{"title":"Automated Collection","description":"","products":[{"product_id":"billingham-bag-regular","title":"Vintage Billingham Cross Shoulder bag","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eThis Vintage Billingham camera bag is a compact, understated camera bag designed to carry a small-to-medium camera kit without looking like a traditional camera bag. Made in England from three-layer waterproof fabric with real leather detailing, it combines practical protection with a timeless, low-profile design, however we would say it is \u003cmeta charset=\"UTF-8\"\u003e\u003cspan class=\"rQesXe MPyX\"\u003ehighly weather-resistant rather not fully submersible\u003c\/span\u003e.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe bag itself has padded inserts that can be configured with the included dividers to suit your camera and lenses, or removed completely when you want to use it as a more traditional messenger bag. It can comfortably carry a small-to-medium SLR\/DSLR or mirrorless camera with a lens attached, plus one or two additional lenses or a flash.\u003c\/p\u003e\n\u003cp\u003eOne front pocket provides space for film, batteries, cables and other smaller essentials.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBest for:\u003c\/strong\u003e Photographers carrying a compact camera kit, everyday shooting, travel, street photography and anyone looking for a camera bag that doesn't immediately look like a camera bag.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat to expect:\u003c\/strong\u003e A flexible, protective camera bag with removable padded inserts, adjustable dividers, weather-resistant construction and plenty of room for a compact camera kit and everyday essentials.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47805831217206,"sku":"756157S","price":250.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/BillinghamCameraBagwithinserts-1.png?v=1789955066"},{"product_id":"bolex-kern-switar-25mm-1-5-ar-c-mount-regular","title":"Kern-Paillard Switar 25mm","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe Kern-Paillard Switar 25mm f\/1.5 AR is a classic Swiss-made \u003cstrong\u003e16mm cine prime\u003c\/strong\u003e designed for Bolex and other compatible C-Mount motion picture cameras.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe \u003cstrong\u003e25mm focal length gives a natural, general-purpose perspective on 16mm film\u003c\/strong\u003e, making it a useful everyday lens for people, documentary work, street scenes and general filmmaking. It's a versatile middle ground between the wider 10mm and 16mm lenses and longer telephoto options such as the 75mm Yvar.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts standout feature is the \u003cstrong\u003efast f\/1.5 maximum aperture\u003c\/strong\u003e. That gives you considerably more flexibility in lower light and allows greater control over depth of field than slower cine lenses.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe \u003cstrong\u003eAR designation refers to anti-reflection treatment\u003c\/strong\u003e, helping control flare and maintain contrast, particularly in more challenging or contrasty lighting. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eLike the other Kern lenses, it's fully manual and built around the compact C-Mount system that helped make Bolex H16 cameras so versatile.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eBolex H16 cameras\u003c\/li\u003e\n\u003cli\u003e16mm filmmaking\u003c\/li\u003e\n\u003cli\u003eEveryday cine shooting\u003c\/li\u003e\n\u003cli\u003eDocumentary work\u003c\/li\u003e\n\u003cli\u003ePeople and portraits\u003c\/li\u003e\n\u003cli\u003eAvailable-light shooting\u003c\/li\u003e\n\u003cli\u003eLower-light situations\u003c\/li\u003e\n\u003cli\u003eExperimental filmmaking\u003c\/li\u003e\n\u003cli\u003eVintage cine lens collections\u003c\/li\u003e\n\u003cli\u003eAdaptation to compatible digital cameras\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eAt \u003cstrong\u003e25mm on standard 16mm film\u003c\/strong\u003e, this sits around the normal\/general-purpose end of the system rather than being a particularly wide or telephoto lens. That makes it one of the more versatile focal lengths for a Bolex kit.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe \u003cstrong\u003ef\/1.5 maximum aperture\u003c\/strong\u003e is also relatively fast, making this Switar particularly useful when available light is limited. Current specialist listings identify the combination of the 25mm focal length, f\/1.5 aperture and AR coating as key characteristics of this model. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt can also be adapted to compatible modern mirrorless cameras. However, because this was designed as cine glass for a smaller image area, \u003cstrong\u003esensor coverage should be checked for the particular camera being used\u003c\/strong\u003e.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701181726774,"sku":"S336483","price":350.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Kernpaillard-1.5-25mm-1.png?v=1790125624"},{"product_id":"bolex-kern-yvar-75-2-8-regular","title":"Kern-Paillard Yvar 75mm","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe Kern-Paillard Yvar 75mm f\/2.8 is a classic Swiss-made \u003cstrong\u003etelephoto cine prime\u003c\/strong\u003e designed for Bolex H16 and other compatible 16mm C-Mount cameras.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eOn 16mm film, 75mm gives you a distinctly tight telephoto view, making it well suited to portraits, close details, distant subjects and shots where you want to isolate your subject from the surrounding scene.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's a fully manual lens, with manual focus and aperture control, and features Kern's distinctive \u003cstrong\u003eVisifocus depth-of-field scale\u003c\/strong\u003e. As the aperture changes, the Visifocus system gives the operator a quick visual indication of the available depth of field. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe lens was introduced in \u003cstrong\u003e1950, \u003c\/strong\u003eBolex noted that it could remain on an H16 turret alongside shorter focal-length lenses without obstructing their field of view. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e16mm filmmaking\u003c\/li\u003e\n\u003cli\u003eBolex H16 cameras\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eClose details\u003c\/li\u003e\n\u003cli\u003eDistant subjects\u003c\/li\u003e\n\u003cli\u003eCompressed compositions\u003c\/li\u003e\n\u003cli\u003eDocumentary filmmaking\u003c\/li\u003e\n\u003cli\u003eExperimental filmmaking\u003c\/li\u003e\n\u003cli\u003eVintage cine setups\u003c\/li\u003e\n\u003cli\u003eKern and Bolex collectors\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eThe 75mm is a telephoto Lens.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eHistorical specifications give it a minimum focusing distance of around \u003cstrong\u003e5ft \/ 1.5m\u003c\/strong\u003e, with an aperture range from \u003cstrong\u003ef\/2.8 to f\/22\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt uses a standard \u003cstrong\u003eC-Mount\u003c\/strong\u003e. This is also an important distinction from shorter RX-specific Bolex lenses. Historical Bolex technical information explains that standard 16mm C-Mount lenses properly focus on both reflex and non-reflex H16 bodies, while RX optical correction becomes particularly important with certain shorter focal lengths because of the reflex prism.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701181890614,"sku":"2433403","price":450.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Kernpaillard-75mm-2.8-1.png?v=1790124939"},{"product_id":"bolex-c-mount-switar-25-1-4-h16-rx-regular","title":"Kern-Paillard Switar 25mm, H16 RX","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe Kern-Paillard Switar 25mm f\/1.4 H16 RX is a fast Swiss-made \u003cstrong\u003e16mm cine prime designed specifically for Bolex H16 Reflex cameras\u003c\/strong\u003e.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe 25mm focal length provides a natural, general-purpose field of view on 16mm film, making it a versatile choice for people, documentary work, street scenes and everyday filmmaking. Its fast \u003cstrong\u003ef\/1.4 maximum aperture\u003c\/strong\u003e also makes it particularly useful when available light is limited.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eWhat separates this version from a standard C-Mount Switar is the \u003cstrong\u003eH16 RX designation\u003c\/strong\u003e. The optical system was designed to compensate for the Bolex H16 Reflex camera's beam-splitting prism, making it purpose-built for the reflex system. Period Bolex material specifically lists the \u003cstrong\u003e25mm f\/1.4 Switar RX\u003c\/strong\u003e as its standard RX lens. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe lens uses a \u003cstrong\u003eC-Mount\u003c\/strong\u003e, with manual focus and aperture control. The lens - 25mm f\/1.4 H16 RX has a focusing range from approximately 1.5ft to infinity and an aperture range of f\/1.4 to f\/22. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eBolex H16 Reflex cameras\u003c\/li\u003e\n\u003cli\u003e16mm filmmaking\u003c\/li\u003e\n\u003cli\u003eGeneral-purpose cine shooting\u003c\/li\u003e\n\u003cli\u003eDocumentary work\u003c\/li\u003e\n\u003cli\u003ePeople and portraits\u003c\/li\u003e\n\u003cli\u003eAvailable-light shooting\u003c\/li\u003e\n\u003cli\u003eLower-light filmmaking\u003c\/li\u003e\n\u003cli\u003eVintage cine setups\u003c\/li\u003e\n\u003cli\u003eExperimental filmmaking\u003c\/li\u003e\n\u003cli\u003eBolex and Kern collectors\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eOn standard 16mm film, \u003cstrong\u003e25mm is considered a standard focal length\u003c\/strong\u003e, giving a much more natural perspective than the wider 10mm and 16mm lenses we've just covered. Bolex's own period catalogue places the Switar 25mm f\/1.4 RX in its \u003cstrong\u003estandard lens\u003c\/strong\u003e category. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts \u003cstrong\u003ef\/1.4 maximum aperture\u003c\/strong\u003e is fast for vintage 16mm glass, giving you more flexibility in lower light and greater control over depth of field.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis is also one where the \u003cstrong\u003eRX designation really matters\u003c\/strong\u003e. This model was specifically designed around the optical requirements of the Bolex H16 Reflex system.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701182087222,"sku":"6174777","price":600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/KernpaillardH16RX-1.4-25mm-1.png?v=1790126119"},{"product_id":"bronica-zenzanon-mc-200-4-5-regular","title":"Bronica Zenzanon MC 200mm","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe \u003cstrong\u003eBronica Zenzanon MC 200mm f\/4.5\u003c\/strong\u003e is a classic medium-format telephoto prime made for Bronica's modular ETR 6×4.5 camera system. The ETR system launched in 1976 and became a complete professional medium-format system with interchangeable lenses, backs, finders and accessories. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eOn 6×4.5 format, the 200mm gives a field of view roughly comparable to a \u003cstrong\u003e120mm lens on 35mm format\u003c\/strong\u003e, making it a natural choice for portraits, studio work and more distant subjects. Later Bronica documentation lists the same 120mm-equivalent field of view for its 200mm ETR-system lens. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe shutter is built into the lens. This leaf-shutter design makes the system particularly useful for flash photography, with flash synchronisation available at shutter speeds up to 1\/500 sec. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's a slower and more deliberate way to shoot than a modern autofocus telephoto, but that's exactly where the appeal lies. Manual focus, medium-format film and a longer focal length make this a lens for considered portraits and carefully composed images.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMedium-format film photography\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eStudio work\u003c\/li\u003e\n\u003cli\u003eFashion\u003c\/li\u003e\n\u003cli\u003eHeadshots and tighter portraits\u003c\/li\u003e\n\u003cli\u003eDistant subjects\u003c\/li\u003e\n\u003cli\u003eFlash photography\u003c\/li\u003e\n\u003cli\u003eBronica ETR system users\u003c\/li\u003e\n\u003cli\u003eCollectors building a Bronica 645 kit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThe \u003cstrong\u003e200mm focal length\u003c\/strong\u003e is firmly telephoto on 6×4.5, with an approximately \u003cstrong\u003e120mm-equivalent\u003c\/strong\u003e field of view compared with 35mm format. That makes it particularly useful when you want tighter framing and more distance between the camera and subject. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts maximum aperture is \u003cstrong\u003ef\/4.5\u003c\/strong\u003e, with a minimum aperture of \u003cstrong\u003ef\/32\u003c\/strong\u003e, while minimum focusing distance is around \u003cstrong\u003e2 metres\u003c\/strong\u003e. The MC version uses a 62mm filter thread and weighs approximately 700g. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFocusing is completely manual. There is no image stabilisation, so at 200mm you'll want to pay attention to shutter speed or use a tripod when the light starts dropping.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThis lens was designed for the \u003cstrong\u003eBronica ETR 6×4.5 film system\u003c\/strong\u003e, so developing depends on the film loaded into the camera.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eColour negative film will commonly use C-41 processing, while black and white and slide films require their respective processes.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe lens can also be adapted to some digital camera systems. When used digitally, no film developing is required.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701182513206,"sku":"9189834","price":300.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Bronica200mm-4.5-seiko-2.png?v=1790158870"},{"product_id":"canon-ef-50-2-5-compact-macro-regular","title":"Canon EF 50mm, Compact Macro","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe \u003cstrong\u003eCanon EF 50mm f\/2.5 Compact Macro\u003c\/strong\u003e is a small, versatile macro prime that works just as comfortably for everyday photography as it does for getting close to the details.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts \u003cstrong\u003e50mm focal length\u003c\/strong\u003e gives a natural perspective on full-frame and 35mm Canon EOS cameras, while the close-focusing design takes you down to \u003cstrong\u003e0.23 metres with 0.5× magnification\u003c\/strong\u003e. That's half life-size, or 1:2 reproduction, making it useful for film cameras, small objects, product photography, documents, flowers and everyday details.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eUnlike a dedicated long macro lens, the 50mm focal length keeps this one useful when you're not shooting close-ups. It's essentially a normal prime and a compact macro in the same lens.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt also has a particularly long compatibility history. Introduced in \u003cstrong\u003e1987\u003c\/strong\u003e, this is a native Canon EF lens, meaning it was designed for the EOS system from the beginning and can be used with compatible \u003cstrong\u003eEOS 35mm film SLRs and Canon EF-mount DSLRs\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eClose-up photography\u003c\/li\u003e\n\u003cli\u003eFilm and camera details\u003c\/li\u003e\n\u003cli\u003eProduct photography\u003c\/li\u003e\n\u003cli\u003eCopy work\u003c\/li\u003e\n\u003cli\u003eFlowers and small objects\u003c\/li\u003e\n\u003cli\u003eEveryday photography\u003c\/li\u003e\n\u003cli\u003e35mm Canon EOS film cameras\u003c\/li\u003e\n\u003cli\u003eCanon EF-mount DSLRs\u003c\/li\u003e\n\u003cli\u003ePhotographers wanting one lens for normal and close-up shooting\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThe important thing to understand with the \u003cstrong\u003eCompact Macro\u003c\/strong\u003e is that it reaches \u003cstrong\u003e0.5× magnification natively\u003c\/strong\u003e, rather than the 1.0× or 1:1 reproduction offered by many dedicated macro lenses.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt its closest focusing distance of \u003cstrong\u003e0.23m\u003c\/strong\u003e, a subject can be reproduced at half its actual size on the film frame or sensor. That's plenty for many product, detail and close-up photographs.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAutofocus is available, but this is an older EF autofocus design rather than one of Canon's later USM or STM lenses. Manual focusing is also available and is particularly useful when working at close distances.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThis lens is natively compatible with both \u003cstrong\u003eCanon EOS 35mm film cameras and compatible Canon EF-mount digital SLRs\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eWhen used with a film EOS body, developing depends on the film loaded into the camera. Colour negative film will commonly use C-41, while black and white and slide films require their respective processes.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eWhen used on a digital Canon EF-mount camera, no film developing is required.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701183430710,"sku":"4636996","price":280.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/CanonEF50mm-2.5-CompactMacro-3.png?v=1790160499"},{"product_id":"hasselblad-v-150-4-sonnar-t-regular","title":"Hasselblad Carl Zeiss Sonnar T* 150mm","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe Hasselblad Carl Zeiss Sonnar T 150mm f\/4* is one of the classic portrait lenses of the Hasselblad V System, pairing a flattering telephoto perspective with the large 6×6 medium-format frame.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe 150mm focal length gives you comfortable working distance and a tighter field of view than the standard 80mm, making it particularly well suited to \u003cstrong\u003eportraits, studio work, events and detail photography\u003c\/strong\u003e. For head-and-shoulders portraits, it lets you step back from your subject while keeping the composition tight and natural.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts optical design is beautifully simple, using just \u003cstrong\u003efive elements in three groups\u003c\/strong\u003e. The T* designation identifies Zeiss's multi-layer anti-reflection coating, designed to help maintain contrast and control reflections. The lens also incorporates the leaf shutter that's central to the Hasselblad V System. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003ePortrait photography\u003c\/li\u003e\n\u003cli\u003eHead-and-shoulders portraits\u003c\/li\u003e\n\u003cli\u003eStudio photography\u003c\/li\u003e\n\u003cli\u003e6×6 medium-format photography\u003c\/li\u003e\n\u003cli\u003eEvents and stage photography\u003c\/li\u003e\n\u003cli\u003eFashion\u003c\/li\u003e\n\u003cli\u003eDetail photography\u003c\/li\u003e\n\u003cli\u003eHasselblad V System users\u003c\/li\u003e\n\u003cli\u003eCollectors\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThe 150mm Sonnar gives you a noticeably tighter perspective than the standard Hasselblad 80mm. It's long enough to create comfortable subject separation and flattering portrait framing without becoming an especially large or extreme telephoto.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eMinimum focusing distance is \u003cstrong\u003e1.4 metres\u003c\/strong\u003e, so this isn't intended as a close-focus or macro lens. For closer detail work, the 120mm Makro-Planar is the more specialised option. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThis lens was designed for the \u003cstrong\u003eHasselblad V System\u003c\/strong\u003e, primarily using 120 medium-format film.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eDeveloping depends on the film loaded into the camera. Colour negative film will commonly use C-41 processing, while black and white and slide films require their respective processes.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eHasselblad V lenses can also be used with \u003cstrong\u003ecompatible\u003c\/strong\u003e digital backs or adapted to other digital systems. For our compatibility classification, however, this remains \u003cstrong\u003eFilm\u003c\/strong\u003e, reflecting its native photographic system.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701189099574,"sku":"963522Q","price":650.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Hasselblad150mm-4-prime-Vseris-1.png?v=1790163884"},{"product_id":"leica-r-canada-135-2-8-elmarit-regular","title":"Leica Elmarit-R 135mm, Leitz Canada","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe \u003cstrong\u003eLeica Elmarit-R 135mm f\/2.8\u003c\/strong\u003e is a classic manual-focus telephoto prime for the Leica R system, giving you extra reach without stepping into an especially long or cumbersome focal length.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt 135mm, it's particularly well suited to \u003cstrong\u003eportraits, details, landscapes and subjects where you want a little more distance between yourself and what you're photographing\u003c\/strong\u003e. The f\/2.8 maximum aperture also gives you good control over depth of field, making it easier to separate a subject from its surroundings.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis version uses a \u003cstrong\u003e5-element, 4-group optical design\u003c\/strong\u003e, focuses down to 1.5m and has a built-in telescopic lens hood. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003ePortraits, detail photography, compressed landscapes, candid photography and Leica R shooters looking for a classic medium-telephoto prime.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThe \u003cstrong\u003e135mm focal length\u003c\/strong\u003e gives a distinctly tighter perspective than a standard 50mm lens. It's useful when you can't or don't want to get physically close to your subject, and the narrower field of view can help simplify busy backgrounds.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts \u003cstrong\u003ef\/2.8 maximum aperture\u003c\/strong\u003e provides useful depth-of-field control, while the aperture closes down to f\/22. Minimum focusing distance is approximately \u003cstrong\u003e1.5m\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe lens is fully manual focus, with clearly engraved distance and depth-of-field scales. The photographs also show the characteristic \u003cstrong\u003ebuilt-in telescopic hood\u003c\/strong\u003e extended around the front section.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThis is a \u003cstrong\u003eLeica R system film lens\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eWhen used natively on a compatible Leica R or appropriate Leicaflex film body, developing depends on the film loaded. Colour negative film commonly uses C-41 processing, while black and white and slide films require their respective processes.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe lens can also be \u003cstrong\u003eadapted\u003c\/strong\u003e to suitable digital cameras, but its native system and intended format are Leica R 35mm film cameras.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701194768438,"sku":"T485655","price":700.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Lecia_Lietz-135mm-2.5-1.png?v=1790170332"},{"product_id":"minolta-colorimeter-meter-iiif-regular","title":"Minolta Color Meter III F","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eThe Minolta Color Meter III F is a dedicated colour meter made for photographers working with colour film and different light sources.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRather than measuring exposure, it looks at the colour of the light falling on your subject. Its three colour-sensitive silicon photocells measure red, green and blue light and calculate photographic colour temperature, along with the light-balancing and colour-compensating filters needed to correct the light for the film you're using. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt works with both ambient and flash light, and the rotating receptor head gives you some flexibility when taking readings. There is also a flash analysis function for situations where ambient and flash light are being used together, plus nine memory channels for storing your own correction values. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor anyone shooting colour film, it's a fascinating piece of classic Minolta equipment and a good example of the level of control photographers could have over colour before digital cameras made this kind of information much easier to see on the fly.\u003c\/p\u003e\n\u003cp\u003eThis is a vintage item, so please use the supplied photographs to assess its condition and check what is included before purchasing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBest for:\u003c\/strong\u003e Colour film photographers, studio photography, flash photography, lighting setups and photographers interested in precise control over colour temperature and filtration.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat to expect:\u003c\/strong\u003e A vintage Minolta colour meter designed specifically for photographic use, with ambient and flash measurement, colour-temperature readings, filter recommendations and memory functions.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701197553718,"sku":"Z163566","price":220.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/MinoltaColourmetre3F-2.png?v=1789964193"},{"product_id":"minolta-spotmeter-f-regular","title":"Minolta spotmeter F","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eThe Minolta Spotmeter F is a serious little bit of photographic kit, designed for taking precise 1° spot readings rather than relying on an overall scene reading.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePoint it at a specific part of the scene and the Spotmeter F measures reflected light through its viewfinder, giving you a much more controlled way to work out exposure. It can be used with both ambient and flash light, with the digital display showing exposure information directly in the viewfinder as well as on the side of the meter.\u003c\/p\u003e\n\u003cp\u003eThere are also dedicated controls for working with highlights, shadows and mid-tones, plus a memory function that lets you compare readings and work out the average between two measurements. For film photographers working with scenes where exposure really matters, this gives you a lot more information than a basic handheld meter.\u003c\/p\u003e\n\u003cp\u003eThe Spotmeter F dates from 1981 and has become a classic example of Minolta's professional metering equipment. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis is a vintage item so please use the supplied photographs to assess its condition and check what is included before purchasing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBest for:\u003c\/strong\u003e Film photographers, landscape photography, studio work, large-format photography and anyone who wants precise control over exposure.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat to expect:\u003c\/strong\u003e A vintage Minolta 1° spot meter with ambient and flash metering, digital displays and highlight\/shadow\/average calculation functions. The condition and operation of this individual unit have not been confirmed.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701198012470,"sku":"411161S","price":250.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Minolta-SpotmetreF-1.png?v=1789962207"},{"product_id":"panasonic-lumix-g-x-vario-pz-45-175mm-4-5-6-asph-regular","title":"Panasonic Lumix G X Vario PZ 45-175mm, ASPH. Power O.I.S.","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe \u003cstrong\u003ePanasonic Lumix G X Vario PZ 45-175mm f\/4-5.6 ASPH. Power O.I.S.\u003c\/strong\u003e is a remarkably compact telephoto zoom made specifically for \u003cstrong\u003eMicro Four Thirds (MFT Mount)\u003c\/strong\u003e digital cameras.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts 45-175mm focal range gives you a \u003cstrong\u003e90-350mm equivalent field of view\u003c\/strong\u003e, providing plenty of reach for portraits, travel, events, wildlife and more distant subjects without carrying a large telephoto lens. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe standout feature is Panasonic's \u003cstrong\u003ePower Zoom system\u003c\/strong\u003e. Alongside the traditional zoom ring, there's an electronic zoom lever that allows controlled zoom movement. Panasonic specifically designed the system with both still photography and video in mind. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThere's also built-in \u003cstrong\u003ePower O.I.S. optical image stabilisation\u003c\/strong\u003e, which is particularly useful once you're shooting towards the 175mm end of the range. Autofocus is electronic, and the lens uses internal focusing. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt only around \u003cstrong\u003e210g\u003c\/strong\u003e, it's an unusually light way to get a 350mm-equivalent field of view, making it particularly well suited to smaller Lumix and other compatible Micro Four Thirds camera bodies. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eWildlife\u003c\/li\u003e\n\u003cli\u003eEvents\u003c\/li\u003e\n\u003cli\u003eOutdoor photography\u003c\/li\u003e\n\u003cli\u003eVideo\u003c\/li\u003e\n\u003cli\u003eHandheld telephoto shooting\u003c\/li\u003e\n\u003cli\u003eLightweight Micro Four Thirds kits\u003c\/li\u003e\n\u003cli\u003ePanasonic Lumix G cameras\u003c\/li\u003e\n\u003cli\u003eCompatible Olympus \/ OM System Micro Four Thirds cameras\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eAt \u003cstrong\u003e45mm\u003c\/strong\u003e, this lens gives a field of view equivalent to approximately \u003cstrong\u003e90mm on a 35mm camera\u003c\/strong\u003e, already putting it firmly into short-telephoto territory.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt \u003cstrong\u003e175mm\u003c\/strong\u003e, that stretches to approximately \u003cstrong\u003e350mm equivalent\u003c\/strong\u003e, giving you considerably more reach for distant subjects. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe maximum aperture changes from \u003cstrong\u003ef\/4 at 45mm to f\/5.6 at 175mm\u003c\/strong\u003e. Power O.I.S. helps compensate for camera movement, while the electronic Power Zoom system provides an alternative to manually rotating the zoom ring. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's also worth noting that this lens does \u003cstrong\u003enot physically extend while zooming\u003c\/strong\u003e, helping it stay compact and balanced in use.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701199650870,"sku":"J749305","price":300.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/PanasonicLumix-45to175mm-4.0to5.6-3.png?v=1790145079"},{"product_id":"panasonic-lumix-g-20mm-f1-7-asph-regular","title":"Panasonic Lumix G 20mm, ASPH, Pancake","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe \u003cstrong\u003ePanasonic Lumix G 20mm f\/1.7 ASPH.\u003c\/strong\u003e is a tiny pancake prime that gives Micro Four Thirds shooters a very useful \u003cstrong\u003e40mm-equivalent field of view\u003c\/strong\u003e without adding much bulk to the camera.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThat sits nicely between the familiar look of a 35mm and 50mm lens, making it an easy choice for \u003cstrong\u003eeveryday photography, street shooting, travel and casual portraits\u003c\/strong\u003e. The bright f\/1.7 maximum aperture is also handy indoors and in lower light, while giving you more control over background separation than a typical compact kit zoom.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003ePanasonic managed to fit the lens into a body only around \u003cstrong\u003e25.5mm long and 100g\u003c\/strong\u003e, with a 7-element design that includes two aspherical elements. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eEveryday photography, street shooting, travel, indoor photography, casual portraits and anyone wanting to keep a Micro Four Thirds camera compact and easy to carry.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThe \u003cstrong\u003e20mm focal length\u003c\/strong\u003e gives the same approximate field of view as a \u003cstrong\u003e40mm lens on a 35mm camera\u003c\/strong\u003e, making it a versatile middle ground between wide and standard perspectives. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe \u003cstrong\u003ef\/1.7 aperture\u003c\/strong\u003e makes it particularly useful when light levels drop and allows shallower depth of field when you want more separation between your subject and background.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt focuses as close as \u003cstrong\u003e0.2m\u003c\/strong\u003e, uses a 46mm filter thread and weighs approximately \u003cstrong\u003e100g\u003c\/strong\u003e. There is no optical image stabilisation built into this original H-H020. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis is a \u003cstrong\u003edigital Micro Four Thirds lens\u003c\/strong\u003e, so images are recorded directly by the digital camera and stored on the camera's memory card.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701199749174,"sku":"142307P","price":250.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/PanasonicLumix-20mm-1.7-1.png?v=1790171597"},{"product_id":"sigma-105-2-8-ex-dg-macro-os-ex-dg-for-digital-regular","title":"Sigma 105mm, EX DG OS HSM Macro","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe \u003cstrong\u003eSigma 105mm f\/2.8 EX DG OS HSM Macro\u003c\/strong\u003e is a true \u003cstrong\u003e1:1 macro lens\u003c\/strong\u003e made for getting close to small subjects while keeping a comfortable working distance.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt its closest focus of 31.2cm it can reproduce a subject at life size, making it a strong choice for \u003cstrong\u003efilm scanning setups, product photography, flowers, details and other close-up work\u003c\/strong\u003e. The 105mm focal length also makes it useful away from macro work, particularly for portraits and short-telephoto shooting. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eSigma's \u003cstrong\u003eOptical Stabilizer\u003c\/strong\u003e helps with handheld shooting, while the HSM autofocus system provides autofocus with full-time manual adjustment. A focus limiter on the barrel lets you restrict the focusing range when you don't need the full macro range. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eComes with the \u003cstrong\u003eoriginal Sigma box and Sigma padded lens case\u003c\/strong\u003e, alongside the lens itself. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eMount: Nikon F\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eMacro and close-up photography, product photography, digitising small objects, flowers, details, portraits and photographers wanting a lens that can move between true 1:1 macro work and general telephoto shooting.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThis is a substantial macro prime rather than a tiny everyday lens, weighing around \u003cstrong\u003e725g\u003c\/strong\u003e. The advantage is a dedicated optical design capable of focusing from infinity all the way down to \u003cstrong\u003e1:1 life-size reproduction\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt minimum focus, Sigma quotes a working distance of approximately \u003cstrong\u003e142mm\u003c\/strong\u003e, giving you some useful space between the front of the lens and your subject. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe photographs also confirm the barrel has separate \u003cstrong\u003eAF\/M focus control, focus limiter and Optical Stabilizer controls\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eDeveloping depends on the camera being used.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eWhen fitted to a compatible \u003cstrong\u003e35mm film SLR\u003c\/strong\u003e, the film will need to be developed according to the film stock and process used. When fitted to a compatible \u003cstrong\u003edigital DSLR\u003c\/strong\u003e, no film developing is required.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eNote that Sigma states OS compatibility with film bodies is limited. For Canon and Nikon versions, Sigma specifically identifies the \u003cstrong\u003eCanon EOS-1V and Nikon F6\u003c\/strong\u003e as film SLRs supporting the Optical Stabilizer function.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701202665526,"sku":"L177370","price":300.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Sigma-105mm-2.8Macro-2.png?v=1790172126"},{"product_id":"smc-pentax-da-35mmf2-4al-regular","title":"SMC Pentax-DA, AL, 35mm","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe \u003cstrong\u003eSMC Pentax-DA 35mm f\/2.4 AL\u003c\/strong\u003e \u003cem\u003e(Aspherical Lens)\u003c\/em\u003e is a small, lightweight prime made for Pentax \u003cstrong\u003eAPS-C\u003c\/strong\u003e digital SLR cameras.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eOn a Pentax \u003cstrong\u003eAPS-C\u003c\/strong\u003e body, its 35mm focal length gives you roughly the same field of view as a \u003cstrong\u003e53.5mm lens on a 35mm camera\u003c\/strong\u003e. That's very close to a classic standard perspective, making it a natural fit for everyday photography, street shooting, portraits, travel and general walkaround use.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe \u003cstrong\u003ef\/2.4 maximum aperture\u003c\/strong\u003e lets in considerably more light than a typical kit zoom at a similar focal length, which is useful when shooting indoors, later in the day or whenever you want a little more separation between your subject and background.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's also particularly compact. At only around \u003cstrong\u003e124g\u003c\/strong\u003e, it's an easy lens to leave on your camera and take with you without adding much bulk.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eSimple, bright and useful, this is a good introduction to prime lenses for someone shooting with a Pentax DSLR.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEveryday photography\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eFamily photography\u003c\/li\u003e\n\u003cli\u003eIndoor photography\u003c\/li\u003e\n\u003cli\u003eAvailable-light shooting\u003c\/li\u003e\n\u003cli\u003eLearning to shoot with a fixed focal length\u003c\/li\u003e\n\u003cli\u003eKeeping a Pentax DSLR setup small and light\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eA \u003cstrong\u003e35mm lens on Pentax APS-C\u003c\/strong\u003e isn't particularly wide or particularly long. Instead, you get a natural-looking standard perspective that's useful across a lot of everyday situations.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eCompared with a kit zoom, the \u003cstrong\u003ef\/2.4 aperture\u003c\/strong\u003e gives you more flexibility in lower light and greater control over depth of field. It's not an ultra-fast f\/1.4 prime, but it's still noticeably brighter than most standard zoom lenses.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe lens focuses down to approximately \u003cstrong\u003e30cm\u003c\/strong\u003e, so you can get reasonably close to smaller subjects and details, although it isn't a true macro lens.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThere's \u003cstrong\u003eno optical stabilisation inside the lens\u003c\/strong\u003e. Compatible Pentax DSLRs instead provide Shake Reduction through the camera body.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701203058742,"sku":"5550716","price":230.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Ricoh_PentaxDA-35mm2.4-2.png?v=1790139815"},{"product_id":"sekonic-l-508-zoom-regular","title":"Sekonic L-508 zoom","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eThe Sekonic L-508 Zoom Master is a serious handheld light meter built around one particularly useful feature: a variable \u003cstrong\u003e1° to 4° zoom spot meter\u003c\/strong\u003e.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe zoom lets you narrow or widen the area being measured without changing position, making it useful when you want to take a reading from a specific part of a scene. It also works as an incident meter, with a 270° swivelling head and retractable Lumisphere.\u003c\/p\u003e\n\u003cp\u003eIt handles both ambient and flash exposure, including corded and cordless flash, with support for cumulative flash readings and multiple-flash measurement. There are also memory, averaging and brightness-difference functions for comparing readings and working out exposure across different parts of a scene.\u003c\/p\u003e\n\u003cp\u003eFor film photographers, the combination of incident metering and a variable spot measurement makes it particularly useful when you want more control than a camera's built-in meter can provide. It also includes cine-speed settings, making it relevant to motion-picture work.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis is a vintage item, so please use the supplied photographs to assess its condition and check what is included before purchasing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eBest for\u003c\/h3\u003e\n\u003cp\u003eFilm photography, spot metering, studio photography, flash work, cinematography and photographers who want more precise control over exposure.\u003c\/p\u003e\n\u003ch3\u003eWhat to expect\u003c\/h3\u003e\n\u003cp\u003eA larger professional-style Sekonic meter with variable 1° to 4° spot metering, incident metering, flash measurement and a range of exposure-analysis functions. \u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701203255350,"sku":"X899464","price":380.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Sekonic-L-508Zoom1.png?v=1789989622"},{"product_id":"contax-c-y-carl-zeiss-135-2-8-sonnar-regular","title":"Carl Zeiss Sonnar T* 135mm","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe Carl Zeiss Sonnar T 135mm f\/2.8* C\/Y Mount is a classic manual-focus telephoto prime made for the \u003cstrong\u003eContax\/Yashica 35mm SLR system\u003c\/strong\u003e.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt 135mm, it gives you enough distance from your subject to make it particularly useful for portraits, details and more distant subjects. Zeiss itself described the focal length as particularly well suited to portraiture, landscapes and subjects where you want to work from further away. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eInside is a relatively simple \u003cstrong\u003e5-element, 4-group Sonnar optical design\u003c\/strong\u003e, paired with Zeiss's T* coating. The f\/2.8 maximum aperture also gives you useful control over depth of field and subject separation.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's entirely manual focus, with the solid mechanical construction associated with Contax-era Zeiss lenses. There's also a \u003cstrong\u003ebuilt-in retractable lens hood\u003c\/strong\u003e, so you don't need to carry a separate hood. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eUse it natively on compatible Contax\/Yashica film cameras, or adapt it to many modern mirrorless systems if you want to bring an older Zeiss lens into a digital setup.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003ePortrait photography\u003c\/li\u003e\n\u003cli\u003e35mm film photography\u003c\/li\u003e\n\u003cli\u003eManual-focus shooting\u003c\/li\u003e\n\u003cli\u003eDetails and distant subjects\u003c\/li\u003e\n\u003cli\u003eClassic Zeiss lenses\u003c\/li\u003e\n\u003cli\u003eContax\/Yashica camera users\u003c\/li\u003e\n\u003cli\u003eAdapted mirrorless photography\u003c\/li\u003e\n\u003cli\u003ePhotographers building a vintage lens set\u003c\/li\u003e\n\u003cli\u003eCollectors\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThe \u003cstrong\u003e135mm focal length\u003c\/strong\u003e gives a noticeably compressed telephoto perspective on 35mm film or full-frame digital cameras.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFor portraits, that means you can work further away from your subject while still filling the frame. The \u003cstrong\u003ef\/2.8 maximum aperture\u003c\/strong\u003e gives you room to separate a subject from the background without turning the lens into an enormous piece of glass.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFocusing is completely manual, and the closest focusing distance is approximately \u003cstrong\u003e1.6 metres\u003c\/strong\u003e, so this isn't designed for close-up photography. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe lens also has a \u003cstrong\u003e55mm filter thread\u003c\/strong\u003e and built-in hood. At approximately \u003cstrong\u003e585g\u003c\/strong\u003e, it has considerably more weight to it than many modern compact lenses.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701206564918,"sku":"2087810","price":250.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Contax-2.8-135mm-zoom-1.png?v=1790140620"},{"product_id":"contax-c-y-zeiss-tessar-45-2-8-pancake-regular","title":"Carl Zeiss Tessar T* 45mm, Pancake","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eThe Carl Zeiss Tessar T 45mm f\/2.8* (C\/Y Mount) is a remarkably compact pancake prime made for the Contax\/Yashica 35mm SLR system.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt 45mm, it sits just slightly wider than the traditional 50mm standard lens, giving you a natural perspective that's easy to use for everyday photography, street shooting, travel and general walkaround work.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe real appeal here is its size. At roughly \u003cstrong\u003e18mm long and around 90g\u003c\/strong\u003e, it turns a compatible Contax or Yashica SLR into a much smaller setup than you'd normally expect from a 35mm interchangeable-lens camera.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eInside is the classic \u003cstrong\u003eTessar optical formula of four elements in three groups\u003c\/strong\u003e, paired with Zeiss's T* multi-coating. It's a simple, compact design that fits the character of the lens perfectly.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFor someone who enjoys slowing down, manually focusing and carrying as little as possible, this is a particularly interesting little Zeiss lens.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEveryday photography\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eWalkaround shooting\u003c\/li\u003e\n\u003cli\u003e35mm film photography\u003c\/li\u003e\n\u003cli\u003eCompact camera setups\u003c\/li\u003e\n\u003cli\u003eManual-focus photography\u003c\/li\u003e\n\u003cli\u003eContax\/Yashica users\u003c\/li\u003e\n\u003cli\u003eAdapted mirrorless photography\u003c\/li\u003e\n\u003cli\u003eVintage Zeiss collectors\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eThe \u003cstrong\u003e45mm focal length\u003c\/strong\u003e gives a very natural-looking perspective on 35mm film or a full-frame digital camera. It's close to the familiar 50mm field of view, but just a little wider.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIts \u003cstrong\u003ef\/2.8 aperture\u003c\/strong\u003e isn't designed to compete with a fast f\/1.4 or f\/1.7 standard prime. The trade-off is an unusually small lens that's easy to carry.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFocusing is entirely manual, with a closest focusing distance of approximately \u003cstrong\u003e60cm\u003c\/strong\u003e. It's not intended for close-up or macro work, but works well for general everyday subjects.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt around \u003cstrong\u003e90g\u003c\/strong\u003e, it's also by far the lightest of the three C\/Y Zeiss lenses we've just worked through. If compactness is the priority, that's the point of this one.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701206695990,"sku":"1559310","price":475.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/Contax_-2.8-45mm-prime-1.png?v=1790141866"},{"product_id":"fujifilm-instax-wide-400","title":"Fujifilm Instax Wide 400","description":"\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eFujifilm Instax WIDE 400\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e takes everything that's fun about instant photography and gives you more room to work with.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUsing \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eInstax WIDE film\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, it produces a much larger photograph than Instax Mini, making it particularly good for group shots, portraits, travel and those moments where you actually want to see everyone in the picture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe WIDE 400 keeps the shooting experience refreshingly straightforward. Exposure is handled automatically, there's a built-in flash when you need it, and the 95mm lens lets you concentrate on what's happening in front of the camera rather than disappearing into settings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere's also a built-in self-timer, which is genuinely useful with a camera like this. Set it up, get everyone together and actually make it into the photograph yourself.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt's big, simple and unapologetically analogue. Take the photo, wait for the print and watch it appear in front of you. Sometimes photography really doesn't need to be more complicated than that.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBest for\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eParties, group photos, portraits, holidays, road trips, events, family photography and anyone who wants the instant-film experience with a larger physical photograph.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eWhat to expect\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eExpect \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003elarge Instax WIDE prints, straightforward controls and the wonderfully unpredictable character of instant photography\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe automatic exposure system takes care of most of the technical work, making this an easy camera to pick up even if you've never shot instant film before.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts larger WIDE format is the real attraction. There's noticeably more space in the frame than Instax Mini, which makes it particularly satisfying for photographs with multiple people, wider scenes and environmental portraits.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eFilm\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eUses: Fujifilm Instax WIDE instant film\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe WIDE 400 requires \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eInstax WIDE film\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. It is not compatible with Instax Mini or Instax Square film.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEach photograph develops automatically after being ejected from the camera, so there's no lab processing required.\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47902014570550,"sku":"M101185","price":240.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/FujiInstaxWide400-2_b31e6fa6-ab25-42d9-af03-0b2a79f3bdf1.png?v=1790574533"}],"url":"https:\/\/www.sydneysuper8.com.au\/collections\/automated-collection.oembed","provider":"SS8","version":"1.0","type":"link"}