{"title":"Film Auto Collection","description":null,"products":[{"product_id":"110-sunkissed-3pk-regular","title":"Lomography LomoChrome Color ’92 Sun-kissed 110","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eLomoChrome Color ’92 Sun-kissed\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e brings a warm, nostalgic feel to the tiny world of 110 photography.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis ISO 400 colour negative film leans into \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003egolden tones, warm reds and a beautifully sun-soaked colour palette\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, giving everyday scenes a distinctive analogue character straight out of the camera.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe ISO 400 speed makes it versatile enough for days out, travel, street photography and plenty of everyday shooting. And because it's 110, you get all of that character in one of photography's smallest and most fun film formats.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt's a great match for anyone who wants their 110 camera to produce something a little less predictable than a traditional colour film. Think summer afternoons, warm skin tones, saturated colour and plenty of personality.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThis pack contains three rolls of LomoChrome Color ’92 Sun-kissed 110 film, with 24 exposures per roll.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBest for\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eSunny days, travel, street photography, parties, holidays, everyday snapshots and anyone wanting to give their 110 photography a warmer, more distinctive colour palette.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eWhat to expect\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eExpect \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ewarm colours, golden highlights, rich reds and a nostalgic, slightly experimental look\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eColor ’92 Sun-kissed isn't really about perfectly neutral colour. Its character is part of the appeal, giving your photographs a warm analogue feel that works especially nicely with bright daylight and colourful scenes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt ISO 400, you've also got enough flexibility to keep a 110 camera loaded across changing conditions rather than saving it exclusively for bright sunshine.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eDeveloping\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eProcess: C-41\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLomoChrome Color ’92 Sun-kissed uses standard \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eC-41 colour negative processing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJust make sure your chosen lab accepts \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e110 film\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, as not every C-41 lab handles the smaller format.\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701179793462,"sku":"D255213","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/110LomochromeColor92-400-24exp1.png?v=1790571800"},{"product_id":"36exp-kodak-ultramax-400-3pk-regular","title":"Kodak UltraMax 400, 36 Exposure 3-Pack","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak UltraMax 400 is a versatile everyday colour film, and this 3-pack gives you three 36-exposure rolls with 108 shots in total.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts ISO 400 speed gives you plenty of flexibility across changing conditions, from bright daylight and overcast afternoons to indoor photography with flash. It produces vivid colour, fine grain and good sharpness, while the extra speed makes it easier to photograph moving subjects or keep shooting as the light starts to drop.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eUltraMax is an easy film to keep loaded for travel, street photography, family photos, weekends away or simply carrying a camera around every day.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eWith three full 36-exposure rolls in the box, this pack is a handy option if you shoot regularly, have a trip coming up or just want a few spare rolls ready to go.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEveryday photography\u003c\/li\u003e\n\u003cli\u003eTravel and holidays\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eFamily photos\u003c\/li\u003e\n\u003cli\u003ePortraits and people\u003c\/li\u003e\n\u003cli\u003eMoving subjects\u003c\/li\u003e\n\u003cli\u003eOvercast conditions\u003c\/li\u003e\n\u003cli\u003eIndoor photography with flash\u003c\/li\u003e\n\u003cli\u003eWeekends away\u003c\/li\u003e\n\u003cli\u003eKeeping spare rolls in your camera bag\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003evivid colour, fine grain and good sharpness\u003c\/strong\u003e, with the flexibility of ISO 400.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eUltraMax 400 is designed to work across a broad range of everyday conditions. The higher speed gives you more room to work when the light drops, extends your flash range and makes faster shutter speeds easier when photographing moving subjects. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach roll contains \u003cstrong\u003e36 exposures\u003c\/strong\u003e, giving you \u003cstrong\u003e108 exposures across the full three-pack\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eKodak UltraMax 400 uses standard C-41 colour negative processing. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701180088374,"sku":"7716718","price":70.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/3-PackKodakUltramax40036-exposure1.png?v=1790044577"},{"product_id":"canon-lens-fd-85mm-1-1-2-s-s-c-aspherical-regular","title":"Canon FD 85mm, S.S.C. Aspherical","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe \u003cstrong\u003eCanon FD 85mm f\/1.2 S.S.C. Aspherical\u003c\/strong\u003e is an exceptionally fast manual-focus portrait lens from Canon's original FD system, introduced in 1976.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts combination of an \u003cstrong\u003e85mm focal length and f\/1.2 maximum aperture\u003c\/strong\u003e gives you extremely shallow depth of field and strong separation between subject and background. It's a lens built for considered portrait photography, particularly when you want to work with available light or make selective focus a central part of the image.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe important word here is \u003cstrong\u003eAspherical\u003c\/strong\u003e. Canon developed this lens with an aspherical optical system to control aberrations at its unusually large f\/1.2 aperture. Canon also incorporated a floating optical mechanism to maintain performance as the lens focuses closer. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt was a significant lens for Canon. When introduced in January 1976, Canon states that it was the brightest 85mm SLR lens available at the time. It predates the later \u003cstrong\u003eNew FD 85mm f\/1.2L\u003c\/strong\u003e, making this S.S.C. Aspherical version a particularly interesting piece of Canon's fast-lens history. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003ePortrait photography\u003c\/li\u003e\n\u003cli\u003eAvailable-light photography\u003c\/li\u003e\n\u003cli\u003eLow-light shooting\u003c\/li\u003e\n\u003cli\u003eShallow depth of field\u003c\/li\u003e\n\u003cli\u003e35mm Canon FD cameras\u003c\/li\u003e\n\u003cli\u003eCanon F-1, A-1 and AE-1 system users\u003c\/li\u003e\n\u003cli\u003eAdapted mirrorless photography\u003c\/li\u003e\n\u003cli\u003eCollectors\u003c\/li\u003e\n\u003cli\u003ePhotographers looking for distinctive vintage glass\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eAt \u003cstrong\u003ef\/1.2\u003c\/strong\u003e, depth of field can be extremely shallow. Accurate manual focusing matters, particularly when working close to a portrait subject.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eStop the lens down and you have a conventional short telephoto, but wide open is where this lens becomes particularly interesting. Canon designed its aspherical optical system specifically to better control aberrations at the maximum aperture. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis original S.S.C. version has \u003cstrong\u003enine aperture blades, a 1m minimum focusing distance and weighs approximately 756g\u003c\/strong\u003e. It is physically and historically distinct from the later New FD 85mm f\/1.2L, which uses eight blades, focuses to 0.9m and weighs less. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's also a substantial lens for its size. At around \u003cstrong\u003e756g\u003c\/strong\u003e, expect something that feels solid rather than lightweight.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThis lens was designed for \u003cstrong\u003eCanon FD-mount 35mm film SLR cameras\u003c\/strong\u003e, so developing depends on the film loaded into the camera.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eColour negative film will commonly use C-41 processing, while black and white and slide films require their respective processes.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eCanon FD lenses can also be \u003cstrong\u003eadapted\u003c\/strong\u003e to suitable digital mirrorless systems. When used digitally, no film developing is required.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701182742582,"sku":"620322T","price":3000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Canon-85mm-1.2-2.png?v=1790159814"},{"product_id":"canon-ef-50-2-5-compact-macro-regular","title":"Canon EF 50mm, Compact Macro","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe \u003cstrong\u003eCanon EF 50mm f\/2.5 Compact Macro\u003c\/strong\u003e is a small, versatile macro prime that works just as comfortably for everyday photography as it does for getting close to the details.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts \u003cstrong\u003e50mm focal length\u003c\/strong\u003e gives a natural perspective on full-frame and 35mm Canon EOS cameras, while the close-focusing design takes you down to \u003cstrong\u003e0.23 metres with 0.5× magnification\u003c\/strong\u003e. That's half life-size, or 1:2 reproduction, making it useful for film cameras, small objects, product photography, documents, flowers and everyday details.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eUnlike a dedicated long macro lens, the 50mm focal length keeps this one useful when you're not shooting close-ups. It's essentially a normal prime and a compact macro in the same lens.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt also has a particularly long compatibility history. Introduced in \u003cstrong\u003e1987\u003c\/strong\u003e, this is a native Canon EF lens, meaning it was designed for the EOS system from the beginning and can be used with compatible \u003cstrong\u003eEOS 35mm film SLRs and Canon EF-mount DSLRs\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eClose-up photography\u003c\/li\u003e\n\u003cli\u003eFilm and camera details\u003c\/li\u003e\n\u003cli\u003eProduct photography\u003c\/li\u003e\n\u003cli\u003eCopy work\u003c\/li\u003e\n\u003cli\u003eFlowers and small objects\u003c\/li\u003e\n\u003cli\u003eEveryday photography\u003c\/li\u003e\n\u003cli\u003e35mm Canon EOS film cameras\u003c\/li\u003e\n\u003cli\u003eCanon EF-mount DSLRs\u003c\/li\u003e\n\u003cli\u003ePhotographers wanting one lens for normal and close-up shooting\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThe important thing to understand with the \u003cstrong\u003eCompact Macro\u003c\/strong\u003e is that it reaches \u003cstrong\u003e0.5× magnification natively\u003c\/strong\u003e, rather than the 1.0× or 1:1 reproduction offered by many dedicated macro lenses.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt its closest focusing distance of \u003cstrong\u003e0.23m\u003c\/strong\u003e, a subject can be reproduced at half its actual size on the film frame or sensor. That's plenty for many product, detail and close-up photographs.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAutofocus is available, but this is an older EF autofocus design rather than one of Canon's later USM or STM lenses. Manual focusing is also available and is particularly useful when working at close distances.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThis lens is natively compatible with both \u003cstrong\u003eCanon EOS 35mm film cameras and compatible Canon EF-mount digital SLRs\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eWhen used with a film EOS body, developing depends on the film loaded into the camera. Colour negative film will commonly use C-41, while black and white and slide films require their respective processes.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eWhen used on a digital Canon EF-mount camera, no film developing is required.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701183430710,"sku":"4636996","price":280.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/CanonEF50mm-2.5-CompactMacro-3.png?v=1790160499"},{"product_id":"canon-ef-75-300-4-5-6-iii-regular","title":"Canon EF 75-300mm, III","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe \u003cstrong\u003eCanon EF 75-300mm f\/4-5.6 III\u003c\/strong\u003e is an affordable telephoto zoom for Canon EOS cameras, giving you plenty of reach without the size, weight or price of Canon's larger professional telephoto lenses.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts \u003cstrong\u003e75-300mm zoom range\u003c\/strong\u003e takes you from medium telephoto through to a much tighter 300mm view, making it useful for wildlife, outdoor sport, events, portraits and anything you can't simply walk closer to.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt approximately \u003cstrong\u003e480g\u003c\/strong\u003e, it's relatively lightweight for the amount of reach it offers. Canon originally developed this third-generation version as a compact, lightweight telephoto zoom covering 75mm through 300mm. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eBecause it's a Canon EF lens, it also spans two generations of EOS photography. It can be used natively on compatible \u003cstrong\u003eCanon EOS 35mm film SLRs and Canon EF-mount digital SLRs\u003c\/strong\u003e, making it a useful option if you shoot across both formats.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWildlife\u003c\/li\u003e\n\u003cli\u003eOutdoor sports\u003c\/li\u003e\n\u003cli\u003eEvents\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eDistant subjects\u003c\/li\u003e\n\u003cli\u003eBeginner telephoto photography\u003c\/li\u003e\n\u003cli\u003eCanon EOS 35mm film cameras\u003c\/li\u003e\n\u003cli\u003eCanon EF-mount DSLRs\u003c\/li\u003e\n\u003cli\u003ePhotographers wanting affordable extra reach\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eAt \u003cstrong\u003e75mm\u003c\/strong\u003e, the lens works well for portraits and general telephoto shooting. Zooming out to \u003cstrong\u003e300mm\u003c\/strong\u003e gives you substantially more reach for distant subjects, wildlife and outdoor sport.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe trade-off is the variable \u003cstrong\u003ef\/4-5.6 maximum aperture\u003c\/strong\u003e. As you zoom towards 300mm, the maximum aperture becomes f\/5.6, so good available light or a faster shutter speed becomes increasingly useful.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThere is \u003cstrong\u003eno image stabilisation\u003c\/strong\u003e, so steady technique matters at the longer end of the zoom range.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAutofocus on this specific \u003cstrong\u003eIII version uses a conventional DC motor\u003c\/strong\u003e. Don't confuse it with the visually similar \u003cstrong\u003eEF 75-300mm f\/4-5.6 III USM\u003c\/strong\u003e, which uses Canon's Micro USM autofocus motor. Canon confirms that while the optical system is shared, the autofocus drive differs between the two versions. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThis lens is natively compatible with both \u003cstrong\u003eCanon EOS 35mm film cameras and compatible Canon EF-mount digital SLRs\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eWhen used with a film EOS body, developing depends on the film loaded into the camera. Colour negative film will commonly use C-41 processing, while black and white and slide films require their respective processes.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eWhen used on a digital EF-mount camera, no film developing is required.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701183496246,"sku":"4782368","price":150.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/CanonEF75-300mm-4to5.6-2.png?v=1790161140"},{"product_id":"cinestill-400d-120-regular","title":"CineStill 400D, Individual Roll","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCineStill 400D\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is a versatile ISO 400 colour negative film made for photographers who want one roll that can handle a little bit of everything.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDaylight balanced with a soft colour palette, natural saturation and warm skin tones, it's particularly at home with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eportraits, street photography, travel, landscapes and everyday shooting\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Its wide exposure latitude also gives you plenty of room when the light changes during the day. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlthough rated at ISO 400, CineStill says 400D can be exposed from \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eEI 200 to 800 without changing normal processing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, or pushed by up to three stops when you need more speed. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e120 medium-format version\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, giving you the larger negative area of 120 film combined with the flexibility of a 400-speed colour stock.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThis listing is for one individual roll of CineStill 400D in 120 format.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBest for\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003ePortraits, street photography, travel, weddings, landscapes, lifestyle photography and everyday medium-format shooting.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eWhat to expect\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eExpect a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003esofter colour palette, natural saturation and warm skin tones\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, rather than an aggressively saturated look. CineStill designed 400D with a wide dynamic range and considerable exposure flexibility, making it useful when you're moving between different lighting conditions.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOne characteristic worth knowing about is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ehalation around bright, in-focus overexposed highlights\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, which can become part of the film's look.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eDeveloping\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eProcess: C-41\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e400D was specifically designed for standard \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eC-41 processing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, so it can be developed by a normal colour film lab or processed at home using compatible C-41 chemistry.\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701184053302,"sku":"3227302","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/1205-PackCinestill400D-1.png?v=1790565957"},{"product_id":"cinestill-800t","title":"CineStill 800T","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eCineStill 800T is a high-speed 35mm colour negative film made for low light, artificial light and shooting after dark.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at EI 800 and balanced for 3200K tungsten light, it is particularly at home around city lights, neon signs, interiors and night scenes. Its higher speed gives you more flexibility when the light starts to disappear, while still producing plenty of detail.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eOne of the things that makes 800T instantly recognisable is the red halation that can appear around bright lights and highlights. Street lights, headlights, signs and other strong points of light can develop a soft red glow, giving the film its distinctive character.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt can be shot at EI 800 for normal use or pushed when you need extra speed, with CineStill supporting push processing up to EI 3200.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe film is prepared for standard C-41 colour processing, making it easy to develop through most colour film labs. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eNight photography\u003c\/li\u003e\n\u003cli\u003eLow-light shooting\u003c\/li\u003e\n\u003cli\u003eNeon signs and city lights\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eIndoor photography\u003c\/li\u003e\n\u003cli\u003eTungsten and artificial lighting\u003c\/li\u003e\n\u003cli\u003eConcerts and events\u003c\/li\u003e\n\u003cli\u003eAvailable-light portraits\u003c\/li\u003e\n\u003cli\u003ePhotographers looking for distinctive halation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect a very different look from a standard daylight-balanced colour film.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eUnder tungsten and warm artificial lighting, 800T gives a more naturally balanced result than daylight film. Bright point light sources can produce its characteristic red halation, particularly against darker backgrounds. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIn daylight, the film will produce a cooler colour response. CineStill recommends an \u003cstrong\u003e85 filter\u003c\/strong\u003e, or rating the film around \u003cstrong\u003eEI 400 to 500\u003c\/strong\u003e, when shooting in daylight if you want a more neutral result. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts wide exposure range also gives you room to experiment. CineStill lists EI 200 to 1000 for normal processing and up to EI 3200 with push processing. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing recommended.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e800T is made for standard C-41 processing and can be processed by normal colour film labs. CineStill also provides push-processing recommendations when shooting at higher exposure indexes.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFor normal C-41 processing:\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eEI 200 to 1000:\u003c\/strong\u003e No push\u003cbr\u003e\u003cstrong\u003eEI 800 to 2000:\u003c\/strong\u003e 1 stop push\u003cbr\u003e\u003cstrong\u003eEI 1250 to 3200:\u003c\/strong\u003e 2 stop push\u003cbr\u003e\u003cstrong\u003eEI 1600 to 3200:\u003c\/strong\u003e 3 stop push for increased contrast \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701184348214,"sku":"814396N","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Cinestill800T-Colour-36exp1.png?v=1790040114"},{"product_id":"cinsestill-50d","title":"CineStill 50D","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eCineStill 50D is a daylight-balanced 35mm colour negative film with very fine grain, high detail and a distinctive look.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRated at EI 50 and balanced for 5500K daylight, it is best suited to bright conditions where you can take advantage of its fine grain and high resolution. It works particularly well for portraits, landscapes, travel, street photography and other daylight shooting.\u003c\/p\u003e\n\u003cp\u003eOne of its defining characteristics is halation around bright point light sources. Lights and highlights can develop a soft red glow, giving images a little more character, particularly in backlit scenes and around artificial lights.\u003c\/p\u003e\n\u003cp\u003eCineStill prepares the film for standard C-41 colour processing, so it can be processed through most colour film labs. It can also be processed using ECN-2 chemistry.\u003c\/p\u003e\n\u003ch2\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eBright daylight\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eBacklit subjects\u003c\/li\u003e\n\u003cli\u003eHigh-detail photography\u003c\/li\u003e\n\u003cli\u003eShooting where fine grain is important\u003c\/li\u003e\n\u003cli\u003ePhotographers who like distinctive halation around bright lights\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat to expect\u003c\/h2\u003e\n\u003cp\u003e50D is a \u003cstrong\u003eslow EI 50 film\u003c\/strong\u003e, so it is better suited to good light than darker conditions.\u003c\/p\u003e\n\u003cp\u003eExpect very fine grain, strong detail and a daylight-balanced colour response. The film also has its characteristic halation, which can appear as a soft red glow around bright point light sources.\u003c\/p\u003e\n\u003cp\u003eIt is a good option if you want something cleaner and more detailed than a typical ISO 400 film, while still having a recognisable CineStill character.\u003c\/p\u003e\n\u003ch2\u003eDeveloping\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eC-41 colour processing recommended.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCineStill 50D is prepared for C-41 processing and can also be processed using ECN-2 chemistry.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDeveloping\/scanning:\u003c\/strong\u003e Add developing and scanning below before checkout.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701184512054,"sku":"S404962","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Cinestill50D-Colour-36exp1.png?v=1790038352"},{"product_id":"delta-100-35mm-regular","title":"Ilford Delta 100 Professional","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford Delta 100 Professional is a fine-grain ISO 100 black-and-white film made for photographers who want plenty of detail, sharpness and smooth tonal reproduction.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt is a slower film, which makes it particularly \u003cstrong\u003ewell suited to\u003c\/strong\u003e \u003cstrong\u003edaylight photography,\u003c\/strong\u003e portraits, landscapes, architecture and more considered shooting. Ilford rates it at ISO 100 and describes it as an ideal film for pictorial and fine-art photography, with good results possible across an exposure index of EI 50 to EI 200.\u003c\/p\u003e\n\u003cp\u003eThe fine grain and high level of detail make it a good choice when you want clean, highly resolved negatives without moving into an ultra-slow film. Each 35mm cassette contains 36 exposures and is DX coded for use in compatible 35mm cameras. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eDaylight photography, portraits, landscapes, architecture, street photography, fine-art work and anyone looking for fine-grain black-and-white negatives.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003eA 36-exposure roll of ISO 100 black-and-white negative film. Expect fine grain, strong sharpness and plenty of detail, particularly when shooting in good light.\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003eBlack and white negative film. Process using a standard black and white negative film developer.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701185003574,"sku":"1523787","price":28.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/DSC00299_B8B2A9_2048.png?v=1789993372"},{"product_id":"delta-400-35mm-regular","title":"Ilford Delta 400","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford Delta 400 Professional is a fast ISO 400 black and white film that gives you a bit more flexibility when the light starts to drop.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt combines a relatively high film speed with fine grain and good sharpness, making it a versatile choice for everyday photography, street photography, portraits and available-light shooting. It also works well when you want to keep shutter speeds up without moving all the way to a very high-speed film.\u003c\/p\u003e\n\u003cp\u003eDelta 400 is rated at ISO 400, but Ilford gives it a useful exposure range from EI 200 through to EI 3200 when processed appropriately. That makes it a particularly flexible option if you're shooting in changing light or want to deliberately push the film for a different look. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEach 35mm cassette contains 36 exposures and is DX coded for use in compatible 35mm cameras. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eStreet photography, available-light photography, portraits, everyday shooting, action, documentary work and black-and-white photography in changing light.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003eA 36-exposure roll of ISO 400 black-and-white negative film with fine grain and strong detail. A good choice when you want more speed than Delta 100 while still keeping a relatively clean, detailed negative.\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003eBlack-and-white negative film. Process using a standard black-and-white negative film developer.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701185200182,"sku":"901416N","price":28.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/DSC00304_B8B2A9_2048.png?v=1789994013"},{"product_id":"ektacolor-800-35mm-single-regular","title":"Kodak Ektacolor Pro 800","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak Ektacolor Pro 800 is a fast 35mm colour negative film made for low light, changing conditions and situations where you need a little more speed.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts ISO 800 rating makes it particularly useful for indoor photography, evening light, events, street photography and moving subjects. Despite the higher speed, it maintains fine grain, good sharpness and smooth tonal reproduction.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eColour is natural and balanced rather than heavily saturated, with particularly good reproduction of skin tones. That makes it a strong choice for portraits and people, but its combination of speed and wide exposure latitude also makes it useful for travel, sport and general photography.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach roll gives you 36 exposures and develops using standard C-41 colour processing. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLow-light photography\u003c\/li\u003e\n\u003cli\u003eIndoor photography\u003c\/li\u003e\n\u003cli\u003eEvening and night shooting\u003c\/li\u003e\n\u003cli\u003ePortraits and people\u003c\/li\u003e\n\u003cli\u003eWeddings and events\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eMoving subjects\u003c\/li\u003e\n\u003cli\u003eChanging light conditions\u003c\/li\u003e\n\u003cli\u003ePhotographers wanting extra speed without giving up natural colour\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003enatural colour, smooth tones and fine grain for an ISO 800 film\u003c\/strong\u003e, with enough speed to keep shooting when slower colour films start to struggle.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe daylight balance makes it versatile across a wide range of situations rather than limiting it to artificial or tungsten light. Its ISO 800 speed also gives you more freedom to use faster shutter speeds when photographing people or moving subjects.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eKodak specifically highlights its wide exposure latitude, natural skin tones and balanced colour, making this a flexible high-speed option rather than a film built around a heavy or exaggerated colour look. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEktacolor Pro 800 uses standard C-41 chemistry, so it can be developed by labs offering regular colour negative processing.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701185855542,"sku":"729464S","price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/KodakEktacolorPro800-36exp_35FRONT.png?v=1790041841"},{"product_id":"ektacolor-pro-400-regular","title":"Kodak Ektacolor Pro 400, 36 Exp","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eKodak Ektacolor Pro 400\u003c\/strong\u003e is a professional ISO 400 colour negative film built for versatility. You get the flexibility of a 400-speed film with fine grain, strong detail and natural-looking colour, making it an easy roll to keep loaded when you don't know exactly what the day will bring.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts wide exposure latitude makes it forgiving to shoot, while the colour and skin-tone reproduction make it particularly at home with people. Kodak positions it for everything from lifestyle and portraits through to travel, sport and street photography. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis is a \u003cstrong\u003e36-exposure 35mm roll\u003c\/strong\u003e, daylight balanced and processed using standard C-41 chemistry. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eEveryday shooting, portraits, travel, street photography, lifestyle work and photographers who want one versatile colour film for changing light.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003enatural colour, flattering skin tones, fine grain and plenty of flexibility from the ISO 400 speed\u003c\/strong\u003e. It has enough speed for less-than-perfect light while still giving you the detail and grain structure expected from a professional colour negative film. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe wide exposure latitude also makes it approachable if you're newer to shooting film, while still giving experienced shooters plenty to work with when scanning or printing.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eProcess: C-41\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEktacolor Pro 400 uses the standard C-41 colour negative process, so it can be developed anywhere that processes conventional colour negative film. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701185953846,"sku":"E199535","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/496a59a2-a32a-4376-ae18-ce8d5dc72abc.png?v=1790219153"},{"product_id":"fuji-neopan-acros-100ii-regular","title":"Fuji Neopan Acros 100 II","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eFuji Neopan Acros 100 II is a \u003cstrong\u003e35mm ISO 100 black-and-white negative film\u003c\/strong\u003e known for fine grain, strong sharpness and smooth, detailed tonal reproduction.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt is a good all-round black-and-white film for everyday shooting, but really comes into its own when you want a cleaner, more detailed negative. Fujifilm designed Acros II with improved reciprocity characteristics too, making it particularly well suited to longer exposures such as night scenes, architecture and astrophotography.\u003c\/p\u003e\n\u003cp\u003eAt ISO 100, it sits comfortably in the slower end of the film range, making it a natural choice for \u003cstrong\u003edaylight photography \u003c\/strong\u003ewhen you want to take advantage of its fine grain and tonal range. Each 35mm roll provides \u003cstrong\u003e36 exposures\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eBlack \u0026amp; white photography, portraits, landscapes, architecture, street photography, detailed work and long exposures.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003eA 35mm roll of ISO 100 black-and-white negative film with 36 exposures. Fine grain and strong sharpness, with particularly good characteristics for longer exposures.\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eBlack \u0026amp; white negative film.\u003c\/strong\u003e Process using a standard black \u0026amp; white negative film developer.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701187690550,"sku":"421054D","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/35mm_Acros_100II_25_FRONT_B8B2A9_2048.png?v=1789992760"},{"product_id":"fujifilm-200","title":"Fujifilm 200","description":"\u003ch2 dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eProduct Description\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eFujifilm 200 is an easy-going 35mm colour negative film made for everyday photography.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eWith an ISO 200 speed, it works particularly well outdoors in daylight and gives you a good balance between fine grain and enough flexibility for changing conditions. Colours are vivid without being difficult to work with, with natural-looking skin tones and good sharpness across the frame.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts wide exposure latitude also makes it a forgiving choice if you're newer to shooting film. Load it for holidays, weekends, portraits, street photography or simply keeping a camera with you for whatever happens.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach roll gives you 36 exposures and develops using the standard C-41 colour process. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEveryday photography\u003c\/li\u003e\n\u003cli\u003eTravel and holidays\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003ePortraits and people\u003c\/li\u003e\n\u003cli\u003eFamily photos\u003c\/li\u003e\n\u003cli\u003eOutdoor photography\u003c\/li\u003e\n\u003cli\u003eSunny and overcast daylight\u003c\/li\u003e\n\u003cli\u003eIndoor photography with flash\u003c\/li\u003e\n\u003cli\u003eBeginners getting into 35mm film\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003ebalanced, vivid colour, fine grain and good sharpness\u003c\/strong\u003e without the film feeling overly specialised.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eISO 200 sits nicely between slower ISO 100 films and faster ISO 400 options. There is enough speed for a wide range of daytime situations while still keeping the grain relatively fine.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFujifilm also gives the film wide exposure latitude, making it more forgiving when your exposure isn't absolutely perfect. Its natural skin-tone reproduction makes it particularly useful for people, holidays and general everyday photography. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis is a standard colour negative film and can be developed by labs offering normal C-41 processing.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701187919926,"sku":"V375065","price":18.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/35mm_Fuji_200_18_FRONT_B8B2A9_2048_corrected.png?v=1790040680"},{"product_id":"fujifilm-400","title":"Fujifilm 400","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eFujifilm 400 is a versatile 35mm colour negative film made for everyday shooting and changing light.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts ISO 400 speed gives you more flexibility than slower films, making it a good option for everything from sunny days and overcast afternoons to indoor photography with flash. It produces vibrant, natural colour with good sharpness, fine grain and pleasing skin tones.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe extra speed also makes Fujifilm 400 handy for street photography, travel, family photos and moving subjects where you might need a faster shutter speed.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's an easy film to keep loaded in your camera when you don't know exactly what the day will bring, with enough exposure latitude to make it a forgiving choice for newer film photographers as well as experienced shooters. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEveryday photography\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eTravel and holidays\u003c\/li\u003e\n\u003cli\u003ePortraits and people\u003c\/li\u003e\n\u003cli\u003eFamily photos\u003c\/li\u003e\n\u003cli\u003eMoving subjects\u003c\/li\u003e\n\u003cli\u003eOvercast conditions\u003c\/li\u003e\n\u003cli\u003eIndoor photography with flash\u003c\/li\u003e\n\u003cli\u003eBeginners looking for a versatile first film\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003evibrant, natural colour, fine grain and good sharpness\u003c\/strong\u003e from a film designed to work across a broad range of everyday situations.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eISO 400 gives you more flexibility when the light drops than Fujifilm 200, making it easier to use later in the day, under cloud cover or when photographing moving subjects.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFujifilm also gives the film wide exposure latitude and emphasises its natural reproduction of skin tones, making it a particularly useful all-rounder when you want to load a camera and simply get out and shoot. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFujifilm 400 uses the standard C-41 colour negative process, so it can be developed by labs offering regular colour film processing.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701188018230,"sku":"158525R","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Fuji400-36exp-_25FRONT.jpgfront.png?v=1790041021"},{"product_id":"harman-switch-azure-125-regular","title":"Harman Switch Azure 125","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eHarman Switch Azure 125 is a colour film designed to make familiar scenes look anything but familiar.\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRather than reproducing colours normally, Switch Azure deliberately changes how colours are recorded. Harman describes the effect as switching the colour channels, so blues can appear orange, reds can move towards purple and blue, and yellow tones can become vivid azure. Skin tones can also shift dramatically. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe result depends heavily on what's in front of the camera, the available light and how the film is scanned. That means there isn't one fixed \"Azure look\". A blue sky, a red car, green foliage or a sunset can all behave differently, which is part of the fun.\u003c\/p\u003e\n\u003cp\u003eHarman recommends shooting at \u003cstrong\u003eISO 125\u003c\/strong\u003e, generally outdoors and metering for the mid-tones. A little exposure bracketing is worth considering when you're getting to know the film, particularly in brighter or more difficult lighting. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis is not the film to reach for when you want accurate, natural colour. It's for experimenting, playing with colour and seeing what happens.\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eCreative photography, street photography, travel, landscapes, fashion, unusual portraits, architecture and projects where you want unpredictable colour.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e36 exposures at ISO 125.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eExpect \u003cstrong\u003estrong and sometimes surprising colour shifts\u003c\/strong\u003e rather than natural colour reproduction. Blues, reds, yellows and skin tones can all be transformed, and the final result can change depending on the scanner used. Harman specifically notes that different scanning equipment and methods can produce noticeably different results. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIf you're shooting it for the first time, don't be afraid to bracket a few important frames. The unpredictable nature is part of what makes this film interesting.\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eC-41 colour negative processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSwitch Azure is designed to be processed using standard C-41 chemistry, so it can go through a normal colour negative processing workflow. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eScanning is where things get particularly interesting. Harman provides guidance for adjusting scanner settings, and different scanners can produce noticeably different colour results from the same negative.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701188706358,"sku":"2128510","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/35mm_Azure_25_FRONT_B8B2A9_2048.png?v=1790037831"},{"product_id":"ilford-delta-3200-regular","title":"Ilford Delta 3200","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford Delta 3200 Professional is a high-speed black and white film made for shooting when there isn't much light around.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt is particularly useful for available-light photography, night scenes, concerts, street photography and fast-moving subjects where you need to keep your shutter speed up. Ilford recommends metering it at EI 3200, with good results possible across a broad range of exposure settings depending on how the film is developed. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDespite the name, Delta 3200 has an actual ISO speed rating of 1000 in daylight. The 3200 figure refers to the recommended exposure index and development approach, which is why it behaves more like a high-speed working film than a conventional ISO 3200 film. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor 35mm shooters, it comes as a DX-coded 36-exposure cassette and is designed to be pushed into situations where slower films simply aren't practical.\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eLow-light photography, night photography, concerts, street photography, documentary work, available-light portraits and fast action.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003eA 36-exposure roll of high-speed black-and-white negative film. Delta 3200 is designed to give you more freedom when shooting in difficult light, with recommended exposure indexes from EI 1600 to EI 6400.\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003eBlack-and-white negative film. Delta 3200 is designed for extended development, particularly when exposed at EI 3200 and above.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701189525558,"sku":"9629149","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/DSC00302_B8B2A9_2048.png?v=1789994487"},{"product_id":"ilford-fp4-regular","title":"Ilford FP4 Plus 125","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford FP4 Plus 125 is a classic medium speed black and white film known for its exceptionally fine grain, strong detail and smooth tonal reproduction.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAt ISO 125, it sits in a useful middle ground for everyday shooting. It works particularly well in daylight and controlled indoor conditions, giving you plenty of detail without needing the higher speeds of films such as HP5 or Delta 3200.\u003c\/p\u003e\n\u003cp\u003eIt is also a very forgiving film. Ilford recommends metering it at EI 125, but good image quality can be achieved between EI 50 and EI 200. Ilford also notes that FP4 Plus can produce usable results when significantly overexposed or underexposed, which makes it a practical choice when you're still getting comfortable with shooting film. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor photographers who want a clean, detailed negative, FP4 Plus is a great all rounder. It suits everything from everyday photography and portraits through to landscapes, architecture and more considered fine art work.\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eEveryday photography, portraits, landscapes, architecture, street photography, fine art and detailed black and white work.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003eA 36 exposure roll of ISO 125 black and white negative film with exceptionally fine grain, strong detail and a broad practical exposure range.\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003eBlack and white negative film. Process using a standard black and white negative film developer.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701189787702,"sku":"590417J","price":20.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/DSC00297_1_B8B2A9_2048.png?v=1789995527"},{"product_id":"ilford-hp5-regular","title":"Ilford HP5 Plus 400 (Football Collectors Edition)","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford HP5 Plus 400 is one of those films that can handle just about whatever you throw at it.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAt ISO 400, it gives you enough speed for everyday shooting while still working well in lower light, making it a natural choice for street photography, portraits, documentary work and general photography. It is also particularly useful when you're not sure exactly what the light is going to do.\u003c\/p\u003e\n\u003cp\u003eOne of the reasons HP5 Plus has remained such a popular film is its flexibility. Ilford recommends shooting it at EI 400 for the best results, but it can be exposed at settings up to EI 3200 with extended development. That makes it useful when you need to push the film in darker conditions rather than reaching for a different roll. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt is a great everyday film for someone learning their way around analogue photography, but it is equally at home in professional and more deliberate shooting situations.\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eEveryday photography, street photography, portraits, documentary work, available light, action and low light.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003eA 36 exposure roll of ISO 400 black and white negative film with plenty of exposure flexibility. It can be shot at its rated speed or pushed when you need more from the available light.\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003eBlack and white negative film. Process using a standard black and white negative film developer. HP5 Plus has dedicated development times for different exposure indexes, including EI 400, 800, 1600 and 3200.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701189984310,"sku":"6343236","price":20.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/DSC00292_1_B8B2A9_2048.png?v=1789995919"},{"product_id":"ilford-sfx-200-regular","title":"Ilford SFX 200","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford SFX 200 is a 35mm black and white film with extended red sensitivity, giving you the option to shoot it as a conventional black and white film or use filters to create something much more unusual.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAt ISO 200, it is straightforward enough for everyday daylight photography, with a wide tonal range and full panchromatic sensitivity. The real fun starts when you add a yellow, orange or red filter. With stronger red filtration, skies can become much darker and green vegetation can take on a much lighter appearance, creating the distinctive look SFX is known for. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt is particularly interesting for landscapes, architecture, portraits and townscapes, especially in bright sunshine. It can also be used under tungsten studio lighting, making it more versatile than a film designed purely for a specific infrared effect. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSFX 200 is not true infrared film, but its extended sensitivity into the red part of the spectrum gives you some of the creative possibilities associated with infrared photography.\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eCreative black and white photography, landscapes, architecture, portraits, townscapes, bright daylight and experimenting with red filters.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003eA 36 exposure roll of ISO 200 black and white film with extended red sensitivity. Shoot it normally for conventional results, or add a red filter for much more dramatic tonal effects.\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003eBlack and white negative film. SFX 200 is compatible with normal black and white developers. Ilford recommends some experimentation with exposure when using strong filters and suggests bracketing exposures when first getting familiar with the film. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701190180918,"sku":"786657N","price":28.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/35mm_Ilford_SFX_20_FRONT_B8B2A9_2048.png?v=1789996374"},{"product_id":"ilford-xp2-400-regular","title":"Ilford XP2 Super 400","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eIlford XP2 Super 400 is a fast, fine grain black and white film with one very useful difference: it can be processed using standard C41 chemistry.\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRated at ISO 400, XP2 Super gives you the flexibility of a fast everyday film with a wide exposure latitude. Ilford recommends it from EI 50 through to 800 with standard C41 processing, making it particularly forgiving when the light is changing or you're shooting quickly.\u003c\/p\u003e\n\u003cp\u003eThe grain is fine and the negatives are sharp, with good highlight and shadow detail. It's also particularly well suited to scanning, making it a practical choice if your finished images are heading straight into a digital workflow. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe other big advantage is convenience. Although it's a true black and white film, it can be processed at labs that offer C41 colour processing, so you don't necessarily need a specialist black and white lab.\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eEveryday photography, street photography, portraits, travel, documentary work and situations where you want black and white images without the extra processing requirements of traditional black and white film.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e36 exposures at ISO 400\u003c\/strong\u003e, with fine grain, good sharpness and a generous exposure latitude. You can rate it lower for finer grain, or higher when you need more speed, while continuing to use standard C41 processing. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOne thing worth knowing before you buy: \u003cstrong\u003eXP2 Super is black and white film, but it is processed as C41 colour negative film.\u003c\/strong\u003e That's the reason it's so convenient, and also what makes it different from films such as HP5 Plus or Delta 400.\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eC41 processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is the important bit. XP2 Super should normally be processed using the standard C41 colour negative process. Ilford specifically recommends standard C41 processing and notes that the film can be processed alongside colour negative films without adjustments to the normal process. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt can produce good results with conventional black and white chemistry, but Ilford does not recommend that as the normal approach because some of the advantages of the film, including its fine grain and scanning characteristics, can be lost.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701190311990,"sku":"9415271","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/35mm_Ilford_XP2_22_FRONT_B8B2A9_2048.png?v=1789996781"},{"product_id":"kentmere-400-35mm-regular","title":"Kentmere 400","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eKentmere Pan 400 is a straightforward, versatile ISO 400 black and white film designed for everyday photography.\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt gives you the extra speed you want when the light starts to drop, while still producing fine grain, good sharpness and a broad range of tones. The wide exposure latitude also makes it a forgiving film to shoot, particularly if you're still getting used to shooting manually or working with changing light. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAt ISO 400, it's comfortable in daylight, indoors and in lower light, making it a good all-rounder for everything from street photography and portraits to travel, documentary and everyday shooting.\u003c\/p\u003e\n\u003cp\u003eKentmere 400 is also available in a range of black and white developers, so it works well whether you're developing at home or sending it through a lab. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eEveryday photography, street photography, portraits, travel, documentary work, action and available light.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e36 exposures at ISO 400\u003c\/strong\u003e, with fine grain, good sharpness and a broad tonal range. It's a relatively forgiving film, making it a good choice when you want something versatile without spending more on one of the more specialised professional stocks. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt also has useful push characteristics. Harman's technical data provides development guidance at exposure indices of 400 and 800, among others, depending on the developer used. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eStandard black and white processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKentmere Pan 400 can be processed in a wide range of black and white developers, including Ilford ID-11, Microphen, Ilfotec HC, Ilfotec DD-X and Ilfosol 3. Development times vary depending on the developer, dilution and exposure index.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701190574134,"sku":"4891784","price":20.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/DSC00290_1_B8B2A9_2048.png?v=1789997130"},{"product_id":"kodak-colorplus-200","title":"Kodak ColorPlus 200","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak ColorPlus 200 is a straightforward, affordable 35mm colour film made for everyday photography.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts ISO 200 speed works best in good daylight, giving you fine grain, good sharpness and natural colour without making things complicated. It's an easy film to load for a sunny weekend, holiday, walk around the neighbourhood or just keeping a camera handy for everyday moments.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eColourPlus has enough exposure latitude to handle a range of normal shooting conditions, while its slower ISO 200 speed helps keep grain relatively fine. It works particularly well for people, landscapes, travel and general outdoor photography.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach roll gives you 36 exposures and uses standard C-41 colour processing. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEveryday photography\u003c\/li\u003e\n\u003cli\u003eTravel and holidays\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003ePortraits and people\u003c\/li\u003e\n\u003cli\u003eFamily photos\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eSunny and overcast days\u003c\/li\u003e\n\u003cli\u003eIndoor photography with flash\u003c\/li\u003e\n\u003cli\u003eBeginners getting into 35mm film\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003enatural colour, fine grain and good sharpness\u003c\/strong\u003e from an uncomplicated everyday colour film.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt ISO 200, ColorPlus likes a reasonable amount of light. It's a particularly good fit for daytime shooting, while electronic flash gives you more flexibility indoors. Kodak describes it as having wide exposure latitude, making it useful across a variety of general picture-taking situations. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eCompared with faster ISO 400 films, you give up some low-light flexibility in exchange for a slower, fine-grained everyday film.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eColorPlus 200 uses standard C-41 chemistry, so it can be developed by labs offering regular colour film processing.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701190672438,"sku":"284907W","price":18.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/35mmKodakColorPlus_18FRONT_2.png?v=1790041276"},{"product_id":"kodak-ektachrome-e100-120","title":"Kodak Ektachrome E100, Individual Roll","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eKodak Ektachrome E100\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is a classic colour slide film for photographers who want clean colour, fine grain and the unmistakable look of a positive image straight from the roll.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUnlike colour negative film, E100 produces a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003epositive transparency\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, giving you a finished image on the film itself. Colours are clean and natural rather than heavily saturated, with particularly good neutrality through whites and lighter tones.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt ISO 100, Ektachrome is happiest when there's plenty of light. It's a beautiful choice for \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003elandscapes, travel, architecture, still life and carefully considered portraits\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, especially when you want sharp detail and colour that feels crisp without being overdone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSlide film rewards careful exposure more than colour negative film, so E100 suits photographers who enjoy slowing things down and getting the shot right in-camera.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThis listing is for one individual roll of Kodak Ektachrome E100 in 120 format.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBest for\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eLandscapes, travel, architecture, still life, portraits in good light and medium-format photographers looking for the distinctive colour and clarity of slide film.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eWhat to expect\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eEktachrome E100 has a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eclean, crisp and controlled look\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Expect fine grain, strong detail and natural colour, with less of the heavy saturation associated with some other transparency films.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBecause it's slide film, exposure latitude is tighter than with colour negative film. Accurate metering matters, but that's also part of the appeal. When you get it right, you're left with a positive medium-format transparency you can actually hold up to the light.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eDeveloping\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eProcess: E-6\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is important: \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eEktachrome E100 is not C-41 film.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt requires \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eE-6 colour reversal processing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, which produces a positive transparency rather than a colour negative.\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701190869046,"sku":"881871B","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/1205-PackKodakE100-1.png?v=1790567102"},{"product_id":"kodak-ektar-100","title":"Kodak Professional EKTAR 100 35mm","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eKodak Professional EKTAR 100 is a fine-grain colour negative film made for sharp, detailed images with rich, saturated colour.\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAt ISO 100, it is a slower film than something like Kodak Gold 200 or Portra 400, making it particularly well suited to bright daylight and controlled lighting. In return, you get exceptionally fine grain, high sharpness and excellent detail from a 35mm negative. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEKTAR 100 has a noticeably vivid colour character, making it a great fit for landscapes, travel, nature, fashion and product photography. It is also particularly good for scanning, where its fine grain and high resolving power allow you to get plenty of detail from the negative. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt's a good choice when you want your images to feel crisp, colourful and detailed rather than soft or muted.\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eDaylight photography, landscapes, travel, nature, architecture, fashion, product photography and detailed subjects.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e36 exposures at ISO 100.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEKTAR 100 produces very fine grain with strong sharpness and vivid colour. Because it is ISO 100, it benefits from plenty of available light, particularly outdoors during the day.\u003c\/p\u003e\n\u003cp\u003eIt is also a particularly strong choice if you're planning to scan your negatives, with Kodak specifically highlighting its enlargement and scanning capabilities. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eC-41 colour negative processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEKTAR 100 should be processed using the standard C-41 colour negative process. Kodak's technical documentation specifies C-41 processing using KODAK FLEXICOLOR chemistry. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701190967350,"sku":"4123682","price":31.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/KodakEktar100-36exp_30FRONT.png?v=1790035659"},{"product_id":"kodak-gold-200","title":"Kodak Gold 200","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak Gold 200 is a classic everyday 35mm colour film known for warm colour, pleasing skin tones and an easy-going look.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts ISO 200 speed makes it a great choice for shooting outdoors in daylight, with enough flexibility for sunny days, holidays, portraits, street photography and everyday moments. Grain stays relatively fine, while colours have the warmth and saturation that have made Kodak Gold a familiar favourite.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eGold 200 is also a forgiving film to shoot, making it a good starting point if you're getting into 35mm photography. Load it into your camera, head outside and don't overthink it.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach roll gives you 36 exposures and uses standard C-41 colour processing. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEveryday photography\u003c\/li\u003e\n\u003cli\u003eTravel and holidays\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003ePortraits and people\u003c\/li\u003e\n\u003cli\u003eFamily photos\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eSunny days\u003c\/li\u003e\n\u003cli\u003eOutdoor photography\u003c\/li\u003e\n\u003cli\u003eIndoor photography with flash\u003c\/li\u003e\n\u003cli\u003eBeginners getting into 35mm film\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003ewarm colour, pleasing skin tones and relatively fine grain\u003c\/strong\u003e, with a familiar colour negative look that works particularly well in daylight.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt ISO 200, Gold sits in a useful middle ground. You get finer grain than many faster ISO 400 films while retaining more flexibility than slower ISO 100 options.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt is happiest when there is a reasonable amount of light, making it a particularly good film for daytime shooting, travel and keeping a camera with you on a sunny weekend.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eKodak Gold 200 uses standard C-41 colour negative processing.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701191196726,"sku":"584686Y","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/KodakGold200-36-exp1.png?v=1790042278"},{"product_id":"kodak-gold-200-3-pack","title":"Kodak Gold 200 3-Pack, 24 Exposure","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak Gold 200 is a classic everyday colour film known for warm colour, fine grain and an easy-going look. This pack gives you three 24-exposure rolls, with 72 shots in total.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts ISO 200 speed is a great fit for daylight, holidays, weekends away and keeping a camera handy for everyday moments. Colours have the warmth and saturation Kodak Gold is known for, with pleasing skin tones and enough sharpness and detail for scanning or enlargements.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eGold 200 also has wide exposure latitude, making it forgiving if your exposure isn't absolutely perfect. That makes it a particularly easy film to get along with if you're newer to shooting 35mm.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThree rolls means you can load up for a trip or keep a couple spare in the bag without having to think too much about it.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEveryday photography\u003c\/li\u003e\n\u003cli\u003eTravel and holidays\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003ePortraits and people\u003c\/li\u003e\n\u003cli\u003eFamily photos\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eSunny days\u003c\/li\u003e\n\u003cli\u003eWeekends away\u003c\/li\u003e\n\u003cli\u003eBeginners getting into 35mm film\u003c\/li\u003e\n\u003cli\u003eKeeping a few spare rolls in the bag\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003ewarm colour, vibrant saturation, fine grain and good sharpness\u003c\/strong\u003e with the familiar Kodak Gold look.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eISO 200 works particularly well in daylight and gives you relatively fine grain while still being flexible enough for a range of normal outdoor conditions.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eKodak specifies wide exposure latitude, including tolerance of up to two stops underexposure and three stops overexposure, making Gold 200 a forgiving everyday film. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach roll has \u003cstrong\u003e24 exposures rather than 36\u003c\/strong\u003e, so the full three-pack gives you \u003cstrong\u003e72 exposures\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eKodak Gold 200 uses standard C-41 colour negative processing.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701191295030,"sku":"B862967","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/3-PackKodakGold24-exp1.png?v=1790043753"},{"product_id":"kodak-portra-160","title":"Kodak Portra 160, Individual Roll","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eKodak Portra 160\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is the slower, finer-grained member of the Portra family, made for photographers who want beautifully natural colour without pushing things too hard.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts reputation comes from \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003esmooth skin tones, fine grain and a wonderfully controlled colour palette\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Colours feel rich without becoming overly saturated, highlights stay soft and there's plenty of detail throughout the frame.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt ISO 160, this is a film that really shines when you've got good light to work with. Load it for portraits, fashion, weddings, landscapes or a sunny afternoon wandering around with your camera and it'll reward you with clean, beautifully balanced negatives.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere's a reason Portra has become such a staple of modern film photography. Portra 160 is polished without feeling clinical, with enough analogue character to remind you exactly why you're still shooting film.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThis listing is for one 36-exposure roll of Kodak Portra 160 35mm film.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBest for\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003ePortraits, fashion, weddings, travel, landscapes, daylight photography and anyone looking for natural colour, fine grain and beautifully rendered skin tones.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eWhat to expect\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eExpect \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003efine grain, natural colours, smooth skin tones and controlled contrast\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCompared with faster films such as Portra 400 and Portra 800, Portra 160 is happiest when there's plenty of available light. In return, you get particularly clean results with excellent detail and subtle tonal transitions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt's forgiving enough to be approachable, but there's plenty here for experienced photographers who want a dependable professional colour negative film.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eDeveloping\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eProcess: C-41\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKodak Portra 160 uses standard \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eC-41 colour negative processing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, so it can be developed by most labs processing 35mm colour film.\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701191655478,"sku":"5739959","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/5-PackKodakPortra160-36exp2.png?v=1790576401"},{"product_id":"kodak-portra-400","title":"Kodak Portra 400, Individual Roll","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eKodak Portra 400\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is one of those films that's earned its reputation for a reason. Beautiful colour, forgiving exposure latitude and some of the nicest skin tones you'll find on colour negative film.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt ISO 400, it's fast enough to leave in your camera and get on with shooting. Take it from bright daylight into softer afternoon light, shoot portraits, travel, street or everyday life and it'll happily come along for the ride.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePortra's colour is where things really start to shine. \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSkin tones stay natural, colours feel rich without becoming too loud, and highlights have a lovely softness to them.\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e There's plenty of detail too, with remarkably fine grain considering the extra speed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt's professional film without feeling like you need to be a professional to shoot it. If you want one roll in your camera that can handle a little bit of everything, Portra 400 is very difficult to go past.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThis listing is for one 36-exposure roll of Kodak Portra 400 35mm film.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBest for\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003ePortraits, travel, weddings, street photography, lifestyle, fashion, everyday photography and anyone looking for one versatile colour film to keep loaded in their camera.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eWhat to expect\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eExpect \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enatural colour, beautiful skin tones, fine grain and plenty of flexibility when the light changes\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePortra 400 has excellent exposure latitude, which makes it particularly forgiving if your exposure isn't absolutely perfect. It also handles overexposure beautifully, giving you room to work without highlights immediately falling apart.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCompared with Portra 160, the extra speed makes it a more flexible everyday option. Compared with Portra 800, you'll get finer grain while still having enough speed for a wide range of shooting conditions.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eDeveloping\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eProcess: C-41\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKodak Portra 400 uses standard \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eC-41 colour negative processing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, so it can be developed by most labs processing 35mm colour film.\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701191852086,"sku":"107489L","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/5-PackKodakPortra400-36-exp2.png?v=1790577256"},{"product_id":"kodak-portra-400-120","title":"Kodak Portra 400, Individual Roll","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eKodak Portra 400\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is one of those films that's easy to understand once you've shot a few rolls. Natural colour, beautiful skin tones, fine grain and enough speed to handle just about anything.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt ISO 400, it's fast enough for changing light without feeling like a specialist film. Load it for a portrait session and it'll feel right at home. Leave it in the camera for a weekend away and it'll happily move between people, streets, landscapes and everyday moments.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePortra's generous exposure latitude is a big part of its appeal. It's forgiving when the light isn't perfect, while still giving you plenty of detail and smooth, natural tones when you nail the exposure.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 120, you get all of that Portra character across a larger medium-format negative. Fine detail, smooth tones and plenty of room to work with when scanning or printing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThis listing is for one individual roll of Kodak Portra 400 in 120 format.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBest for\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003ePortraits, travel, weddings, street photography, lifestyle, landscapes and everyday medium-format shooting. If you want one colour film you can load without overthinking what you're going to photograph, Portra 400 is a very easy choice.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eWhat to expect\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eExpect \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enatural colour, flattering skin tones, fine grain and loads of flexibility\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePortra 400 has a softer, more natural colour palette than films built around punchy saturation. It's particularly good with people, but that's far from all it can do.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eISO 400 also gives you a useful balance between image quality and speed. There's enough sensitivity for changing conditions while still producing the clean, detailed negatives that make medium format so good.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eDeveloping\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eProcess: C-41\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKodak Portra 400 uses standard C-41 colour negative processing, so it can be developed by most labs processing colour film.\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701191950390,"sku":"E761155","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/KodakPortra160-120mm-1_18f689ff-0d9c-447a-8ddf-15dd431a0fa7.png?v=1790570838"},{"product_id":"kodak-portra-800","title":"Kodak Portra 800","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak Portra 800 is a fast 35mm colour negative film made for portraits, low light and situations where you need more flexibility without giving up natural colour.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts ISO 800 speed makes it particularly useful as the light starts to disappear, whether you're shooting indoors, late in the afternoon, at events or out on the street after dark. It gives you more room to work with faster shutter speeds while maintaining the natural skin tones and softer colour palette the Portra range is known for.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003ePortra 800 also has plenty of exposure latitude, making it forgiving when lighting conditions are changing quickly. It can be pushed further when you need even more speed, making it a useful option for available-light photography.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIf you like the Portra look but regularly find ISO 160 or 400 too slow, this is the one to reach for.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003ePortraits and people\u003c\/li\u003e\n\u003cli\u003eLow-light photography\u003c\/li\u003e\n\u003cli\u003eIndoor photography\u003c\/li\u003e\n\u003cli\u003eEvening and night shooting\u003c\/li\u003e\n\u003cli\u003eWeddings and events\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eAvailable-light photography\u003c\/li\u003e\n\u003cli\u003eMoving subjects\u003c\/li\u003e\n\u003cli\u003eChanging light conditions\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003enatural skin tones, balanced colour and relatively fine grain for an ISO 800 film\u003c\/strong\u003e, with considerably more flexibility in lower light than Portra 160 or 400.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe higher speed gives the film a little more visible grain and character than the slower Portra stocks, while still keeping the smooth tonal reproduction associated with the range.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts wide exposure latitude also makes it forgiving when you're moving between different lighting conditions or photographing people without complete control over the light.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003ePortra 800 uses standard C-41 colour negative processing.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt can also be pushed when more speed is needed. Kodak's processing documentation specifically provides push-processing guidance for \u003cstrong\u003eEI 1600 and EI 3200\u003c\/strong\u003e, although increased contrast and changes to the negative should be expected when pushing.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701192048694,"sku":"811828L","price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/KodakPortra800-36exp_40FRONT.png?v=1790042498"},{"product_id":"kodak-portra-800-120","title":"Kodak Portra 800, Individual Roll","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eKodak Portra 800\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e takes the natural colour and beautiful skin tones the Portra family is known for and gives you a little more freedom when the light starts disappearing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt ISO 800, it's a great film to have loaded when you're shooting \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003elater in the day, indoors, at events or anywhere you need a little extra speed\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. You can work with faster shutter speeds and lower light without immediately reaching for a flash.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDespite the extra speed, Portra 800 keeps the look nicely controlled. Skin tones stay natural, colour feels warm without becoming overdone, and the grain gives the images character without taking over.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 120 format, it's particularly lovely. The larger medium-format negative gives the film plenty of room to show off its detail and tonality, while ISO 800 makes medium-format shooting much easier once you're away from perfect daylight.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThis listing is for one individual roll of Kodak Portra 800 in 120 format.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBest for\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eLow-light portraits, weddings, events, travel, street photography, indoor shooting and everyday medium-format photography when you want more speed without giving up the Portra look.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eWhat to expect\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eExpect \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enatural colour, warm and flattering skin tones, visible but pleasing grain and plenty of flexibility in lower light\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCompared with Portra 160 and Portra 400, the big difference here is speed. ISO 800 gives you more freedom to keep shooting as daylight fades or to use faster shutter speeds when your subject isn't staying still.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt's not just a night film, though. Portra 800 works beautifully in daylight too, making it a genuinely versatile roll when you know you'll be moving through different lighting conditions.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eDeveloping\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eProcess: C-41\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKodak Portra 800 uses standard \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eC-41 colour negative processing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, so it can be developed by most labs processing colour film.\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701192146998,"sku":"156343L","price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/KodakPortra160-120mm-1_84e3fe1d-006b-4774-a45c-6cf5b30b035d.png?v=1790571292"},{"product_id":"kodak-proimage-100","title":"Kodak ProImage 100, Individual Roll","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eKodak ProImage 100\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is a beautifully straightforward colour film for photographers who want classic Kodak colour without overthinking it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt ISO 100, it's happiest when there's plenty of light around. Give it a sunny day and you'll get \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enatural colour, smooth skin tones, fine grain and plenty of detail\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, making it a great roll to load for portraits, travel, street photography or an afternoon wandering around with your camera.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere's a nice balance to ProImage. Colours have enough life to them without feeling overly saturated, while skin tones stay warm and natural. The slower speed also keeps the grain fine, giving your photographs a clean look while still feeling unmistakably like film.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt's an easy one to recommend if you're after a dependable daylight colour stock, particularly if you like the Kodak look but don't necessarily need to jump straight to Portra.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThis listing is for one 36-exposure roll of Kodak ProImage 100 35mm film.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBest for\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eSunny days, portraits, travel, street photography, holidays, landscapes and everyday shooting in good light.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eWhat to expect\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eExpect \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enatural colour, warm skin tones, fine grain and good detail\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eISO 100 means ProImage likes light, so it's particularly at home outdoors during the day. In those conditions, it gives you clean, colourful negatives without making everything feel overly polished or saturated.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt's approachable enough for someone getting into film while still delivering the consistency more experienced shooters look for in an everyday colour stock.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eDeveloping\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eProcess: C-41\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKodak ProImage 100 uses standard \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eC-41 colour negative processing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, so it can be developed by most labs processing 35mm colour film.\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701192376374,"sku":"180178B","price":20.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/5-PackKodakProImage-36exp1.png?v=1790576895"},{"product_id":"kodak-tmax-100-regular","title":"Kodak Professional T-MAX 100","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eKodak Professional T-MAX 100 is a fine grain ISO 100 black and white film built around detail, sharpness and resolution.\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt uses Kodak's T-Grain emulsion to produce extremely fine grain and very high resolving power, making it particularly good when you want to pull as much detail as possible from a 35mm negative. Kodak also gives it an expanded exposure latitude, so it has some forgiveness when your exposure isn't quite perfect. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAt ISO 100, it's naturally at home in good daylight, studio work and other situations where you have plenty of light. It's also a strong choice for landscapes, architecture, still life, portraits and detailed subjects where fine grain and sharpness matter.\u003c\/p\u003e\n\u003cp\u003eIf you're planning to make larger prints or scan your negatives at high resolution, this is where T-MAX 100 really makes sense. Kodak specifically highlights its resolving power and suitability for enlargement. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eDaylight photography, landscapes, architecture, portraits, still life, studio work, detailed subjects and high-resolution scanning or enlargement.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e36 exposures at ISO 100\u003c\/strong\u003e, with extremely fine grain, high sharpness and excellent resolving power. It's a slower film, so you'll generally want good light or a tripod when shooting at lower shutter speeds.\u003c\/p\u003e\n\u003cp\u003eKodak's technical data also gives guidance for exposing T-MAX 100 at EI 200, 400 and 800 with push processing. As you push the film further, contrast and grain increase and some shadow detail is lost, so ISO 100 remains the normal starting point for getting the highest image quality. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eStandard black and white processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eT-MAX 100 can be processed using a range of conventional black and white developers. Kodak provides development information for its own T-MAX developers as well as developers including D-76, XTOL and HC-110. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor the cleanest results, Kodak recommends normal exposure around the rated EI 100 and normal development. Push processing is possible when more speed is needed, but comes with some trade-offs in grain, contrast and shadow detail.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701192769590,"sku":"9472604","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/DSC00308_B8B2A9_2048.png?v=1789997461"},{"product_id":"kodak-tmax-3200","title":"Kodak Professional T-MAX P3200","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eKodak Professional T-MAX P3200 is a specialist black and white film built for situations where there simply isn't much light.\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt is designed for handheld street photography, night photography, live music, dimly lit venues and fast-moving subjects where using a slower film or flash isn't practical. Kodak describes it as an ultra-high-speed film, available in 36 exposure 135 format. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDespite the name, \u003cstrong\u003eP3200 is nominally ISO 800\u003c\/strong\u003e. The P stands for push, because the film is designed to be push processed to \u003cstrong\u003eEI 3200 or higher\u003c\/strong\u003e. Kodak's technical data supports exposure at EI 1600, 3200 and 6400, with higher speeds increasing contrast and graininess. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThat makes it a very different proposition from a standard ISO 400 film. You get the ability to work in genuinely difficult light, but the way the film is exposed and developed becomes more important.\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eNight photography, street photography, concerts and live music, indoor photography, available light, documentary work and fast-moving subjects in low light.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e36 exposures at 35mm.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe film's nominal speed is ISO 800, but it is designed to be pushed. At \u003cstrong\u003eEI 1600\u003c\/strong\u003e it retains good shadow detail, while \u003cstrong\u003eEI 3200 and 6400\u003c\/strong\u003e provide more speed at the expense of increased contrast and grain. Kodak also notes that P3200 can provide better shadow detail and highlight separation at EI 3200 or 6400 than a 400-speed film pushed three stops. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis is a film with a specific purpose rather than an everyday ISO 3200 stock. If you're shooting in normal daylight, there are much easier choices.\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eStandard black and white processing with development adjusted for the exposure index used.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKodak provides development data for T-MAX P3200 at EI 400, 800, 1600, 3200 and 6400 across developers including T-MAX Developer, XTOL, D-76 and HC-110. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor EI 3200, the film needs appropriate push development rather than simply processing it as standard ISO 800 film.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701192900662,"sku":"Y384162","price":30.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/DSC00314_B8B2A9_2048.png?v=1789998298"},{"product_id":"kodak-tmax-400-regular","title":"Kodak Professional T-MAX 400","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eKodak Professional T-MAX 400 is a fast, fine grain black and white film that gives you a lot of flexibility without giving up detail.\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRated at ISO 400, it's well suited to everyday shooting when you don't always have perfect light. It's a particularly useful choice for street photography, documentary work, portraits, travel and situations where you need to keep your shutter speed up.\u003c\/p\u003e\n\u003cp\u003eKodak's T-Grain emulsion gives T-MAX 400 very fine grain, high sharpness and high resolving power for a 400 speed film. That makes it a good option when you want the flexibility of ISO 400 but still want detailed negatives that can handle larger scans or enlargements. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt also has plenty of exposure latitude. Kodak's technical data says it can be exposed at EI 800 with normal development, while EI 1600 and 3200 are possible with increased development time. As you push the film further, contrast and grain increase and some shadow detail is lost. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eEveryday photography, street photography, portraits, documentary work, travel, action and available light.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e36 exposures at ISO 400\u003c\/strong\u003e, with very fine grain, strong sharpness and good detail.\u003c\/p\u003e\n\u003cp\u003eIt's a versatile film for changing conditions. Shoot it at its rated ISO 400 for the cleanest, most balanced results, or push it when you need additional speed. At EI 800 Kodak notes that high quality results are still possible with normal development, while higher settings require adjusted development. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eStandard black and white processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eT-MAX 400 can be processed using a range of conventional black and white developers. \u003cspan\u003eFor pushed exposures, development time needs to be increased according to the exposure index and developer being used.\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701192998966,"sku":"213627M","price":28.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/DSC00310_B8B2A9_2048.png?v=1789997743"},{"product_id":"kodak-tri-x-400-regular","title":"Kodak Professional Tri-X 400","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eKodak Professional Tri-X 400 is one of the classic black and white films, known for its distinctive grain, strong contrast and ability to handle a wide range of shooting conditions.\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRated at ISO 400, it's fast enough for everyday photography, available light and action, while still producing fine grain and good sharpness. It has a broad exposure latitude, making it a forgiving film when you're working quickly or dealing with changing light. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTri-X has a particularly recognisable look compared with the cleaner, more modern rendering of films such as T-MAX 400. It's a natural fit for street photography, documentary work, portraits and anything where you want the character of traditional black and white film rather than an ultra-clean negative.\u003c\/p\u003e\n\u003cp\u003eIt can also be pushed when you need more speed. Kodak lists \u003cstrong\u003eEI 1600\u003c\/strong\u003e as the maximum recommended push, with appropriate changes to development. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eStreet photography, documentary photography, portraits, travel, action, available light and everyday shooting.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e36 exposures at ISO 400\u003c\/strong\u003e, with the classic Tri-X grain structure, good sharpness and plenty of exposure latitude.\u003c\/p\u003e\n\u003cp\u003eShoot it at ISO 400 for its standard rendering, or push it when you need additional speed. Pushing Tri-X can increase contrast and grain, which is part of the reason it has remained popular for low light and documentary photography. Kodak's technical data provides development guidance for EI 800 and 1600. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eStandard black and white processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTri-X 400 can be developed using a range of black and white developers. Kodak provides starting-point development times for XTOL, D-76, HC-110 and T-MAX Developer. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor pushed exposures, development needs to be adjusted according to the exposure index and developer being used.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701193097270,"sku":"A949954","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/DSC00312_B8B2A9_2048.png?v=1789998038"},{"product_id":"kodak-ultramax","title":"Kodak UltraMax 400","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak UltraMax 400 is a versatile 35mm colour film made for everyday shooting, especially when you don't know exactly what the light is going to do.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts ISO 400 speed gives you plenty of flexibility, from sunny days and overcast afternoons to indoor photography with flash. It produces vivid colour, fine grain and good sharpness, while the extra speed makes it easier to photograph moving subjects or keep shooting as the light starts to drop.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eUltraMax is an easy film to keep loaded in your camera for travel, street photography, family photos, weekends away or simply carrying a camera around every day.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIf you want one colour film that can handle a bit of everything without having to think too much about it, UltraMax 400 is a solid place to start. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEveryday photography\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eTravel and holidays\u003c\/li\u003e\n\u003cli\u003eFamily photos\u003c\/li\u003e\n\u003cli\u003ePortraits and people\u003c\/li\u003e\n\u003cli\u003eMoving subjects\u003c\/li\u003e\n\u003cli\u003eOvercast conditions\u003c\/li\u003e\n\u003cli\u003eLower-light situations\u003c\/li\u003e\n\u003cli\u003eIndoor photography with flash\u003c\/li\u003e\n\u003cli\u003eBeginners getting into 35mm film\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003evivid colour, fine grain and good sharpness\u003c\/strong\u003e, with the added flexibility of ISO 400.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eCompared with slower films such as Kodak Gold 200, UltraMax gives you more room to work when the light drops and makes it easier to use faster shutter speeds for moving subjects.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eKodak specifically highlights its improved low-light performance, extended flash range and ability to help reduce the effects of camera shake. That makes it a particularly useful general-purpose film when you're likely to encounter different conditions throughout the day. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eUltraMax 400 uses standard C-41 colour negative processing.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701193293878,"sku":"755061N","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/KodakUltramax-400-36-exp_25FRONT_1.png?v=1790042711"},{"product_id":"kodak-ultramax-3-pack-24exp","title":"Kodak UltraMax 400, 24 Exposure 3-Pack","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eKodak UltraMax 400 is a versatile colour film designed to handle everyday photography across a wide range of lighting conditions.\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRated at ISO 400, it gives you more flexibility than slower colour films when the light starts to drop. It's suitable for outdoor photography, indoor shooting, low light with flash and moving subjects, while still producing fine grain, vivid colour and sharp detail. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis version comes as a \u003cstrong\u003e3-pack of 24-exposure rolls\u003c\/strong\u003e, giving you 72 exposures in total. It's a practical option for holidays, travel, weekends and general everyday shooting when you want a few rolls ready to go.\u003c\/p\u003e\n\u003cp\u003eUltraMax has a brighter, more saturated colour character than films aimed at softer or more restrained colour reproduction, making it a good fit for people, travel, street photography and colourful outdoor scenes. Kodak describes it as an everyday film designed to perform across a wide range of shooting conditions. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eEveryday photography, travel, holidays, street photography, family photos, outdoor shooting, indoor photography, low light with flash and action.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e3 × 24 exposure rolls, giving you 72 exposures in total.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUltraMax 400 is a useful all-rounder when you don't know exactly what lighting you'll encounter. ISO 400 gives you a good balance between daylight use and additional flexibility indoors or later in the day.\u003c\/p\u003e\n\u003cp\u003eExpect \u003cstrong\u003ebright, saturated colour, fine grain and good sharpness\u003c\/strong\u003e, with the extra speed helping to reduce the effects of camera shake and extend flash range. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eC-41 colour negative processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUltraMax 400 is designed for standard C-41 processing. Kodak's technical documentation specifies processing with KODAK FLEXICOLOR chemistry.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701193392182,"sku":"9552820","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/3-PackKodakUltramax24-exp1.png?v=1790037560"},{"product_id":"leica-r-vario-elmar-28-70-e60-regular","title":"Leica Vario-Elmar-R 28-70mm, E60","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe \u003cstrong\u003eLeica Vario-Elmar-R 28-70mm f\/3.5-4.5\u003c\/strong\u003e is a versatile manual-focus zoom for the Leica R system, covering everything from a useful 28mm wide-angle through to a short 70mm telephoto in one lens.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThat range makes it an easy choice when you don't want to keep changing lenses. At 28mm there's plenty of room for \u003cstrong\u003etravel, landscapes and street photography\u003c\/strong\u003e, while the middle of the range works naturally for everyday shooting. Move towards 70mm and you've got a useful focal length for portraits and tighter compositions.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe lens uses an \u003cstrong\u003e11-element, 8-group optical design\u003c\/strong\u003e, focuses as close as 0.5m and accepts E60 filters. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eTravel, everyday photography, street photography, landscapes, portraits and Leica R shooters wanting one lens that covers a useful range from wide-angle to short telephoto.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThe \u003cstrong\u003e28-70mm zoom range\u003c\/strong\u003e gives you quite a bit of flexibility from a single lens. At 28mm you get a broad field of view, 50mm gives a natural standard perspective, and 70mm lets you tighten the frame without moving to a dedicated telephoto.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eMaximum aperture varies from \u003cstrong\u003ef\/3.5 at the wide end to f\/4.5 at the long end\u003c\/strong\u003e, while the lens stops down to f\/22. It focuses manually down to approximately \u003cstrong\u003e0.5m\u003c\/strong\u003e throughout the range. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis is a fully manual-focus lens with no autofocus or optical stabilisation.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThis is a \u003cstrong\u003eLeica R system film lens\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eWhen used natively on a compatible Leica R film camera, developing depends on the film loaded. Colour negative film commonly uses C-41 processing, while black and white and slide films require their respective processes.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe lens can also be \u003cstrong\u003eadapted\u003c\/strong\u003e to various digital mirrorless systems, but its native system and intended use are Leica R 35mm film cameras.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701193850934,"sku":"7454882","price":900.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Lecia-28to70mm-3.5-1.png?v=1790168908"},{"product_id":"leica-m-50mm-1-4-regular","title":"Leica Summilux-M 50mm, E46","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe \u003cstrong\u003eLeica Summilux-M 50mm f\/1.4 E46\u003c\/strong\u003e is a classic fast standard lens for the Leica M system, combining a natural 50mm perspective with a bright f\/1.4 maximum aperture and Leica's compact manual-focus rangefinder design.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis is the later \u003cstrong\u003epre-ASPH\u003c\/strong\u003e version, product number \u003cstrong\u003e11868\u003c\/strong\u003e, finished in black anodised metal and fitted with an E46 filter thread and built-in telescoping lens hood. It retains the classic \u003cstrong\u003e7-element, 5-group Summilux optical design\u003c\/strong\u003e, while this later barrel allows focusing down to 0.7 metres. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt 50mm, it's an incredibly versatile lens. Street photography, portraits, documentary work, travel and everyday shooting all feel natural, while the f\/1.4 aperture gives you considerably more flexibility as the light drops and lets you work with a shallower depth of field.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis particular lens is serial \u003cstrong\u003e3694833\u003c\/strong\u003e and comes with its \u003cstrong\u003eoriginal Leica box\u003c\/strong\u003e, marked Summilux-M 1:1.4\/50mm and product number 11868.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's also a lens that comfortably crosses Leica's film and digital eras. Use it on a compatible classic Leica M film body or a modern digital M while keeping essentially the same manual focusing experience.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eStreet photography, documentary work, portraits, travel, available-light photography, everyday shooting, Leica M film cameras, Leica M digital cameras and collectors looking for a classic pre-ASPH Summilux.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThis generation of Summilux has a different character from Leica's later ASPH lenses. It uses the longstanding \u003cstrong\u003e7-element \/ 5-group optical design\u003c\/strong\u003e rather than the newer aspherical construction, while the later 11868 barrel brings a closer \u003cstrong\u003e0.7m minimum focusing distance\u003c\/strong\u003e, \u003cstrong\u003eE46 filters\u003c\/strong\u003e and an integrated telescoping hood. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt f\/1.4, you get the shallow depth of field and available-light flexibility that makes a Summilux appealing. Stopping down gives you a more controlled standard lens for general photography.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEverything is manual. Focusing is through the Leica M rangefinder system, aperture is selected directly on the lens and there's no autofocus or image stabilisation.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThis lens is compatible with both \u003cstrong\u003eLeica M film and digital cameras\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eOn a film Leica M body, developing depends on the film loaded into the camera. Colour negative film commonly uses C-41 processing, while black and white and slide films require their respective processes.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eOn a \u003cstrong\u003ecompatible\u003c\/strong\u003e digital Leica M body, no film developing is required.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701194047542,"sku":"6616725","price":3750.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Lecia-1.4-50mm-2.png?v=1790164952"},{"product_id":"leica-m-summicron-28-2-aspheric-e46-regular","title":"Leica Summicron-M 28mm, ASPH. E46","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe \u003cstrong\u003eLeica Summicron-M 28mm f\/2 ASPH.\u003c\/strong\u003e is a compact, fast wide-angle prime made for the Leica M system, pairing the everyday versatility of 28mm with a bright f\/2 maximum aperture.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e28mm gives you plenty of room without feeling extreme. It's particularly at home with \u003cstrong\u003estreet photography, documentary work, travel and everyday shooting\u003c\/strong\u003e, where you can take in more of the scene while still getting close to your subject.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe f\/2 maximum aperture also makes this a particularly useful wide-angle when the light drops. Its optical design uses \u003cstrong\u003enine elements in six groups with an aspherical element\u003c\/strong\u003e, while manual rangefinder focusing keeps the shooting experience compact and direct. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis particular example is the earlier \u003cstrong\u003e0.7m-focus E46 version\u003c\/strong\u003e, serial \u003cstrong\u003e3922430\u003c\/strong\u003e. Supplied also is a \u003cstrong\u003eLeica lens hood, Leica front cap and Leica cylindrical leather case\u003c\/strong\u003e, giving this copy a particularly nice set of original accessories.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eStreet photography, documentary work, travel, environmental portraits, landscapes, available-light photography and photographers looking for a fast wide-angle to use across Leica M film and digital bodies.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eA 28mm lens gives a noticeably wider view than a 35mm or 50mm without pushing into an exaggerated ultra-wide perspective. Leica's technical data gives this version an approximately \u003cstrong\u003e75° diagonal angle of view on the 35mm frame\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe \u003cstrong\u003ef\/2 aperture\u003c\/strong\u003e is useful for working in lower light and gives you more control over depth of field than slower 28mm lenses. Focus runs from \u003cstrong\u003e0.7m to infinity\u003c\/strong\u003e, and the aperture closes down to f\/16 with half-stop settings available. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's completely manual focus, with no autofocus or image stabilisation. On a Leica M body, the rangefinder-coupled design keeps the experience straightforward and tactile.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe included rectangular Leica hood is also visible in the supplied photos and provides useful protection as well as helping control stray light.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThis lens is designed for the \u003cstrong\u003eLeica M system\u003c\/strong\u003e and can be used with compatible film and digital Leica M bodies.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eWhen used on a 35mm film camera, developing depends on the film loaded. Colour negative film commonly uses C-41 processing, while black and white and slide films require their respective processes.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eWhen used on a compatible digital Leica M body, no film developing is required.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47850075455542,"sku":"Y653165","price":4200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/LeciaSummicron-m1.2-28mm-5.png?v=1790166283"},{"product_id":"leica-r-canada-135-2-8-elmarit-regular","title":"Leica Elmarit-R 135mm, Leitz Canada","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe \u003cstrong\u003eLeica Elmarit-R 135mm f\/2.8\u003c\/strong\u003e is a classic manual-focus telephoto prime for the Leica R system, giving you extra reach without stepping into an especially long or cumbersome focal length.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt 135mm, it's particularly well suited to \u003cstrong\u003eportraits, details, landscapes and subjects where you want a little more distance between yourself and what you're photographing\u003c\/strong\u003e. The f\/2.8 maximum aperture also gives you good control over depth of field, making it easier to separate a subject from its surroundings.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis version uses a \u003cstrong\u003e5-element, 4-group optical design\u003c\/strong\u003e, focuses down to 1.5m and has a built-in telescopic lens hood. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003ePortraits, detail photography, compressed landscapes, candid photography and Leica R shooters looking for a classic medium-telephoto prime.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThe \u003cstrong\u003e135mm focal length\u003c\/strong\u003e gives a distinctly tighter perspective than a standard 50mm lens. It's useful when you can't or don't want to get physically close to your subject, and the narrower field of view can help simplify busy backgrounds.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts \u003cstrong\u003ef\/2.8 maximum aperture\u003c\/strong\u003e provides useful depth-of-field control, while the aperture closes down to f\/22. Minimum focusing distance is approximately \u003cstrong\u003e1.5m\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe lens is fully manual focus, with clearly engraved distance and depth-of-field scales. The photographs also show the characteristic \u003cstrong\u003ebuilt-in telescopic hood\u003c\/strong\u003e extended around the front section.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThis is a \u003cstrong\u003eLeica R system film lens\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eWhen used natively on a compatible Leica R or appropriate Leicaflex film body, developing depends on the film loaded. Colour negative film commonly uses C-41 processing, while black and white and slide films require their respective processes.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe lens can also be \u003cstrong\u003eadapted\u003c\/strong\u003e to suitable digital cameras, but its native system and intended format are Leica R 35mm film cameras.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701194768438,"sku":"T485655","price":700.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Lecia_Lietz-135mm-2.5-1.png?v=1790170332"},{"product_id":"leica-r-summicron-r-50-2-canada-regular","title":"Leica Summicron-R 50mm, Leitz Canada","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe \u003cstrong\u003eLeica Summicron-R 50mm f\/2 Leitz Canada\u003c\/strong\u003e is a classic standard prime for the Leica R system, combining a natural 50mm perspective with a bright f\/2 aperture and precise manual focus.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's a versatile focal length that works particularly well for \u003cstrong\u003eeveryday photography, street, portraits, documentary and travel\u003c\/strong\u003e. The 50mm field of view keeps things natural and familiar, while f\/2 gives you useful flexibility when the light drops and more control over depth of field.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis later Canadian Summicron-R uses a \u003cstrong\u003e6-element, 4-group optical design\u003c\/strong\u003e, replacing the earlier 6-element, 5-group version. It also focuses down to 0.5m and has a compact built-in telescopic hood. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis particular lens is marked \u003cstrong\u003eLEITZ CANADA\u003c\/strong\u003e and carries serial number \u003cstrong\u003e2956703\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eEveryday film photography, street photography, portraits, documentary work, travel and Leica R photographers wanting a compact standard prime.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eA \u003cstrong\u003e50mm focal length\u003c\/strong\u003e gives a natural perspective that sits comfortably between wide-angle and telephoto, making it one of the easiest focal lengths to use as an everyday lens.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe \u003cstrong\u003ef\/2 maximum aperture\u003c\/strong\u003e provides good flexibility in lower light and lets you isolate subjects when needed. The lens focuses manually down to approximately \u003cstrong\u003e0.5m\u003c\/strong\u003e, while the aperture runs from f\/2 to f\/16. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis Canadian second-generation design is also considerably more compact than the earlier Summicron-R construction, weighing around \u003cstrong\u003e300g\u003c\/strong\u003e and measuring approximately 41mm long. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThis is a \u003cstrong\u003eLeica R system film lens\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eWhen used natively on a compatible Leica R or appropriate Leicaflex film body, developing depends on the film loaded into the camera. Colour negative film commonly uses C-41 processing, while black and white and slide films require their respective processes.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe lens can also be \u003cstrong\u003eadapted\u003c\/strong\u003e for use on some digital camera systems, but its native system and intended format are 35mm film.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701194866742,"sku":"3534814","price":950.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Lecia_LeitzcanadaSummicron-R-1.2-50mm-1.png?v=1790168005"},{"product_id":"leica-r-summilux-50-1-4-regular","title":"Leica Summilux-R 50mm, Leitz Wetzlar","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe \u003cstrong\u003eLeica Summilux-R 50mm f\/1.4\u003c\/strong\u003e is a fast standard prime from the classic Leica R system, pairing a natural 50mm perspective with a bright f\/1.4 maximum aperture.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's the sort of lens that can stay on the camera for most of the day. The 50mm focal length works naturally for \u003cstrong\u003eeveryday photography, portraits, street work and documentary shooting\u003c\/strong\u003e, while the f\/1.4 aperture gives you extra flexibility as the light drops and more control over depth of field.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eManual focusing is part of the experience, with a large focusing ring and clearly marked distance and depth-of-field scales. The lens focuses down to approximately 0.5m, giving it useful flexibility beyond more distant subjects.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003ePortraits, street photography, documentary work, everyday shooting, available-light photography and Leica R photographers looking for a fast classic 50mm prime.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eAt \u003cstrong\u003e50mm\u003c\/strong\u003e, you get a natural-looking perspective that's easy to use across a wide range of subjects without feeling particularly wide or telephoto.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe \u003cstrong\u003ef\/1.4 maximum aperture\u003c\/strong\u003e is the main attraction here. It gives you considerably more flexibility when working in available light and allows shallower depth of field when you want to separate your subject from the background.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEverything is manual, including focus and aperture selection. The physical controls, engraved distance scale and depth-of-field markings make it a very traditional, hands-on Leica R shooting experience.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThis is a \u003cstrong\u003eLeica R system film lens\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eWhen used natively on a compatible Leica R or Leicaflex film body, developing depends on the film loaded into the camera. Colour negative film commonly uses C-41 processing, while black and white and slide films require their respective processes.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe lens can also be \u003cstrong\u003eadapted\u003c\/strong\u003e to suitable digital camera systems, but its native system and intended format are Leica R 35mm film cameras.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701194965046,"sku":"406544N","price":2350.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Lecia_Leitzwetzlar-summilux-R-1.4-50mm-2.png?v=1790169628"},{"product_id":"leicaflex-apo-telyt-r-1-3-4-180-regular","title":"Leica APO-Telyt-R 180mm, Leitz Canada","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe \u003cstrong\u003eLeica APO-Telyt-R 180mm f\/3.4\u003c\/strong\u003e is a classic apochromatically corrected telephoto prime for the Leica R system, designed for photographers who want extra reach with precise manual control.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt \u003cstrong\u003e180mm\u003c\/strong\u003e, it gives you a tight field of view that's particularly useful for \u003cstrong\u003eportraits, landscapes, nature and distant details\u003c\/strong\u003e. The longer focal length also gives you plenty of control over framing when you can't physically get close to your subject.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe APO-Telyt-R uses a \u003cstrong\u003e7-element, 4-group optical design\u003c\/strong\u003e and was produced from the mid-1970s through the 1990s. This later \u003cstrong\u003e11242\u003c\/strong\u003e version uses an E60 filter fitting. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis lens was made in Canada and is has its \u003cstrong\u003eoriginal Leica\/Leicaflex APO-Telyt-R 1:3.4\/180 box\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003ePortraits, distant subjects, landscapes, nature photography and Leica R photographers looking for a classic apochromatic telephoto prime.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThe \u003cstrong\u003e180mm focal length\u003c\/strong\u003e gives you a noticeably compressed, narrow view compared with a standard lens, making it useful for isolating subjects and picking out details from a distance.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts aperture runs from \u003cstrong\u003ef\/3.4 to f\/22\u003c\/strong\u003e, with a minimum focusing distance of \u003cstrong\u003e2.5m\u003c\/strong\u003e. The lens also has a built-in sliding hood. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe APO designation refers to its apochromatic optical correction, designed to reduce chromatic aberration. Everything remains hands-on, with manual focusing, an aperture ring and engraved distance and depth-of-field markings.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThis is a \u003cstrong\u003eLeica R system film lens\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eWhen used natively on a compatible Leica R or Leicaflex 35mm film camera, developing depends on the film loaded. Colour negative film commonly uses C-41 processing, while black and white and slide films require their respective processes.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe lens can also be \u003cstrong\u003eadapted\u003c\/strong\u003e for use with suitable digital cameras, but its native system is Leica's 35mm SLR system.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701195096118,"sku":"917052S","price":900.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Leica-180mm-3.4-3.png?v=1790170775"},{"product_id":"lucky-pan-shd-400-regular","title":"Lucky Pan SHD 400","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eLucky Pan SHD 400 is an affordable ISO 400 black and white film with plenty of character.\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRather than chasing an ultra-clean, fine-grain look, SHD 400 has a more pronounced grain structure and a stronger tonal character that works particularly well for street photography, documentary work, portraits and everyday shooting. It is a good option if you want your negatives to retain some of the texture and personality associated with traditional black and white film. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAt ISO 400, it gives you a useful amount of speed for changing light, indoors, overcast days and general everyday photography. It can also be pushed for additional speed, although increasing the exposure index will generally bring more grain and contrast with it. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThere is also some variation in recommended shooting speed across current sources. The film is rated ISO 400, while several labs and retailers recommend trying it at ISO 200 for a little more exposure latitude. If you're shooting it for the first time, that makes ISO 200 a useful starting point to experiment with. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eStreet photography, documentary work, portraits, travel, everyday photography and situations where you want a more pronounced black and white film character.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e36 exposures at ISO 400.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eExpect visible grain, a fairly strong tonal character and good sharpness, rather than the exceptionally clean look of something like T-MAX 100. It's a straightforward film to experiment with and, at $12 a roll, a particularly accessible way to try something with a different look. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eStandard black and white processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSHD 400 can be processed using conventional black and white chemistry. D-76 is documented for the film, with other developers including HC-110 and Rodinal also commonly used. Development times vary depending on developer and the exposure index used, so follow the relevant developer's data rather than treating one time as universal. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701196767286,"sku":"B282276","price":12.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/DSC00306_B8B2A9_2048.png?v=1789998542"},{"product_id":"nikon-af-s-nikkor-70-300-2-5-5-6-g-ed-vr-regular","title":"Nikon AF-S VR Zoom-Nikkor 70-300mm, IF-ED","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe \u003cstrong\u003eNikon AF-S VR Zoom-Nikkor 70-300mm f\/4.5-5.6G IF-ED\u003c\/strong\u003e is a versatile telephoto zoom with plenty of reach without moving into the size and weight of Nikon's larger professional telephotos.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe \u003cstrong\u003e70-300mm range\u003c\/strong\u003e covers everything from portraits and events through to sport, wildlife, travel and distant details. On a Nikon DX digital camera, the narrower field of view gives you the equivalent of approximately \u003cstrong\u003e105-450mm\u003c\/strong\u003e on a 35mm camera. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAutofocus is handled by Nikon's built-in \u003cstrong\u003eSilent Wave Motor\u003c\/strong\u003e, rather than relying on a focusing motor in the camera body. The lens also includes \u003cstrong\u003eVR II Vibration Reduction\u003c\/strong\u003e, designed to help reduce the effects of camera shake when shooting handheld. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eTwo ED glass elements are used in its 17-element optical design, while internal focusing means the lens doesn't change length as it focuses. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eImportantly, this lens was designed for \u003cstrong\u003eboth digital and film photography\u003c\/strong\u003e. Nikon specifically introduced it for Nikon DX digital SLRs and 35mm film SLR cameras, so it's a useful bridge between later Nikon film and DSLR systems. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWildlife\u003c\/li\u003e\n\u003cli\u003eSports\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eEvents\u003c\/li\u003e\n\u003cli\u003eDistant subjects\u003c\/li\u003e\n\u003cli\u003eNikon DSLR photography\u003c\/li\u003e\n\u003cli\u003eNikon 35mm film photography\u003c\/li\u003e\n\u003cli\u003eHandheld telephoto shooting\u003c\/li\u003e\n\u003cli\u003eAnyone wanting more reach without a large professional f\/2.8 telephoto\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eAt \u003cstrong\u003e70mm\u003c\/strong\u003e, you've got a useful short-telephoto view for portraits and general photography. At \u003cstrong\u003e300mm\u003c\/strong\u003e, there's considerably more reach for wildlife, sport and distant subjects.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe maximum aperture changes as you zoom, from \u003cstrong\u003ef\/4.5 at 70mm to f\/5.6 at 300mm\u003c\/strong\u003e. Nikon's VR II system helps compensate for camera movement when shooting handheld, with Nikon rating the system at up to approximately four stops under its test conditions. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis lens has its \u003cstrong\u003eautofocus motor built into the lens\u003c\/strong\u003e. That's what the \u003cstrong\u003eAF-S\u003c\/strong\u003e designation refers to. It makes autofocus compatibility considerably broader across Nikon DSLR bodies than older screw-drive AF lenses, although exact camera compatibility should still be checked for a particular body.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701198766134,"sku":"654194P","price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Nikon-70to300mm-4.5to5.6-2.png?v=1790144225"},{"product_id":"kodak-ektar-100-individual-roll","title":"Kodak Ektar 100, Individual Roll","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eKodak Ektar 100\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is a beautifully fine-grained colour negative film made for photographers who love detail, rich colour and clean, sharp images.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith its ISO 100 speed, Ektar really comes into its own when there's plenty of light. Expect \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003evivid colour, strong saturation and exceptionally fine grain\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, making it a great choice for landscapes, travel, architecture, still life and anything where you want the details to shine.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 120 format, there's even more room for that fine grain and detail to do its thing. It's a film that can produce wonderfully crisp, polished images while still keeping the unmistakable character of shooting analogue.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIf Portra is the softer, more restrained member of Kodak's professional colour family, Ektar is the one to reach for when you want your colours to have a little more punch.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSold as one individual roll of 120 film.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eBest for\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eLandscapes, travel, architecture, still life, product photography, bright daylight and photographers looking for vivid colour with very fine grain.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eWhat to expect\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eExpect \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003efine grain, excellent sharpness, saturated colours and plenty of detail\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEktar 100 loves good light. Its slower ISO 100 speed makes it particularly at home outdoors during the day or in controlled lighting where you can take advantage of its clean, detailed look.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eDeveloping\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eProcess: C-41\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEktar 100 is standard colour negative film and can be developed using the regular C-41 process.\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47902002610230,"sku":"Y066415","price":37.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/1205-PackKodakEktar100-1.png?v=1790572912"},{"product_id":"kodak-gold-200-individual-roll","title":"Kodak Gold 200, Individual Roll","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eKodak Gold 200\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is one of those films that just feels like film.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWarm colours, natural-looking skin tones and that familiar Kodak character make it an easy choice for everyday shooting. Gold 200 has a bright, slightly nostalgic feel without going too far, giving your photographs plenty of personality while still keeping things natural.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 120, you get all of that classic Gold character with the extra detail and depth that comes with shooting medium format.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt ISO 200, it loves good light. Load a roll for sunny days, portraits, holidays, street photography or just an afternoon wandering around with your camera. It's straightforward, dependable and doesn't ask you to overthink things.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA great medium-format film for anyone who wants \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ewarm colour, classic Kodak character and an easy-going everyday stock\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThis product is sold as one individual roll of Kodak Gold 200 120 film.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBest for\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eSunny days, portraits, travel, street photography, holidays, everyday photography and anyone looking for a warm, classic colour film for their medium-format camera.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eWhat to expect\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eExpect \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ewarm tones, rich colour, natural-looking skin tones and fine grain\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, with the familiar slightly nostalgic character Kodak Gold is known for.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eISO 200 makes it particularly happy outdoors and in good natural light. It's colourful without being too wild, making it an easy film to keep coming back to when you want something reliable with plenty of analogue personality.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 120, the larger negative gives Gold's familiar look a little more room to shine, with plenty of detail while retaining the character that makes the film so recognisable.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eDeveloping\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eProcess: C-41\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKodak Gold 200 uses standard \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eC-41 colour negative processing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMost labs that process medium-format colour film will be able to develop it normally.\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47902005428278,"sku":"228334Z","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/1205-PackKodakGold200-2.png?v=1790573301"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/collections\/2019-04-07-ben-kepka-cultured-kiwi-Film-Project-1-2-1024x714_jpg.webp?v=1789011948","url":"https:\/\/www.sydneysuper8.com.au\/collections\/film2.oembed","provider":"SS8","version":"1.0","type":"link"}