{"title":"Colour","description":null,"products":[{"product_id":"36exp-kodak-gold-200-3pk-regular","title":"Kodak Gold 200 3-Pack, 36 Exposure","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eKodak Gold 200 is an easy-going 35mm colour film with warm, saturated colour, fine grain and good sharpness. This 3-pack gives you three rolls to keep shooting without having to restock after every 36 exposures.\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRated at ISO 200, Gold 200 is particularly well suited to natural daylight and electronic flash. It has enough speed for everyday photography while retaining the fine grain and sharpness that make it a reliable general-purpose colour film.\u003c\/p\u003e\n\u003cp\u003eIt's a particularly good fit for holidays, weekends, people, travel, beaches and general outdoor photography. Kodak describes it as an everyday colour film with saturated colour, fine grain and high image sharpness. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eEveryday photography, travel, holidays, portraits, family photos, beaches, outdoor photography and bright daylight.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e3 rolls of 36 exposure 35mm film, giving you 108 exposures in total.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGold 200 has a warm, colourful look with fine grain and good sharpness. It is happiest in daylight, but can also be used with electronic flash. Kodak gives it a broad exposure latitude, from around two stops underexposure to three stops overexposure, which gives you some flexibility when lighting isn't perfect. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAt \u003cstrong\u003e$50 for three rolls\u003c\/strong\u003e, this also works out to around \u003cstrong\u003e$16.67 per roll!\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eC-41 colour negative processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGold 200 should be processed using the standard C-41 process. Kodak specifies KODAK FLEXICOLOR chemistry for processing. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701180055606,"sku":"1596105","price":70.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/3-PackKodakGold20036-exposure1_79d62832-6353-4f99-ac6e-108fed364b13.png?v=1790043966"},{"product_id":"36exp-kodak-ultramax-400-3pk-regular","title":"Kodak UltraMax 400, 36 Exposure 3-Pack","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak UltraMax 400 is a versatile everyday colour film, and this 3-pack gives you three 36-exposure rolls with 108 shots in total.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts ISO 400 speed gives you plenty of flexibility across changing conditions, from bright daylight and overcast afternoons to indoor photography with flash. It produces vivid colour, fine grain and good sharpness, while the extra speed makes it easier to photograph moving subjects or keep shooting as the light starts to drop.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eUltraMax is an easy film to keep loaded for travel, street photography, family photos, weekends away or simply carrying a camera around every day.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eWith three full 36-exposure rolls in the box, this pack is a handy option if you shoot regularly, have a trip coming up or just want a few spare rolls ready to go.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEveryday photography\u003c\/li\u003e\n\u003cli\u003eTravel and holidays\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eFamily photos\u003c\/li\u003e\n\u003cli\u003ePortraits and people\u003c\/li\u003e\n\u003cli\u003eMoving subjects\u003c\/li\u003e\n\u003cli\u003eOvercast conditions\u003c\/li\u003e\n\u003cli\u003eIndoor photography with flash\u003c\/li\u003e\n\u003cli\u003eWeekends away\u003c\/li\u003e\n\u003cli\u003eKeeping spare rolls in your camera bag\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003evivid colour, fine grain and good sharpness\u003c\/strong\u003e, with the flexibility of ISO 400.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eUltraMax 400 is designed to work across a broad range of everyday conditions. The higher speed gives you more room to work when the light drops, extends your flash range and makes faster shutter speeds easier when photographing moving subjects. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach roll contains \u003cstrong\u003e36 exposures\u003c\/strong\u003e, giving you \u003cstrong\u003e108 exposures across the full three-pack\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eKodak UltraMax 400 uses standard C-41 colour negative processing. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701180088374,"sku":"7716718","price":70.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/3-PackKodakUltramax40036-exposure1.png?v=1790044577"},{"product_id":"4x5-portra-400-regular","title":"Kodak Professional Portra 400","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak Professional Portra 400 brings one of Kodak's most versatile colour films to the 4×5 large format world.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at ISO 400, it gives large format photographers more flexibility than slower sheet films, particularly when you're working on location or dealing with changing light. Portra's natural colour, smooth skin tones and wide exposure latitude make it particularly well suited to portraits, fashion, landscapes and environmental work.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIn 4×5, you get all of that with the detail and depth of a large sheet-film negative. The fine grain and high sharpness give you plenty to work with when making large prints or high-resolution scans.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach box contains \u003cstrong\u003e10 individual 4×5 sheets\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e4×5 large format photography\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eFashion and editorial photography\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eEnvironmental portraits\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eOutdoor photography\u003c\/li\u003e\n\u003cli\u003eLocation work\u003c\/li\u003e\n\u003cli\u003eHigh-resolution scanning\u003c\/li\u003e\n\u003cli\u003eLarge prints\u003c\/li\u003e\n\u003cli\u003ePhotographers working in changing light\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003enatural colour, smooth skin tones, fine grain and plenty of exposure flexibility\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003ePortra 400 is particularly known for its treatment of skin tones, which is one reason it remains a common choice for portrait and fashion photography. Kodak also positions it for nature, travel and outdoor photography where lighting conditions may be harder to control. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt ISO 400, it also gives you useful extra speed for large format photography, where smaller apertures and slower lenses can quickly lead to long exposures.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe 4×5 version uses a \u003cstrong\u003e0.19mm ESTAR thick base\u003c\/strong\u003e and must be loaded and unloaded from film holders in \u003cstrong\u003etotal darkness\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eKodak specifies standard \u003cstrong\u003eProcess C-41\u003c\/strong\u003e chemistry for Portra 400, including the 4×5 sheet-film version. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701180448822,"sku":"Y941780","price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/KodakPortra400-4.5in-3.png?v=1790054817"},{"product_id":"cinestill-50d-120","title":"CineStill 50Daylight","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eCineStill 50Daylight is a slow, exceptionally fine-grain colour film made for bright light and maximum detail.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at EI 50 and balanced for daylight, it's right at home on sunny days, with landscapes, portraits and anywhere you want to make the most of a medium format negative. The slower speed also makes it easier to shoot at wider apertures in bright conditions without reaching for heavy ND filters.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e50D started life with motion-picture DNA, but CineStill prepares it specifically for still photography and standard C-41 processing. With the remjet layer removed, bright highlights can produce the distinctive halation associated with CineStill films.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIn 120, the combination of a larger negative, extremely fine grain and high resolution makes 50D particularly good when detail matters. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMedium format photography\u003c\/li\u003e\n\u003cli\u003eBright daylight\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eArchitecture\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eFashion and editorial work\u003c\/li\u003e\n\u003cli\u003eShooting wide apertures in bright conditions\u003c\/li\u003e\n\u003cli\u003eHigh-resolution scanning\u003c\/li\u003e\n\u003cli\u003ePhotographers wanting very fine grain\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003every fine grain, high resolution, strong detail and rich colour\u003c\/strong\u003e, with the possibility of CineStill's characteristic halation around bright highlights.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eCineStill recommends a base rating of \u003cstrong\u003eEI 50\u003c\/strong\u003e, but the film can be rated anywhere between \u003cstrong\u003eEI 12 and EI 100 without push processing\u003c\/strong\u003e. Changing the exposure affects colour, contrast, highlight rendering and shadow detail, with lower EI ratings tending towards warmer results and stronger highlight halation. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eBecause this is a slow film, you'll get the easiest handheld shooting in bright conditions. In lower light, expect to work with slower shutter speeds or a tripod.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eCineStill 50D has its remjet backing removed before sale, allowing it to be safely processed by a photo lab using standard C-41 chemistry. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt can alternatively be processed using motion-picture-style chemistry such as CineStill Cs2\/ECN-2, which produces a lower-contrast negative, but \u003cstrong\u003eC-41 is the standard option for most photographers and labs\u003c\/strong\u003e.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701184249910,"sku":"6027600","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/120Cinestill50D-2.png?v=1790052623"},{"product_id":"cinestill-800t","title":"CineStill 800T","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eCineStill 800T is a high-speed 35mm colour negative film made for low light, artificial light and shooting after dark.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at EI 800 and balanced for 3200K tungsten light, it is particularly at home around city lights, neon signs, interiors and night scenes. Its higher speed gives you more flexibility when the light starts to disappear, while still producing plenty of detail.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eOne of the things that makes 800T instantly recognisable is the red halation that can appear around bright lights and highlights. Street lights, headlights, signs and other strong points of light can develop a soft red glow, giving the film its distinctive character.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt can be shot at EI 800 for normal use or pushed when you need extra speed, with CineStill supporting push processing up to EI 3200.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe film is prepared for standard C-41 colour processing, making it easy to develop through most colour film labs. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eNight photography\u003c\/li\u003e\n\u003cli\u003eLow-light shooting\u003c\/li\u003e\n\u003cli\u003eNeon signs and city lights\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eIndoor photography\u003c\/li\u003e\n\u003cli\u003eTungsten and artificial lighting\u003c\/li\u003e\n\u003cli\u003eConcerts and events\u003c\/li\u003e\n\u003cli\u003eAvailable-light portraits\u003c\/li\u003e\n\u003cli\u003ePhotographers looking for distinctive halation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect a very different look from a standard daylight-balanced colour film.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eUnder tungsten and warm artificial lighting, 800T gives a more naturally balanced result than daylight film. Bright point light sources can produce its characteristic red halation, particularly against darker backgrounds. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIn daylight, the film will produce a cooler colour response. CineStill recommends an \u003cstrong\u003e85 filter\u003c\/strong\u003e, or rating the film around \u003cstrong\u003eEI 400 to 500\u003c\/strong\u003e, when shooting in daylight if you want a more neutral result. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts wide exposure range also gives you room to experiment. CineStill lists EI 200 to 1000 for normal processing and up to EI 3200 with push processing. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing recommended.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e800T is made for standard C-41 processing and can be processed by normal colour film labs. CineStill also provides push-processing recommendations when shooting at higher exposure indexes.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFor normal C-41 processing:\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eEI 200 to 1000:\u003c\/strong\u003e No push\u003cbr\u003e\u003cstrong\u003eEI 800 to 2000:\u003c\/strong\u003e 1 stop push\u003cbr\u003e\u003cstrong\u003eEI 1250 to 3200:\u003c\/strong\u003e 2 stop push\u003cbr\u003e\u003cstrong\u003eEI 1600 to 3200:\u003c\/strong\u003e 3 stop push for increased contrast \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701184348214,"sku":"814396N","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Cinestill800T-Colour-36exp1.png?v=1790040114"},{"product_id":"cinestill-800t-120","title":"CineStill 800T","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eCineStill 800T is a high-speed colour film made for the kind of light that usually has you wondering whether you should put the camera away.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at EI 800 and balanced for tungsten light, it's particularly at home after dark, under streetlights, neon signs and artificial indoor lighting. In 120 format, you get that familiar CineStill night-time character with the extra detail and depth of a medium format negative.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eWith the original remjet layer removed, bright points of light can produce the red halation that has become one of 800T's most recognisable characteristics. It's not a subtle, neutral film in every situation, and that's part of the appeal.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFor night streets, live music, portraits after dark or simply seeing what your medium format camera can do when the sun goes down, 800T gives you plenty to work with.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMedium format photography\u003c\/li\u003e\n\u003cli\u003eNight photography\u003c\/li\u003e\n\u003cli\u003eLow-light photography\u003c\/li\u003e\n\u003cli\u003eNeon and city lights\u003c\/li\u003e\n\u003cli\u003eAvailable-light portraits\u003c\/li\u003e\n\u003cli\u003eIndoor photography\u003c\/li\u003e\n\u003cli\u003eStreet photography after dark\u003c\/li\u003e\n\u003cli\u003eLive music and events\u003c\/li\u003e\n\u003cli\u003eArtificial lighting\u003c\/li\u003e\n\u003cli\u003ePhotographers looking for distinctive halation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003estrong low-light performance, cinematic colour and distinctive red halation around bright highlights\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe film is balanced for \u003cstrong\u003e3200K tungsten light\u003c\/strong\u003e, so it feels particularly natural under warmer artificial lighting. In daylight, CineStill recommends an \u003cstrong\u003e85B warming filter\u003c\/strong\u003e for more neutral colour, although shooting without one can be used creatively for a cooler look.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThere's also plenty of exposure flexibility. CineStill states that 800T can be rated from \u003cstrong\u003eEI 200 to EI 1000 without push processing\u003c\/strong\u003e, and can be pushed as far as \u003cstrong\u003eEI 3200\u003c\/strong\u003e when more speed is needed.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eCineStill removes the motion-picture remjet backing before the film is packaged, allowing 800T to be processed using standard C-41 chemistry at a regular compatible film lab.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt can also be processed using motion-picture-style Cs2 \/ ECN-2 chemistry if desired, but \u003cstrong\u003eC-41 is the straightforward standard option\u003c\/strong\u003e for most customers.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e \u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701184446518,"sku":"3906170","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/120Cinestill800T-1.png?v=1790052984"},{"product_id":"cinsestill-50d","title":"CineStill 50D","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eCineStill 50D is a daylight-balanced 35mm colour negative film with very fine grain, high detail and a distinctive look.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRated at EI 50 and balanced for 5500K daylight, it is best suited to bright conditions where you can take advantage of its fine grain and high resolution. It works particularly well for portraits, landscapes, travel, street photography and other daylight shooting.\u003c\/p\u003e\n\u003cp\u003eOne of its defining characteristics is halation around bright point light sources. Lights and highlights can develop a soft red glow, giving images a little more character, particularly in backlit scenes and around artificial lights.\u003c\/p\u003e\n\u003cp\u003eCineStill prepares the film for standard C-41 colour processing, so it can be processed through most colour film labs. It can also be processed using ECN-2 chemistry.\u003c\/p\u003e\n\u003ch2\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eBright daylight\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eBacklit subjects\u003c\/li\u003e\n\u003cli\u003eHigh-detail photography\u003c\/li\u003e\n\u003cli\u003eShooting where fine grain is important\u003c\/li\u003e\n\u003cli\u003ePhotographers who like distinctive halation around bright lights\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat to expect\u003c\/h2\u003e\n\u003cp\u003e50D is a \u003cstrong\u003eslow EI 50 film\u003c\/strong\u003e, so it is better suited to good light than darker conditions.\u003c\/p\u003e\n\u003cp\u003eExpect very fine grain, strong detail and a daylight-balanced colour response. The film also has its characteristic halation, which can appear as a soft red glow around bright point light sources.\u003c\/p\u003e\n\u003cp\u003eIt is a good option if you want something cleaner and more detailed than a typical ISO 400 film, while still having a recognisable CineStill character.\u003c\/p\u003e\n\u003ch2\u003eDeveloping\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eC-41 colour processing recommended.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCineStill 50D is prepared for C-41 processing and can also be processed using ECN-2 chemistry.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDeveloping\/scanning:\u003c\/strong\u003e Add developing and scanning below before checkout.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701184512054,"sku":"S404962","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Cinestill50D-Colour-36exp1.png?v=1790038352"},{"product_id":"ektachrome-100d-super-8","title":"Kodak EKTACHROME 100D Super 8","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak EKTACHROME 100D is Super 8 with a difference. Instead of producing a colour negative, it creates a positive colour image directly on the film.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at EI 100 and balanced for daylight, it's made for bright conditions where its fine grain, sharp detail and rich colour can really shine. Landscapes, travel, outdoor portraits and sunny-day filmmaking are all right at home here.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eBecause it's reversal film, the developed strip is the finished positive image. Hold it up to the light and you're looking directly at the colours you captured, rather than the orange negative you get from Kodak's VISION3 stocks.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach cartridge contains \u003cstrong\u003e50 feet \/ 15 metres of film\u003c\/strong\u003e, giving you around three minutes of footage depending on your shooting frame rate.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eSuper 8 filmmaking\u003c\/li\u003e\n\u003cli\u003eDaylight shooting\u003c\/li\u003e\n\u003cli\u003eTravel films\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eOutdoor portraits\u003c\/li\u003e\n\u003cli\u003eMusic videos\u003c\/li\u003e\n\u003cli\u003eShort films\u003c\/li\u003e\n\u003cli\u003eProjection\u003c\/li\u003e\n\u003cli\u003eArchival film projects\u003c\/li\u003e\n\u003cli\u003eFilmmakers who want a positive image on the original film\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003efine grain, crisp detail, rich colour and more contrast than a colour negative stock\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe biggest difference is that EKTACHROME is \u003cstrong\u003ereversal film\u003c\/strong\u003e. After processing, the film itself contains a positive colour image that can be viewed directly or projected with compatible equipment.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThat also means exposure needs a little more care. Colour reversal film has less exposure latitude than Kodak's VISION3 negative stocks, so getting your exposure right in-camera matters more.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eKodak rates EKTACHROME 100D at \u003cstrong\u003eEI 100 under 5500K daylight\u003c\/strong\u003e. Under 3200K tungsten lighting, Kodak specifies an \u003cstrong\u003e80A filter and EI 25\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eE-6 colour reversal processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis is an important distinction from the VISION3 Super 8 films we've just done.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003e50D, 200T and 500T:\u003c\/strong\u003e ECN-2 colour negative processing\u003cbr\u003e\u003cstrong\u003eEKTACHROME 100D:\u003c\/strong\u003e E-6 colour reversal processing\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eKodak specifies \u003cstrong\u003eProcess E-6\u003c\/strong\u003e for EKTACHROME 100D 7294.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eOnce developed, the original film contains the finished positive image. It can be scanned to a digital file for editing and sharing, but unlike negative film, scanning isn't required simply to see a positive image.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701185757238,"sku":"7346179","price":130.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Super8Ektachrome100D1.png?v=1790058748"},{"product_id":"ektacolor-800-35mm-single-regular","title":"Kodak Ektacolor Pro 800","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak Ektacolor Pro 800 is a fast 35mm colour negative film made for low light, changing conditions and situations where you need a little more speed.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts ISO 800 rating makes it particularly useful for indoor photography, evening light, events, street photography and moving subjects. Despite the higher speed, it maintains fine grain, good sharpness and smooth tonal reproduction.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eColour is natural and balanced rather than heavily saturated, with particularly good reproduction of skin tones. That makes it a strong choice for portraits and people, but its combination of speed and wide exposure latitude also makes it useful for travel, sport and general photography.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach roll gives you 36 exposures and develops using standard C-41 colour processing. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eLow-light photography\u003c\/li\u003e\n\u003cli\u003eIndoor photography\u003c\/li\u003e\n\u003cli\u003eEvening and night shooting\u003c\/li\u003e\n\u003cli\u003ePortraits and people\u003c\/li\u003e\n\u003cli\u003eWeddings and events\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eMoving subjects\u003c\/li\u003e\n\u003cli\u003eChanging light conditions\u003c\/li\u003e\n\u003cli\u003ePhotographers wanting extra speed without giving up natural colour\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003enatural colour, smooth tones and fine grain for an ISO 800 film\u003c\/strong\u003e, with enough speed to keep shooting when slower colour films start to struggle.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe daylight balance makes it versatile across a wide range of situations rather than limiting it to artificial or tungsten light. Its ISO 800 speed also gives you more freedom to use faster shutter speeds when photographing people or moving subjects.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eKodak specifically highlights its wide exposure latitude, natural skin tones and balanced colour, making this a flexible high-speed option rather than a film built around a heavy or exaggerated colour look. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEktacolor Pro 800 uses standard C-41 chemistry, so it can be developed by labs offering regular colour negative processing.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701185855542,"sku":"729464S","price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/KodakEktacolorPro800-36exp_35FRONT.png?v=1790041841"},{"product_id":"fujifilm-200","title":"Fujifilm 200","description":"\u003ch2 dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eProduct Description\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eFujifilm 200 is an easy-going 35mm colour negative film made for everyday photography.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eWith an ISO 200 speed, it works particularly well outdoors in daylight and gives you a good balance between fine grain and enough flexibility for changing conditions. Colours are vivid without being difficult to work with, with natural-looking skin tones and good sharpness across the frame.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts wide exposure latitude also makes it a forgiving choice if you're newer to shooting film. Load it for holidays, weekends, portraits, street photography or simply keeping a camera with you for whatever happens.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach roll gives you 36 exposures and develops using the standard C-41 colour process. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEveryday photography\u003c\/li\u003e\n\u003cli\u003eTravel and holidays\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003ePortraits and people\u003c\/li\u003e\n\u003cli\u003eFamily photos\u003c\/li\u003e\n\u003cli\u003eOutdoor photography\u003c\/li\u003e\n\u003cli\u003eSunny and overcast daylight\u003c\/li\u003e\n\u003cli\u003eIndoor photography with flash\u003c\/li\u003e\n\u003cli\u003eBeginners getting into 35mm film\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003ebalanced, vivid colour, fine grain and good sharpness\u003c\/strong\u003e without the film feeling overly specialised.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eISO 200 sits nicely between slower ISO 100 films and faster ISO 400 options. There is enough speed for a wide range of daytime situations while still keeping the grain relatively fine.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFujifilm also gives the film wide exposure latitude, making it more forgiving when your exposure isn't absolutely perfect. Its natural skin-tone reproduction makes it particularly useful for people, holidays and general everyday photography. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis is a standard colour negative film and can be developed by labs offering normal C-41 processing.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701187919926,"sku":"V375065","price":18.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/35mm_Fuji_200_18_FRONT_B8B2A9_2048_corrected.png?v=1790040680"},{"product_id":"fujifilm-400","title":"Fujifilm 400","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eFujifilm 400 is a versatile 35mm colour negative film made for everyday shooting and changing light.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts ISO 400 speed gives you more flexibility than slower films, making it a good option for everything from sunny days and overcast afternoons to indoor photography with flash. It produces vibrant, natural colour with good sharpness, fine grain and pleasing skin tones.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe extra speed also makes Fujifilm 400 handy for street photography, travel, family photos and moving subjects where you might need a faster shutter speed.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's an easy film to keep loaded in your camera when you don't know exactly what the day will bring, with enough exposure latitude to make it a forgiving choice for newer film photographers as well as experienced shooters. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEveryday photography\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eTravel and holidays\u003c\/li\u003e\n\u003cli\u003ePortraits and people\u003c\/li\u003e\n\u003cli\u003eFamily photos\u003c\/li\u003e\n\u003cli\u003eMoving subjects\u003c\/li\u003e\n\u003cli\u003eOvercast conditions\u003c\/li\u003e\n\u003cli\u003eIndoor photography with flash\u003c\/li\u003e\n\u003cli\u003eBeginners looking for a versatile first film\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003evibrant, natural colour, fine grain and good sharpness\u003c\/strong\u003e from a film designed to work across a broad range of everyday situations.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eISO 400 gives you more flexibility when the light drops than Fujifilm 200, making it easier to use later in the day, under cloud cover or when photographing moving subjects.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFujifilm also gives the film wide exposure latitude and emphasises its natural reproduction of skin tones, making it a particularly useful all-rounder when you want to load a camera and simply get out and shoot. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFujifilm 400 uses the standard C-41 colour negative process, so it can be developed by labs offering regular colour film processing.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701188018230,"sku":"158525R","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Fuji400-36exp-_25FRONT.jpgfront.png?v=1790041021"},{"product_id":"harman-switch-azure-125-regular","title":"Harman Switch Azure 125","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eHarman Switch Azure 125 is a colour film designed to make familiar scenes look anything but familiar.\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRather than reproducing colours normally, Switch Azure deliberately changes how colours are recorded. Harman describes the effect as switching the colour channels, so blues can appear orange, reds can move towards purple and blue, and yellow tones can become vivid azure. Skin tones can also shift dramatically. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe result depends heavily on what's in front of the camera, the available light and how the film is scanned. That means there isn't one fixed \"Azure look\". A blue sky, a red car, green foliage or a sunset can all behave differently, which is part of the fun.\u003c\/p\u003e\n\u003cp\u003eHarman recommends shooting at \u003cstrong\u003eISO 125\u003c\/strong\u003e, generally outdoors and metering for the mid-tones. A little exposure bracketing is worth considering when you're getting to know the film, particularly in brighter or more difficult lighting. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis is not the film to reach for when you want accurate, natural colour. It's for experimenting, playing with colour and seeing what happens.\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eCreative photography, street photography, travel, landscapes, fashion, unusual portraits, architecture and projects where you want unpredictable colour.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e36 exposures at ISO 125.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eExpect \u003cstrong\u003estrong and sometimes surprising colour shifts\u003c\/strong\u003e rather than natural colour reproduction. Blues, reds, yellows and skin tones can all be transformed, and the final result can change depending on the scanner used. Harman specifically notes that different scanning equipment and methods can produce noticeably different results. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIf you're shooting it for the first time, don't be afraid to bracket a few important frames. The unpredictable nature is part of what makes this film interesting.\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eC-41 colour negative processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSwitch Azure is designed to be processed using standard C-41 chemistry, so it can go through a normal colour negative processing workflow. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eScanning is where things get particularly interesting. Harman provides guidance for adjusting scanner settings, and different scanners can produce noticeably different colour results from the same negative.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701188706358,"sku":"2128510","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/35mm_Azure_25_FRONT_B8B2A9_2048.png?v=1790037831"},{"product_id":"instax-mini-20-sheets","title":"Fujifilm Instax Mini Instant Film 20","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eFujifilm Instax Mini film gives you small, credit-card-sized instant photos that develop right in front of you.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis 20-sheet twin pack contains two 10-shot cartridges, giving you 20 photos in total. Each print has the familiar white Instax border with a glossy colour image inside.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at ISO 800, it's designed to work across a broad range of everyday situations, from daylight and parties to portraits and nights out with flash.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEasy to load, easy to shoot and made for all Instax Mini cameras and compatible printers. Keep a pack handy and you're ready for another 20 shots. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEveryday instant photography\u003c\/li\u003e\n\u003cli\u003eParties and events\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eFamily photos\u003c\/li\u003e\n\u003cli\u003eNights out\u003c\/li\u003e\n\u003cli\u003eScrapbooks and photo albums\u003c\/li\u003e\n\u003cli\u003eGiving prints to friends\u003c\/li\u003e\n\u003cli\u003eInstax Mini cameras\u003c\/li\u003e\n\u003cli\u003eInstax Mini printers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003ebright colour, natural-looking skin tones and the classic white-border Instax Mini look\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach finished print is approximately credit-card sized at \u003cstrong\u003e54 × 86mm\u003c\/strong\u003e, with the actual image measuring \u003cstrong\u003e46 × 62mm\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe film is rated at \u003cstrong\u003eISO 800\u003c\/strong\u003e, giving compatible Instax Mini cameras plenty of flexibility for everyday shooting. Fujifilm specifies a working temperature range of approximately \u003cstrong\u003e5°C to 40°C\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eNo lab processing required.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eInstax Mini is self-developing instant film. Once the camera ejects the photograph, the image develops automatically.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eDevelopment time varies with temperature and conditions. Fujifilm's current Instax Mini camera specifications quote approximately \u003cstrong\u003e90 seconds\u003c\/strong\u003e under normal conditions.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701189296182,"sku":"84524","price":30.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/FujifilmInstaxmini-2Pack-2.png?v=1790055350"},{"product_id":"instax-wide-10-sheets","title":"Fujifilm Instax Wide Instant Film","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eFujifilm Instax Wide film gives you bigger instant photos with plenty of room for people, places and everything else you want to fit in the frame.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach cartridge gives you 10 wide-format colour photos with the familiar white Instax border. At \u003cstrong\u003e86 × 108mm\u003c\/strong\u003e, the finished prints are noticeably larger than Instax Mini, making Wide a great choice for group shots, landscapes, events and photos where you want to see a little more.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at ISO 800, it's designed to handle a broad range of everyday shooting conditions, with vibrant colour and natural-looking skin tones.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eLoad a cartridge into a compatible Instax Wide camera, take the shot and watch the image develop in front of you. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEveryday instant photography\u003c\/li\u003e\n\u003cli\u003eGroup photos\u003c\/li\u003e\n\u003cli\u003eParties and events\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eFamily photos\u003c\/li\u003e\n\u003cli\u003eWider compositions\u003c\/li\u003e\n\u003cli\u003eInstax Wide cameras\u003c\/li\u003e\n\u003cli\u003eCompatible Instax Wide printers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003ebright colour, natural-looking skin tones and a much larger image than Instax Mini\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach print measures \u003cstrong\u003e86 × 108mm\u003c\/strong\u003e, with an actual image area of \u003cstrong\u003e62 × 99mm\u003c\/strong\u003e. That wider frame gives you more room for groups, landscapes and scenes where the surroundings are part of the photograph. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe film is rated at \u003cstrong\u003eISO 800\u003c\/strong\u003e and works in temperatures from approximately \u003cstrong\u003e5°C to 40°C\u003c\/strong\u003e, making it flexible enough for most everyday shooting situations. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eNo lab processing required.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eInstax Wide is self-developing instant film. The photograph is automatically ejected from the camera or printer and develops on its own.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFujifilm currently quotes approximately \u003cstrong\u003e90 seconds\u003c\/strong\u003e for image development, although temperature and conditions can affect development time.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701189394486,"sku":"84525","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/FujifilmInstaxWide-800-2Pack-2.png?v=1790056962"},{"product_id":"kodak-colorplus-200","title":"Kodak ColorPlus 200","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak ColorPlus 200 is a straightforward, affordable 35mm colour film made for everyday photography.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts ISO 200 speed works best in good daylight, giving you fine grain, good sharpness and natural colour without making things complicated. It's an easy film to load for a sunny weekend, holiday, walk around the neighbourhood or just keeping a camera handy for everyday moments.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eColourPlus has enough exposure latitude to handle a range of normal shooting conditions, while its slower ISO 200 speed helps keep grain relatively fine. It works particularly well for people, landscapes, travel and general outdoor photography.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach roll gives you 36 exposures and uses standard C-41 colour processing. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEveryday photography\u003c\/li\u003e\n\u003cli\u003eTravel and holidays\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003ePortraits and people\u003c\/li\u003e\n\u003cli\u003eFamily photos\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eSunny and overcast days\u003c\/li\u003e\n\u003cli\u003eIndoor photography with flash\u003c\/li\u003e\n\u003cli\u003eBeginners getting into 35mm film\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003enatural colour, fine grain and good sharpness\u003c\/strong\u003e from an uncomplicated everyday colour film.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt ISO 200, ColorPlus likes a reasonable amount of light. It's a particularly good fit for daytime shooting, while electronic flash gives you more flexibility indoors. Kodak describes it as having wide exposure latitude, making it useful across a variety of general picture-taking situations. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eCompared with faster ISO 400 films, you give up some low-light flexibility in exchange for a slower, fine-grained everyday film.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eColorPlus 200 uses standard C-41 chemistry, so it can be developed by labs offering regular colour film processing.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701190672438,"sku":"284907W","price":18.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/35mmKodakColorPlus_18FRONT_2.png?v=1790041276"},{"product_id":"kodak-ektar-100","title":"Kodak Professional EKTAR 100 35mm","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eKodak Professional EKTAR 100 is a fine-grain colour negative film made for sharp, detailed images with rich, saturated colour.\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAt ISO 100, it is a slower film than something like Kodak Gold 200 or Portra 400, making it particularly well suited to bright daylight and controlled lighting. In return, you get exceptionally fine grain, high sharpness and excellent detail from a 35mm negative. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEKTAR 100 has a noticeably vivid colour character, making it a great fit for landscapes, travel, nature, fashion and product photography. It is also particularly good for scanning, where its fine grain and high resolving power allow you to get plenty of detail from the negative. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt's a good choice when you want your images to feel crisp, colourful and detailed rather than soft or muted.\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eDaylight photography, landscapes, travel, nature, architecture, fashion, product photography and detailed subjects.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e36 exposures at ISO 100.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEKTAR 100 produces very fine grain with strong sharpness and vivid colour. Because it is ISO 100, it benefits from plenty of available light, particularly outdoors during the day.\u003c\/p\u003e\n\u003cp\u003eIt is also a particularly strong choice if you're planning to scan your negatives, with Kodak specifically highlighting its enlargement and scanning capabilities. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eC-41 colour negative processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEKTAR 100 should be processed using the standard C-41 colour negative process. Kodak's technical documentation specifies C-41 processing using KODAK FLEXICOLOR chemistry. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701190967350,"sku":"4123682","price":31.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/KodakEktar100-36exp_30FRONT.png?v=1790035659"},{"product_id":"kodak-gold-200","title":"Kodak Gold 200","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak Gold 200 is a classic everyday 35mm colour film known for warm colour, pleasing skin tones and an easy-going look.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts ISO 200 speed makes it a great choice for shooting outdoors in daylight, with enough flexibility for sunny days, holidays, portraits, street photography and everyday moments. Grain stays relatively fine, while colours have the warmth and saturation that have made Kodak Gold a familiar favourite.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eGold 200 is also a forgiving film to shoot, making it a good starting point if you're getting into 35mm photography. Load it into your camera, head outside and don't overthink it.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach roll gives you 36 exposures and uses standard C-41 colour processing. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEveryday photography\u003c\/li\u003e\n\u003cli\u003eTravel and holidays\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003ePortraits and people\u003c\/li\u003e\n\u003cli\u003eFamily photos\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eSunny days\u003c\/li\u003e\n\u003cli\u003eOutdoor photography\u003c\/li\u003e\n\u003cli\u003eIndoor photography with flash\u003c\/li\u003e\n\u003cli\u003eBeginners getting into 35mm film\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003ewarm colour, pleasing skin tones and relatively fine grain\u003c\/strong\u003e, with a familiar colour negative look that works particularly well in daylight.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt ISO 200, Gold sits in a useful middle ground. You get finer grain than many faster ISO 400 films while retaining more flexibility than slower ISO 100 options.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt is happiest when there is a reasonable amount of light, making it a particularly good film for daytime shooting, travel and keeping a camera with you on a sunny weekend.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eKodak Gold 200 uses standard C-41 colour negative processing.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701191196726,"sku":"584686Y","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/KodakGold200-36-exp1.png?v=1790042278"},{"product_id":"kodak-gold-200-3-pack","title":"Kodak Gold 200 3-Pack, 24 Exposure","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak Gold 200 is a classic everyday colour film known for warm colour, fine grain and an easy-going look. This pack gives you three 24-exposure rolls, with 72 shots in total.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts ISO 200 speed is a great fit for daylight, holidays, weekends away and keeping a camera handy for everyday moments. Colours have the warmth and saturation Kodak Gold is known for, with pleasing skin tones and enough sharpness and detail for scanning or enlargements.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eGold 200 also has wide exposure latitude, making it forgiving if your exposure isn't absolutely perfect. That makes it a particularly easy film to get along with if you're newer to shooting 35mm.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThree rolls means you can load up for a trip or keep a couple spare in the bag without having to think too much about it.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEveryday photography\u003c\/li\u003e\n\u003cli\u003eTravel and holidays\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003ePortraits and people\u003c\/li\u003e\n\u003cli\u003eFamily photos\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eSunny days\u003c\/li\u003e\n\u003cli\u003eWeekends away\u003c\/li\u003e\n\u003cli\u003eBeginners getting into 35mm film\u003c\/li\u003e\n\u003cli\u003eKeeping a few spare rolls in the bag\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003ewarm colour, vibrant saturation, fine grain and good sharpness\u003c\/strong\u003e with the familiar Kodak Gold look.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eISO 200 works particularly well in daylight and gives you relatively fine grain while still being flexible enough for a range of normal outdoor conditions.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eKodak specifies wide exposure latitude, including tolerance of up to two stops underexposure and three stops overexposure, making Gold 200 a forgiving everyday film. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach roll has \u003cstrong\u003e24 exposures rather than 36\u003c\/strong\u003e, so the full three-pack gives you \u003cstrong\u003e72 exposures\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eKodak Gold 200 uses standard C-41 colour negative processing.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701191295030,"sku":"B862967","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/3-PackKodakGold24-exp1.png?v=1790043753"},{"product_id":"kodak-power-flash-39-exp-regular","title":"Kodak Power Flash 39 Exposure","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe Kodak Power Flash is a simple disposable camera with \u003cstrong\u003e39 shots of ISO 800 colour film\u003c\/strong\u003e and a stronger built-in flash for when the light starts to disappear.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEverything's already loaded and ready to go. There's no focusing, exposure settings or film loading to think about. Wind the film on, frame your shot and press the shutter.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe ISO 800 film gives you plenty of flexibility for everyday shooting, while the Power Flash reaches up to around \u003cstrong\u003e4.5 metres\u003c\/strong\u003e, making it particularly handy for parties, nights out, weddings and indoor shots where a standard disposable flash can struggle. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAnd with 39 exposures, you've got a few more chances to get the shot before handing the camera over for developing.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eParties\u003c\/li\u003e\n\u003cli\u003eWeddings\u003c\/li\u003e\n\u003cli\u003eNights out\u003c\/li\u003e\n\u003cli\u003eFestivals\u003c\/li\u003e\n\u003cli\u003eHolidays and travel\u003c\/li\u003e\n\u003cli\u003eIndoor photography\u003c\/li\u003e\n\u003cli\u003eLow-light situations\u003c\/li\u003e\n\u003cli\u003eEvents\u003c\/li\u003e\n\u003cli\u003eFirst-time film shooters\u003c\/li\u003e\n\u003cli\u003eAnyone wanting a simple camera with plenty of shots\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003eclassic disposable-camera photos, plenty of grain and a little more flexibility in lower light thanks to the ISO 800 film and stronger flash\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe camera uses a fixed-focus lens, so there's no autofocus or manual focusing to worry about. Keep your subject roughly \u003cstrong\u003e1 metre or further away\u003c\/strong\u003e, and let the camera do the rest. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe Power Flash is the main point of difference here. Kodak specifies a range of approximately \u003cstrong\u003e1.2 to 4.5 metres\u003c\/strong\u003e, compared with the standard FunSaver flash range of around 1.2 to 3.5 metres. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eStandard C-41 colour film processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eOnce you've finished all 39 exposures, bring the whole camera in for processing. The colour negative film inside is removed from the camera and developed using standard C-41 chemistry. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe negatives can then be scanned so you've got digital copies ready to save, share and print.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701192245302,"sku":"1700514","price":39.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Kodakpowerflash-39exp-800-2.png?v=1790078085"},{"product_id":"kodak-ultramax","title":"Kodak UltraMax 400","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak UltraMax 400 is a versatile 35mm colour film made for everyday shooting, especially when you don't know exactly what the light is going to do.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts ISO 400 speed gives you plenty of flexibility, from sunny days and overcast afternoons to indoor photography with flash. It produces vivid colour, fine grain and good sharpness, while the extra speed makes it easier to photograph moving subjects or keep shooting as the light starts to drop.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eUltraMax is an easy film to keep loaded in your camera for travel, street photography, family photos, weekends away or simply carrying a camera around every day.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIf you want one colour film that can handle a bit of everything without having to think too much about it, UltraMax 400 is a solid place to start. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEveryday photography\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eTravel and holidays\u003c\/li\u003e\n\u003cli\u003eFamily photos\u003c\/li\u003e\n\u003cli\u003ePortraits and people\u003c\/li\u003e\n\u003cli\u003eMoving subjects\u003c\/li\u003e\n\u003cli\u003eOvercast conditions\u003c\/li\u003e\n\u003cli\u003eLower-light situations\u003c\/li\u003e\n\u003cli\u003eIndoor photography with flash\u003c\/li\u003e\n\u003cli\u003eBeginners getting into 35mm film\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003evivid colour, fine grain and good sharpness\u003c\/strong\u003e, with the added flexibility of ISO 400.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eCompared with slower films such as Kodak Gold 200, UltraMax gives you more room to work when the light drops and makes it easier to use faster shutter speeds for moving subjects.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eKodak specifically highlights its improved low-light performance, extended flash range and ability to help reduce the effects of camera shake. That makes it a particularly useful general-purpose film when you're likely to encounter different conditions throughout the day. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eUltraMax 400 uses standard C-41 colour negative processing.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701193293878,"sku":"755061N","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/KodakUltramax-400-36-exp_25FRONT_1.png?v=1790042711"},{"product_id":"kodak-ultramax-3-pack-24exp","title":"Kodak UltraMax 400, 24 Exposure 3-Pack","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eKodak UltraMax 400 is a versatile colour film designed to handle everyday photography across a wide range of lighting conditions.\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRated at ISO 400, it gives you more flexibility than slower colour films when the light starts to drop. It's suitable for outdoor photography, indoor shooting, low light with flash and moving subjects, while still producing fine grain, vivid colour and sharp detail. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis version comes as a \u003cstrong\u003e3-pack of 24-exposure rolls\u003c\/strong\u003e, giving you 72 exposures in total. It's a practical option for holidays, travel, weekends and general everyday shooting when you want a few rolls ready to go.\u003c\/p\u003e\n\u003cp\u003eUltraMax has a brighter, more saturated colour character than films aimed at softer or more restrained colour reproduction, making it a good fit for people, travel, street photography and colourful outdoor scenes. Kodak describes it as an everyday film designed to perform across a wide range of shooting conditions. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eEveryday photography, travel, holidays, street photography, family photos, outdoor shooting, indoor photography, low light with flash and action.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e3 × 24 exposure rolls, giving you 72 exposures in total.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUltraMax 400 is a useful all-rounder when you don't know exactly what lighting you'll encounter. ISO 400 gives you a good balance between daylight use and additional flexibility indoors or later in the day.\u003c\/p\u003e\n\u003cp\u003eExpect \u003cstrong\u003ebright, saturated colour, fine grain and good sharpness\u003c\/strong\u003e, with the extra speed helping to reduce the effects of camera shake and extend flash range. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eC-41 colour negative processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUltraMax 400 is designed for standard C-41 processing. Kodak's technical documentation specifies processing with KODAK FLEXICOLOR chemistry.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701193392182,"sku":"9552820","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/3-PackKodakUltramax24-exp1.png?v=1790037560"},{"product_id":"lomography-tiger-200-regular","title":"Lomography Color Tiger 200","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eLomography Color Tiger 200 packs bright colour and plenty of character into the tiny 110 film format.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at ISO 200, it's best suited to daylight and bright conditions, producing vibrant colour with the grain and slightly lo-fi character that makes 110 photography so much fun. It's an easy film to load into a \u003cstrong\u003ecompatible 110 camera\u003c\/strong\u003e and gives you 24 exposures per cartridge.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eColor Tiger works particularly well for holidays, sunny days, street photography and everyday snapshots. Indoors or after dark, you'll want plenty of available light or a flash to help it along.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIf you've got an old 110 pocket camera sitting around or you're shooting something newer like a Lomomatic 110, Tiger 200 is an easy way to get it loaded and shooting again. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e110 pocket cameras\u003c\/li\u003e\n\u003cli\u003eEveryday snapshots\u003c\/li\u003e\n\u003cli\u003eTravel and holidays\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eSunny days\u003c\/li\u003e\n\u003cli\u003eOutdoor photography\u003c\/li\u003e\n\u003cli\u003eVintage 110 cameras\u003c\/li\u003e\n\u003cli\u003eModern 110 cameras\u003c\/li\u003e\n\u003cli\u003ePhotographers who like visible grain and a lo-fi feel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003evibrant colour, noticeable grain and plenty of 110 character\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eISO 200 makes Tiger a good match for daylight and reasonably bright conditions. Lomography describes its colour as warm pastels and vibrant hues, with particularly good results outdoors in sunlight. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eBecause the 110 negative is much smaller than 35mm, grain becomes more noticeable when images are enlarged. That's part of the format's character rather than something this film is trying to hide.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFor darker conditions, using a flash will help get the best from it. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eColor Tiger 200 uses standard C-41 colour negative chemistry. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701196570678,"sku":"978027V","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/110LomographyTiger200-24exp1.png?v=1790046332"},{"product_id":"super-8-200t","title":"Kodak VISION3 200T Super 8","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak VISION3 200T is a versatile Super 8 colour film that sits neatly between the bright-daylight 50D and faster low-light 500T.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at EI 200 and balanced for tungsten light, it's particularly useful for interiors, controlled lighting and situations where the light can change throughout the day. Kodak designed it to give you the flexibility of a 200-speed film while keeping grain closer to what you'd expect from a slower stock.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThere's plenty of latitude in the highlights and good detail through the shadows, making it a forgiving choice when you're working quickly or moving between different lighting conditions.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach cartridge contains \u003cstrong\u003e50 feet \/ 15 metres of film\u003c\/strong\u003e, giving you around three minutes of footage depending on your shooting frame rate.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eSuper 8 filmmaking\u003c\/li\u003e\n\u003cli\u003eIndoor shooting\u003c\/li\u003e\n\u003cli\u003eControlled lighting\u003c\/li\u003e\n\u003cli\u003eAvailable light\u003c\/li\u003e\n\u003cli\u003eMixed lighting conditions\u003c\/li\u003e\n\u003cli\u003eTravel films\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eMusic videos\u003c\/li\u003e\n\u003cli\u003eShort films\u003c\/li\u003e\n\u003cli\u003eDocumentary work\u003c\/li\u003e\n\u003cli\u003eFilmmakers wanting a versatile middle-speed stock\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003efine grain, good shadow detail, plenty of highlight latitude and a balanced cinematic look\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eVISION3 200T is balanced for \u003cstrong\u003e3200K tungsten light\u003c\/strong\u003e and rated at \u003cstrong\u003eEI 200\u003c\/strong\u003e under tungsten illumination. Kodak recommends an \u003cstrong\u003e85 filter and EI 125\u003c\/strong\u003e when shooting under 5500K daylight if you want to maintain the intended colour balance. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's a useful middle ground in Kodak's VISION3 Super 8 range. You get more speed than 50D without moving all the way to 500T, making 200T particularly versatile when conditions aren't completely predictable.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eECN-2 motion picture processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eKodak specifies \u003cstrong\u003eECN-2\u003c\/strong\u003e processing for VISION3 200T Super 8 film. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eOnce processed, the film will normally also need to be scanned to a digital file for viewing, editing and sharing.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701204107318,"sku":"1198999","price":80.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Super8200T1.png?v=1790057949"},{"product_id":"super-8-500t","title":"Kodak VISION3 500T Super 8","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak VISION3 500T is the fastest colour film in Kodak's Super 8 VISION3 range, made for shooting when there isn't much light to work with.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at EI 500 and balanced for tungsten light, it's particularly at home indoors, after dark and anywhere you're working with available or artificial light. The extra speed makes it easier to keep filming as the light drops, while VISION3 technology helps retain detail through the shadows and highlights.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e500T also has plenty of character in Super 8. Expect more visible grain than 50D or 200T, but that's part of what makes it such a good match for night streets, live music, interiors and atmospheric filmmaking.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach cartridge contains \u003cstrong\u003e50 feet \/ 15 metres of film\u003c\/strong\u003e, giving you around three minutes of footage depending on your shooting frame rate. Kodak confirms its Super 8 cartridges contain 50 feet of professional motion picture film. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eSuper 8 filmmaking\u003c\/li\u003e\n\u003cli\u003eLow-light shooting\u003c\/li\u003e\n\u003cli\u003eNight photography and filmmaking\u003c\/li\u003e\n\u003cli\u003eInteriors\u003c\/li\u003e\n\u003cli\u003eAvailable light\u003c\/li\u003e\n\u003cli\u003eStreet scenes after dark\u003c\/li\u003e\n\u003cli\u003eLive music\u003c\/li\u003e\n\u003cli\u003eEvents\u003c\/li\u003e\n\u003cli\u003eMusic videos\u003c\/li\u003e\n\u003cli\u003eShort films\u003c\/li\u003e\n\u003cli\u003eAtmospheric and cinematic projects\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003estrong low-light performance, visible Super 8 texture, good shadow detail and plenty of highlight latitude\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e500T is Kodak's fastest current VISION3 Super 8 stock. Kodak specifically rates its suitability highest for \u003cstrong\u003elimited tungsten light\u003c\/strong\u003e, while also recommending it for interiors and well-lit studio environments. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's balanced for \u003cstrong\u003e3200K tungsten light at EI 500\u003c\/strong\u003e. For colour-corrected shooting under 5500K daylight, Kodak specifies an \u003cstrong\u003e85 filter and EI 320\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eCompared with 50D and 200T, you'll see more grain, particularly in the small Super 8 frame, but you gain substantially more flexibility when light levels drop.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eECN-2 motion picture processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eVISION3 500T is designed for Kodak's \u003cstrong\u003eECN-2 process\u003c\/strong\u003e and retains its remjet backing. It should therefore be sent to a lab equipped for motion picture film processing. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eOnce developed, Super 8 colour negative film will normally also be scanned to a digital file for viewing, editing and sharing.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701204205622,"sku":"654598C","price":80.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Super8500T1.png?v=1790058365"},{"product_id":"super-8-50d","title":"Kodak VISION3 50D","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak VISION3 50D is the Super 8 film to reach for when you've got plenty of light and want to squeeze as much detail as possible out of the format.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at EI 50 and balanced for daylight, it's made for sunny days, travel, landscapes, outdoor portraits and anything else you're filming in good natural light. Its exceptionally fine grain helps keep Super 8 footage clean and detailed, while Kodak's VISION3 technology gives you plenty of latitude in highlights and shadows.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eEach cartridge contains \u003cstrong\u003e50 feet \/ 15 metres of film\u003c\/strong\u003e, giving you roughly three minutes of footage depending on your camera's frame rate.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eLoad the cartridge, shoot it, then send it for ECN-2 processing and scanning. It's proper motion-picture film in one of the easiest analogue movie formats to use.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eSuper 8 filmmaking\u003c\/li\u003e\n\u003cli\u003eBright daylight\u003c\/li\u003e\n\u003cli\u003eTravel films\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eOutdoor portraits\u003c\/li\u003e\n\u003cli\u003eWeddings and events\u003c\/li\u003e\n\u003cli\u003eMusic videos\u003c\/li\u003e\n\u003cli\u003eShort films\u003c\/li\u003e\n\u003cli\u003eCommercial and creative projects\u003c\/li\u003e\n\u003cli\u003eAnyone wanting fine grain from Super 8\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003efine grain, strong detail, natural colour and plenty of latitude\u003c\/strong\u003e, particularly when you're shooting in bright daylight.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e50D is the slowest of Kodak's current VISION3 Super 8 stocks. The lower speed means it needs considerably more light than 200T or 500T, but in return you get exceptionally fine grain and excellent image quality.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eKodak rates it at \u003cstrong\u003eEI 50 under 5500K daylight\u003c\/strong\u003e. Under tungsten lighting with an 80A conversion filter, the effective rating is \u003cstrong\u003eEI 12\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eA standard 50-foot Super 8 cartridge provides approximately \u003cstrong\u003e3 minutes 20 seconds at 18 fps\u003c\/strong\u003e, or around \u003cstrong\u003e2 minutes 30 seconds at 24 fps\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eECN-2 motion picture processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eKodak VISION3 50D is a professional colour negative motion-picture film and should be processed using \u003cstrong\u003eECN-2 chemistry\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eUnlike C-41 still film, VISION3 retains its \u003cstrong\u003eremjet backing\u003c\/strong\u003e, so it should go to a lab equipped to process motion-picture film.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFor Super 8, processing is only part of the workflow. You'll normally also need the developed film \u003cstrong\u003escanned\u003c\/strong\u003e to a digital file if you want to edit, share or view the footage digitally.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701204303926,"sku":"827677W","price":80.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Super850D1.png?v=1790057457"}],"url":"https:\/\/www.sydneysuper8.com.au\/collections\/colour.oembed?page=3","provider":"SS8","version":"1.0","type":"link"}