significantly overexposed or underexposed, which makes it a practical choice when you're still getting comfortable with shooting film. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor photographers who want a clean, detailed negative, FP4 Plus is a great all rounder. It suits everything from everyday photography and portraits through to landscapes, architecture and more considered fine art work.\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eEveryday photography, portraits, landscapes, architecture, street photography, fine art and detailed black and white work.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003eA 36 exposure roll of ISO 125 black and white negative film with exceptionally fine grain, strong detail and a broad practical exposure range.\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003eBlack and white negative film. Process using a standard black and white negative film developer.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701189787702,"sku":"590417J","price":20.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/DSC00297_1_B8B2A9_2048.png?v=1789995527"}],"url":"https:\/\/www.sydneysuper8.com.au\/collections\/sale-eligible-products.oembed?page=7","provider":"SS8","version":"1.0","type":"link"}