{"title":"Black \u0026 White","description":null,"products":[{"product_id":"delta-100-120-film-regular","title":"Ilford Delta 100","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford Delta 100 Professional is a fine-grain black and white film made for medium format photography where detail really matters.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at ISO 100, it works best when you have plenty of light or a little more control over your exposure. The slower speed keeps grain exceptionally fine, with high sharpness and plenty of detail from the larger 120 negative.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's particularly well suited to portraits, landscapes, architecture, studio work and fine art photography, where you can take your time and make the most of its clean, detailed look.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIf you're shooting medium format for the extra detail and tonal range that a larger negative gives you, Delta 100 is a natural fit.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMedium format photography\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eArchitecture\u003c\/li\u003e\n\u003cli\u003eStudio photography\u003c\/li\u003e\n\u003cli\u003eFine art photography\u003c\/li\u003e\n\u003cli\u003eDetailed subjects\u003c\/li\u003e\n\u003cli\u003eBright daylight\u003c\/li\u003e\n\u003cli\u003eControlled lighting\u003c\/li\u003e\n\u003cli\u003eHigh-quality scans and enlargements\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003eexceptionally fine grain, high sharpness and plenty of detail\u003c\/strong\u003e, with a clean and refined black and white look.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eISO 100 means Delta 100 needs more light than films like Delta 400 or HP5 Plus, but the trade-off is finer grain and greater emphasis on detail.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIlford recommends \u003cstrong\u003eEI 100 for the best overall image quality\u003c\/strong\u003e, although good results can be achieved between EI 50 and EI 200.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIn 120 format, the larger negative makes the most of those characteristics, particularly when you're scanning at high resolution or making larger prints.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eStandard black and white processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eDelta 100 can be developed in a wide range of standard black and white developers. Ilford provides development data for \u003cstrong\u003eILFOTEC DD-X, ID-11, MICROPHEN, PERCEPTOL and ILFOSOL 3\u003c\/strong\u003e, among others.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701184905270,"sku":"651654Z","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/ilforddleta100-1.png?v=1790050385"},{"product_id":"delta-100-35mm-regular","title":"Ilford Delta 100 Professional","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford Delta 100 Professional is a fine-grain ISO 100 black-and-white film made for photographers who want plenty of detail, sharpness and smooth tonal reproduction.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt is a slower film, which makes it particularly \u003cstrong\u003ewell suited to\u003c\/strong\u003e \u003cstrong\u003edaylight photography,\u003c\/strong\u003e portraits, landscapes, architecture and more considered shooting. Ilford rates it at ISO 100 and describes it as an ideal film for pictorial and fine-art photography, with good results possible across an exposure index of EI 50 to EI 200.\u003c\/p\u003e\n\u003cp\u003eThe fine grain and high level of detail make it a good choice when you want clean, highly resolved negatives without moving into an ultra-slow film. Each 35mm cassette contains 36 exposures and is DX coded for use in compatible 35mm cameras. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eDaylight photography, portraits, landscapes, architecture, street photography, fine-art work and anyone looking for fine-grain black-and-white negatives.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003eA 36-exposure roll of ISO 100 black-and-white negative film. Expect fine grain, strong sharpness and plenty of detail, particularly when shooting in good light.\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003eBlack and white negative film. Process using a standard black and white negative film developer.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701185003574,"sku":"1523787","price":28.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/DSC00299_B8B2A9_2048.png?v=1789993372"},{"product_id":"delta-400-120-film-regular","title":"Ilford Delta 400 Professional","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford Delta 400 Professional is a versatile black and white film that combines ISO 400 speed with fine grain and plenty of detail.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIn 120 format, it's a great all-round choice for medium format photography. There's enough speed to work comfortably in changing light and handheld situations, while the larger negative makes the most of Delta 400's sharpness and relatively fine grain.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt works particularly well for portraits, street photography, documentary work and everyday shooting, especially when you want more flexibility than a slower ISO 100 film without giving up too much detail.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt can also be pushed when the light starts to disappear, making Delta 400 a useful film to keep in the bag when you're not quite sure what the day will bring.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMedium format photography\u003c\/li\u003e\n\u003cli\u003eEveryday shooting\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eDocumentary photography\u003c\/li\u003e\n\u003cli\u003eAvailable-light photography\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eChanging light\u003c\/li\u003e\n\u003cli\u003eHandheld shooting\u003c\/li\u003e\n\u003cli\u003ePhotographers wanting speed without overly heavy grain\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003efine grain for an ISO 400 film, high sharpness and plenty of detail\u003c\/strong\u003e, with more flexibility in changing light than Delta 100.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt its standard \u003cstrong\u003eISO 400\u003c\/strong\u003e rating, it's an easy film to use across a broad range of situations. Ilford also states that good image quality can be achieved from \u003cstrong\u003eEI 200 through to EI 3200\u003c\/strong\u003e, with extended development required at the higher exposure indexes. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThat makes it a particularly useful middle ground in the Delta range: faster and more flexible than Delta 100, without the pronounced high-speed character of Delta 3200.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eStandard black and white processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eDelta 400 can be developed in a wide range of black and white developers. For higher exposure indexes, Ilford specifically lists \u003cstrong\u003eILFOTEC DD-X, ILFOTEC HC, MICROPHEN and ILFOTEC RT RAPID\u003c\/strong\u003e for extended development.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701185101878,"sku":"401413A","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/IlfordDelta400-B_W-120mm-1.png?v=1790050733"},{"product_id":"delta-400-35mm-regular","title":"Ilford Delta 400","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford Delta 400 Professional is a fast ISO 400 black and white film that gives you a bit more flexibility when the light starts to drop.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt combines a relatively high film speed with fine grain and good sharpness, making it a versatile choice for everyday photography, street photography, portraits and available-light shooting. It also works well when you want to keep shutter speeds up without moving all the way to a very high-speed film.\u003c\/p\u003e\n\u003cp\u003eDelta 400 is rated at ISO 400, but Ilford gives it a useful exposure range from EI 200 through to EI 3200 when processed appropriately. That makes it a particularly flexible option if you're shooting in changing light or want to deliberately push the film for a different look. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEach 35mm cassette contains 36 exposures and is DX coded for use in compatible 35mm cameras. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eStreet photography, available-light photography, portraits, everyday shooting, action, documentary work and black-and-white photography in changing light.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003eA 36-exposure roll of ISO 400 black-and-white negative film with fine grain and strong detail. A good choice when you want more speed than Delta 100 while still keeping a relatively clean, detailed negative.\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003eBlack-and-white negative film. Process using a standard black-and-white negative film developer.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701185200182,"sku":"901416N","price":28.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/DSC00304_B8B2A9_2048.png?v=1789994013"},{"product_id":"fuji-neopan-acros-100ii-regular","title":"Fuji Neopan Acros 100 II","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eFuji Neopan Acros 100 II is a \u003cstrong\u003e35mm ISO 100 black-and-white negative film\u003c\/strong\u003e known for fine grain, strong sharpness and smooth, detailed tonal reproduction.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt is a good all-round black-and-white film for everyday shooting, but really comes into its own when you want a cleaner, more detailed negative. Fujifilm designed Acros II with improved reciprocity characteristics too, making it particularly well suited to longer exposures such as night scenes, architecture and astrophotography.\u003c\/p\u003e\n\u003cp\u003eAt ISO 100, it sits comfortably in the slower end of the film range, making it a natural choice for \u003cstrong\u003edaylight photography \u003c\/strong\u003ewhen you want to take advantage of its fine grain and tonal range. Each 35mm roll provides \u003cstrong\u003e36 exposures\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eBlack \u0026amp; white photography, portraits, landscapes, architecture, street photography, detailed work and long exposures.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003eA 35mm roll of ISO 100 black-and-white negative film with 36 exposures. Fine grain and strong sharpness, with particularly good characteristics for longer exposures.\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eBlack \u0026amp; white negative film.\u003c\/strong\u003e Process using a standard black \u0026amp; white negative film developer.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701187690550,"sku":"421054D","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/35mm_Acros_100II_25_FRONT_B8B2A9_2048.png?v=1789992760"},{"product_id":"ilford-delta-3200-regular","title":"Ilford Delta 3200","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford Delta 3200 Professional is a high-speed black and white film made for shooting when there isn't much light around.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt is particularly useful for available-light photography, night scenes, concerts, street photography and fast-moving subjects where you need to keep your shutter speed up. Ilford recommends metering it at EI 3200, with good results possible across a broad range of exposure settings depending on how the film is developed. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDespite the name, Delta 3200 has an actual ISO speed rating of 1000 in daylight. The 3200 figure refers to the recommended exposure index and development approach, which is why it behaves more like a high-speed working film than a conventional ISO 3200 film. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor 35mm shooters, it comes as a DX-coded 36-exposure cassette and is designed to be pushed into situations where slower films simply aren't practical.\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eLow-light photography, night photography, concerts, street photography, documentary work, available-light portraits and fast action.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003eA 36-exposure roll of high-speed black-and-white negative film. Delta 3200 is designed to give you more freedom when shooting in difficult light, with recommended exposure indexes from EI 1600 to EI 6400.\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003eBlack-and-white negative film. Delta 3200 is designed for extended development, particularly when exposed at EI 3200 and above.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701189525558,"sku":"9629149","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/DSC00302_B8B2A9_2048.png?v=1789994487"},{"product_id":"ilford-delta-3200-120-regular","title":"Ilford Delta 3200 Professional","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford Delta 3200 Professional is a high-speed black and white film made for medium format photography when the light is working against you.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eDesigned to be shot at EI 3200, it gives you the speed to work indoors, after dark and in available light without immediately reaching for a flash. It's particularly useful for night photography, live music, events, portraits and documentary work where keeping the atmosphere of the existing light matters.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIn 120 format, the larger negative gives Delta 3200 plenty of room to show off its character. Expect visible grain and strong atmosphere, but with more detail and smoother tonal transitions than you might expect from such a fast film.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIf you want to take a medium format camera out after dark, this is the Delta film built for it.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMedium format photography\u003c\/li\u003e\n\u003cli\u003eLow-light photography\u003c\/li\u003e\n\u003cli\u003eNight photography\u003c\/li\u003e\n\u003cli\u003eAvailable-light portraits\u003c\/li\u003e\n\u003cli\u003eConcerts and live music\u003c\/li\u003e\n\u003cli\u003eIndoor photography\u003c\/li\u003e\n\u003cli\u003eStreet photography after dark\u003c\/li\u003e\n\u003cli\u003eWeddings and events\u003c\/li\u003e\n\u003cli\u003eDocumentary photography\u003c\/li\u003e\n\u003cli\u003ePhotographers who like grain and atmosphere\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003evisible grain, plenty of character and considerably more low-light flexibility\u003c\/strong\u003e than a conventional ISO 100 or 400 medium format film.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eDespite the Delta 3200 name, the film's measured ISO speed is \u003cstrong\u003eISO 1000\u003c\/strong\u003e. Ilford designed it to be exposed at higher exposure indexes, with \u003cstrong\u003eEI 3200 being the recommended starting point\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIlford particularly recommends shooting between \u003cstrong\u003eEI 1600 and EI 6400\u003c\/strong\u003e, although good results can be achieved from EI 400 through to EI 6400. It can even be exposed as high as EI 25,000 with appropriate testing and development. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe 120 format also gives you a substantially larger negative than 35mm, so Delta 3200's grain takes on a different character in medium format while still giving you the speed needed for difficult lighting.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eStandard black and white processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIlford particularly recommends \u003cstrong\u003eILFOTEC DD-X, MICROPHEN and ID-11\u003c\/strong\u003e for Delta 3200 Professional. Development time should be matched to the exposure index used.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701189656630,"sku":"2996944","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/120IlfordDelta3200B_W-1.png?v=1790049718"},{"product_id":"ilford-fp4-regular","title":"Ilford FP4 Plus 125","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford FP4 Plus 125 is a classic medium speed black and white film known for its exceptionally fine grain, strong detail and smooth tonal reproduction.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAt ISO 125, it sits in a useful middle ground for everyday shooting. It works particularly well in daylight and controlled indoor conditions, giving you plenty of detail without needing the higher speeds of films such as HP5 or Delta 3200.\u003c\/p\u003e\n\u003cp\u003eIt is also a very forgiving film. Ilford recommends metering it at EI 125, but good image quality can be achieved between EI 50 and EI 200. Ilford also notes that FP4 Plus can produce usable results when significantly overexposed or underexposed, which makes it a practical choice when you're still getting comfortable with shooting film. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor photographers who want a clean, detailed negative, FP4 Plus is a great all rounder. It suits everything from everyday photography and portraits through to landscapes, architecture and more considered fine art work.\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eEveryday photography, portraits, landscapes, architecture, street photography, fine art and detailed black and white work.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003eA 36 exposure roll of ISO 125 black and white negative film with exceptionally fine grain, strong detail and a broad practical exposure range.\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003eBlack and white negative film. Process using a standard black and white negative film developer.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701189787702,"sku":"590417J","price":20.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/DSC00297_1_B8B2A9_2048.png?v=1789995527"},{"product_id":"ilford-hp5-regular","title":"Ilford HP5 Plus 400 (Football Collectors Edition)","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford HP5 Plus 400 is one of those films that can handle just about whatever you throw at it.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAt ISO 400, it gives you enough speed for everyday shooting while still working well in lower light, making it a natural choice for street photography, portraits, documentary work and general photography. It is also particularly useful when you're not sure exactly what the light is going to do.\u003c\/p\u003e\n\u003cp\u003eOne of the reasons HP5 Plus has remained such a popular film is its flexibility. Ilford recommends shooting it at EI 400 for the best results, but it can be exposed at settings up to EI 3200 with extended development. That makes it useful when you need to push the film in darker conditions rather than reaching for a different roll. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt is a great everyday film for someone learning their way around analogue photography, but it is equally at home in professional and more deliberate shooting situations.\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eEveryday photography, street photography, portraits, documentary work, available light, action and low light.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003eA 36 exposure roll of ISO 400 black and white negative film with plenty of exposure flexibility. It can be shot at its rated speed or pushed when you need more from the available light.\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003eBlack and white negative film. Process using a standard black and white negative film developer. HP5 Plus has dedicated development times for different exposure indexes, including EI 400, 800, 1600 and 3200.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701189984310,"sku":"6343236","price":20.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/DSC00292_1_B8B2A9_2048.png?v=1789995919"},{"product_id":"ilford-hp5-400-120-regular","title":"Ilford HP5 Plus 400","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford HP5 Plus 400 is one of those black and white films you can load without needing to know exactly what the day has planned.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at ISO 400, it's fast enough for changing light, handheld shooting and available-light photography, while still giving you plenty of detail from a 120 negative. Its classic grain and rich tonal range give photographs a distinctly traditional black and white feel without being difficult to work with.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eHP5 Plus is also very forgiving. Shoot it at its standard ISO 400 for an easy everyday film, or push it when the light starts disappearing and you need the extra speed.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFor portraits, street photography, travel, documentary work or simply keeping a medium format camera loaded and ready to go, HP5 Plus is a dependable all-rounder.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMedium format photography\u003c\/li\u003e\n\u003cli\u003eEveryday shooting\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eDocumentary photography\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eAvailable-light photography\u003c\/li\u003e\n\u003cli\u003eChanging light\u003c\/li\u003e\n\u003cli\u003eHandheld shooting\u003c\/li\u003e\n\u003cli\u003ePhotographers who like a classic black and white look\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003eclassic grain, a broad tonal range and plenty of flexibility\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt ISO 400, HP5 Plus sits in a useful middle ground between slower fine-grain films and specialist high-speed films. It gives you enough speed for everyday handheld photography while maintaining plenty of detail from a medium format negative.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's also particularly flexible when pushed. Ilford states that good image quality can be achieved at meter settings from \u003cstrong\u003eEI 400 through to EI 3200\u003c\/strong\u003e, making it useful when you're moving between daylight, interiors and lower-light situations. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eCompared with the Delta range, HP5 Plus has more of a traditional black and white film character. That's part of its appeal.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eStandard black and white processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eHP5 Plus is compatible with all major black and white processing systems. When exposing it above ISO 400, development should be adjusted accordingly.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFor pushing up to EI 3200, Ilford specifically lists \u003cstrong\u003eILFOTEC DD-X, ILFOTEC HC, MICROPHEN and ILFOTEC RT RAPID\u003c\/strong\u003e for extended development.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701190082614,"sku":"512788N","price":18.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/IlfordHP5PLUS400-B_W-120mm-1.png?v=1790051067"},{"product_id":"ilford-sfx-200-regular","title":"Ilford SFX 200","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford SFX 200 is a 35mm black and white film with extended red sensitivity, giving you the option to shoot it as a conventional black and white film or use filters to create something much more unusual.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAt ISO 200, it is straightforward enough for everyday daylight photography, with a wide tonal range and full panchromatic sensitivity. The real fun starts when you add a yellow, orange or red filter. With stronger red filtration, skies can become much darker and green vegetation can take on a much lighter appearance, creating the distinctive look SFX is known for. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt is particularly interesting for landscapes, architecture, portraits and townscapes, especially in bright sunshine. It can also be used under tungsten studio lighting, making it more versatile than a film designed purely for a specific infrared effect. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSFX 200 is not true infrared film, but its extended sensitivity into the red part of the spectrum gives you some of the creative possibilities associated with infrared photography.\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eCreative black and white photography, landscapes, architecture, portraits, townscapes, bright daylight and experimenting with red filters.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003eA 36 exposure roll of ISO 200 black and white film with extended red sensitivity. Shoot it normally for conventional results, or add a red filter for much more dramatic tonal effects.\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003eBlack and white negative film. SFX 200 is compatible with normal black and white developers. Ilford recommends some experimentation with exposure when using strong filters and suggests bracketing exposures when first getting familiar with the film. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701190180918,"sku":"786657N","price":28.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/35mm_Ilford_SFX_20_FRONT_B8B2A9_2048.png?v=1789996374"},{"product_id":"ilford-xp2-120-regular","title":"Ilford XP2 Super 400","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford XP2 Super 400 gives you the look of black and white film with the convenience of standard C-41 colour processing.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at ISO 400, it's a particularly flexible medium format film with a wide exposure latitude. You can shoot it at different speeds between EI 50 and 800 and still have the roll processed normally, making it a forgiving choice when the light changes throughout the day.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe film produces fine grain, crisp detail and well-defined highlights and shadows. In 120 format, the larger negative makes the most of that detail while keeping the flexibility that makes XP2 such an easy film to live with.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's a great option if you want to shoot black and white but prefer the convenience of dropping your film into a lab for regular C-41 processing.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMedium format photography\u003c\/li\u003e\n\u003cli\u003eEveryday black and white shooting\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eDocumentary photography\u003c\/li\u003e\n\u003cli\u003eChanging lighting conditions\u003c\/li\u003e\n\u003cli\u003eScanning\u003c\/li\u003e\n\u003cli\u003ePhotographers wanting easy C-41 processing\u003c\/li\u003e\n\u003cli\u003eBeginners trying black and white film\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003efine grain, crisp detail, broad tonal range and plenty of exposure flexibility\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eXP2 Super behaves differently from a conventional black and white film. Its chromogenic emulsion forms the image using dyes during development, allowing it to be processed in standard C-41 chemistry.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt can be exposed anywhere from \u003cstrong\u003eEI 50 to EI 800 using the same standard processing\u003c\/strong\u003e. Ilford recommends EI 400 for the best overall balance of sharpness and grain, while shooting at EI 200 or even EI 50 can produce finer grain. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's also particularly well suited to scanning because its dye-based negative is compatible with Digital ICE dust and scratch removal systems. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eDespite producing black and white negatives, XP2 Super \u003cstrong\u003edoes not require conventional black and white processing\u003c\/strong\u003e. It is designed to go through standard C-41 chemistry alongside colour negative film. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThat's one of XP2's biggest advantages, particularly for photographers who want to shoot black and white but prefer the convenience and availability of standard colour-film processing.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701190246454,"sku":"R035005","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/IlfordXP2Super400-B_W-120mm-2.png?v=1790051373"},{"product_id":"ilford-xp2-400-regular","title":"Ilford XP2 Super 400","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eIlford XP2 Super 400 is a fast, fine grain black and white film with one very useful difference: it can be processed using standard C41 chemistry.\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRated at ISO 400, XP2 Super gives you the flexibility of a fast everyday film with a wide exposure latitude. Ilford recommends it from EI 50 through to 800 with standard C41 processing, making it particularly forgiving when the light is changing or you're shooting quickly.\u003c\/p\u003e\n\u003cp\u003eThe grain is fine and the negatives are sharp, with good highlight and shadow detail. It's also particularly well suited to scanning, making it a practical choice if your finished images are heading straight into a digital workflow. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe other big advantage is convenience. Although it's a true black and white film, it can be processed at labs that offer C41 colour processing, so you don't necessarily need a specialist black and white lab.\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eEveryday photography, street photography, portraits, travel, documentary work and situations where you want black and white images without the extra processing requirements of traditional black and white film.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e36 exposures at ISO 400\u003c\/strong\u003e, with fine grain, good sharpness and a generous exposure latitude. You can rate it lower for finer grain, or higher when you need more speed, while continuing to use standard C41 processing. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOne thing worth knowing before you buy: \u003cstrong\u003eXP2 Super is black and white film, but it is processed as C41 colour negative film.\u003c\/strong\u003e That's the reason it's so convenient, and also what makes it different from films such as HP5 Plus or Delta 400.\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eC41 processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is the important bit. XP2 Super should normally be processed using the standard C41 colour negative process. Ilford specifically recommends standard C41 processing and notes that the film can be processed alongside colour negative films without adjustments to the normal process. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt can produce good results with conventional black and white chemistry, but Ilford does not recommend that as the normal approach because some of the advantages of the film, including its fine grain and scanning characteristics, can be lost.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701190311990,"sku":"9415271","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/35mm_Ilford_XP2_22_FRONT_B8B2A9_2048.png?v=1789996781"},{"product_id":"kentmere-400-35mm-regular","title":"Kentmere 400","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eKentmere Pan 400 is a straightforward, versatile ISO 400 black and white film designed for everyday photography.\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt gives you the extra speed you want when the light starts to drop, while still producing fine grain, good sharpness and a broad range of tones. The wide exposure latitude also makes it a forgiving film to shoot, particularly if you're still getting used to shooting manually or working with changing light. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAt ISO 400, it's comfortable in daylight, indoors and in lower light, making it a good all-rounder for everything from street photography and portraits to travel, documentary and everyday shooting.\u003c\/p\u003e\n\u003cp\u003eKentmere 400 is also available in a range of black and white developers, so it works well whether you're developing at home or sending it through a lab. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eEveryday photography, street photography, portraits, travel, documentary work, action and available light.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e36 exposures at ISO 400\u003c\/strong\u003e, with fine grain, good sharpness and a broad tonal range. It's a relatively forgiving film, making it a good choice when you want something versatile without spending more on one of the more specialised professional stocks. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt also has useful push characteristics. Harman's technical data provides development guidance at exposure indices of 400 and 800, among others, depending on the developer used. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eStandard black and white processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKentmere Pan 400 can be processed in a wide range of black and white developers, including Ilford ID-11, Microphen, Ilfotec HC, Ilfotec DD-X and Ilfosol 3. Development times vary depending on the developer, dilution and exposure index.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701190574134,"sku":"4891784","price":20.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/DSC00290_1_B8B2A9_2048.png?v=1789997130"},{"product_id":"kodak-t-max-400-120-regular","title":"Kodak Professional T-MAX 400","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak Professional T-MAX 400 is a fast black and white film designed to give you plenty of speed without giving up fine grain or detail.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at ISO 400, it's a versatile choice for medium format photography, with enough speed for handheld shooting, changing light and available-light situations. Kodak's T-GRAIN emulsion keeps grain particularly fine for a 400-speed film, with high sharpness and plenty of detail from the larger 120 negative.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's a great fit for portraits, street photography, landscapes, documentary work and everyday shooting when you want a cleaner, more refined black and white look while still having the flexibility of ISO 400.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFor photographers who like the detail of a slower film but need a little more speed, T-MAX 400 sits in a very useful middle ground.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003e\u003cspan\u003eThis listing is for one individual roll of Kodak Professional T-MAX 400 in 120 format.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMedium format photography\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eDocumentary photography\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eAvailable-light photography\u003c\/li\u003e\n\u003cli\u003eChanging light\u003c\/li\u003e\n\u003cli\u003eHandheld shooting\u003c\/li\u003e\n\u003cli\u003eDetailed subjects\u003c\/li\u003e\n\u003cli\u003eLarger prints and high-resolution scans\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003efine grain, very high sharpness and a clean, detailed black and white look\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eT-MAX 400 uses Kodak's T-GRAIN emulsion technology, designed to deliver finer grain and greater resolving power than you'd normally associate with an ISO 400 film. Kodak currently describes it as its sharpest and finest-grained 400-speed black and white film. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe ISO 400 speed gives you considerably more flexibility than T-MAX 100 when shooting handheld or working in changing light, while still prioritising detail and enlargement quality.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt can also be pushed when you need more speed. Kodak's film literature specifically notes pushability up to \u003cstrong\u003eEI 1600\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eStandard black and white processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eT-MAX 400 can be processed in a range of standard black and white developers, including Kodak T-MAX Developer, XTOL and HC-110. Development times should be adjusted when exposing the film above its normal ISO 400 rating.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701192671286,"sku":"5639976","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/KodakT-Max400-120mm-5pack-1.png?v=1790051720"},{"product_id":"kodak-tmax-100-regular","title":"Kodak Professional T-MAX 100","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eKodak Professional T-MAX 100 is a fine grain ISO 100 black and white film built around detail, sharpness and resolution.\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt uses Kodak's T-Grain emulsion to produce extremely fine grain and very high resolving power, making it particularly good when you want to pull as much detail as possible from a 35mm negative. Kodak also gives it an expanded exposure latitude, so it has some forgiveness when your exposure isn't quite perfect. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAt ISO 100, it's naturally at home in good daylight, studio work and other situations where you have plenty of light. It's also a strong choice for landscapes, architecture, still life, portraits and detailed subjects where fine grain and sharpness matter.\u003c\/p\u003e\n\u003cp\u003eIf you're planning to make larger prints or scan your negatives at high resolution, this is where T-MAX 100 really makes sense. Kodak specifically highlights its resolving power and suitability for enlargement. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eDaylight photography, landscapes, architecture, portraits, still life, studio work, detailed subjects and high-resolution scanning or enlargement.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e36 exposures at ISO 100\u003c\/strong\u003e, with extremely fine grain, high sharpness and excellent resolving power. It's a slower film, so you'll generally want good light or a tripod when shooting at lower shutter speeds.\u003c\/p\u003e\n\u003cp\u003eKodak's technical data also gives guidance for exposing T-MAX 100 at EI 200, 400 and 800 with push processing. As you push the film further, contrast and grain increase and some shadow detail is lost, so ISO 100 remains the normal starting point for getting the highest image quality. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eStandard black and white processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eT-MAX 100 can be processed using a range of conventional black and white developers. Kodak provides development information for its own T-MAX developers as well as developers including D-76, XTOL and HC-110. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor the cleanest results, Kodak recommends normal exposure around the rated EI 100 and normal development. Push processing is possible when more speed is needed, but comes with some trade-offs in grain, contrast and shadow detail.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701192769590,"sku":"9472604","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/DSC00308_B8B2A9_2048.png?v=1789997461"},{"product_id":"kodak-tmax-3200","title":"Kodak Professional T-MAX P3200","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eKodak Professional T-MAX P3200 is a specialist black and white film built for situations where there simply isn't much light.\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt is designed for handheld street photography, night photography, live music, dimly lit venues and fast-moving subjects where using a slower film or flash isn't practical. Kodak describes it as an ultra-high-speed film, available in 36 exposure 135 format. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDespite the name, \u003cstrong\u003eP3200 is nominally ISO 800\u003c\/strong\u003e. The P stands for push, because the film is designed to be push processed to \u003cstrong\u003eEI 3200 or higher\u003c\/strong\u003e. Kodak's technical data supports exposure at EI 1600, 3200 and 6400, with higher speeds increasing contrast and graininess. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThat makes it a very different proposition from a standard ISO 400 film. You get the ability to work in genuinely difficult light, but the way the film is exposed and developed becomes more important.\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eNight photography, street photography, concerts and live music, indoor photography, available light, documentary work and fast-moving subjects in low light.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e36 exposures at 35mm.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe film's nominal speed is ISO 800, but it is designed to be pushed. At \u003cstrong\u003eEI 1600\u003c\/strong\u003e it retains good shadow detail, while \u003cstrong\u003eEI 3200 and 6400\u003c\/strong\u003e provide more speed at the expense of increased contrast and grain. Kodak also notes that P3200 can provide better shadow detail and highlight separation at EI 3200 or 6400 than a 400-speed film pushed three stops. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis is a film with a specific purpose rather than an everyday ISO 3200 stock. If you're shooting in normal daylight, there are much easier choices.\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eStandard black and white processing with development adjusted for the exposure index used.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKodak provides development data for T-MAX P3200 at EI 400, 800, 1600, 3200 and 6400 across developers including T-MAX Developer, XTOL, D-76 and HC-110. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor EI 3200, the film needs appropriate push development rather than simply processing it as standard ISO 800 film.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701192900662,"sku":"Y384162","price":30.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/DSC00314_B8B2A9_2048.png?v=1789998298"},{"product_id":"kodak-tmax-400-regular","title":"Kodak Professional T-MAX 400","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eKodak Professional T-MAX 400 is a fast, fine grain black and white film that gives you a lot of flexibility without giving up detail.\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRated at ISO 400, it's well suited to everyday shooting when you don't always have perfect light. It's a particularly useful choice for street photography, documentary work, portraits, travel and situations where you need to keep your shutter speed up.\u003c\/p\u003e\n\u003cp\u003eKodak's T-Grain emulsion gives T-MAX 400 very fine grain, high sharpness and high resolving power for a 400 speed film. That makes it a good option when you want the flexibility of ISO 400 but still want detailed negatives that can handle larger scans or enlargements. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt also has plenty of exposure latitude. Kodak's technical data says it can be exposed at EI 800 with normal development, while EI 1600 and 3200 are possible with increased development time. As you push the film further, contrast and grain increase and some shadow detail is lost. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eEveryday photography, street photography, portraits, documentary work, travel, action and available light.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e36 exposures at ISO 400\u003c\/strong\u003e, with very fine grain, strong sharpness and good detail.\u003c\/p\u003e\n\u003cp\u003eIt's a versatile film for changing conditions. Shoot it at its rated ISO 400 for the cleanest, most balanced results, or push it when you need additional speed. At EI 800 Kodak notes that high quality results are still possible with normal development, while higher settings require adjusted development. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eStandard black and white processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eT-MAX 400 can be processed using a range of conventional black and white developers. \u003cspan\u003eFor pushed exposures, development time needs to be increased according to the exposure index and developer being used.\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701192998966,"sku":"213627M","price":28.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/DSC00310_B8B2A9_2048.png?v=1789997743"},{"product_id":"kodak-tri-x-400-regular","title":"Kodak Professional Tri-X 400","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eKodak Professional Tri-X 400 is one of the classic black and white films, known for its distinctive grain, strong contrast and ability to handle a wide range of shooting conditions.\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRated at ISO 400, it's fast enough for everyday photography, available light and action, while still producing fine grain and good sharpness. It has a broad exposure latitude, making it a forgiving film when you're working quickly or dealing with changing light. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTri-X has a particularly recognisable look compared with the cleaner, more modern rendering of films such as T-MAX 400. It's a natural fit for street photography, documentary work, portraits and anything where you want the character of traditional black and white film rather than an ultra-clean negative.\u003c\/p\u003e\n\u003cp\u003eIt can also be pushed when you need more speed. Kodak lists \u003cstrong\u003eEI 1600\u003c\/strong\u003e as the maximum recommended push, with appropriate changes to development. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eStreet photography, documentary photography, portraits, travel, action, available light and everyday shooting.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e36 exposures at ISO 400\u003c\/strong\u003e, with the classic Tri-X grain structure, good sharpness and plenty of exposure latitude.\u003c\/p\u003e\n\u003cp\u003eShoot it at ISO 400 for its standard rendering, or push it when you need additional speed. Pushing Tri-X can increase contrast and grain, which is part of the reason it has remained popular for low light and documentary photography. Kodak's technical data provides development guidance for EI 800 and 1600. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eStandard black and white processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTri-X 400 can be developed using a range of black and white developers. Kodak provides starting-point development times for XTOL, D-76, HC-110 and T-MAX Developer. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor pushed exposures, development needs to be adjusted according to the exposure index and developer being used.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701193097270,"sku":"A949954","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/DSC00312_B8B2A9_2048.png?v=1789998038"},{"product_id":"lomography-orca-100-regular","title":"Lomography B\u0026W Orca 100","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eLomography Orca 100 is a black and white film made specifically for 110 pocket cameras.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at ISO 100, it's happiest with plenty of light and produces punchy monochrome images with bold contrast, deep blacks and plenty of character from the small \u003cstrong\u003e110 format.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe cartridge is tiny, easy to load and gives you 24 exposures, making Orca a fun option for vintage 110 cameras as well as newer cameras like the Lomomatic 110.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's a slower film, so daylight is where it feels most at home. Give it plenty of light and expect a distinctly analogue result with strong contrast and the grain and character that make 110 photography its own thing.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e110 pocket cameras\u003c\/li\u003e\n\u003cli\u003eDaylight photography\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eEveryday snapshots\u003c\/li\u003e\n\u003cli\u003eHigh-contrast black and white\u003c\/li\u003e\n\u003cli\u003eVintage 110 cameras\u003c\/li\u003e\n\u003cli\u003eLomomatic 110 and other modern 110 cameras\u003c\/li\u003e\n\u003cli\u003ePhotographers looking for a compact, lo-fi film format\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003ebold contrast, deep blacks and defined detail\u003c\/strong\u003e, with the distinctive character that comes from shooting such a small film format.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt ISO 100, Orca likes light. Bright daylight is ideal, while flash can help when you're shooting indoors or after dark. Lomography specifically recommends its current 110 stocks for bright conditions. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eThe 110 negative is much smaller than 35mm,\u003c\/strong\u003e so don't expect the same clean, high-resolution result as a larger film format. That's part of the appeal. The smaller negative gives 110 photography a more noticeable grain and lo-fi character. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eStandard black and white processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eOrca 100 is a conventional black and white negative film. It \u003cstrong\u003edoes not use C-41 colour processing\u003c\/strong\u003e.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701196472374,"sku":"L086611","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/110LomographyOrca100-24exp1.png?v=1790045195"},{"product_id":"lucky-pan-shd-400-regular","title":"Lucky Pan SHD 400","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eLucky Pan SHD 400 is an affordable ISO 400 black and white film with plenty of character.\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRather than chasing an ultra-clean, fine-grain look, SHD 400 has a more pronounced grain structure and a stronger tonal character that works particularly well for street photography, documentary work, portraits and everyday shooting. It is a good option if you want your negatives to retain some of the texture and personality associated with traditional black and white film. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAt ISO 400, it gives you a useful amount of speed for changing light, indoors, overcast days and general everyday photography. It can also be pushed for additional speed, although increasing the exposure index will generally bring more grain and contrast with it. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThere is also some variation in recommended shooting speed across current sources. The film is rated ISO 400, while several labs and retailers recommend trying it at ISO 200 for a little more exposure latitude. If you're shooting it for the first time, that makes ISO 200 a useful starting point to experiment with. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eStreet photography, documentary work, portraits, travel, everyday photography and situations where you want a more pronounced black and white film character.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e36 exposures at ISO 400.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eExpect visible grain, a fairly strong tonal character and good sharpness, rather than the exceptionally clean look of something like T-MAX 100. It's a straightforward film to experiment with and, at $12 a roll, a particularly accessible way to try something with a different look. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eDeveloping\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eStandard black and white processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSHD 400 can be processed using conventional black and white chemistry. D-76 is documented for the film, with other developers including HC-110 and Rodinal also commonly used. Development times vary depending on developer and the exposure index used, so follow the relevant developer's data rather than treating one time as universal. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701196767286,"sku":"B282276","price":12.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/DSC00306_B8B2A9_2048.png?v=1789998542"},{"product_id":"minox-film-regular","title":"Minox 8×11","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThis Minox 8×11 film is very rare and is made for the tiny subminiature cameras that made Minox famous.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRather than standard 35mm film, these cameras use a dedicated twin-chamber cartridge holding narrow film that produces an image just \u003cstrong\u003e8×11mm\u003c\/strong\u003e in size. The whole system was designed around making a genuinely pocket-sized camera, and today it's one of the more unusual analogue formats you can still shoot.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eNot compatible with standard 35mm cameras.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis is specialist film for compatible Minox 8×11 cameras, so check your camera model and the film details on the supplied packaging before loading.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMinox 8×11 cameras\u003c\/li\u003e\n\u003cli\u003eSubminiature photography\u003c\/li\u003e\n\u003cli\u003eVintage camera enthusiasts\u003c\/li\u003e\n\u003cli\u003eCollectors who actually want to shoot their Minox\u003c\/li\u003e\n\u003cli\u003eExperimental analogue photography\u003c\/li\u003e\n\u003cli\u003eAnyone looking to try one of photography's smallest film formats\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eMinox is a very different experience from shooting 35mm or 120.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe film itself is approximately \u003cstrong\u003e9.2mm wide\u003c\/strong\u003e, with each photograph occupying an area of just \u003cstrong\u003e8×11mm\u003c\/strong\u003e. It's loaded into a dedicated Minox twin-chamber cartridge rather than a conventional film canister. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThat tiny negative is part of the appeal. You're working with a genuinely miniature photographic format designed around exceptionally compact cameras.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701198143542,"sku":"M750925","price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/AgfapanMinox1001.png?v=1790054008"}],"url":"https:\/\/www.sydneysuper8.com.au\/collections\/black-white.oembed?page=2","provider":"SS8","version":"1.0","type":"link"}