{"title":"Film","description":null,"products":[{"product_id":"110-sunkissed-3pk-regular","title":"Lomography LomoChrome Color ’92 Sun-kissed 110","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eLomoChrome Color ’92 Sun-kissed\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e brings a warm, nostalgic feel to the tiny world of 110 photography.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis ISO 400 colour negative film leans into \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003egolden tones, warm reds and a beautifully sun-soaked colour palette\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, giving everyday scenes a distinctive analogue character straight out of the camera.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe ISO 400 speed makes it versatile enough for days out, travel, street photography and plenty of everyday shooting. And because it's 110, you get all of that character in one of photography's smallest and most fun film formats.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt's a great match for anyone who wants their 110 camera to produce something a little less predictable than a traditional colour film. Think summer afternoons, warm skin tones, saturated colour and plenty of personality.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThis pack contains three rolls of LomoChrome Color ’92 Sun-kissed 110 film, with 24 exposures per roll.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBest for\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eSunny days, travel, street photography, parties, holidays, everyday snapshots and anyone wanting to give their 110 photography a warmer, more distinctive colour palette.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eWhat to expect\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eExpect \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ewarm colours, golden highlights, rich reds and a nostalgic, slightly experimental look\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eColor ’92 Sun-kissed isn't really about perfectly neutral colour. Its character is part of the appeal, giving your photographs a warm analogue feel that works especially nicely with bright daylight and colourful scenes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt ISO 400, you've also got enough flexibility to keep a 110 camera loaded across changing conditions rather than saving it exclusively for bright sunshine.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eDeveloping\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eProcess: C-41\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLomoChrome Color ’92 Sun-kissed uses standard \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eC-41 colour negative processing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJust make sure your chosen lab accepts \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e110 film\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, as not every C-41 lab handles the smaller format.\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701179793462,"sku":"D255213","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/110LomochromeColor92-400-24exp1.png?v=1790571800"},{"product_id":"36exp-kodak-gold-200-3pk-regular","title":"Kodak Gold 200 3-Pack, 36 Exposure","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eKodak Gold 200 is an easy-going 35mm colour film with warm, saturated colour, fine grain and good sharpness. This 3-pack gives you three rolls to keep shooting without having to restock after every 36 exposures.\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRated at ISO 200, Gold 200 is particularly well suited to natural daylight and electronic flash. It has enough speed for everyday photography while retaining the fine grain and sharpness that make it a reliable general-purpose colour film.\u003c\/p\u003e\n\u003cp\u003eIt's a particularly good fit for holidays, weekends, people, travel, beaches and general outdoor photography. Kodak describes it as an everyday colour film with saturated colour, fine grain and high image sharpness. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eEveryday photography, travel, holidays, portraits, family photos, beaches, outdoor photography and bright daylight.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e3 rolls of 36 exposure 35mm film, giving you 108 exposures in total.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGold 200 has a warm, colourful look with fine grain and good sharpness. It is happiest in daylight, but can also be used with electronic flash. Kodak gives it a broad exposure latitude, from around two stops underexposure to three stops overexposure, which gives you some flexibility when lighting isn't perfect. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAt \u003cstrong\u003e$50 for three rolls\u003c\/strong\u003e, this also works out to around \u003cstrong\u003e$16.67 per roll!\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eC-41 colour negative processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGold 200 should be processed using the standard C-41 process. Kodak specifies KODAK FLEXICOLOR chemistry for processing. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701180055606,"sku":"1596105","price":70.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/3-PackKodakGold20036-exposure1_79d62832-6353-4f99-ac6e-108fed364b13.png?v=1790043966"},{"product_id":"36exp-kodak-ultramax-400-3pk-regular","title":"Kodak UltraMax 400, 36 Exposure 3-Pack","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak UltraMax 400 is a versatile everyday colour film, and this 3-pack gives you three 36-exposure rolls with 108 shots in total.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts ISO 400 speed gives you plenty of flexibility across changing conditions, from bright daylight and overcast afternoons to indoor photography with flash. It produces vivid colour, fine grain and good sharpness, while the extra speed makes it easier to photograph moving subjects or keep shooting as the light starts to drop.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eUltraMax is an easy film to keep loaded for travel, street photography, family photos, weekends away or simply carrying a camera around every day.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eWith three full 36-exposure rolls in the box, this pack is a handy option if you shoot regularly, have a trip coming up or just want a few spare rolls ready to go.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEveryday photography\u003c\/li\u003e\n\u003cli\u003eTravel and holidays\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eFamily photos\u003c\/li\u003e\n\u003cli\u003ePortraits and people\u003c\/li\u003e\n\u003cli\u003eMoving subjects\u003c\/li\u003e\n\u003cli\u003eOvercast conditions\u003c\/li\u003e\n\u003cli\u003eIndoor photography with flash\u003c\/li\u003e\n\u003cli\u003eWeekends away\u003c\/li\u003e\n\u003cli\u003eKeeping spare rolls in your camera bag\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003evivid colour, fine grain and good sharpness\u003c\/strong\u003e, with the flexibility of ISO 400.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eUltraMax 400 is designed to work across a broad range of everyday conditions. The higher speed gives you more room to work when the light drops, extends your flash range and makes faster shutter speeds easier when photographing moving subjects. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach roll contains \u003cstrong\u003e36 exposures\u003c\/strong\u003e, giving you \u003cstrong\u003e108 exposures across the full three-pack\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eKodak UltraMax 400 uses standard C-41 colour negative processing. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701180088374,"sku":"7716718","price":70.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/3-PackKodakUltramax40036-exposure1.png?v=1790044577"},{"product_id":"4x5-portra-400-regular","title":"Kodak Professional Portra 400","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak Professional Portra 400 brings one of Kodak's most versatile colour films to the 4×5 large format world.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at ISO 400, it gives large format photographers more flexibility than slower sheet films, particularly when you're working on location or dealing with changing light. Portra's natural colour, smooth skin tones and wide exposure latitude make it particularly well suited to portraits, fashion, landscapes and environmental work.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIn 4×5, you get all of that with the detail and depth of a large sheet-film negative. The fine grain and high sharpness give you plenty to work with when making large prints or high-resolution scans.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach box contains \u003cstrong\u003e10 individual 4×5 sheets\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e4×5 large format photography\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eFashion and editorial photography\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eEnvironmental portraits\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eOutdoor photography\u003c\/li\u003e\n\u003cli\u003eLocation work\u003c\/li\u003e\n\u003cli\u003eHigh-resolution scanning\u003c\/li\u003e\n\u003cli\u003eLarge prints\u003c\/li\u003e\n\u003cli\u003ePhotographers working in changing light\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003enatural colour, smooth skin tones, fine grain and plenty of exposure flexibility\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003ePortra 400 is particularly known for its treatment of skin tones, which is one reason it remains a common choice for portrait and fashion photography. Kodak also positions it for nature, travel and outdoor photography where lighting conditions may be harder to control. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt ISO 400, it also gives you useful extra speed for large format photography, where smaller apertures and slower lenses can quickly lead to long exposures.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe 4×5 version uses a \u003cstrong\u003e0.19mm ESTAR thick base\u003c\/strong\u003e and must be loaded and unloaded from film holders in \u003cstrong\u003etotal darkness\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eKodak specifies standard \u003cstrong\u003eProcess C-41\u003c\/strong\u003e chemistry for Portra 400, including the 4×5 sheet-film version. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701180448822,"sku":"Y941780","price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/KodakPortra400-4.5in-3.png?v=1790054817"},{"product_id":"cinestill-400d-120-regular","title":"CineStill 400D, Individual Roll","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCineStill 400D\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is a versatile ISO 400 colour negative film made for photographers who want one roll that can handle a little bit of everything.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDaylight balanced with a soft colour palette, natural saturation and warm skin tones, it's particularly at home with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eportraits, street photography, travel, landscapes and everyday shooting\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Its wide exposure latitude also gives you plenty of room when the light changes during the day. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlthough rated at ISO 400, CineStill says 400D can be exposed from \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eEI 200 to 800 without changing normal processing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, or pushed by up to three stops when you need more speed. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e120 medium-format version\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, giving you the larger negative area of 120 film combined with the flexibility of a 400-speed colour stock.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThis listing is for one individual roll of CineStill 400D in 120 format.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBest for\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003ePortraits, street photography, travel, weddings, landscapes, lifestyle photography and everyday medium-format shooting.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eWhat to expect\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eExpect a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003esofter colour palette, natural saturation and warm skin tones\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, rather than an aggressively saturated look. CineStill designed 400D with a wide dynamic range and considerable exposure flexibility, making it useful when you're moving between different lighting conditions.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOne characteristic worth knowing about is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ehalation around bright, in-focus overexposed highlights\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, which can become part of the film's look.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eDeveloping\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eProcess: C-41\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e400D was specifically designed for standard \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eC-41 processing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, so it can be developed by a normal colour film lab or processed at home using compatible C-41 chemistry.\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701184053302,"sku":"3227302","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/1205-PackCinestill400D-1.png?v=1790565957"},{"product_id":"cinestill-50d-120","title":"CineStill 50Daylight","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eCineStill 50Daylight is a slow, exceptionally fine-grain colour film made for bright light and maximum detail.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at EI 50 and balanced for daylight, it's right at home on sunny days, with landscapes, portraits and anywhere you want to make the most of a medium format negative. The slower speed also makes it easier to shoot at wider apertures in bright conditions without reaching for heavy ND filters.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e50D started life with motion-picture DNA, but CineStill prepares it specifically for still photography and standard C-41 processing. With the remjet layer removed, bright highlights can produce the distinctive halation associated with CineStill films.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIn 120, the combination of a larger negative, extremely fine grain and high resolution makes 50D particularly good when detail matters. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMedium format photography\u003c\/li\u003e\n\u003cli\u003eBright daylight\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eArchitecture\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eFashion and editorial work\u003c\/li\u003e\n\u003cli\u003eShooting wide apertures in bright conditions\u003c\/li\u003e\n\u003cli\u003eHigh-resolution scanning\u003c\/li\u003e\n\u003cli\u003ePhotographers wanting very fine grain\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003every fine grain, high resolution, strong detail and rich colour\u003c\/strong\u003e, with the possibility of CineStill's characteristic halation around bright highlights.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eCineStill recommends a base rating of \u003cstrong\u003eEI 50\u003c\/strong\u003e, but the film can be rated anywhere between \u003cstrong\u003eEI 12 and EI 100 without push processing\u003c\/strong\u003e. Changing the exposure affects colour, contrast, highlight rendering and shadow detail, with lower EI ratings tending towards warmer results and stronger highlight halation. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eBecause this is a slow film, you'll get the easiest handheld shooting in bright conditions. In lower light, expect to work with slower shutter speeds or a tripod.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eCineStill 50D has its remjet backing removed before sale, allowing it to be safely processed by a photo lab using standard C-41 chemistry. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt can alternatively be processed using motion-picture-style chemistry such as CineStill Cs2\/ECN-2, which produces a lower-contrast negative, but \u003cstrong\u003eC-41 is the standard option for most photographers and labs\u003c\/strong\u003e.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701184249910,"sku":"6027600","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/120Cinestill50D-2.png?v=1790052623"},{"product_id":"cinestill-800t","title":"CineStill 800T","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eCineStill 800T is a high-speed 35mm colour negative film made for low light, artificial light and shooting after dark.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at EI 800 and balanced for 3200K tungsten light, it is particularly at home around city lights, neon signs, interiors and night scenes. Its higher speed gives you more flexibility when the light starts to disappear, while still producing plenty of detail.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eOne of the things that makes 800T instantly recognisable is the red halation that can appear around bright lights and highlights. Street lights, headlights, signs and other strong points of light can develop a soft red glow, giving the film its distinctive character.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt can be shot at EI 800 for normal use or pushed when you need extra speed, with CineStill supporting push processing up to EI 3200.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe film is prepared for standard C-41 colour processing, making it easy to develop through most colour film labs. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eNight photography\u003c\/li\u003e\n\u003cli\u003eLow-light shooting\u003c\/li\u003e\n\u003cli\u003eNeon signs and city lights\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eIndoor photography\u003c\/li\u003e\n\u003cli\u003eTungsten and artificial lighting\u003c\/li\u003e\n\u003cli\u003eConcerts and events\u003c\/li\u003e\n\u003cli\u003eAvailable-light portraits\u003c\/li\u003e\n\u003cli\u003ePhotographers looking for distinctive halation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect a very different look from a standard daylight-balanced colour film.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eUnder tungsten and warm artificial lighting, 800T gives a more naturally balanced result than daylight film. Bright point light sources can produce its characteristic red halation, particularly against darker backgrounds. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIn daylight, the film will produce a cooler colour response. CineStill recommends an \u003cstrong\u003e85 filter\u003c\/strong\u003e, or rating the film around \u003cstrong\u003eEI 400 to 500\u003c\/strong\u003e, when shooting in daylight if you want a more neutral result. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts wide exposure range also gives you room to experiment. CineStill lists EI 200 to 1000 for normal processing and up to EI 3200 with push processing. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing recommended.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e800T is made for standard C-41 processing and can be processed by normal colour film labs. CineStill also provides push-processing recommendations when shooting at higher exposure indexes.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFor normal C-41 processing:\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eEI 200 to 1000:\u003c\/strong\u003e No push\u003cbr\u003e\u003cstrong\u003eEI 800 to 2000:\u003c\/strong\u003e 1 stop push\u003cbr\u003e\u003cstrong\u003eEI 1250 to 3200:\u003c\/strong\u003e 2 stop push\u003cbr\u003e\u003cstrong\u003eEI 1600 to 3200:\u003c\/strong\u003e 3 stop push for increased contrast \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701184348214,"sku":"814396N","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Cinestill800T-Colour-36exp1.png?v=1790040114"},{"product_id":"cinestill-800t-120","title":"CineStill 800T","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eCineStill 800T is a high-speed colour film made for the kind of light that usually has you wondering whether you should put the camera away.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at EI 800 and balanced for tungsten light, it's particularly at home after dark, under streetlights, neon signs and artificial indoor lighting. In 120 format, you get that familiar CineStill night-time character with the extra detail and depth of a medium format negative.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eWith the original remjet layer removed, bright points of light can produce the red halation that has become one of 800T's most recognisable characteristics. It's not a subtle, neutral film in every situation, and that's part of the appeal.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFor night streets, live music, portraits after dark or simply seeing what your medium format camera can do when the sun goes down, 800T gives you plenty to work with.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMedium format photography\u003c\/li\u003e\n\u003cli\u003eNight photography\u003c\/li\u003e\n\u003cli\u003eLow-light photography\u003c\/li\u003e\n\u003cli\u003eNeon and city lights\u003c\/li\u003e\n\u003cli\u003eAvailable-light portraits\u003c\/li\u003e\n\u003cli\u003eIndoor photography\u003c\/li\u003e\n\u003cli\u003eStreet photography after dark\u003c\/li\u003e\n\u003cli\u003eLive music and events\u003c\/li\u003e\n\u003cli\u003eArtificial lighting\u003c\/li\u003e\n\u003cli\u003ePhotographers looking for distinctive halation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003estrong low-light performance, cinematic colour and distinctive red halation around bright highlights\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe film is balanced for \u003cstrong\u003e3200K tungsten light\u003c\/strong\u003e, so it feels particularly natural under warmer artificial lighting. In daylight, CineStill recommends an \u003cstrong\u003e85B warming filter\u003c\/strong\u003e for more neutral colour, although shooting without one can be used creatively for a cooler look.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThere's also plenty of exposure flexibility. CineStill states that 800T can be rated from \u003cstrong\u003eEI 200 to EI 1000 without push processing\u003c\/strong\u003e, and can be pushed as far as \u003cstrong\u003eEI 3200\u003c\/strong\u003e when more speed is needed.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eCineStill removes the motion-picture remjet backing before the film is packaged, allowing 800T to be processed using standard C-41 chemistry at a regular compatible film lab.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt can also be processed using motion-picture-style Cs2 \/ ECN-2 chemistry if desired, but \u003cstrong\u003eC-41 is the straightforward standard option\u003c\/strong\u003e for most customers.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e \u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701184446518,"sku":"3906170","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/120Cinestill800T-1.png?v=1790052984"},{"product_id":"cinsestill-50d","title":"CineStill 50D","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eCineStill 50D is a daylight-balanced 35mm colour negative film with very fine grain, high detail and a distinctive look.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRated at EI 50 and balanced for 5500K daylight, it is best suited to bright conditions where you can take advantage of its fine grain and high resolution. It works particularly well for portraits, landscapes, travel, street photography and other daylight shooting.\u003c\/p\u003e\n\u003cp\u003eOne of its defining characteristics is halation around bright point light sources. Lights and highlights can develop a soft red glow, giving images a little more character, particularly in backlit scenes and around artificial lights.\u003c\/p\u003e\n\u003cp\u003eCineStill prepares the film for standard C-41 colour processing, so it can be processed through most colour film labs. It can also be processed using ECN-2 chemistry.\u003c\/p\u003e\n\u003ch2\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eBright daylight\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eBacklit subjects\u003c\/li\u003e\n\u003cli\u003eHigh-detail photography\u003c\/li\u003e\n\u003cli\u003eShooting where fine grain is important\u003c\/li\u003e\n\u003cli\u003ePhotographers who like distinctive halation around bright lights\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat to expect\u003c\/h2\u003e\n\u003cp\u003e50D is a \u003cstrong\u003eslow EI 50 film\u003c\/strong\u003e, so it is better suited to good light than darker conditions.\u003c\/p\u003e\n\u003cp\u003eExpect very fine grain, strong detail and a daylight-balanced colour response. The film also has its characteristic halation, which can appear as a soft red glow around bright point light sources.\u003c\/p\u003e\n\u003cp\u003eIt is a good option if you want something cleaner and more detailed than a typical ISO 400 film, while still having a recognisable CineStill character.\u003c\/p\u003e\n\u003ch2\u003eDeveloping\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eC-41 colour processing recommended.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCineStill 50D is prepared for C-41 processing and can also be processed using ECN-2 chemistry.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDeveloping\/scanning:\u003c\/strong\u003e Add developing and scanning below before checkout.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701184512054,"sku":"S404962","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Cinestill50D-Colour-36exp1.png?v=1790038352"},{"product_id":"delta-100-120-film-regular","title":"Ilford Delta 100","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford Delta 100 Professional is a fine-grain black and white film made for medium format photography where detail really matters.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at ISO 100, it works best when you have plenty of light or a little more control over your exposure. The slower speed keeps grain exceptionally fine, with high sharpness and plenty of detail from the larger 120 negative.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's particularly well suited to portraits, landscapes, architecture, studio work and fine art photography, where you can take your time and make the most of its clean, detailed look.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIf you're shooting medium format for the extra detail and tonal range that a larger negative gives you, Delta 100 is a natural fit.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMedium format photography\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eArchitecture\u003c\/li\u003e\n\u003cli\u003eStudio photography\u003c\/li\u003e\n\u003cli\u003eFine art photography\u003c\/li\u003e\n\u003cli\u003eDetailed subjects\u003c\/li\u003e\n\u003cli\u003eBright daylight\u003c\/li\u003e\n\u003cli\u003eControlled lighting\u003c\/li\u003e\n\u003cli\u003eHigh-quality scans and enlargements\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003eexceptionally fine grain, high sharpness and plenty of detail\u003c\/strong\u003e, with a clean and refined black and white look.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eISO 100 means Delta 100 needs more light than films like Delta 400 or HP5 Plus, but the trade-off is finer grain and greater emphasis on detail.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIlford recommends \u003cstrong\u003eEI 100 for the best overall image quality\u003c\/strong\u003e, although good results can be achieved between EI 50 and EI 200.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIn 120 format, the larger negative makes the most of those characteristics, particularly when you're scanning at high resolution or making larger prints.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eStandard black and white processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eDelta 100 can be developed in a wide range of standard black and white developers. Ilford provides development data for \u003cstrong\u003eILFOTEC DD-X, ID-11, MICROPHEN, PERCEPTOL and ILFOSOL 3\u003c\/strong\u003e, among others.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701184905270,"sku":"651654Z","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/ilforddleta100-1.png?v=1790050385"},{"product_id":"delta-100-35mm-regular","title":"Ilford Delta 100 Professional","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford Delta 100 Professional is a fine-grain ISO 100 black-and-white film made for photographers who want plenty of detail, sharpness and smooth tonal reproduction.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt is a slower film, which makes it particularly \u003cstrong\u003ewell suited to\u003c\/strong\u003e \u003cstrong\u003edaylight photography,\u003c\/strong\u003e portraits, landscapes, architecture and more considered shooting. Ilford rates it at ISO 100 and describes it as an ideal film for pictorial and fine-art photography, with good results possible across an exposure index of EI 50 to EI 200.\u003c\/p\u003e\n\u003cp\u003eThe fine grain and high level of detail make it a good choice when you want clean, highly resolved negatives without moving into an ultra-slow film. Each 35mm cassette contains 36 exposures and is DX coded for use in compatible 35mm cameras. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eDaylight photography, portraits, landscapes, architecture, street photography, fine-art work and anyone looking for fine-grain black-and-white negatives.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003eA 36-exposure roll of ISO 100 black-and-white negative film. Expect fine grain, strong sharpness and plenty of detail, particularly when shooting in good light.\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003eBlack and white negative film. Process using a standard black and white negative film developer.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701185003574,"sku":"1523787","price":28.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/DSC00299_B8B2A9_2048.png?v=1789993372"},{"product_id":"delta-400-120-film-regular","title":"Ilford Delta 400 Professional","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford Delta 400 Professional is a versatile black and white film that combines ISO 400 speed with fine grain and plenty of detail.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIn 120 format, it's a great all-round choice for medium format photography. There's enough speed to work comfortably in changing light and handheld situations, while the larger negative makes the most of Delta 400's sharpness and relatively fine grain.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt works particularly well for portraits, street photography, documentary work and everyday shooting, especially when you want more flexibility than a slower ISO 100 film without giving up too much detail.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt can also be pushed when the light starts to disappear, making Delta 400 a useful film to keep in the bag when you're not quite sure what the day will bring.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMedium format photography\u003c\/li\u003e\n\u003cli\u003eEveryday shooting\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eDocumentary photography\u003c\/li\u003e\n\u003cli\u003eAvailable-light photography\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eChanging light\u003c\/li\u003e\n\u003cli\u003eHandheld shooting\u003c\/li\u003e\n\u003cli\u003ePhotographers wanting speed without overly heavy grain\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003efine grain for an ISO 400 film, high sharpness and plenty of detail\u003c\/strong\u003e, with more flexibility in changing light than Delta 100.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt its standard \u003cstrong\u003eISO 400\u003c\/strong\u003e rating, it's an easy film to use across a broad range of situations. Ilford also states that good image quality can be achieved from \u003cstrong\u003eEI 200 through to EI 3200\u003c\/strong\u003e, with extended development required at the higher exposure indexes. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThat makes it a particularly useful middle ground in the Delta range: faster and more flexible than Delta 100, without the pronounced high-speed character of Delta 3200.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eStandard black and white processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eDelta 400 can be developed in a wide range of black and white developers. For higher exposure indexes, Ilford specifically lists \u003cstrong\u003eILFOTEC DD-X, ILFOTEC HC, MICROPHEN and ILFOTEC RT RAPID\u003c\/strong\u003e for extended development.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701185101878,"sku":"401413A","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/IlfordDelta400-B_W-120mm-1.png?v=1790050733"},{"product_id":"delta-400-35mm-regular","title":"Ilford Delta 400","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford Delta 400 Professional is a fast ISO 400 black and white film that gives you a bit more flexibility when the light starts to drop.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt combines a relatively high film speed with fine grain and good sharpness, making it a versatile choice for everyday photography, street photography, portraits and available-light shooting. It also works well when you want to keep shutter speeds up without moving all the way to a very high-speed film.\u003c\/p\u003e\n\u003cp\u003eDelta 400 is rated at ISO 400, but Ilford gives it a useful exposure range from EI 200 through to EI 3200 when processed appropriately. That makes it a particularly flexible option if you're shooting in changing light or want to deliberately push the film for a different look. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEach 35mm cassette contains 36 exposures and is DX coded for use in compatible 35mm cameras. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eStreet photography, available-light photography, portraits, everyday shooting, action, documentary work and black-and-white photography in changing light.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003eA 36-exposure roll of ISO 400 black-and-white negative film with fine grain and strong detail. A good choice when you want more speed than Delta 100 while still keeping a relatively clean, detailed negative.\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003eBlack-and-white negative film. Process using a standard black-and-white negative film developer.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701185200182,"sku":"901416N","price":28.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/DSC00304_B8B2A9_2048.png?v=1789994013"},{"product_id":"ektachrome-100d-super-8","title":"Kodak EKTACHROME 100D Super 8","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak EKTACHROME 100D is Super 8 with a difference. Instead of producing a colour negative, it creates a positive colour image directly on the film.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at EI 100 and balanced for daylight, it's made for bright conditions where its fine grain, sharp detail and rich colour can really shine. Landscapes, travel, outdoor portraits and sunny-day filmmaking are all right at home here.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eBecause it's reversal film, the developed strip is the finished positive image. Hold it up to the light and you're looking directly at the colours you captured, rather than the orange negative you get from Kodak's VISION3 stocks.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach cartridge contains \u003cstrong\u003e50 feet \/ 15 metres of film\u003c\/strong\u003e, giving you around three minutes of footage depending on your shooting frame rate.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eSuper 8 filmmaking\u003c\/li\u003e\n\u003cli\u003eDaylight shooting\u003c\/li\u003e\n\u003cli\u003eTravel films\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eOutdoor portraits\u003c\/li\u003e\n\u003cli\u003eMusic videos\u003c\/li\u003e\n\u003cli\u003eShort films\u003c\/li\u003e\n\u003cli\u003eProjection\u003c\/li\u003e\n\u003cli\u003eArchival film projects\u003c\/li\u003e\n\u003cli\u003eFilmmakers who want a positive image on the original film\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003efine grain, crisp detail, rich colour and more contrast than a colour negative stock\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe biggest difference is that EKTACHROME is \u003cstrong\u003ereversal film\u003c\/strong\u003e. After processing, the film itself contains a positive colour image that can be viewed directly or projected with compatible equipment.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThat also means exposure needs a little more care. Colour reversal film has less exposure latitude than Kodak's VISION3 negative stocks, so getting your exposure right in-camera matters more.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eKodak rates EKTACHROME 100D at \u003cstrong\u003eEI 100 under 5500K daylight\u003c\/strong\u003e. Under 3200K tungsten lighting, Kodak specifies an \u003cstrong\u003e80A filter and EI 25\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eE-6 colour reversal processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis is an important distinction from the VISION3 Super 8 films we've just done.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003e50D, 200T and 500T:\u003c\/strong\u003e ECN-2 colour negative processing\u003cbr\u003e\u003cstrong\u003eEKTACHROME 100D:\u003c\/strong\u003e E-6 colour reversal processing\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eKodak specifies \u003cstrong\u003eProcess E-6\u003c\/strong\u003e for EKTACHROME 100D 7294.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eOnce developed, the original film contains the finished positive image. It can be scanned to a digital file for editing and sharing, but unlike negative film, scanning isn't required simply to see a positive image.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701185757238,"sku":"7346179","price":130.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Super8Ektachrome100D1.png?v=1790058748"},{"product_id":"ektacolor-800-35mm-single-regular","title":"Kodak Ektacolor Pro 800","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak Ektacolor Pro 800 is a fast 35mm colour negative film made for low light, changing conditions and situations where you need a little more speed.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts ISO 800 rating makes it particularly useful for indoor photography, evening light, events, street photography and moving subjects. Despite the higher speed, it maintains fine grain, good sharpness and smooth tonal reproduction.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eColour is natural and balanced rather than heavily saturated, with particularly good reproduction of skin tones. That makes it a strong choice for portraits and people, but its combination of speed and wide exposure latitude also makes it useful for travel, sport and general photography.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach roll gives you 36 exposures and develops using standard C-41 colour processing. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLow-light photography\u003c\/li\u003e\n\u003cli\u003eIndoor photography\u003c\/li\u003e\n\u003cli\u003eEvening and night shooting\u003c\/li\u003e\n\u003cli\u003ePortraits and people\u003c\/li\u003e\n\u003cli\u003eWeddings and events\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eMoving subjects\u003c\/li\u003e\n\u003cli\u003eChanging light conditions\u003c\/li\u003e\n\u003cli\u003ePhotographers wanting extra speed without giving up natural colour\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003enatural colour, smooth tones and fine grain for an ISO 800 film\u003c\/strong\u003e, with enough speed to keep shooting when slower colour films start to struggle.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe daylight balance makes it versatile across a wide range of situations rather than limiting it to artificial or tungsten light. Its ISO 800 speed also gives you more freedom to use faster shutter speeds when photographing people or moving subjects.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eKodak specifically highlights its wide exposure latitude, natural skin tones and balanced colour, making this a flexible high-speed option rather than a film built around a heavy or exaggerated colour look. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEktacolor Pro 800 uses standard C-41 chemistry, so it can be developed by labs offering regular colour negative processing.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701185855542,"sku":"729464S","price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/KodakEktacolorPro800-36exp_35FRONT.png?v=1790041841"},{"product_id":"ektacolor-pro-400-regular","title":"Kodak Ektacolor Pro 400, 36 Exp","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eKodak Ektacolor Pro 400\u003c\/strong\u003e is a professional ISO 400 colour negative film built for versatility. You get the flexibility of a 400-speed film with fine grain, strong detail and natural-looking colour, making it an easy roll to keep loaded when you don't know exactly what the day will bring.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts wide exposure latitude makes it forgiving to shoot, while the colour and skin-tone reproduction make it particularly at home with people. Kodak positions it for everything from lifestyle and portraits through to travel, sport and street photography. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis is a \u003cstrong\u003e36-exposure 35mm roll\u003c\/strong\u003e, daylight balanced and processed using standard C-41 chemistry. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eEveryday shooting, portraits, travel, street photography, lifestyle work and photographers who want one versatile colour film for changing light.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003enatural colour, flattering skin tones, fine grain and plenty of flexibility from the ISO 400 speed\u003c\/strong\u003e. It has enough speed for less-than-perfect light while still giving you the detail and grain structure expected from a professional colour negative film. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe wide exposure latitude also makes it approachable if you're newer to shooting film, while still giving experienced shooters plenty to work with when scanning or printing.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eProcess: C-41\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEktacolor Pro 400 uses the standard C-41 colour negative process, so it can be developed anywhere that processes conventional colour negative film. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701185953846,"sku":"E199535","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/496a59a2-a32a-4376-ae18-ce8d5dc72abc.png?v=1790219153"},{"product_id":"ektacolor-pro-400-120-regular","title":"Kodak Ektacolor Pro 400, Individual Roll","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eKodak Ektacolor Pro 400\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is a versatile professional colour negative film that combines the flexibility of ISO 400 with fine grain, strong detail and natural-looking colour.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 120 format, it's an easy film to reach for when you want the detail and character of medium format without being locked into perfect light. The ISO 400 speed gives you useful flexibility as conditions change, while its natural colour and skin-tone reproduction make it particularly well suited to portraits, lifestyle photography and everyday shooting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts wide exposure latitude also makes it approachable if you're newer to medium format, while giving experienced photographers plenty of flexibility when scanning or printing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThis listing is for one individual roll of Kodak Ektacolor Pro 400 in 120 format.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBest for\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003ePortraits, lifestyle photography, travel, street photography and general medium-format shooting. A versatile choice when you want one colour film that can handle a range of lighting conditions.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eWhat to expect\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eExpect \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enatural colour, fine grain, good detail and plenty of exposure flexibility\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt ISO 400, Ektacolor Pro 400 gives you more room to work as the light changes than slower colour films, while retaining the detail and tonal quality you'd expect from professional colour negative film.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eDeveloping\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eProcess: C-41\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEktacolor Pro 400 uses standard C-41 colour negative processing.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701186019382,"sku":"130127R","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/1205-PackKodakPro400-2.png?v=1790565176"},{"product_id":"fuji-neopan-acros-100ii-regular","title":"Fuji Neopan Acros 100 II","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eFuji Neopan Acros 100 II is a \u003cstrong\u003e35mm ISO 100 black-and-white negative film\u003c\/strong\u003e known for fine grain, strong sharpness and smooth, detailed tonal reproduction.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt is a good all-round black-and-white film for everyday shooting, but really comes into its own when you want a cleaner, more detailed negative. Fujifilm designed Acros II with improved reciprocity characteristics too, making it particularly well suited to longer exposures such as night scenes, architecture and astrophotography.\u003c\/p\u003e\n\u003cp\u003eAt ISO 100, it sits comfortably in the slower end of the film range, making it a natural choice for \u003cstrong\u003edaylight photography \u003c\/strong\u003ewhen you want to take advantage of its fine grain and tonal range. Each 35mm roll provides \u003cstrong\u003e36 exposures\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eBlack \u0026amp; white photography, portraits, landscapes, architecture, street photography, detailed work and long exposures.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003eA 35mm roll of ISO 100 black-and-white negative film with 36 exposures. Fine grain and strong sharpness, with particularly good characteristics for longer exposures.\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eBlack \u0026amp; white negative film.\u003c\/strong\u003e Process using a standard black \u0026amp; white negative film developer.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701187690550,"sku":"421054D","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/35mm_Acros_100II_25_FRONT_B8B2A9_2048.png?v=1789992760"},{"product_id":"fujifilm-200","title":"Fujifilm 200","description":"\u003ch2 dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eProduct Description\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eFujifilm 200 is an easy-going 35mm colour negative film made for everyday photography.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eWith an ISO 200 speed, it works particularly well outdoors in daylight and gives you a good balance between fine grain and enough flexibility for changing conditions. Colours are vivid without being difficult to work with, with natural-looking skin tones and good sharpness across the frame.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts wide exposure latitude also makes it a forgiving choice if you're newer to shooting film. Load it for holidays, weekends, portraits, street photography or simply keeping a camera with you for whatever happens.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach roll gives you 36 exposures and develops using the standard C-41 colour process. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEveryday photography\u003c\/li\u003e\n\u003cli\u003eTravel and holidays\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003ePortraits and people\u003c\/li\u003e\n\u003cli\u003eFamily photos\u003c\/li\u003e\n\u003cli\u003eOutdoor photography\u003c\/li\u003e\n\u003cli\u003eSunny and overcast daylight\u003c\/li\u003e\n\u003cli\u003eIndoor photography with flash\u003c\/li\u003e\n\u003cli\u003eBeginners getting into 35mm film\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003ebalanced, vivid colour, fine grain and good sharpness\u003c\/strong\u003e without the film feeling overly specialised.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eISO 200 sits nicely between slower ISO 100 films and faster ISO 400 options. There is enough speed for a wide range of daytime situations while still keeping the grain relatively fine.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFujifilm also gives the film wide exposure latitude, making it more forgiving when your exposure isn't absolutely perfect. Its natural skin-tone reproduction makes it particularly useful for people, holidays and general everyday photography. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis is a standard colour negative film and can be developed by labs offering normal C-41 processing.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701187919926,"sku":"V375065","price":18.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/35mm_Fuji_200_18_FRONT_B8B2A9_2048_corrected.png?v=1790040680"},{"product_id":"fujifilm-400","title":"Fujifilm 400","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eFujifilm 400 is a versatile 35mm colour negative film made for everyday shooting and changing light.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts ISO 400 speed gives you more flexibility than slower films, making it a good option for everything from sunny days and overcast afternoons to indoor photography with flash. It produces vibrant, natural colour with good sharpness, fine grain and pleasing skin tones.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe extra speed also makes Fujifilm 400 handy for street photography, travel, family photos and moving subjects where you might need a faster shutter speed.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's an easy film to keep loaded in your camera when you don't know exactly what the day will bring, with enough exposure latitude to make it a forgiving choice for newer film photographers as well as experienced shooters. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEveryday photography\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eTravel and holidays\u003c\/li\u003e\n\u003cli\u003ePortraits and people\u003c\/li\u003e\n\u003cli\u003eFamily photos\u003c\/li\u003e\n\u003cli\u003eMoving subjects\u003c\/li\u003e\n\u003cli\u003eOvercast conditions\u003c\/li\u003e\n\u003cli\u003eIndoor photography with flash\u003c\/li\u003e\n\u003cli\u003eBeginners looking for a versatile first film\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003evibrant, natural colour, fine grain and good sharpness\u003c\/strong\u003e from a film designed to work across a broad range of everyday situations.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eISO 400 gives you more flexibility when the light drops than Fujifilm 200, making it easier to use later in the day, under cloud cover or when photographing moving subjects.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFujifilm also gives the film wide exposure latitude and emphasises its natural reproduction of skin tones, making it a particularly useful all-rounder when you want to load a camera and simply get out and shoot. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFujifilm 400 uses the standard C-41 colour negative process, so it can be developed by labs offering regular colour film processing.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701188018230,"sku":"158525R","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Fuji400-36exp-_25FRONT.jpgfront.png?v=1790041021"},{"product_id":"harman-switch-azure-125-regular","title":"Harman Switch Azure 125","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eHarman Switch Azure 125 is a colour film designed to make familiar scenes look anything but familiar.\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRather than reproducing colours normally, Switch Azure deliberately changes how colours are recorded. Harman describes the effect as switching the colour channels, so blues can appear orange, reds can move towards purple and blue, and yellow tones can become vivid azure. Skin tones can also shift dramatically. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe result depends heavily on what's in front of the camera, the available light and how the film is scanned. That means there isn't one fixed \"Azure look\". A blue sky, a red car, green foliage or a sunset can all behave differently, which is part of the fun.\u003c\/p\u003e\n\u003cp\u003eHarman recommends shooting at \u003cstrong\u003eISO 125\u003c\/strong\u003e, generally outdoors and metering for the mid-tones. A little exposure bracketing is worth considering when you're getting to know the film, particularly in brighter or more difficult lighting. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis is not the film to reach for when you want accurate, natural colour. It's for experimenting, playing with colour and seeing what happens.\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eCreative photography, street photography, travel, landscapes, fashion, unusual portraits, architecture and projects where you want unpredictable colour.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e36 exposures at ISO 125.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eExpect \u003cstrong\u003estrong and sometimes surprising colour shifts\u003c\/strong\u003e rather than natural colour reproduction. Blues, reds, yellows and skin tones can all be transformed, and the final result can change depending on the scanner used. Harman specifically notes that different scanning equipment and methods can produce noticeably different results. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIf you're shooting it for the first time, don't be afraid to bracket a few important frames. The unpredictable nature is part of what makes this film interesting.\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eC-41 colour negative processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSwitch Azure is designed to be processed using standard C-41 chemistry, so it can go through a normal colour negative processing workflow. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eScanning is where things get particularly interesting. Harman provides guidance for adjusting scanner settings, and different scanners can produce noticeably different colour results from the same negative.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701188706358,"sku":"2128510","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/35mm_Azure_25_FRONT_B8B2A9_2048.png?v=1790037831"},{"product_id":"instax-mini-20-sheets","title":"Fujifilm Instax Mini Instant Film 20","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eFujifilm Instax Mini film gives you small, credit-card-sized instant photos that develop right in front of you.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis 20-sheet twin pack contains two 10-shot cartridges, giving you 20 photos in total. Each print has the familiar white Instax border with a glossy colour image inside.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at ISO 800, it's designed to work across a broad range of everyday situations, from daylight and parties to portraits and nights out with flash.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEasy to load, easy to shoot and made for all Instax Mini cameras and compatible printers. Keep a pack handy and you're ready for another 20 shots. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEveryday instant photography\u003c\/li\u003e\n\u003cli\u003eParties and events\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eFamily photos\u003c\/li\u003e\n\u003cli\u003eNights out\u003c\/li\u003e\n\u003cli\u003eScrapbooks and photo albums\u003c\/li\u003e\n\u003cli\u003eGiving prints to friends\u003c\/li\u003e\n\u003cli\u003eInstax Mini cameras\u003c\/li\u003e\n\u003cli\u003eInstax Mini printers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003ebright colour, natural-looking skin tones and the classic white-border Instax Mini look\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach finished print is approximately credit-card sized at \u003cstrong\u003e54 × 86mm\u003c\/strong\u003e, with the actual image measuring \u003cstrong\u003e46 × 62mm\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe film is rated at \u003cstrong\u003eISO 800\u003c\/strong\u003e, giving compatible Instax Mini cameras plenty of flexibility for everyday shooting. Fujifilm specifies a working temperature range of approximately \u003cstrong\u003e5°C to 40°C\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eNo lab processing required.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eInstax Mini is self-developing instant film. Once the camera ejects the photograph, the image develops automatically.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eDevelopment time varies with temperature and conditions. Fujifilm's current Instax Mini camera specifications quote approximately \u003cstrong\u003e90 seconds\u003c\/strong\u003e under normal conditions.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701189296182,"sku":"84524","price":30.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/FujifilmInstaxmini-2Pack-2.png?v=1790055350"},{"product_id":"instax-wide-10-sheets","title":"Fujifilm Instax Wide Instant Film","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eFujifilm Instax Wide film gives you bigger instant photos with plenty of room for people, places and everything else you want to fit in the frame.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach cartridge gives you 10 wide-format colour photos with the familiar white Instax border. At \u003cstrong\u003e86 × 108mm\u003c\/strong\u003e, the finished prints are noticeably larger than Instax Mini, making Wide a great choice for group shots, landscapes, events and photos where you want to see a little more.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at ISO 800, it's designed to handle a broad range of everyday shooting conditions, with vibrant colour and natural-looking skin tones.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eLoad a cartridge into a compatible Instax Wide camera, take the shot and watch the image develop in front of you. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEveryday instant photography\u003c\/li\u003e\n\u003cli\u003eGroup photos\u003c\/li\u003e\n\u003cli\u003eParties and events\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eFamily photos\u003c\/li\u003e\n\u003cli\u003eWider compositions\u003c\/li\u003e\n\u003cli\u003eInstax Wide cameras\u003c\/li\u003e\n\u003cli\u003eCompatible Instax Wide printers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003ebright colour, natural-looking skin tones and a much larger image than Instax Mini\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach print measures \u003cstrong\u003e86 × 108mm\u003c\/strong\u003e, with an actual image area of \u003cstrong\u003e62 × 99mm\u003c\/strong\u003e. That wider frame gives you more room for groups, landscapes and scenes where the surroundings are part of the photograph. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe film is rated at \u003cstrong\u003eISO 800\u003c\/strong\u003e and works in temperatures from approximately \u003cstrong\u003e5°C to 40°C\u003c\/strong\u003e, making it flexible enough for most everyday shooting situations. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eNo lab processing required.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eInstax Wide is self-developing instant film. The photograph is automatically ejected from the camera or printer and develops on its own.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFujifilm currently quotes approximately \u003cstrong\u003e90 seconds\u003c\/strong\u003e for image development, although temperature and conditions can affect development time.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701189394486,"sku":"84525","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/FujifilmInstaxWide-800-2Pack-2.png?v=1790056962"},{"product_id":"ilford-delta-3200-regular","title":"Ilford Delta 3200","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford Delta 3200 Professional is a high-speed black and white film made for shooting when there isn't much light around.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt is particularly useful for available-light photography, night scenes, concerts, street photography and fast-moving subjects where you need to keep your shutter speed up. Ilford recommends metering it at EI 3200, with good results possible across a broad range of exposure settings depending on how the film is developed. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDespite the name, Delta 3200 has an actual ISO speed rating of 1000 in daylight. The 3200 figure refers to the recommended exposure index and development approach, which is why it behaves more like a high-speed working film than a conventional ISO 3200 film. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor 35mm shooters, it comes as a DX-coded 36-exposure cassette and is designed to be pushed into situations where slower films simply aren't practical.\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eLow-light photography, night photography, concerts, street photography, documentary work, available-light portraits and fast action.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003eA 36-exposure roll of high-speed black-and-white negative film. Delta 3200 is designed to give you more freedom when shooting in difficult light, with recommended exposure indexes from EI 1600 to EI 6400.\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003eBlack-and-white negative film. Delta 3200 is designed for extended development, particularly when exposed at EI 3200 and above.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701189525558,"sku":"9629149","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/DSC00302_B8B2A9_2048.png?v=1789994487"},{"product_id":"ilford-delta-3200-120-regular","title":"Ilford Delta 3200 Professional","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford Delta 3200 Professional is a high-speed black and white film made for medium format photography when the light is working against you.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eDesigned to be shot at EI 3200, it gives you the speed to work indoors, after dark and in available light without immediately reaching for a flash. It's particularly useful for night photography, live music, events, portraits and documentary work where keeping the atmosphere of the existing light matters.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIn 120 format, the larger negative gives Delta 3200 plenty of room to show off its character. Expect visible grain and strong atmosphere, but with more detail and smoother tonal transitions than you might expect from such a fast film.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIf you want to take a medium format camera out after dark, this is the Delta film built for it.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMedium format photography\u003c\/li\u003e\n\u003cli\u003eLow-light photography\u003c\/li\u003e\n\u003cli\u003eNight photography\u003c\/li\u003e\n\u003cli\u003eAvailable-light portraits\u003c\/li\u003e\n\u003cli\u003eConcerts and live music\u003c\/li\u003e\n\u003cli\u003eIndoor photography\u003c\/li\u003e\n\u003cli\u003eStreet photography after dark\u003c\/li\u003e\n\u003cli\u003eWeddings and events\u003c\/li\u003e\n\u003cli\u003eDocumentary photography\u003c\/li\u003e\n\u003cli\u003ePhotographers who like grain and atmosphere\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003evisible grain, plenty of character and considerably more low-light flexibility\u003c\/strong\u003e than a conventional ISO 100 or 400 medium format film.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eDespite the Delta 3200 name, the film's measured ISO speed is \u003cstrong\u003eISO 1000\u003c\/strong\u003e. Ilford designed it to be exposed at higher exposure indexes, with \u003cstrong\u003eEI 3200 being the recommended starting point\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIlford particularly recommends shooting between \u003cstrong\u003eEI 1600 and EI 6400\u003c\/strong\u003e, although good results can be achieved from EI 400 through to EI 6400. It can even be exposed as high as EI 25,000 with appropriate testing and development. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe 120 format also gives you a substantially larger negative than 35mm, so Delta 3200's grain takes on a different character in medium format while still giving you the speed needed for difficult lighting.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eStandard black and white processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIlford particularly recommends \u003cstrong\u003eILFOTEC DD-X, MICROPHEN and ID-11\u003c\/strong\u003e for Delta 3200 Professional. Development time should be matched to the exposure index used.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701189656630,"sku":"2996944","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/120IlfordDelta3200B_W-1.png?v=1790049718"},{"product_id":"ilford-fp4-regular","title":"Ilford FP4 Plus 125","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford FP4 Plus 125 is a classic medium speed black and white film known for its exceptionally fine grain, strong detail and smooth tonal reproduction.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAt ISO 125, it sits in a useful middle ground for everyday shooting. It works particularly well in daylight and controlled indoor conditions, giving you plenty of detail without needing the higher speeds of films such as HP5 or Delta 3200.\u003c\/p\u003e\n\u003cp\u003eIt is also a very forgiving film. Ilford recommends metering it at EI 125, but good image quality can be achieved between EI 50 and EI 200. Ilford also notes that FP4 Plus can produce usable results when significantly overexposed or underexposed, which makes it a practical choice when you're still getting comfortable with shooting film. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor photographers who want a clean, detailed negative, FP4 Plus is a great all rounder. It suits everything from everyday photography and portraits through to landscapes, architecture and more considered fine art work.\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eEveryday photography, portraits, landscapes, architecture, street photography, fine art and detailed black and white work.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003eA 36 exposure roll of ISO 125 black and white negative film with exceptionally fine grain, strong detail and a broad practical exposure range.\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003eBlack and white negative film. Process using a standard black and white negative film developer.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701189787702,"sku":"590417J","price":20.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/DSC00297_1_B8B2A9_2048.png?v=1789995527"},{"product_id":"ilford-hp5-regular","title":"Ilford HP5 Plus 400 (Football Collectors Edition)","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford HP5 Plus 400 is one of those films that can handle just about whatever you throw at it.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAt ISO 400, it gives you enough speed for everyday shooting while still working well in lower light, making it a natural choice for street photography, portraits, documentary work and general photography. It is also particularly useful when you're not sure exactly what the light is going to do.\u003c\/p\u003e\n\u003cp\u003eOne of the reasons HP5 Plus has remained such a popular film is its flexibility. Ilford recommends shooting it at EI 400 for the best results, but it can be exposed at settings up to EI 3200 with extended development. That makes it useful when you need to push the film in darker conditions rather than reaching for a different roll. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt is a great everyday film for someone learning their way around analogue photography, but it is equally at home in professional and more deliberate shooting situations.\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eEveryday photography, street photography, portraits, documentary work, available light, action and low light.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003eA 36 exposure roll of ISO 400 black and white negative film with plenty of exposure flexibility. It can be shot at its rated speed or pushed when you need more from the available light.\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003eBlack and white negative film. Process using a standard black and white negative film developer. HP5 Plus has dedicated development times for different exposure indexes, including EI 400, 800, 1600 and 3200.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701189984310,"sku":"6343236","price":20.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/DSC00292_1_B8B2A9_2048.png?v=1789995919"},{"product_id":"ilford-hp5-400-120-regular","title":"Ilford HP5 Plus 400","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford HP5 Plus 400 is one of those black and white films you can load without needing to know exactly what the day has planned.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at ISO 400, it's fast enough for changing light, handheld shooting and available-light photography, while still giving you plenty of detail from a 120 negative. Its classic grain and rich tonal range give photographs a distinctly traditional black and white feel without being difficult to work with.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eHP5 Plus is also very forgiving. Shoot it at its standard ISO 400 for an easy everyday film, or push it when the light starts disappearing and you need the extra speed.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFor portraits, street photography, travel, documentary work or simply keeping a medium format camera loaded and ready to go, HP5 Plus is a dependable all-rounder.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMedium format photography\u003c\/li\u003e\n\u003cli\u003eEveryday shooting\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eDocumentary photography\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eAvailable-light photography\u003c\/li\u003e\n\u003cli\u003eChanging light\u003c\/li\u003e\n\u003cli\u003eHandheld shooting\u003c\/li\u003e\n\u003cli\u003ePhotographers who like a classic black and white look\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003eclassic grain, a broad tonal range and plenty of flexibility\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt ISO 400, HP5 Plus sits in a useful middle ground between slower fine-grain films and specialist high-speed films. It gives you enough speed for everyday handheld photography while maintaining plenty of detail from a medium format negative.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's also particularly flexible when pushed. Ilford states that good image quality can be achieved at meter settings from \u003cstrong\u003eEI 400 through to EI 3200\u003c\/strong\u003e, making it useful when you're moving between daylight, interiors and lower-light situations. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eCompared with the Delta range, HP5 Plus has more of a traditional black and white film character. That's part of its appeal.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eStandard black and white processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eHP5 Plus is compatible with all major black and white processing systems. When exposing it above ISO 400, development should be adjusted accordingly.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFor pushing up to EI 3200, Ilford specifically lists \u003cstrong\u003eILFOTEC DD-X, ILFOTEC HC, MICROPHEN and ILFOTEC RT RAPID\u003c\/strong\u003e for extended development.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701190082614,"sku":"512788N","price":18.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/IlfordHP5PLUS400-B_W-120mm-1.png?v=1790051067"},{"product_id":"ilford-sfx-200-regular","title":"Ilford SFX 200","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford SFX 200 is a 35mm black and white film with extended red sensitivity, giving you the option to shoot it as a conventional black and white film or use filters to create something much more unusual.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAt ISO 200, it is straightforward enough for everyday daylight photography, with a wide tonal range and full panchromatic sensitivity. The real fun starts when you add a yellow, orange or red filter. With stronger red filtration, skies can become much darker and green vegetation can take on a much lighter appearance, creating the distinctive look SFX is known for. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt is particularly interesting for landscapes, architecture, portraits and townscapes, especially in bright sunshine. It can also be used under tungsten studio lighting, making it more versatile than a film designed purely for a specific infrared effect. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSFX 200 is not true infrared film, but its extended sensitivity into the red part of the spectrum gives you some of the creative possibilities associated with infrared photography.\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eCreative black and white photography, landscapes, architecture, portraits, townscapes, bright daylight and experimenting with red filters.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003eA 36 exposure roll of ISO 200 black and white film with extended red sensitivity. Shoot it normally for conventional results, or add a red filter for much more dramatic tonal effects.\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003eBlack and white negative film. SFX 200 is compatible with normal black and white developers. Ilford recommends some experimentation with exposure when using strong filters and suggests bracketing exposures when first getting familiar with the film. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701190180918,"sku":"786657N","price":28.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/35mm_Ilford_SFX_20_FRONT_B8B2A9_2048.png?v=1789996374"},{"product_id":"ilford-xp2-120-regular","title":"Ilford XP2 Super 400","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford XP2 Super 400 gives you the look of black and white film with the convenience of standard C-41 colour processing.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at ISO 400, it's a particularly flexible medium format film with a wide exposure latitude. You can shoot it at different speeds between EI 50 and 800 and still have the roll processed normally, making it a forgiving choice when the light changes throughout the day.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe film produces fine grain, crisp detail and well-defined highlights and shadows. In 120 format, the larger negative makes the most of that detail while keeping the flexibility that makes XP2 such an easy film to live with.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's a great option if you want to shoot black and white but prefer the convenience of dropping your film into a lab for regular C-41 processing.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMedium format photography\u003c\/li\u003e\n\u003cli\u003eEveryday black and white shooting\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eDocumentary photography\u003c\/li\u003e\n\u003cli\u003eChanging lighting conditions\u003c\/li\u003e\n\u003cli\u003eScanning\u003c\/li\u003e\n\u003cli\u003ePhotographers wanting easy C-41 processing\u003c\/li\u003e\n\u003cli\u003eBeginners trying black and white film\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003efine grain, crisp detail, broad tonal range and plenty of exposure flexibility\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eXP2 Super behaves differently from a conventional black and white film. Its chromogenic emulsion forms the image using dyes during development, allowing it to be processed in standard C-41 chemistry.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt can be exposed anywhere from \u003cstrong\u003eEI 50 to EI 800 using the same standard processing\u003c\/strong\u003e. Ilford recommends EI 400 for the best overall balance of sharpness and grain, while shooting at EI 200 or even EI 50 can produce finer grain. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's also particularly well suited to scanning because its dye-based negative is compatible with Digital ICE dust and scratch removal systems. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eDespite producing black and white negatives, XP2 Super \u003cstrong\u003edoes not require conventional black and white processing\u003c\/strong\u003e. It is designed to go through standard C-41 chemistry alongside colour negative film. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThat's one of XP2's biggest advantages, particularly for photographers who want to shoot black and white but prefer the convenience and availability of standard colour-film processing.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701190246454,"sku":"R035005","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/IlfordXP2Super400-B_W-120mm-2.png?v=1790051373"},{"product_id":"ilford-xp2-400-regular","title":"Ilford XP2 Super 400","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eIlford XP2 Super 400 is a fast, fine grain black and white film with one very useful difference: it can be processed using standard C41 chemistry.\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRated at ISO 400, XP2 Super gives you the flexibility of a fast everyday film with a wide exposure latitude. Ilford recommends it from EI 50 through to 800 with standard C41 processing, making it particularly forgiving when the light is changing or you're shooting quickly.\u003c\/p\u003e\n\u003cp\u003eThe grain is fine and the negatives are sharp, with good highlight and shadow detail. It's also particularly well suited to scanning, making it a practical choice if your finished images are heading straight into a digital workflow. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe other big advantage is convenience. Although it's a true black and white film, it can be processed at labs that offer C41 colour processing, so you don't necessarily need a specialist black and white lab.\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eEveryday photography, street photography, portraits, travel, documentary work and situations where you want black and white images without the extra processing requirements of traditional black and white film.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e36 exposures at ISO 400\u003c\/strong\u003e, with fine grain, good sharpness and a generous exposure latitude. You can rate it lower for finer grain, or higher when you need more speed, while continuing to use standard C41 processing. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOne thing worth knowing before you buy: \u003cstrong\u003eXP2 Super is black and white film, but it is processed as C41 colour negative film.\u003c\/strong\u003e That's the reason it's so convenient, and also what makes it different from films such as HP5 Plus or Delta 400.\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eC41 processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is the important bit. XP2 Super should normally be processed using the standard C41 colour negative process. Ilford specifically recommends standard C41 processing and notes that the film can be processed alongside colour negative films without adjustments to the normal process. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt can produce good results with conventional black and white chemistry, but Ilford does not recommend that as the normal approach because some of the advantages of the film, including its fine grain and scanning characteristics, can be lost.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701190311990,"sku":"9415271","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/35mm_Ilford_XP2_22_FRONT_B8B2A9_2048.png?v=1789996781"},{"product_id":"kentmere-400-35mm-regular","title":"Kentmere 400","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eKentmere Pan 400 is a straightforward, versatile ISO 400 black and white film designed for everyday photography.\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt gives you the extra speed you want when the light starts to drop, while still producing fine grain, good sharpness and a broad range of tones. The wide exposure latitude also makes it a forgiving film to shoot, particularly if you're still getting used to shooting manually or working with changing light. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAt ISO 400, it's comfortable in daylight, indoors and in lower light, making it a good all-rounder for everything from street photography and portraits to travel, documentary and everyday shooting.\u003c\/p\u003e\n\u003cp\u003eKentmere 400 is also available in a range of black and white developers, so it works well whether you're developing at home or sending it through a lab. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eEveryday photography, street photography, portraits, travel, documentary work, action and available light.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e36 exposures at ISO 400\u003c\/strong\u003e, with fine grain, good sharpness and a broad tonal range. It's a relatively forgiving film, making it a good choice when you want something versatile without spending more on one of the more specialised professional stocks. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt also has useful push characteristics. Harman's technical data provides development guidance at exposure indices of 400 and 800, among others, depending on the developer used. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eStandard black and white processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKentmere Pan 400 can be processed in a wide range of black and white developers, including Ilford ID-11, Microphen, Ilfotec HC, Ilfotec DD-X and Ilfosol 3. Development times vary depending on the developer, dilution and exposure index.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701190574134,"sku":"4891784","price":20.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/DSC00290_1_B8B2A9_2048.png?v=1789997130"},{"product_id":"kodak-colorplus-200","title":"Kodak ColorPlus 200","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak ColorPlus 200 is a straightforward, affordable 35mm colour film made for everyday photography.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts ISO 200 speed works best in good daylight, giving you fine grain, good sharpness and natural colour without making things complicated. It's an easy film to load for a sunny weekend, holiday, walk around the neighbourhood or just keeping a camera handy for everyday moments.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eColourPlus has enough exposure latitude to handle a range of normal shooting conditions, while its slower ISO 200 speed helps keep grain relatively fine. It works particularly well for people, landscapes, travel and general outdoor photography.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach roll gives you 36 exposures and uses standard C-41 colour processing. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEveryday photography\u003c\/li\u003e\n\u003cli\u003eTravel and holidays\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003ePortraits and people\u003c\/li\u003e\n\u003cli\u003eFamily photos\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eSunny and overcast days\u003c\/li\u003e\n\u003cli\u003eIndoor photography with flash\u003c\/li\u003e\n\u003cli\u003eBeginners getting into 35mm film\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003enatural colour, fine grain and good sharpness\u003c\/strong\u003e from an uncomplicated everyday colour film.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt ISO 200, ColorPlus likes a reasonable amount of light. It's a particularly good fit for daytime shooting, while electronic flash gives you more flexibility indoors. Kodak describes it as having wide exposure latitude, making it useful across a variety of general picture-taking situations. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eCompared with faster ISO 400 films, you give up some low-light flexibility in exchange for a slower, fine-grained everyday film.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eColorPlus 200 uses standard C-41 chemistry, so it can be developed by labs offering regular colour film processing.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701190672438,"sku":"284907W","price":18.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/35mmKodakColorPlus_18FRONT_2.png?v=1790041276"},{"product_id":"kodak-ektachrome-e100-120","title":"Kodak Ektachrome E100, Individual Roll","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eKodak Ektachrome E100\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is a classic colour slide film for photographers who want clean colour, fine grain and the unmistakable look of a positive image straight from the roll.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUnlike colour negative film, E100 produces a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003epositive transparency\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, giving you a finished image on the film itself. Colours are clean and natural rather than heavily saturated, with particularly good neutrality through whites and lighter tones.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt ISO 100, Ektachrome is happiest when there's plenty of light. It's a beautiful choice for \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003elandscapes, travel, architecture, still life and carefully considered portraits\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, especially when you want sharp detail and colour that feels crisp without being overdone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSlide film rewards careful exposure more than colour negative film, so E100 suits photographers who enjoy slowing things down and getting the shot right in-camera.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThis listing is for one individual roll of Kodak Ektachrome E100 in 120 format.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBest for\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eLandscapes, travel, architecture, still life, portraits in good light and medium-format photographers looking for the distinctive colour and clarity of slide film.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eWhat to expect\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eEktachrome E100 has a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eclean, crisp and controlled look\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Expect fine grain, strong detail and natural colour, with less of the heavy saturation associated with some other transparency films.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBecause it's slide film, exposure latitude is tighter than with colour negative film. Accurate metering matters, but that's also part of the appeal. When you get it right, you're left with a positive medium-format transparency you can actually hold up to the light.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eDeveloping\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eProcess: E-6\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is important: \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eEktachrome E100 is not C-41 film.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt requires \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eE-6 colour reversal processing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, which produces a positive transparency rather than a colour negative.\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701190869046,"sku":"881871B","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/1205-PackKodakE100-1.png?v=1790567102"},{"product_id":"kodak-ektar-100","title":"Kodak Professional EKTAR 100 35mm","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eKodak Professional EKTAR 100 is a fine-grain colour negative film made for sharp, detailed images with rich, saturated colour.\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAt ISO 100, it is a slower film than something like Kodak Gold 200 or Portra 400, making it particularly well suited to bright daylight and controlled lighting. In return, you get exceptionally fine grain, high sharpness and excellent detail from a 35mm negative. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEKTAR 100 has a noticeably vivid colour character, making it a great fit for landscapes, travel, nature, fashion and product photography. It is also particularly good for scanning, where its fine grain and high resolving power allow you to get plenty of detail from the negative. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt's a good choice when you want your images to feel crisp, colourful and detailed rather than soft or muted.\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eDaylight photography, landscapes, travel, nature, architecture, fashion, product photography and detailed subjects.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e36 exposures at ISO 100.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEKTAR 100 produces very fine grain with strong sharpness and vivid colour. Because it is ISO 100, it benefits from plenty of available light, particularly outdoors during the day.\u003c\/p\u003e\n\u003cp\u003eIt is also a particularly strong choice if you're planning to scan your negatives, with Kodak specifically highlighting its enlargement and scanning capabilities. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eC-41 colour negative processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEKTAR 100 should be processed using the standard C-41 colour negative process. Kodak's technical documentation specifies C-41 processing using KODAK FLEXICOLOR chemistry. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701190967350,"sku":"4123682","price":31.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/KodakEktar100-36exp_30FRONT.png?v=1790035659"},{"product_id":"kodak-gold-200","title":"Kodak Gold 200","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak Gold 200 is a classic everyday 35mm colour film known for warm colour, pleasing skin tones and an easy-going look.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts ISO 200 speed makes it a great choice for shooting outdoors in daylight, with enough flexibility for sunny days, holidays, portraits, street photography and everyday moments. Grain stays relatively fine, while colours have the warmth and saturation that have made Kodak Gold a familiar favourite.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eGold 200 is also a forgiving film to shoot, making it a good starting point if you're getting into 35mm photography. Load it into your camera, head outside and don't overthink it.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach roll gives you 36 exposures and uses standard C-41 colour processing. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEveryday photography\u003c\/li\u003e\n\u003cli\u003eTravel and holidays\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003ePortraits and people\u003c\/li\u003e\n\u003cli\u003eFamily photos\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eSunny days\u003c\/li\u003e\n\u003cli\u003eOutdoor photography\u003c\/li\u003e\n\u003cli\u003eIndoor photography with flash\u003c\/li\u003e\n\u003cli\u003eBeginners getting into 35mm film\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003ewarm colour, pleasing skin tones and relatively fine grain\u003c\/strong\u003e, with a familiar colour negative look that works particularly well in daylight.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt ISO 200, Gold sits in a useful middle ground. You get finer grain than many faster ISO 400 films while retaining more flexibility than slower ISO 100 options.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt is happiest when there is a reasonable amount of light, making it a particularly good film for daytime shooting, travel and keeping a camera with you on a sunny weekend.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eKodak Gold 200 uses standard C-41 colour negative processing.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701191196726,"sku":"584686Y","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/KodakGold200-36-exp1.png?v=1790042278"},{"product_id":"kodak-gold-200-3-pack","title":"Kodak Gold 200 3-Pack, 24 Exposure","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak Gold 200 is a classic everyday colour film known for warm colour, fine grain and an easy-going look. This pack gives you three 24-exposure rolls, with 72 shots in total.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts ISO 200 speed is a great fit for daylight, holidays, weekends away and keeping a camera handy for everyday moments. Colours have the warmth and saturation Kodak Gold is known for, with pleasing skin tones and enough sharpness and detail for scanning or enlargements.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eGold 200 also has wide exposure latitude, making it forgiving if your exposure isn't absolutely perfect. That makes it a particularly easy film to get along with if you're newer to shooting 35mm.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThree rolls means you can load up for a trip or keep a couple spare in the bag without having to think too much about it.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEveryday photography\u003c\/li\u003e\n\u003cli\u003eTravel and holidays\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003ePortraits and people\u003c\/li\u003e\n\u003cli\u003eFamily photos\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eSunny days\u003c\/li\u003e\n\u003cli\u003eWeekends away\u003c\/li\u003e\n\u003cli\u003eBeginners getting into 35mm film\u003c\/li\u003e\n\u003cli\u003eKeeping a few spare rolls in the bag\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003ewarm colour, vibrant saturation, fine grain and good sharpness\u003c\/strong\u003e with the familiar Kodak Gold look.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eISO 200 works particularly well in daylight and gives you relatively fine grain while still being flexible enough for a range of normal outdoor conditions.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eKodak specifies wide exposure latitude, including tolerance of up to two stops underexposure and three stops overexposure, making Gold 200 a forgiving everyday film. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach roll has \u003cstrong\u003e24 exposures rather than 36\u003c\/strong\u003e, so the full three-pack gives you \u003cstrong\u003e72 exposures\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eKodak Gold 200 uses standard C-41 colour negative processing.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701191295030,"sku":"B862967","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/3-PackKodakGold24-exp1.png?v=1790043753"},{"product_id":"kodak-portra-160","title":"Kodak Portra 160, Individual Roll","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eKodak Portra 160\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is the slower, finer-grained member of the Portra family, made for photographers who want beautifully natural colour without pushing things too hard.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts reputation comes from \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003esmooth skin tones, fine grain and a wonderfully controlled colour palette\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Colours feel rich without becoming overly saturated, highlights stay soft and there's plenty of detail throughout the frame.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt ISO 160, this is a film that really shines when you've got good light to work with. Load it for portraits, fashion, weddings, landscapes or a sunny afternoon wandering around with your camera and it'll reward you with clean, beautifully balanced negatives.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere's a reason Portra has become such a staple of modern film photography. Portra 160 is polished without feeling clinical, with enough analogue character to remind you exactly why you're still shooting film.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThis listing is for one 36-exposure roll of Kodak Portra 160 35mm film.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBest for\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003ePortraits, fashion, weddings, travel, landscapes, daylight photography and anyone looking for natural colour, fine grain and beautifully rendered skin tones.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eWhat to expect\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eExpect \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003efine grain, natural colours, smooth skin tones and controlled contrast\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCompared with faster films such as Portra 400 and Portra 800, Portra 160 is happiest when there's plenty of available light. In return, you get particularly clean results with excellent detail and subtle tonal transitions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt's forgiving enough to be approachable, but there's plenty here for experienced photographers who want a dependable professional colour negative film.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eDeveloping\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eProcess: C-41\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKodak Portra 160 uses standard \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eC-41 colour negative processing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, so it can be developed by most labs processing 35mm colour film.\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701191655478,"sku":"5739959","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/5-PackKodakPortra160-36exp2.png?v=1790576401"},{"product_id":"kodak-portra-400","title":"Kodak Portra 400, Individual Roll","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eKodak Portra 400\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is one of those films that's earned its reputation for a reason. Beautiful colour, forgiving exposure latitude and some of the nicest skin tones you'll find on colour negative film.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt ISO 400, it's fast enough to leave in your camera and get on with shooting. Take it from bright daylight into softer afternoon light, shoot portraits, travel, street or everyday life and it'll happily come along for the ride.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePortra's colour is where things really start to shine. \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSkin tones stay natural, colours feel rich without becoming too loud, and highlights have a lovely softness to them.\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e There's plenty of detail too, with remarkably fine grain considering the extra speed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt's professional film without feeling like you need to be a professional to shoot it. If you want one roll in your camera that can handle a little bit of everything, Portra 400 is very difficult to go past.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThis listing is for one 36-exposure roll of Kodak Portra 400 35mm film.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBest for\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003ePortraits, travel, weddings, street photography, lifestyle, fashion, everyday photography and anyone looking for one versatile colour film to keep loaded in their camera.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eWhat to expect\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eExpect \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enatural colour, beautiful skin tones, fine grain and plenty of flexibility when the light changes\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePortra 400 has excellent exposure latitude, which makes it particularly forgiving if your exposure isn't absolutely perfect. It also handles overexposure beautifully, giving you room to work without highlights immediately falling apart.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCompared with Portra 160, the extra speed makes it a more flexible everyday option. Compared with Portra 800, you'll get finer grain while still having enough speed for a wide range of shooting conditions.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eDeveloping\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eProcess: C-41\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKodak Portra 400 uses standard \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eC-41 colour negative processing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, so it can be developed by most labs processing 35mm colour film.\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701191852086,"sku":"107489L","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/5-PackKodakPortra400-36-exp2.png?v=1790577256"},{"product_id":"kodak-portra-400-120","title":"Kodak Portra 400, Individual Roll","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eKodak Portra 400\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is one of those films that's easy to understand once you've shot a few rolls. Natural colour, beautiful skin tones, fine grain and enough speed to handle just about anything.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt ISO 400, it's fast enough for changing light without feeling like a specialist film. Load it for a portrait session and it'll feel right at home. Leave it in the camera for a weekend away and it'll happily move between people, streets, landscapes and everyday moments.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePortra's generous exposure latitude is a big part of its appeal. It's forgiving when the light isn't perfect, while still giving you plenty of detail and smooth, natural tones when you nail the exposure.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 120, you get all of that Portra character across a larger medium-format negative. Fine detail, smooth tones and plenty of room to work with when scanning or printing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThis listing is for one individual roll of Kodak Portra 400 in 120 format.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBest for\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003ePortraits, travel, weddings, street photography, lifestyle, landscapes and everyday medium-format shooting. If you want one colour film you can load without overthinking what you're going to photograph, Portra 400 is a very easy choice.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eWhat to expect\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eExpect \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enatural colour, flattering skin tones, fine grain and loads of flexibility\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePortra 400 has a softer, more natural colour palette than films built around punchy saturation. It's particularly good with people, but that's far from all it can do.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eISO 400 also gives you a useful balance between image quality and speed. There's enough sensitivity for changing conditions while still producing the clean, detailed negatives that make medium format so good.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eDeveloping\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eProcess: C-41\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKodak Portra 400 uses standard C-41 colour negative processing, so it can be developed by most labs processing colour film.\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701191950390,"sku":"E761155","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/KodakPortra160-120mm-1_18f689ff-0d9c-447a-8ddf-15dd431a0fa7.png?v=1790570838"},{"product_id":"kodak-portra-800-120","title":"Kodak Portra 800, Individual Roll","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eKodak Portra 800\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e takes the natural colour and beautiful skin tones the Portra family is known for and gives you a little more freedom when the light starts disappearing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt ISO 800, it's a great film to have loaded when you're shooting \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003elater in the day, indoors, at events or anywhere you need a little extra speed\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. You can work with faster shutter speeds and lower light without immediately reaching for a flash.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDespite the extra speed, Portra 800 keeps the look nicely controlled. Skin tones stay natural, colour feels warm without becoming overdone, and the grain gives the images character without taking over.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 120 format, it's particularly lovely. The larger medium-format negative gives the film plenty of room to show off its detail and tonality, while ISO 800 makes medium-format shooting much easier once you're away from perfect daylight.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThis listing is for one individual roll of Kodak Portra 800 in 120 format.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBest for\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eLow-light portraits, weddings, events, travel, street photography, indoor shooting and everyday medium-format photography when you want more speed without giving up the Portra look.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eWhat to expect\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eExpect \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enatural colour, warm and flattering skin tones, visible but pleasing grain and plenty of flexibility in lower light\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCompared with Portra 160 and Portra 400, the big difference here is speed. ISO 800 gives you more freedom to keep shooting as daylight fades or to use faster shutter speeds when your subject isn't staying still.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt's not just a night film, though. Portra 800 works beautifully in daylight too, making it a genuinely versatile roll when you know you'll be moving through different lighting conditions.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eDeveloping\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eProcess: C-41\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKodak Portra 800 uses standard \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eC-41 colour negative processing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, so it can be developed by most labs processing colour film.\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701192146998,"sku":"156343L","price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/KodakPortra160-120mm-1_84e3fe1d-006b-4774-a45c-6cf5b30b035d.png?v=1790571292"},{"product_id":"kodak-proimage-100","title":"Kodak ProImage 100, Individual Roll","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eKodak ProImage 100\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is a beautifully straightforward colour film for photographers who want classic Kodak colour without overthinking it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt ISO 100, it's happiest when there's plenty of light around. Give it a sunny day and you'll get \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enatural colour, smooth skin tones, fine grain and plenty of detail\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, making it a great roll to load for portraits, travel, street photography or an afternoon wandering around with your camera.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere's a nice balance to ProImage. Colours have enough life to them without feeling overly saturated, while skin tones stay warm and natural. The slower speed also keeps the grain fine, giving your photographs a clean look while still feeling unmistakably like film.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt's an easy one to recommend if you're after a dependable daylight colour stock, particularly if you like the Kodak look but don't necessarily need to jump straight to Portra.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThis listing is for one 36-exposure roll of Kodak ProImage 100 35mm film.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBest for\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eSunny days, portraits, travel, street photography, holidays, landscapes and everyday shooting in good light.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eWhat to expect\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eExpect \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enatural colour, warm skin tones, fine grain and good detail\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eISO 100 means ProImage likes light, so it's particularly at home outdoors during the day. In those conditions, it gives you clean, colourful negatives without making everything feel overly polished or saturated.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt's approachable enough for someone getting into film while still delivering the consistency more experienced shooters look for in an everyday colour stock.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eDeveloping\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eProcess: C-41\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKodak ProImage 100 uses standard \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eC-41 colour negative processing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, so it can be developed by most labs processing 35mm colour film.\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701192376374,"sku":"180178B","price":20.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/5-PackKodakProImage-36exp1.png?v=1790576895"},{"product_id":"kodak-t-max-400-120-regular","title":"Kodak Professional T-MAX 400","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak Professional T-MAX 400 is a fast black and white film designed to give you plenty of speed without giving up fine grain or detail.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at ISO 400, it's a versatile choice for medium format photography, with enough speed for handheld shooting, changing light and available-light situations. Kodak's T-GRAIN emulsion keeps grain particularly fine for a 400-speed film, with high sharpness and plenty of detail from the larger 120 negative.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's a great fit for portraits, street photography, landscapes, documentary work and everyday shooting when you want a cleaner, more refined black and white look while still having the flexibility of ISO 400.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFor photographers who like the detail of a slower film but need a little more speed, T-MAX 400 sits in a very useful middle ground.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003e\u003cspan\u003eThis listing is for one individual roll of Kodak Professional T-MAX 400 in 120 format.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMedium format photography\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eDocumentary photography\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eAvailable-light photography\u003c\/li\u003e\n\u003cli\u003eChanging light\u003c\/li\u003e\n\u003cli\u003eHandheld shooting\u003c\/li\u003e\n\u003cli\u003eDetailed subjects\u003c\/li\u003e\n\u003cli\u003eLarger prints and high-resolution scans\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003efine grain, very high sharpness and a clean, detailed black and white look\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eT-MAX 400 uses Kodak's T-GRAIN emulsion technology, designed to deliver finer grain and greater resolving power than you'd normally associate with an ISO 400 film. Kodak currently describes it as its sharpest and finest-grained 400-speed black and white film. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe ISO 400 speed gives you considerably more flexibility than T-MAX 100 when shooting handheld or working in changing light, while still prioritising detail and enlargement quality.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt can also be pushed when you need more speed. Kodak's film literature specifically notes pushability up to \u003cstrong\u003eEI 1600\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eStandard black and white processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eT-MAX 400 can be processed in a range of standard black and white developers, including Kodak T-MAX Developer, XTOL and HC-110. Development times should be adjusted when exposing the film above its normal ISO 400 rating.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701192671286,"sku":"5639976","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/KodakT-Max400-120mm-5pack-1.png?v=1790051720"},{"product_id":"kodak-tmax-100-regular","title":"Kodak Professional T-MAX 100","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eKodak Professional T-MAX 100 is a fine grain ISO 100 black and white film built around detail, sharpness and resolution.\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt uses Kodak's T-Grain emulsion to produce extremely fine grain and very high resolving power, making it particularly good when you want to pull as much detail as possible from a 35mm negative. Kodak also gives it an expanded exposure latitude, so it has some forgiveness when your exposure isn't quite perfect. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAt ISO 100, it's naturally at home in good daylight, studio work and other situations where you have plenty of light. It's also a strong choice for landscapes, architecture, still life, portraits and detailed subjects where fine grain and sharpness matter.\u003c\/p\u003e\n\u003cp\u003eIf you're planning to make larger prints or scan your negatives at high resolution, this is where T-MAX 100 really makes sense. Kodak specifically highlights its resolving power and suitability for enlargement. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eDaylight photography, landscapes, architecture, portraits, still life, studio work, detailed subjects and high-resolution scanning or enlargement.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e36 exposures at ISO 100\u003c\/strong\u003e, with extremely fine grain, high sharpness and excellent resolving power. It's a slower film, so you'll generally want good light or a tripod when shooting at lower shutter speeds.\u003c\/p\u003e\n\u003cp\u003eKodak's technical data also gives guidance for exposing T-MAX 100 at EI 200, 400 and 800 with push processing. As you push the film further, contrast and grain increase and some shadow detail is lost, so ISO 100 remains the normal starting point for getting the highest image quality. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eStandard black and white processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eT-MAX 100 can be processed using a range of conventional black and white developers. Kodak provides development information for its own T-MAX developers as well as developers including D-76, XTOL and HC-110. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor the cleanest results, Kodak recommends normal exposure around the rated EI 100 and normal development. Push processing is possible when more speed is needed, but comes with some trade-offs in grain, contrast and shadow detail.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701192769590,"sku":"9472604","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/DSC00308_B8B2A9_2048.png?v=1789997461"},{"product_id":"kodak-tmax-3200","title":"Kodak Professional T-MAX P3200","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eKodak Professional T-MAX P3200 is a specialist black and white film built for situations where there simply isn't much light.\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt is designed for handheld street photography, night photography, live music, dimly lit venues and fast-moving subjects where using a slower film or flash isn't practical. Kodak describes it as an ultra-high-speed film, available in 36 exposure 135 format. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDespite the name, \u003cstrong\u003eP3200 is nominally ISO 800\u003c\/strong\u003e. The P stands for push, because the film is designed to be push processed to \u003cstrong\u003eEI 3200 or higher\u003c\/strong\u003e. Kodak's technical data supports exposure at EI 1600, 3200 and 6400, with higher speeds increasing contrast and graininess. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThat makes it a very different proposition from a standard ISO 400 film. You get the ability to work in genuinely difficult light, but the way the film is exposed and developed becomes more important.\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eNight photography, street photography, concerts and live music, indoor photography, available light, documentary work and fast-moving subjects in low light.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e36 exposures at 35mm.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe film's nominal speed is ISO 800, but it is designed to be pushed. At \u003cstrong\u003eEI 1600\u003c\/strong\u003e it retains good shadow detail, while \u003cstrong\u003eEI 3200 and 6400\u003c\/strong\u003e provide more speed at the expense of increased contrast and grain. Kodak also notes that P3200 can provide better shadow detail and highlight separation at EI 3200 or 6400 than a 400-speed film pushed three stops. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis is a film with a specific purpose rather than an everyday ISO 3200 stock. If you're shooting in normal daylight, there are much easier choices.\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eStandard black and white processing with development adjusted for the exposure index used.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKodak provides development data for T-MAX P3200 at EI 400, 800, 1600, 3200 and 6400 across developers including T-MAX Developer, XTOL, D-76 and HC-110. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor EI 3200, the film needs appropriate push development rather than simply processing it as standard ISO 800 film.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701192900662,"sku":"Y384162","price":30.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/DSC00314_B8B2A9_2048.png?v=1789998298"},{"product_id":"kodak-tmax-400-regular","title":"Kodak Professional T-MAX 400","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eKodak Professional T-MAX 400 is a fast, fine grain black and white film that gives you a lot of flexibility without giving up detail.\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRated at ISO 400, it's well suited to everyday shooting when you don't always have perfect light. It's a particularly useful choice for street photography, documentary work, portraits, travel and situations where you need to keep your shutter speed up.\u003c\/p\u003e\n\u003cp\u003eKodak's T-Grain emulsion gives T-MAX 400 very fine grain, high sharpness and high resolving power for a 400 speed film. That makes it a good option when you want the flexibility of ISO 400 but still want detailed negatives that can handle larger scans or enlargements. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt also has plenty of exposure latitude. Kodak's technical data says it can be exposed at EI 800 with normal development, while EI 1600 and 3200 are possible with increased development time. As you push the film further, contrast and grain increase and some shadow detail is lost. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eEveryday photography, street photography, portraits, documentary work, travel, action and available light.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e36 exposures at ISO 400\u003c\/strong\u003e, with very fine grain, strong sharpness and good detail.\u003c\/p\u003e\n\u003cp\u003eIt's a versatile film for changing conditions. Shoot it at its rated ISO 400 for the cleanest, most balanced results, or push it when you need additional speed. At EI 800 Kodak notes that high quality results are still possible with normal development, while higher settings require adjusted development. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eStandard black and white processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eT-MAX 400 can be processed using a range of conventional black and white developers. \u003cspan\u003eFor pushed exposures, development time needs to be increased according to the exposure index and developer being used.\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701192998966,"sku":"213627M","price":28.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/DSC00310_B8B2A9_2048.png?v=1789997743"},{"product_id":"kodak-tri-x-400-regular","title":"Kodak Professional Tri-X 400","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eKodak Professional Tri-X 400 is one of the classic black and white films, known for its distinctive grain, strong contrast and ability to handle a wide range of shooting conditions.\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRated at ISO 400, it's fast enough for everyday photography, available light and action, while still producing fine grain and good sharpness. It has a broad exposure latitude, making it a forgiving film when you're working quickly or dealing with changing light. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTri-X has a particularly recognisable look compared with the cleaner, more modern rendering of films such as T-MAX 400. It's a natural fit for street photography, documentary work, portraits and anything where you want the character of traditional black and white film rather than an ultra-clean negative.\u003c\/p\u003e\n\u003cp\u003eIt can also be pushed when you need more speed. Kodak lists \u003cstrong\u003eEI 1600\u003c\/strong\u003e as the maximum recommended push, with appropriate changes to development. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eStreet photography, documentary photography, portraits, travel, action, available light and everyday shooting.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e36 exposures at ISO 400\u003c\/strong\u003e, with the classic Tri-X grain structure, good sharpness and plenty of exposure latitude.\u003c\/p\u003e\n\u003cp\u003eShoot it at ISO 400 for its standard rendering, or push it when you need additional speed. Pushing Tri-X can increase contrast and grain, which is part of the reason it has remained popular for low light and documentary photography. Kodak's technical data provides development guidance for EI 800 and 1600. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eStandard black and white processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTri-X 400 can be developed using a range of black and white developers. Kodak provides starting-point development times for XTOL, D-76, HC-110 and T-MAX Developer. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor pushed exposures, development needs to be adjusted according to the exposure index and developer being used.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701193097270,"sku":"A949954","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/DSC00312_B8B2A9_2048.png?v=1789998038"},{"product_id":"kodak-ultramax","title":"Kodak UltraMax 400","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak UltraMax 400 is a versatile 35mm colour film made for everyday shooting, especially when you don't know exactly what the light is going to do.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts ISO 400 speed gives you plenty of flexibility, from sunny days and overcast afternoons to indoor photography with flash. It produces vivid colour, fine grain and good sharpness, while the extra speed makes it easier to photograph moving subjects or keep shooting as the light starts to drop.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eUltraMax is an easy film to keep loaded in your camera for travel, street photography, family photos, weekends away or simply carrying a camera around every day.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIf you want one colour film that can handle a bit of everything without having to think too much about it, UltraMax 400 is a solid place to start. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEveryday photography\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eTravel and holidays\u003c\/li\u003e\n\u003cli\u003eFamily photos\u003c\/li\u003e\n\u003cli\u003ePortraits and people\u003c\/li\u003e\n\u003cli\u003eMoving subjects\u003c\/li\u003e\n\u003cli\u003eOvercast conditions\u003c\/li\u003e\n\u003cli\u003eLower-light situations\u003c\/li\u003e\n\u003cli\u003eIndoor photography with flash\u003c\/li\u003e\n\u003cli\u003eBeginners getting into 35mm film\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003evivid colour, fine grain and good sharpness\u003c\/strong\u003e, with the added flexibility of ISO 400.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eCompared with slower films such as Kodak Gold 200, UltraMax gives you more room to work when the light drops and makes it easier to use faster shutter speeds for moving subjects.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eKodak specifically highlights its improved low-light performance, extended flash range and ability to help reduce the effects of camera shake. That makes it a particularly useful general-purpose film when you're likely to encounter different conditions throughout the day. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eUltraMax 400 uses standard C-41 colour negative processing.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701193293878,"sku":"755061N","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/KodakUltramax-400-36-exp_25FRONT_1.png?v=1790042711"},{"product_id":"kodak-ultramax-3-pack-24exp","title":"Kodak UltraMax 400, 24 Exposure 3-Pack","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eKodak UltraMax 400 is a versatile colour film designed to handle everyday photography across a wide range of lighting conditions.\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRated at ISO 400, it gives you more flexibility than slower colour films when the light starts to drop. It's suitable for outdoor photography, indoor shooting, low light with flash and moving subjects, while still producing fine grain, vivid colour and sharp detail. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis version comes as a \u003cstrong\u003e3-pack of 24-exposure rolls\u003c\/strong\u003e, giving you 72 exposures in total. It's a practical option for holidays, travel, weekends and general everyday shooting when you want a few rolls ready to go.\u003c\/p\u003e\n\u003cp\u003eUltraMax has a brighter, more saturated colour character than films aimed at softer or more restrained colour reproduction, making it a good fit for people, travel, street photography and colourful outdoor scenes. Kodak describes it as an everyday film designed to perform across a wide range of shooting conditions. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eEveryday photography, travel, holidays, street photography, family photos, outdoor shooting, indoor photography, low light with flash and action.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e3 × 24 exposure rolls, giving you 72 exposures in total.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUltraMax 400 is a useful all-rounder when you don't know exactly what lighting you'll encounter. ISO 400 gives you a good balance between daylight use and additional flexibility indoors or later in the day.\u003c\/p\u003e\n\u003cp\u003eExpect \u003cstrong\u003ebright, saturated colour, fine grain and good sharpness\u003c\/strong\u003e, with the extra speed helping to reduce the effects of camera shake and extend flash range. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eC-41 colour negative processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUltraMax 400 is designed for standard C-41 processing. Kodak's technical documentation specifies processing with KODAK FLEXICOLOR chemistry.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701193392182,"sku":"9552820","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/3-PackKodakUltramax24-exp1.png?v=1790037560"},{"product_id":"lomography-orca-100-regular","title":"Lomography B\u0026W Orca 100","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eLomography Orca 100 is a black and white film made specifically for 110 pocket cameras.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at ISO 100, it's happiest with plenty of light and produces punchy monochrome images with bold contrast, deep blacks and plenty of character from the small \u003cstrong\u003e110 format.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe cartridge is tiny, easy to load and gives you 24 exposures, making Orca a fun option for vintage 110 cameras as well as newer cameras like the Lomomatic 110.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's a slower film, so daylight is where it feels most at home. Give it plenty of light and expect a distinctly analogue result with strong contrast and the grain and character that make 110 photography its own thing.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e110 pocket cameras\u003c\/li\u003e\n\u003cli\u003eDaylight photography\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eEveryday snapshots\u003c\/li\u003e\n\u003cli\u003eHigh-contrast black and white\u003c\/li\u003e\n\u003cli\u003eVintage 110 cameras\u003c\/li\u003e\n\u003cli\u003eLomomatic 110 and other modern 110 cameras\u003c\/li\u003e\n\u003cli\u003ePhotographers looking for a compact, lo-fi film format\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003ebold contrast, deep blacks and defined detail\u003c\/strong\u003e, with the distinctive character that comes from shooting such a small film format.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt ISO 100, Orca likes light. Bright daylight is ideal, while flash can help when you're shooting indoors or after dark. Lomography specifically recommends its current 110 stocks for bright conditions. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eThe 110 negative is much smaller than 35mm,\u003c\/strong\u003e so don't expect the same clean, high-resolution result as a larger film format. That's part of the appeal. The smaller negative gives 110 photography a more noticeable grain and lo-fi character. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eStandard black and white processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eOrca 100 is a conventional black and white negative film. It \u003cstrong\u003edoes not use C-41 colour processing\u003c\/strong\u003e.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701196472374,"sku":"L086611","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/110LomographyOrca100-24exp1.png?v=1790045195"}],"url":"https:\/\/www.sydneysuper8.com.au\/collections\/film.oembed","provider":"SS8","version":"1.0","type":"link"}