{"title":"120mm Film","description":null,"products":[{"product_id":"cinestill-400d-120-regular","title":"CineStill 400D, Individual Roll","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCineStill 400D\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is a versatile ISO 400 colour negative film made for photographers who want one roll that can handle a little bit of everything.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDaylight balanced with a soft colour palette, natural saturation and warm skin tones, it's particularly at home with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eportraits, street photography, travel, landscapes and everyday shooting\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Its wide exposure latitude also gives you plenty of room when the light changes during the day. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlthough rated at ISO 400, CineStill says 400D can be exposed from \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eEI 200 to 800 without changing normal processing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, or pushed by up to three stops when you need more speed. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e120 medium-format version\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, giving you the larger negative area of 120 film combined with the flexibility of a 400-speed colour stock.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThis listing is for one individual roll of CineStill 400D in 120 format.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBest for\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003ePortraits, street photography, travel, weddings, landscapes, lifestyle photography and everyday medium-format shooting.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eWhat to expect\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eExpect a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003esofter colour palette, natural saturation and warm skin tones\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, rather than an aggressively saturated look. CineStill designed 400D with a wide dynamic range and considerable exposure flexibility, making it useful when you're moving between different lighting conditions.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOne characteristic worth knowing about is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ehalation around bright, in-focus overexposed highlights\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, which can become part of the film's look.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eDeveloping\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eProcess: C-41\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e400D was specifically designed for standard \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eC-41 processing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, so it can be developed by a normal colour film lab or processed at home using compatible C-41 chemistry.\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701184053302,"sku":"3227302","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/1205-PackCinestill400D-1.png?v=1790565957"},{"product_id":"cinestill-50d-120","title":"CineStill 50Daylight","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eCineStill 50Daylight is a slow, exceptionally fine-grain colour film made for bright light and maximum detail.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at EI 50 and balanced for daylight, it's right at home on sunny days, with landscapes, portraits and anywhere you want to make the most of a medium format negative. The slower speed also makes it easier to shoot at wider apertures in bright conditions without reaching for heavy ND filters.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e50D started life with motion-picture DNA, but CineStill prepares it specifically for still photography and standard C-41 processing. With the remjet layer removed, bright highlights can produce the distinctive halation associated with CineStill films.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIn 120, the combination of a larger negative, extremely fine grain and high resolution makes 50D particularly good when detail matters. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMedium format photography\u003c\/li\u003e\n\u003cli\u003eBright daylight\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eArchitecture\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eFashion and editorial work\u003c\/li\u003e\n\u003cli\u003eShooting wide apertures in bright conditions\u003c\/li\u003e\n\u003cli\u003eHigh-resolution scanning\u003c\/li\u003e\n\u003cli\u003ePhotographers wanting very fine grain\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003every fine grain, high resolution, strong detail and rich colour\u003c\/strong\u003e, with the possibility of CineStill's characteristic halation around bright highlights.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eCineStill recommends a base rating of \u003cstrong\u003eEI 50\u003c\/strong\u003e, but the film can be rated anywhere between \u003cstrong\u003eEI 12 and EI 100 without push processing\u003c\/strong\u003e. Changing the exposure affects colour, contrast, highlight rendering and shadow detail, with lower EI ratings tending towards warmer results and stronger highlight halation. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eBecause this is a slow film, you'll get the easiest handheld shooting in bright conditions. In lower light, expect to work with slower shutter speeds or a tripod.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eCineStill 50D has its remjet backing removed before sale, allowing it to be safely processed by a photo lab using standard C-41 chemistry. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt can alternatively be processed using motion-picture-style chemistry such as CineStill Cs2\/ECN-2, which produces a lower-contrast negative, but \u003cstrong\u003eC-41 is the standard option for most photographers and labs\u003c\/strong\u003e.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701184249910,"sku":"6027600","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/120Cinestill50D-2.png?v=1790052623"},{"product_id":"cinestill-800t-120","title":"CineStill 800T","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eCineStill 800T is a high-speed colour film made for the kind of light that usually has you wondering whether you should put the camera away.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at EI 800 and balanced for tungsten light, it's particularly at home after dark, under streetlights, neon signs and artificial indoor lighting. In 120 format, you get that familiar CineStill night-time character with the extra detail and depth of a medium format negative.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eWith the original remjet layer removed, bright points of light can produce the red halation that has become one of 800T's most recognisable characteristics. It's not a subtle, neutral film in every situation, and that's part of the appeal.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFor night streets, live music, portraits after dark or simply seeing what your medium format camera can do when the sun goes down, 800T gives you plenty to work with.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMedium format photography\u003c\/li\u003e\n\u003cli\u003eNight photography\u003c\/li\u003e\n\u003cli\u003eLow-light photography\u003c\/li\u003e\n\u003cli\u003eNeon and city lights\u003c\/li\u003e\n\u003cli\u003eAvailable-light portraits\u003c\/li\u003e\n\u003cli\u003eIndoor photography\u003c\/li\u003e\n\u003cli\u003eStreet photography after dark\u003c\/li\u003e\n\u003cli\u003eLive music and events\u003c\/li\u003e\n\u003cli\u003eArtificial lighting\u003c\/li\u003e\n\u003cli\u003ePhotographers looking for distinctive halation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003estrong low-light performance, cinematic colour and distinctive red halation around bright highlights\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe film is balanced for \u003cstrong\u003e3200K tungsten light\u003c\/strong\u003e, so it feels particularly natural under warmer artificial lighting. In daylight, CineStill recommends an \u003cstrong\u003e85B warming filter\u003c\/strong\u003e for more neutral colour, although shooting without one can be used creatively for a cooler look.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThere's also plenty of exposure flexibility. CineStill states that 800T can be rated from \u003cstrong\u003eEI 200 to EI 1000 without push processing\u003c\/strong\u003e, and can be pushed as far as \u003cstrong\u003eEI 3200\u003c\/strong\u003e when more speed is needed.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eCineStill removes the motion-picture remjet backing before the film is packaged, allowing 800T to be processed using standard C-41 chemistry at a regular compatible film lab.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt can also be processed using motion-picture-style Cs2 \/ ECN-2 chemistry if desired, but \u003cstrong\u003eC-41 is the straightforward standard option\u003c\/strong\u003e for most customers.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e \u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701184446518,"sku":"3906170","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/120Cinestill800T-1.png?v=1790052984"},{"product_id":"delta-100-120-film-regular","title":"Ilford Delta 100","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford Delta 100 Professional is a fine-grain black and white film made for medium format photography where detail really matters.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at ISO 100, it works best when you have plenty of light or a little more control over your exposure. The slower speed keeps grain exceptionally fine, with high sharpness and plenty of detail from the larger 120 negative.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's particularly well suited to portraits, landscapes, architecture, studio work and fine art photography, where you can take your time and make the most of its clean, detailed look.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIf you're shooting medium format for the extra detail and tonal range that a larger negative gives you, Delta 100 is a natural fit.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMedium format photography\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eArchitecture\u003c\/li\u003e\n\u003cli\u003eStudio photography\u003c\/li\u003e\n\u003cli\u003eFine art photography\u003c\/li\u003e\n\u003cli\u003eDetailed subjects\u003c\/li\u003e\n\u003cli\u003eBright daylight\u003c\/li\u003e\n\u003cli\u003eControlled lighting\u003c\/li\u003e\n\u003cli\u003eHigh-quality scans and enlargements\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003eexceptionally fine grain, high sharpness and plenty of detail\u003c\/strong\u003e, with a clean and refined black and white look.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eISO 100 means Delta 100 needs more light than films like Delta 400 or HP5 Plus, but the trade-off is finer grain and greater emphasis on detail.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIlford recommends \u003cstrong\u003eEI 100 for the best overall image quality\u003c\/strong\u003e, although good results can be achieved between EI 50 and EI 200.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIn 120 format, the larger negative makes the most of those characteristics, particularly when you're scanning at high resolution or making larger prints.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eStandard black and white processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eDelta 100 can be developed in a wide range of standard black and white developers. Ilford provides development data for \u003cstrong\u003eILFOTEC DD-X, ID-11, MICROPHEN, PERCEPTOL and ILFOSOL 3\u003c\/strong\u003e, among others.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701184905270,"sku":"651654Z","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/ilforddleta100-1.png?v=1790050385"},{"product_id":"delta-400-120-film-regular","title":"Ilford Delta 400 Professional","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford Delta 400 Professional is a versatile black and white film that combines ISO 400 speed with fine grain and plenty of detail.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIn 120 format, it's a great all-round choice for medium format photography. There's enough speed to work comfortably in changing light and handheld situations, while the larger negative makes the most of Delta 400's sharpness and relatively fine grain.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt works particularly well for portraits, street photography, documentary work and everyday shooting, especially when you want more flexibility than a slower ISO 100 film without giving up too much detail.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt can also be pushed when the light starts to disappear, making Delta 400 a useful film to keep in the bag when you're not quite sure what the day will bring.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMedium format photography\u003c\/li\u003e\n\u003cli\u003eEveryday shooting\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eDocumentary photography\u003c\/li\u003e\n\u003cli\u003eAvailable-light photography\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eChanging light\u003c\/li\u003e\n\u003cli\u003eHandheld shooting\u003c\/li\u003e\n\u003cli\u003ePhotographers wanting speed without overly heavy grain\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003efine grain for an ISO 400 film, high sharpness and plenty of detail\u003c\/strong\u003e, with more flexibility in changing light than Delta 100.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt its standard \u003cstrong\u003eISO 400\u003c\/strong\u003e rating, it's an easy film to use across a broad range of situations. Ilford also states that good image quality can be achieved from \u003cstrong\u003eEI 200 through to EI 3200\u003c\/strong\u003e, with extended development required at the higher exposure indexes. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThat makes it a particularly useful middle ground in the Delta range: faster and more flexible than Delta 100, without the pronounced high-speed character of Delta 3200.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eStandard black and white processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eDelta 400 can be developed in a wide range of black and white developers. For higher exposure indexes, Ilford specifically lists \u003cstrong\u003eILFOTEC DD-X, ILFOTEC HC, MICROPHEN and ILFOTEC RT RAPID\u003c\/strong\u003e for extended development.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701185101878,"sku":"401413A","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/IlfordDelta400-B_W-120mm-1.png?v=1790050733"},{"product_id":"ektacolor-pro-400-120-regular","title":"Kodak Ektacolor Pro 400, Individual Roll","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eKodak Ektacolor Pro 400\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is a versatile professional colour negative film that combines the flexibility of ISO 400 with fine grain, strong detail and natural-looking colour.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 120 format, it's an easy film to reach for when you want the detail and character of medium format without being locked into perfect light. The ISO 400 speed gives you useful flexibility as conditions change, while its natural colour and skin-tone reproduction make it particularly well suited to portraits, lifestyle photography and everyday shooting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts wide exposure latitude also makes it approachable if you're newer to medium format, while giving experienced photographers plenty of flexibility when scanning or printing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThis listing is for one individual roll of Kodak Ektacolor Pro 400 in 120 format.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBest for\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003ePortraits, lifestyle photography, travel, street photography and general medium-format shooting. A versatile choice when you want one colour film that can handle a range of lighting conditions.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eWhat to expect\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eExpect \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enatural colour, fine grain, good detail and plenty of exposure flexibility\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt ISO 400, Ektacolor Pro 400 gives you more room to work as the light changes than slower colour films, while retaining the detail and tonal quality you'd expect from professional colour negative film.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eDeveloping\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eProcess: C-41\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEktacolor Pro 400 uses standard C-41 colour negative processing.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701186019382,"sku":"130127R","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/1205-PackKodakPro400-2.png?v=1790565176"},{"product_id":"ilford-delta-3200-120-regular","title":"Ilford Delta 3200 Professional","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford Delta 3200 Professional is a high-speed black and white film made for medium format photography when the light is working against you.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eDesigned to be shot at EI 3200, it gives you the speed to work indoors, after dark and in available light without immediately reaching for a flash. It's particularly useful for night photography, live music, events, portraits and documentary work where keeping the atmosphere of the existing light matters.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIn 120 format, the larger negative gives Delta 3200 plenty of room to show off its character. Expect visible grain and strong atmosphere, but with more detail and smoother tonal transitions than you might expect from such a fast film.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIf you want to take a medium format camera out after dark, this is the Delta film built for it.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMedium format photography\u003c\/li\u003e\n\u003cli\u003eLow-light photography\u003c\/li\u003e\n\u003cli\u003eNight photography\u003c\/li\u003e\n\u003cli\u003eAvailable-light portraits\u003c\/li\u003e\n\u003cli\u003eConcerts and live music\u003c\/li\u003e\n\u003cli\u003eIndoor photography\u003c\/li\u003e\n\u003cli\u003eStreet photography after dark\u003c\/li\u003e\n\u003cli\u003eWeddings and events\u003c\/li\u003e\n\u003cli\u003eDocumentary photography\u003c\/li\u003e\n\u003cli\u003ePhotographers who like grain and atmosphere\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003evisible grain, plenty of character and considerably more low-light flexibility\u003c\/strong\u003e than a conventional ISO 100 or 400 medium format film.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eDespite the Delta 3200 name, the film's measured ISO speed is \u003cstrong\u003eISO 1000\u003c\/strong\u003e. Ilford designed it to be exposed at higher exposure indexes, with \u003cstrong\u003eEI 3200 being the recommended starting point\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIlford particularly recommends shooting between \u003cstrong\u003eEI 1600 and EI 6400\u003c\/strong\u003e, although good results can be achieved from EI 400 through to EI 6400. It can even be exposed as high as EI 25,000 with appropriate testing and development. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe 120 format also gives you a substantially larger negative than 35mm, so Delta 3200's grain takes on a different character in medium format while still giving you the speed needed for difficult lighting.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eStandard black and white processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIlford particularly recommends \u003cstrong\u003eILFOTEC DD-X, MICROPHEN and ID-11\u003c\/strong\u003e for Delta 3200 Professional. Development time should be matched to the exposure index used.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701189656630,"sku":"2996944","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/120IlfordDelta3200B_W-1.png?v=1790049718"},{"product_id":"ilford-hp5-400-120-regular","title":"Ilford HP5 Plus 400","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford HP5 Plus 400 is one of those black and white films you can load without needing to know exactly what the day has planned.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at ISO 400, it's fast enough for changing light, handheld shooting and available-light photography, while still giving you plenty of detail from a 120 negative. Its classic grain and rich tonal range give photographs a distinctly traditional black and white feel without being difficult to work with.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eHP5 Plus is also very forgiving. Shoot it at its standard ISO 400 for an easy everyday film, or push it when the light starts disappearing and you need the extra speed.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFor portraits, street photography, travel, documentary work or simply keeping a medium format camera loaded and ready to go, HP5 Plus is a dependable all-rounder.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMedium format photography\u003c\/li\u003e\n\u003cli\u003eEveryday shooting\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eDocumentary photography\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eAvailable-light photography\u003c\/li\u003e\n\u003cli\u003eChanging light\u003c\/li\u003e\n\u003cli\u003eHandheld shooting\u003c\/li\u003e\n\u003cli\u003ePhotographers who like a classic black and white look\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003eclassic grain, a broad tonal range and plenty of flexibility\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAt ISO 400, HP5 Plus sits in a useful middle ground between slower fine-grain films and specialist high-speed films. It gives you enough speed for everyday handheld photography while maintaining plenty of detail from a medium format negative.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's also particularly flexible when pushed. Ilford states that good image quality can be achieved at meter settings from \u003cstrong\u003eEI 400 through to EI 3200\u003c\/strong\u003e, making it useful when you're moving between daylight, interiors and lower-light situations. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eCompared with the Delta range, HP5 Plus has more of a traditional black and white film character. That's part of its appeal.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eStandard black and white processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eHP5 Plus is compatible with all major black and white processing systems. When exposing it above ISO 400, development should be adjusted accordingly.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFor pushing up to EI 3200, Ilford specifically lists \u003cstrong\u003eILFOTEC DD-X, ILFOTEC HC, MICROPHEN and ILFOTEC RT RAPID\u003c\/strong\u003e for extended development.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701190082614,"sku":"512788N","price":18.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/IlfordHP5PLUS400-B_W-120mm-1.png?v=1790051067"},{"product_id":"ilford-xp2-120-regular","title":"Ilford XP2 Super 400","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eIlford XP2 Super 400 gives you the look of black and white film with the convenience of standard C-41 colour processing.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at ISO 400, it's a particularly flexible medium format film with a wide exposure latitude. You can shoot it at different speeds between EI 50 and 800 and still have the roll processed normally, making it a forgiving choice when the light changes throughout the day.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe film produces fine grain, crisp detail and well-defined highlights and shadows. In 120 format, the larger negative makes the most of that detail while keeping the flexibility that makes XP2 such an easy film to live with.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's a great option if you want to shoot black and white but prefer the convenience of dropping your film into a lab for regular C-41 processing.\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMedium format photography\u003c\/li\u003e\n\u003cli\u003eEveryday black and white shooting\u003c\/li\u003e\n\u003cli\u003eTravel\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eDocumentary photography\u003c\/li\u003e\n\u003cli\u003eChanging lighting conditions\u003c\/li\u003e\n\u003cli\u003eScanning\u003c\/li\u003e\n\u003cli\u003ePhotographers wanting easy C-41 processing\u003c\/li\u003e\n\u003cli\u003eBeginners trying black and white film\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003efine grain, crisp detail, broad tonal range and plenty of exposure flexibility\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eXP2 Super behaves differently from a conventional black and white film. Its chromogenic emulsion forms the image using dyes during development, allowing it to be processed in standard C-41 chemistry.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt can be exposed anywhere from \u003cstrong\u003eEI 50 to EI 800 using the same standard processing\u003c\/strong\u003e. Ilford recommends EI 400 for the best overall balance of sharpness and grain, while shooting at EI 200 or even EI 50 can produce finer grain. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's also particularly well suited to scanning because its dye-based negative is compatible with Digital ICE dust and scratch removal systems. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eC-41 colour processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eDespite producing black and white negatives, XP2 Super \u003cstrong\u003edoes not require conventional black and white processing\u003c\/strong\u003e. It is designed to go through standard C-41 chemistry alongside colour negative film. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThat's one of XP2's biggest advantages, particularly for photographers who want to shoot black and white but prefer the convenience and availability of standard colour-film processing.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701190246454,"sku":"R035005","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/IlfordXP2Super400-B_W-120mm-2.png?v=1790051373"},{"product_id":"kodak-ektachrome-e100-120","title":"Kodak Ektachrome E100, Individual Roll","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eKodak Ektachrome E100\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is a classic colour slide film for photographers who want clean colour, fine grain and the unmistakable look of a positive image straight from the roll.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUnlike colour negative film, E100 produces a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003epositive transparency\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, giving you a finished image on the film itself. Colours are clean and natural rather than heavily saturated, with particularly good neutrality through whites and lighter tones.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt ISO 100, Ektachrome is happiest when there's plenty of light. It's a beautiful choice for \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003elandscapes, travel, architecture, still life and carefully considered portraits\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, especially when you want sharp detail and colour that feels crisp without being overdone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSlide film rewards careful exposure more than colour negative film, so E100 suits photographers who enjoy slowing things down and getting the shot right in-camera.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThis listing is for one individual roll of Kodak Ektachrome E100 in 120 format.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBest for\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eLandscapes, travel, architecture, still life, portraits in good light and medium-format photographers looking for the distinctive colour and clarity of slide film.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eWhat to expect\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eEktachrome E100 has a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eclean, crisp and controlled look\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Expect fine grain, strong detail and natural colour, with less of the heavy saturation associated with some other transparency films.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBecause it's slide film, exposure latitude is tighter than with colour negative film. Accurate metering matters, but that's also part of the appeal. When you get it right, you're left with a positive medium-format transparency you can actually hold up to the light.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eDeveloping\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eProcess: E-6\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is important: \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eEktachrome E100 is not C-41 film.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt requires \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eE-6 colour reversal processing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, which produces a positive transparency rather than a colour negative.\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701190869046,"sku":"881871B","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/1205-PackKodakE100-1.png?v=1790567102"},{"product_id":"kodak-portra-400-120","title":"Kodak Portra 400, Individual Roll","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eKodak Portra 400\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is one of those films that's easy to understand once you've shot a few rolls. Natural colour, beautiful skin tones, fine grain and enough speed to handle just about anything.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt ISO 400, it's fast enough for changing light without feeling like a specialist film. Load it for a portrait session and it'll feel right at home. Leave it in the camera for a weekend away and it'll happily move between people, streets, landscapes and everyday moments.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePortra's generous exposure latitude is a big part of its appeal. It's forgiving when the light isn't perfect, while still giving you plenty of detail and smooth, natural tones when you nail the exposure.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 120, you get all of that Portra character across a larger medium-format negative. Fine detail, smooth tones and plenty of room to work with when scanning or printing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThis listing is for one individual roll of Kodak Portra 400 in 120 format.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBest for\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003ePortraits, travel, weddings, street photography, lifestyle, landscapes and everyday medium-format shooting. If you want one colour film you can load without overthinking what you're going to photograph, Portra 400 is a very easy choice.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eWhat to expect\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eExpect \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enatural colour, flattering skin tones, fine grain and loads of flexibility\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePortra 400 has a softer, more natural colour palette than films built around punchy saturation. It's particularly good with people, but that's far from all it can do.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eISO 400 also gives you a useful balance between image quality and speed. There's enough sensitivity for changing conditions while still producing the clean, detailed negatives that make medium format so good.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eDeveloping\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eProcess: C-41\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKodak Portra 400 uses standard C-41 colour negative processing, so it can be developed by most labs processing colour film.\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701191950390,"sku":"E761155","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/KodakPortra160-120mm-1_18f689ff-0d9c-447a-8ddf-15dd431a0fa7.png?v=1790570838"},{"product_id":"kodak-portra-800-120","title":"Kodak Portra 800, Individual Roll","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eKodak Portra 800\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e takes the natural colour and beautiful skin tones the Portra family is known for and gives you a little more freedom when the light starts disappearing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt ISO 800, it's a great film to have loaded when you're shooting \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003elater in the day, indoors, at events or anywhere you need a little extra speed\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. You can work with faster shutter speeds and lower light without immediately reaching for a flash.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDespite the extra speed, Portra 800 keeps the look nicely controlled. Skin tones stay natural, colour feels warm without becoming overdone, and the grain gives the images character without taking over.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 120 format, it's particularly lovely. The larger medium-format negative gives the film plenty of room to show off its detail and tonality, while ISO 800 makes medium-format shooting much easier once you're away from perfect daylight.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThis listing is for one individual roll of Kodak Portra 800 in 120 format.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBest for\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eLow-light portraits, weddings, events, travel, street photography, indoor shooting and everyday medium-format photography when you want more speed without giving up the Portra look.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eWhat to expect\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eExpect \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enatural colour, warm and flattering skin tones, visible but pleasing grain and plenty of flexibility in lower light\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCompared with Portra 160 and Portra 400, the big difference here is speed. ISO 800 gives you more freedom to keep shooting as daylight fades or to use faster shutter speeds when your subject isn't staying still.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt's not just a night film, though. Portra 800 works beautifully in daylight too, making it a genuinely versatile roll when you know you'll be moving through different lighting conditions.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eDeveloping\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eProcess: C-41\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKodak Portra 800 uses standard \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eC-41 colour negative processing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, so it can be developed by most labs processing colour film.\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701192146998,"sku":"156343L","price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/KodakPortra160-120mm-1_84e3fe1d-006b-4774-a45c-6cf5b30b035d.png?v=1790571292"},{"product_id":"kodak-t-max-400-120-regular","title":"Kodak Professional T-MAX 400","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eKodak Professional T-MAX 400 is a fast black and white film designed to give you plenty of speed without giving up fine grain or detail.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRated at ISO 400, it's a versatile choice for medium format photography, with enough speed for handheld shooting, changing light and available-light situations. Kodak's T-GRAIN emulsion keeps grain particularly fine for a 400-speed film, with high sharpness and plenty of detail from the larger 120 negative.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt's a great fit for portraits, street photography, landscapes, documentary work and everyday shooting when you want a cleaner, more refined black and white look while still having the flexibility of ISO 400.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFor photographers who like the detail of a slower film but need a little more speed, T-MAX 400 sits in a very useful middle ground.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003e\u003cspan\u003eThis listing is for one individual roll of Kodak Professional T-MAX 400 in 120 format.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eBest for\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMedium format photography\u003c\/li\u003e\n\u003cli\u003ePortraits\u003c\/li\u003e\n\u003cli\u003eStreet photography\u003c\/li\u003e\n\u003cli\u003eDocumentary photography\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eAvailable-light photography\u003c\/li\u003e\n\u003cli\u003eChanging light\u003c\/li\u003e\n\u003cli\u003eHandheld shooting\u003c\/li\u003e\n\u003cli\u003eDetailed subjects\u003c\/li\u003e\n\u003cli\u003eLarger prints and high-resolution scans\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 dir=\"auto\"\u003eWhat to expect\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003eExpect \u003cstrong\u003efine grain, very high sharpness and a clean, detailed black and white look\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eT-MAX 400 uses Kodak's T-GRAIN emulsion technology, designed to deliver finer grain and greater resolving power than you'd normally associate with an ISO 400 film. Kodak currently describes it as its sharpest and finest-grained 400-speed black and white film. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe ISO 400 speed gives you considerably more flexibility than T-MAX 100 when shooting handheld or working in changing light, while still prioritising detail and enlargement quality.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt can also be pushed when you need more speed. Kodak's film literature specifically notes pushability up to \u003cstrong\u003eEI 1600\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"auto\"\u003eDeveloping\u003c\/h2\u003e\n\u003cp dir=\"auto\"\u003e\u003cstrong\u003eStandard black and white processing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eT-MAX 400 can be processed in a range of standard black and white developers, including Kodak T-MAX Developer, XTOL and HC-110. Development times should be adjusted when exposing the film above its normal ISO 400 rating.\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47701192671286,"sku":"5639976","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/KodakT-Max400-120mm-5pack-1.png?v=1790051720"},{"product_id":"kodak-ektar-100-individual-roll","title":"Kodak Ektar 100, Individual Roll","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eKodak Ektar 100\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is a beautifully fine-grained colour negative film made for photographers who love detail, rich colour and clean, sharp images.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith its ISO 100 speed, Ektar really comes into its own when there's plenty of light. Expect \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003evivid colour, strong saturation and exceptionally fine grain\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, making it a great choice for landscapes, travel, architecture, still life and anything where you want the details to shine.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 120 format, there's even more room for that fine grain and detail to do its thing. It's a film that can produce wonderfully crisp, polished images while still keeping the unmistakable character of shooting analogue.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIf Portra is the softer, more restrained member of Kodak's professional colour family, Ektar is the one to reach for when you want your colours to have a little more punch.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSold as one individual roll of 120 film.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eBest for\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eLandscapes, travel, architecture, still life, product photography, bright daylight and photographers looking for vivid colour with very fine grain.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eWhat to expect\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eExpect \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003efine grain, excellent sharpness, saturated colours and plenty of detail\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEktar 100 loves good light. Its slower ISO 100 speed makes it particularly at home outdoors during the day or in controlled lighting where you can take advantage of its clean, detailed look.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eDeveloping\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eProcess: C-41\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEktar 100 is standard colour negative film and can be developed using the regular C-41 process.\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47902002610230,"sku":"Y066415","price":37.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/1205-PackKodakEktar100-1.png?v=1790572912"},{"product_id":"kodak-gold-200-individual-roll","title":"Kodak Gold 200, Individual Roll","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eKodak Gold 200\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is one of those films that just feels like film.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWarm colours, natural-looking skin tones and that familiar Kodak character make it an easy choice for everyday shooting. Gold 200 has a bright, slightly nostalgic feel without going too far, giving your photographs plenty of personality while still keeping things natural.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 120, you get all of that classic Gold character with the extra detail and depth that comes with shooting medium format.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt ISO 200, it loves good light. Load a roll for sunny days, portraits, holidays, street photography or just an afternoon wandering around with your camera. It's straightforward, dependable and doesn't ask you to overthink things.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA great medium-format film for anyone who wants \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ewarm colour, classic Kodak character and an easy-going everyday stock\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThis product is sold as one individual roll of Kodak Gold 200 120 film.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eBest for\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eSunny days, portraits, travel, street photography, holidays, everyday photography and anyone looking for a warm, classic colour film for their medium-format camera.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eWhat to expect\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eExpect \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ewarm tones, rich colour, natural-looking skin tones and fine grain\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, with the familiar slightly nostalgic character Kodak Gold is known for.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eISO 200 makes it particularly happy outdoors and in good natural light. It's colourful without being too wild, making it an easy film to keep coming back to when you want something reliable with plenty of analogue personality.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 120, the larger negative gives Gold's familiar look a little more room to shine, with plenty of detail while retaining the character that makes the film so recognisable.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eDeveloping\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eProcess: C-41\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKodak Gold 200 uses standard \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eC-41 colour negative processing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMost labs that process medium-format colour film will be able to develop it normally.\u003c\/span\u003e\u003c\/p\u003e","brand":"Client Transfer SS8","offers":[{"title":"Default Title","offer_id":47902005428278,"sku":"228334Z","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/4590\/5974\/files\/1205-PackKodakGold200-2.png?v=1790573301"}],"url":"https:\/\/www.sydneysuper8.com.au\/collections\/120mm-film.oembed","provider":"SS8","version":"1.0","type":"link"}